Auditing culture

This article explores the effects of the spread of the principles and practices of the New Public Management (NPM) on the subsidised cultural sector and on cultural policy making in Britain. In particular, changes in the style of public administration that can be ascribed to the NPM will be shown to provide a useful framework to make sense of what has been felt as an “instrumental turn” in British policies for culture between the early 1980s and the present day. The current New Labour Government, as well as the arm's length bodies that distribute public funds for the cultural sector in Britain, are showing an increasing tendency to justify public spending on the arts on the basis of instrumental notions of the arts and culture. In the context of what have been defined as “instrumental cultural policies”, the arts are subsidised in so far as they represent a means to an end rather than an end in itself. In this perspective, the emphasis placed on the potential of the arts to help tackle social exclusion and the role of the cultural sector in place‐marketing and local economic development are typical examples of current trends in British cultural policy making. The central argument purported by this article is that this instrumental emphasis in British cultural policy is closely linked to the changes in the style of public administration that have given rise to the NPM. These new developments have indeed put the publicly funded cultural sector under increasing pressure. In particular, it will be shown how the new stress on the measurement of the arts' impacts in clear and quantifiable ways – which characterises today's “audit society” – has proved a tough challenge for the sector and one that has not been successfully met. The article will conclude by critically considering how the spread of the NPM has affected processes of policy making for the cultural sector, and the damaging effects that such developments may ultimately have on the arts themselves.     

The European miracle. Environment,economies and geopolitics in the history of Europe and Asia

This article analyses the 1936 “Wotan” essay by Swiss psychologist Carl Gustav Jung in light of one of its reigning motifs, Ergriffenheit. First, this term is examined within the works of Protestant theologian Rudolf Otto and Indologist Jakob Wilhelm Hauer, who used it to describe what they claimed to be the original religious experience, a state of being deeply stirred or even seized by the “the holy” or by “the ultimate reality.” The article then examines antecedents in Jung's theory of states of psychic seizure, in which two halves of the psyche come into conflict, the resolution of which leads to an increased capacity to create the arts of culture. The analysis then moves to the “Wotan” essay itself, where Jung brings together his own theory of psychic seizure with the theory of the original religious experience as proposed by the above-named scholars of religion in order to suggest that, under National Socialism, the Germans were in the midst of a collective confrontation with their own inner divinity, which should lead to a national spiritual rebirth. The article then investigates the works of several of the men Jung mentions in the essay, as well as his use of ancient Germanic mythology, to support his claim. Through his portrait of the Germanic archetype Wotan, Jung psychologizes and thereby essentializes the Romantic image of the Germans as “a people of poets and philosophers” as well as that of a Nietzschean “master-race.” In conclusion, the article argues that, at least in 1936, Jung's attitude towards Hitler and National Socialism was much more favorable than has previously been recognized.     

Putting the “art” back into arts policy making: how arts policy has been “captured” by the economists and the marketers

Abstract: This paper explores the current discourse about arts policy and funding and its placement within an economic paradigm. The models of “cultural industry” and “creative industry” are explored and how they affect arts funding discourse. Similarly the impact of the introduction of the language of industry and business to the arts sector is considered. If bottom-line arguments are used by funders, governments and critics to argue the merits or otherwise of arts activity, how does this affect arts practice? In recent times arts funding agencies have been restructured to reflect a market-driven agenda rather than an arts-driven agenda. The impact of all these issues is considered in the context of Australian arts' models in particular, but with reference to examples in the United Kingdom and the United States of America. The paper concludes with suggestions for a reassertion of core cultural values in future discourse.     

After thought. Devotion,Teresa de Jesús,and Miguel de Cervantes

ABSTRACT

This article explores the complex landscape of devotion in sixteenth- and seventeenth-century Spain, comparing the legislated Christian-only history of Counter-Reformation with the various alternative strands of belief, faith, and devotion present in a variety of areas of cultural production. The article first examines representations of devotion—and methodologies of reading such representations—in areas of production such as architecture, dictionaries, literature, and the arts; at the end of this first section, it coins the concept of “After Thought” as a reading tool to better comprehend and possibly experience devotion in ways particular to early modern Spain, not merely en cristiano but in multiconfessional forms. “After Thought,” both the tool and the article, follow intellectual engagements with Andalusi (not merely Andalusian) past, present, and future environments in early modern Spain. They also engage alternative somatic dimensions of a different “entendimiento” of Christianity, as described by Teresa de Jesús and practiced by both her and Cervantes. Finally, in reviewing the six ducal chapters of the second part of Don Quijote as a rewriting of Castillo interior, the apocryphal condition of this segment of the novel mobilizes yet another wheel in the Trojan horse of fiction, one that exposes the way in which Cervantes refigures Teresa de Jesús, thus yielding two interactive models of “After Thought” in early modern Spain's arts, religion, and spirituality.     

A STRATEGIC LOGIC FOR ARTS MARKETING

Recent thinking within arts philosophy has moved further and further away from the concept of autonomous art. Nowadays art is mostly seen as an intrinsic part of everyday human life. Artistic value is conceived of more and more as something that depends largely upon experiencing the works as they are encountered within general culture. This relational perspective on art has important implications for the future development of arts marketing as a discipline. This article argues that arts marketing should primarily aim to support and reinforce the artistic functioning of artworks. It proposes that art consumers should be seen as co‐producers in the total art process and advocates that arts marketing should focus on the artistic experience as the core customer value.     

Motherhood and nation: The voice of women artists in Israel's bereavement and memorial discourse

This article offers an interpretive reading of current works of art by women that indicate the paradoxical place of the woman artist as a mother in the cycle of militarism and attitudes toward the discourse of bereavement and commemoration. My hypothesis is that the arts herald or anticipate the trauma by seeking to express something that may be called “pre- and counter-commemoration.” This interpretation of these artists' stance expands on insights arising from the notion of “counter-memory” to discuss a paradoxical form of commemoration that refuses to acquiesce in the cycle of militarism and memorialization. The article offers an integrated examination of theory and practices in the historical context of motherhood and nationalism and, specifically, of women artists in Israel in recent decades in the “discourse of bereavement” as opposed to the “discourse of the bereaved.”     

Physical Planning in Entrepreneurial Urban Governance—Experiences from the Bo01 and Brunnshög Projects,Sweden

Recent research has argued that urban policy has turned towards entrepreneurial forms of urban governance, resulting in a more fragmented and decentralized setting within which public policy is formulated and implemented. This implies that the context for public sector urban planning is also influenced by this “turn”. This article questions this “turn” by arguing that, in Sweden and in practice, forms of fragmentation and decentralization coexist with remnants of coherence and centralization. It focuses on two planning projects, one in Malmö and one in Lund. A case study approach is followed, using official documentation and expert interviews. The article indicates that public authorities and planners remain crucial in urban development projects as initiators of projects, when they bring in financial incentives or lease out the plots for development, or when they add to the project's political legitimacy and bring to the table different actors that would otherwise be less likely to join forces. It concludes by discussing how public sector urban planning is adjusting to the changes brought forward by entrepreneurial urban governance. The article contributes to the literature on how urban planning is adapting to changes in the context for urban governance.     

Defining and redefining atheism: dictionary and encyclopedia entries for “atheism” and their critics in the anglophone world from the early modern period to the present

ABSTRACT

This article examines dictionaries and encyclopedias’ coverage of the term “atheism” in the anglophone world from the early modern period up until the twentieth century. The article recounts how most dictionary- and encyclopedia-makers often portrayed atheism as an irrational and immoral belief system, through their use of negative illustrative quotations or the idea of “atheism” as a denial of God. The article will also show how atheists responded to these dictionaries and encyclopedias, particularly by examining the alternative definition supplied in the middle of the nineteenth century by Charles Bradlaugh, the most important British atheist of the era.     

ADMINISTRATIVE DEFINITIONS OF ARTISTS IN THE NORDIC MODEL OF STATE SUPPORT FOR ARTISTS

This article considers the role of public arts policy in producing societal definitions for “art” and “artists”. It examines administrative definitions generated and used by the Nordic system of state support for artists and reflected in its administrative categories and structures of decision‐making. Using the concepts of “artistic field” and “artistic classification system” as starting points, the article focuses on the regulated and institutionalized interaction of the state and artistic fields in decision making, and on the administrative categories emerging from this interaction. Through this interaction, professional and administrative definitions of “art” and “artist” are closely intertwined in the four countries discussed. The administrative categories examined show considerable variation between the countries related to differences in the nature of this interaction. The definition power involved in state support for artists is related to the nature of this interaction, as well as to such factors as the legitimating arguments, objectives and criteria for the support.     

Ramadan Blues: Debates in Popular Islam during Ramadan in Amman,Jordan

Within the context of the contemporary Middle East and the post‐Islamic Resurgence, avoiding music has become associated with a rise in religiosity and normative Islam. As a result, residents of Amman, Jordan actively avoid consuming music during Ramadan. A large‐scale survey and ethnographic data, including participant observation with employees in an Islamic bank, confirm that avoiding music is a public ethic of Ramadan that is temporally specific and in wide use during the month. In this article, I argue that the tensions surrounding the debates of music's compatibility with normative Islam are enacted in terms of a conflict between cultural and Islamic authenticities. These tensions are resolved temporarily during Ramadan through altered consumption in which one ethical, “Islamic” framework that regards music as haram, or “forbidden,” eclipses another, more diverse “cultural” framework, and does so largely without inducing crisis or controversy. This is because the two realms are not articulating with each other; rather, claims of a normative Islamic authenticity overwhelm the possibilities for a more diverse cultural authenticity. Outside of Ramadan, however, these two competing authenticities often spark tensions and conflicts between family members, neighbors, and coworkers. This article concludes by exploring the implications of ordering morality for religious life in this assertive, even illiberal fashion for diversity in belief and practice.     

Creative shifts and directions

The availability and “readiness” of culture as a mode of governmental control makes cultural policy a matter of great importance in any contemporary society. This is true not only in liberal democracies with established arts councils or cultural policies, it is also proactively pursued by a technologically advanced yet illiberal regime like Singapore, eager to position itself as the global “Renaissance City” of the twenty‐first century. What this “renaissance” model entails remains highly cryptic, not least because cultural terms and political markers are often elusive, but also because the very concept of “cultural policy” shifts along with the political and economic tides in Singapore. Drawing on a rarely cited essay by Raymond Williams, this article offers an historical look at cultural policy in Singapore – from its first articulation in 1978 to its present standing under the rubric of “creative industries” (2002). It considers some of the problems encountered and the societal changes made to accommodate Singapore’s new creative direction, all for the sake of ensuring Singapore’s continued economic dynamism. This article contends that cultural policy in Singapore now involves extracting creative energies – and economies – out of each loosely termed “creative worker” by heralding the economic potential of the arts, media, culture and the creative sectors, but concomitantly marking boundaries of political exchange. In this regard, culture in Singapore has become more than ever a site for governmentality and control.     

Terr(it)or(ies) of Peace? The Congolese Mining Frontier and the Fight Against “Conflict Minerals”

This article traces the geography of the “conflict minerals” campaign and its impact on artisanal mining in the eastern Democratic Republic of the Congo, a region that currently emerges as a pioneer case of traceability and due diligence efforts with regard to the exploitation and trade in tantalum, tungsten and tin. We subsequently analyse the opening and attempted closure of the Congolese resource frontier in the context of recent market reform, and we describe how this process has accompanied a transnational corporate–government nexus bent on monopolising Congo's artisanal 3 T resources. Specifically, we argue how the conflict minerals campaign and its implementation “on the ground” has brought about a harmful, disruptive logic for an artisanal mining sector that is notoriously categorised as unruly, illegal, and informal, but of which upstream stakeholders have in practice been jeopardised by transnational reform. We thus shift the attention from questions on the political economy of “resource wars” towards a deeper understanding of the intersecting spaces of production and regulation that underpin formalisation and traceability of “conflict minerals” in this protracted conflict environment.     

Geographic contributions to institutional curriculum reform in Australia: the challenge of embedding field-based learning

Abstract

In the context of continuing pressures from managerialist and neoliberal drivers of university reform in Australia, Macquarie University’s recent undergraduate curriculum innovation, based on “People,” “Planet,” and “Participation,” has resulted in the embedding and integration of experiential learning in its curriculum and institutional framework. Such an approach challenges academic and administrative staff, students, and partners in industry, the community and public sector settings, to engage and collaborate across significant boundaries. This article outlines the scope and nature of the curriculum reform, then considers the way geographers have both shaped and responded to the opportunities it created. In so doing, it proposes a number of challenges and recommendations for geographers who might seek to extend their longstanding commitment to field-based learning through similar reforms. In this regard, the discipline of geography and its tendency to engage with the “field” can offer much in fostering deeply transformative learning.     

Creativity,health and arts advocacy

Creativity is popularly related to innovation and new ideas. This invention‐cognition view of creativity is too narrow a concept for artistic creativity. Artistic creation is also about reproducing traditions and emotional (“affective”) processes. Widespread use of the popular invention‐cognition view of creativity in arts advocacy obscures wider dimensions of artistic creativity. This article focuses attention on the affective dimension of artistic creation. It surveys “arts therapy” literature and investigates how lessons of this literature can be used to improve the persuasiveness of arts advocacy arguments that appeal to the concept of creativity.     

The Swinging Gate: Katherine Mansfield's Missionary Vision

At the age of thirteen, Mansfield wrote “I want to be a Maori missionary” in her Book of Common Prayer. “The Swinging Gate: Katherine Mansfield's Missionary Vision” by Richard Cappuccio argues that Mansfield's initial diary entry is a lens through which one can read her interests in, rebellion against, and modifications of her Anglican background. The article discusses close readings of her poems “The Sea Child,” “The Butterfly,” and “To L.H. B.” as well as two of her stories — “Prelude,” and “How Pearl Button Was Kidnapped.” In addition it draws on journals and letters to focus on a relationship between Maori systems of belief, her affinities with Frank Harris's “A Holy Man (After Tolstoi),” and her final observations about G. I. Gurdjieff.     

Halford Mackinder's “new” political geography and the geographical tradition

This article re-examines Halford Mackinder's conception of geography in general and his practise as a political geographer in particular by placing his work in the context of the history of geography. The nature and politicisation of early modern (c.1600–1850) geography are depicted, and used as a contextual standard against which to assess Mackinder's claims to have propounded a “new” geography and a “new” form of political geography. Mackinder's conception of geography is found to have been a substantial departure from the early modern one, in terms of its definition of geography, its textual format and its placing of geography in a broader educative structure. By contrast, Mackinder's political geography is shown to effect a far less radical break, for whilst Mackinder's rhetoric suggests that geography will drive his political analysis, it is in fact his pre-existent politics as a tariff-reforming conservative which drove his political geography. To the extent that geography acted as a container for politics, Mackinder was still in the tradition of the early modern period, although he did change the form of that argument.     

A Complete History of Early Christianity: Taking the “Heretics” Seriously1

The heterodox have been treated unfairly within the histories of mainstream Christian tradition, whether by their ecclesiastical opponents or by recent and current scholarship. This article outlines the place of Christian Gnostic belief and practices in the processes of self‐definition and institutionalization that took place within the early history of Christianity and makes a plea to reinstate the “heretics” to their rightful place in any academic discussion of the history and beliefs of Christianity.     

New Frontiers of Philanthro‐capitalism: Digital Technologies and Humanitarianism

Digital technologies that allow large numbers of laypeople to contribute to humanitarian action facilitate the deepening adoption and adaptation of private‐sector logics and rationalities in humanitarianism. This is increasingly taking place through philanthro‐capitalism, a process in which philanthropy and humanitarianism are made central to business models. Key to this transformation is the way private businesses find supporting “digital humanitarian” organisations such as Standby Task Force to be amenable to their capital accumulation imperatives. Private‐sector institutions channel feelings of closeness to aid recipients that digital humanitarian technologies enable, in order to legitimise their claims to “help” the recipients. This has ultimately led to humanitarian and state institutions re‐articulating capitalist logics in ways that reflect the new digital humanitarian avenues of entry. In this article, I characterise this process by drawing out three capitalist logics that humanitarian and state institutions re‐articulate in the context of digital humanitarianism, in an emergent form of philanthro‐capitalism. Specifically, I argue that branding, efficiency, and bottom lines take altered forms in this context, in part being de‐politicised as a necessary condition for their adoption. This de‐politicisation involves normalising these logics by framing social and political problems as technical in nature and thus both beyond critique and amenable to digital humanitarian “solutions”. I take this line of argumentation to then re‐politicise each of these logics and the capitalist relations that they entail.     

Collecting Material Folklore: Motivations and Methods in the Owen and Hasluck Collections

As contributor to the mistakenly conceptualised concept of “belief legend,” I want to survey the historical antecedents and the circumstances that at a certain stage prompted researchers to identify this category, formerly classified as mythical or demonological legend. This was the time when legend scholars began field-collection, experiencing the profound attachment of narratives to living local folk religion. After decades of meticulous field observation, which has led to the accumulation of a more dependable stock of legendry from diverse national, subcultural, occupational groups, it becomes clear that folk belief is a part of any legend, therefore there is no need to maintain the term “belief legend.” Belief is the stimulator and the purpose of telling any narrative within the larger category of the legend genre; it is also the instigator of the legend dialectic. The current confusion caused by the whimsical application of terms such as “truth,” “rationality,” “belief,” and “believability” in scholarly legend interpretations, should caution us to avoid making biased, outsider's judgements instead of presenting the viewpoint of tellers and audiences.