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1.
Kristian Kongshj 《Nations & Nationalism》2019,25(3):822-846
One premise of popular nationalism is that ascribing to a shared culture that enjoys a privileged political status enables us to construct the foundation that is vital to generating and supporting trust among members of the ethnic majority. Multiculturalism presumes that the accommodation of new minority cultures is conducive to trust. Utilising structural equation modelling, this paper distinguishes between ethnic in‐group trust (in the Danish context, trusting fellow Danes) and ethnic out‐group trust (trusting refugees and immigrants), in addition to a more generalised social trust towards unknown others. Previous studies in this field have not distinguished between these different dimensions of social trust. Results show that, vis‐à‐vis generalised trust, at the individual level, nationalism cannot compensate for lower trust towards immigrants with higher trust towards other Danes. There is some support for the ‘national identity’ argument, whereby nationalism, perceived shared values and in‐group trust are positively correlated. However, the net effect of nationalism upon generalised trust remains negative. By contrast, multiculturalism is associated with higher levels of in‐group trust and out‐group trust and ultimately of generalised trust. 相似文献
2.
Anna Villarroya 《International Journal of Cultural Policy》2013,19(1):31-45
This article looks at the general trends regarding identity in Catalan cultural policy. National identity is not a new issue in Catalonia, since language and culture have been key factors in constructing the Catalan nation throughout its history. Nevertheless, the increasing flow of immigrants from other countries, particularly since 2000, has resulted in a strengthening of identity issues. The article examines how this social change has affected the definition of cultural policies and describes the measures implemented by the Catalan government. We conclude that considerable progress has been made in terms of the promotion of national identity through cultural policies, although some questions remain regarding the social use of the Catalan language and the consumption of cultural products in Catalan. 相似文献
3.
Jørn Cruickshank Winfried Ellingsen Knut Hidle 《Geografiska annaler. Series B, Human geography》2013,95(2):147-161
This article addresses the influence of dominant and traditional ways of grasping the reality in social and economic processes of change. Our point of departure is how the perception of crisis in Odda, a small industrial community in Norway, influences the course of the process of change. The analysis focuses on a heated debate over the exploitation of a large site in the centre of Odda, left after the closure of the key factory. Rather than the economic and social consequences of the closure, the main challenge that arose from the crisis was related to the emergence of ambiguity in the local conceptual framework. Coming to terms with the situation stimulated various attempts to rearticulate the discourse of local development, with the result that industrial and culture‐based perspectives on development came into conflict. The economic crisis became a crisis of definition. In Odda, the industrial discourse finally domesticated the competing cultural discourse, ending years of conflict and inaction. In its explicit focus on the importance of local struggles and the way discourse structures such processes this story about recent developments in Odda complements literature on post‐industrial development. 相似文献
4.
Toine Minnaert 《International Journal of Cultural Policy》2013,19(1):99-113
This article focuses on government policy aimed at the presentation of the nation abroad through cultural activities and its relation to national identity, external cultural policy. The methodological framework is offered by the discourse analysis of Wodak and the notion of identity of Laclau and Mouffe, treating policy as a discourse. A closer look is taken at the concept of cultural diplomacy and the closely related term nation branding. This article will show how the shift in paradigm also changes the role of ‘the other’ in the construction of national identity and how this influences the role of the arts in international cultural policy. 相似文献
5.
Eleonora Belfiore 《International Journal of Cultural Policy》2013,19(3):343-359
In 2005, Harry G. Frankfurt, a retired professor of moral philosophy at Princeton University, made it into the best‐sellers chart with his book On Bullshit. Taking his essay as its starting point, this article explores the analysis of bullshit and the prevalence of bullshitting in the contemporary public sphere. Frankfurt’s short essay indeed provides an intellectual framework to interpret and understand contemporary rhetoric and practice in the cultural policy field, as well as recent trends in cultural policy research. Through a discussion of selected New Labour’s cultural policy documents in Britain, the article aims to show that many of the key actors in the cultural policy debate indeed display the ‘indifference to how things really are’ and the cultivation of vested interests which Frankfurt attributes to the activity of bullshitting. The final part of the text discusses the implications of the present status quo for ‘critical’ cultural policy research. 相似文献
6.
Why does cultural policy change? Policy discourse and policy subsystem: a case study of the evolution of cultural policy in Catalonia 总被引:1,自引:0,他引:1
Nicolás Barbieri 《International Journal of Cultural Policy》2013,19(1):13-30
Culture has come to play a fundamental strategic role in the territorial development that seeks to integrate knowledge economy with social cohesion, governance and sustainability. However, cultural policies have been unable to respond to the dilemmas and expectations that this new order presents. In order to appreciate the consequences of this process, it is essential to gain a better understanding of cultural policy change dynamics. This article develops a framework for analysing cultural policy stability and change and applies it to the evolution of cultural policy in Catalonia. Both policy continuity and change are conditioned by the evolution of policy discourse on culture and the characteristics of the cultural policy subsystem. Within this framework, this article also takes into account the role of factors that are exogenous to the cultural domain. Lastly, this article addresses particular characteristics of cultural policy change in regions or stateless nations. 相似文献
7.
Myrsini Zorba 《International Journal of Cultural Policy》2013,19(3):245-259
This paper concentrates on several of the most significant moments of Greek cultural policy since World War II, together with its key concepts. It traces the cultural policy of the country, its main changes and its relationship with politics through a socio‐cultural analysis and a look at the political and cultural events which occurred. The concepts of national identity, hegemony, civilizing mission, democratization, and cultural democracy are applicable in this framework. Despite various attempts at reforms, the country's cultural policy could be characterized as ‘path dependent’; it connected unwaveringly to its two main objectives: heritage and the arts. 相似文献
8.
Jonothan Neelands Viv Freakley Geoff Lindsay 《International Journal of Cultural Policy》2013,19(1):93-109
A social analysis based on extensive evaluation of the Dance and Drama Awards programme reveals the social‐market political paradigm underpinning the formation of cultural policy in the UK underthe New Labour government. This specific intervention in the field of cultural production is placed in the context of broader government interventions in the cultural domain that seek to give respect to undervalued social and cultural groups. There is a political analysis of the characteristics of the social‐market political formation that underpin New Labour’s “affirmative” actions, and the political strategies informing the government’s “access” and “inclusion” agendas and their impact on the cultural and creative industries. The authors argue that the construction of a “social‐market” position in New Labour’s cultural policy represents an attempt to bridge or “hyphenate” the contradictory claims of social democracy, on the one hand, and economic fatalism, on the other. Despite the rhetoric of social and cultural “transformation”, the authors argue that a “faith” in the market prevents New Labour from transforming the political‐economic and cultural structures that generate economic and cultural injustices. 相似文献
9.
Li‐jung Wang 《International Journal of Cultural Policy》2013,19(3):301-318
This study explores the contradictions and challenges in the development of multiculturalism in cultural policy in Taiwan. The approach used involves an exposition and critique of the two dominant models of multiculturalism in Western theory – namely, liberal multiculturalism and postmodern multiculturalism. From the perspective of liberal multiculturalism, I argue that ignorance of multicultural citizenship limits the scope and impact of multicultural policy. I then go on to suggest that postmodern multiculturalism addresses problems related to the visibility of cultural differences and shifting identities. Through analysing the various contradictions and challenges inherent in these two approaches, this study hopes to identify appropriate forms of multiculturalism capable of taking into account both multicultural citizenship and the dynamics of cultural diversity. 相似文献
10.
MARGATH A. WALKER 《Nations & Nationalism》2011,17(1):168-187
ABSTRACT. This article examines the transformations in the cultural sphere of Tijuana, one of Mexico's largest and fastest growing cities, in order to emphasise the border as a crucial site of nation‐building in northern Mexico. I propose that cultural and intellectual actors, through particular sites, are changing the way the city is positioned in relation to the national political space of Mexico. Two institutions are considered specifically, both of which are integral to the propagation of an array of representations of Tijuana. In looking to articulations of nationhood and practices of knowledge production, this article delineates how urban identities reclaim and reconfigure key aspects of national identity in a region heretofore unrecognised as central to the creation of a national imaginary. 相似文献
11.
While screen production is notoriously centralised, it is still found outside major media cities where the central problem for actors in these subordinate media cities is how to create sustainable levels of screen production capabilities in circumstances of increasing centralisation and globalisation in media production and its design. This article discusses how the screen production sectors of two subordinate media cities, Brisbane and the Gold Coast, are organised. Each city represents a different pathway for the sustainability of a media sector. The Gold Coast is a production location for globally and nationally dispersed high-budget feature film and TV drama production; while Brisbane is mostly a ‘national production’ location for domestically oriented news, documentary, infotainment and sports programming with a focus on lower budgeted feature filmmaking and occasionally, television drama. These different city pathways are the product of the creative resources and infrastructure evident in each city. 相似文献
12.
Sabine Krajewski Sandra Blumberg 《Gender, place and culture : a journal of feminist geography》2014,21(6):701-716
This article investigates the experiences of Taiwanese women who migrated to Australia between 1980 and 2005. It is part of a larger project about the migration experiences of Taiwanese women who moved to Australia and to Canada with the aim of providing a direction for facilitating cultural transition for future female migrants. The article presents some of the findings from 21 semi-structured interviews which were conducted between July and October 2011, shedding light on the role that gender, age at the time of migration and family situation play in debates around cultural identity and the place of Taiwanese women in Australia. Relational-cultural theory serves as the theoretical framework for the central argument that – in spite of the differences between younger women and those in their 30s and 40s in relation to the motivation to migrate and ways to connect – the ability to build new relationships in Australia while maintaining existing ones in Taiwan is essential to establishing a positive view of self, and consequently to successful migration. 相似文献
13.
While the use of public policy to construct a Canadian identity has been established in the literature, what is less well understood is whether national identity, once established, might shape Canadians' feelings about these same public policies. This article examines the extent to which citizens' national identities influence their pride in Canada's social security system, and how this relationship may be changing over time. Using data from the International Social Science Programme's 1995 and 2003 National Identity Modules, the article argues that citizens' national identities help explain the contours of social security attitudes in Canada, and that this relationship persists despite significant policy change in the field. Additionally, the paper suggests that political actors may successfully increase public support for their social security policies by “framing” them in ways that appeal to citizens' definitions of Canada. 相似文献
14.
Tuuli Lähdesmäki 《International Journal of Cultural Policy》2013,19(1):59-75
The fundamental aim of the cultural policy of the European Union (EU) is to emphasize the obvious cultural diversity of Europe, while looking for some underlying common elements which unify the various cultures in Europe. Through these common elements, the EU policy produces ‘an imagined cultural community’ of Europe which is ‘united in diversity’, as one of the slogans of the Union states. This discourse characterizes various documents which are essential to the EU cultural policy, such as the Treaty of Lisbon, the European Agenda for Culture and the EU’s decision on the European Capital of Culture program. In addition, the discourse is applied to the production of cultural events in European Capitals of Culture in practice. On all levels of the EU’s cultural policy, the rhetoric of European cultural identity and its ‘unitedness in diversity’ is related with the ideas and practices of fostering common cultural heritage. 相似文献
15.
Li‐jung Wang 《International Journal of Cultural Policy》2013,19(2):171-185
This article will explore the multicultural challenges resulting from increasing numbers of migrant workers and foreign (non‐Chinese) brides in Taiwan, and discuss how such outside cultural influences create new forms of cultural expression, identity and citizenship. It will further describe experiences and present theories specific to Taiwan’s experience. Research on “transnational communities” is fairly advanced in Taiwan. “Transnational communities” in Taiwan are expected to “assimilate” quickly into mainstream Taiwanese society, and personal cultural needs and influences are largely ignored. These communities continue to remain isolated from mainstream Taiwanese society, thus making them “invisible” to society as a whole. Therefore, this research hopes to encourage research into “transnational communities” within the field of cultural policy studies and provide a basic picture of the cultural influence and development of these communities in Taiwan. 相似文献
16.
Cultural and economic heterogeneity is often seen as a major threat to modern welfare states. This article contributes to the discussion of how much heterogeneity the welfare state can endure by theoretically and empirically focusing on the relationship between different levels of national identity and the support for welfare state policies. We analyse the effect of different types of national identity on attitudes towards taxation and redistribution. We show that it is the subjective aspect of national identity, or social cohesion, that in fact matters for predicting attitudes to the welfare state. In comparison, more objective measures of heterogeneity like the inequality of income distribution, language fractionalisation or the percentage of foreign‐born individuals do not have any effect on attitudes to the welfare state. 相似文献
17.
John W. O'Hagan 《International Journal of Cultural Policy》2013,19(1):65-78
Abstract: This article asks how a regional community is culturally constructed as a policy subject in the centre/periphery relation of Finnish cultural policy. The focus is on the options the cultural recognitions analysed from the cultural policy documents of central government and the provincial administration of North Karelia provide for different political interests. It is stated here that the democratisation of cultural policy can be open for and a vehicle of the interests the prevailing spatial dominance attempts to get within the population of peripheries. North Karelia has for centuries been a geographic and economic periphery without inner cultural distinctions. Yet it is regarded as a culturally rich and specific area. The analysis shows that the regional community has continuously been used as a partisan identity for maintaining and reinforcing the spatial integration of national projects. Public cultural image would provide a symbolic compensation for the economically underprivileged. Furthermore, the strong cultural identity of North Karelia has constantly been taken by the regional establishment as an instrument to fight the “opponents of common regional interests” in political conflicts. Thus the principles of democracy have not always meant the capability or attitude to notice cultural polyphony within the region abreast of cultural political decision-making. 相似文献
18.
19.
Marc Scully 《Nations & Nationalism》2012,18(2):191-209
Through the prism of current state discourses in Ireland on engagement with the Irish diaspora, this article examines the empirical merit of the related concepts of ‘diaspora’ and ‘transnationalism’. Drawing on recent research on how Irish identity is articulated and negotiated by Irish people in England, this study suggests a worked distinction between the concepts of ‘diaspora’ and ‘transnationalism’. Two separate discourses of authenticity are compared and contrasted: they rest on a conceptualisation of Irish identity as transnational and diasporic, respectively. I argue that knowledge of contemporary Ireland is constructed as sufficiently important that claims on diasporic Irishness are constrained by the discourse of authentic Irishness as transnational. I discuss how this affects the identity claims of second‐generation Irish people, the relationship between conceptualisations of Irishness as diasporic within Ireland and ‘lived’ diasporic Irish identities, and implications for state discourses of diaspora engagement. 相似文献
20.
国内村上春树研究概况及走向 总被引:3,自引:0,他引:3
解析“村上春树现象”,探讨西方当代文化和文学与村上创作的关系,比较视域下研究村上的创作特色,阐发村上文学的艺术魅力这几个方面,大抵构成了国内当前对村上春树研究的主要方向。本文认为在整体把握国内村上研究概况的基础上,结合日本的村上研究,从文化身份、后现代思想主题、叙事艺术及翻译文学等角度入手将是推动国内村上研究深入发展的有益尝试。 相似文献