基于日常生活的消费空间生产:一个消费空间的文化研究框架

回顾消费空间的文化研究与地理研究,指出文化与社会、政治、经济复合的视角成为近年来消费空间研究的特征。提出日常生活的视角能够整合、批判地进行消费空间的文化研究。并结合空间生产理论,建立消费空间的文化研究框架。作者指出,施加于日常的惯习、规训与日常内部的抵抗、诗性构成消费空间生产的核心机制。社会结构、政治经济、生活样式在日常中纽结为消费空间生产的动力源。借助列斐伏尔三元空间概念,指出消费空间生产中的支配与被支配、底部与顶部、文化与资本、地方与全球等一系列辩证过程与机制。     

‘God was with me everywhere’: women’s embodied practices and everyday experiences of sacred space in Czechia

In this paper, we approach religion and spirituality through the analytic lens of the everyday and examine how ordinary women make sacred space through their embodied, emotional, and spatially varying practices. Our research is grounded in Czechia where about 80% of inhabitants do not declare any religious affiliation and ‘new’ religions are on the rise. We deploy auto-photography as a method that invites participants’ own visual representations and interpretative narrations of their quotidian experiences. Thirty-eight Christian, Buddhist, and non-religious women participated in this study in 2016. Our analysis of photographs and interviews shows that our participants turn places that are not primarily associated with religion or spirituality (such as a kitchen sink or a bus stop) into sacred or spiritual places while at the same time integrate officially sacred spaces (such as churches and meditation centers) into their daily lives through social activities. Thus, we argue that a mutually transformative process is taking place in contemporary Czechia. In this process, religiously affiliated and non-affiliated women alike transform everyday spaces into sacred sites through their embodied and emotional practices that seek calmness, peace, and transcendence. At the same time, women who participate in organized religions remake the sacrality of officially sacred sites through their emphasis on social connections and feelings of communal belonging and shared identity. Our findings underscore that sacred space is not fixed in any one location and its production involves the continual emotional and material investment by ordinary women.     

The moment when Peking fell to the Japanese: a “horizontal” perspective

ABSTRACT

Due to its equivocal character, the fall of Peking in 1937 was a historical moment that deserves a thorough revisit focusing on the city’s multifaceted structure. As a narrative strategy, “moment” aims at putting various spatial imageries of multiple events in a minimized temporal unit. This article focuses on two moments after the Marco Polo Bridge incident of July 7, 1937: July 29, when the Chinese troops withdrew from Peking, and August 8, when the Japanese troops entered the city. It reconstructs these historical scenarios by utilizing the reports of journalists, diary entries, and reminiscences, along with literary works to capture the moment of Peking’s fall. Using a “horizontal” perspective, this paper reveals Peking residents’ communal awareness and attempts to excavate nationalist elements from local experiences.     

胡适关于中国近代文化转型的几个重要观念

在令大多数中国人长期困惑的中西文化的关系问题上,胡适化与看来同自己的固有文化大不相同的现代世界新文化泰然相处,并怎样以最有效的方式吸收现代的新文化,使它能同我们的固有文化相一致、相协调和继续发展.胡适指出,各民族的文化本质上是有同一性的,是可以互相借鉴的.因此,不存在所谓东方文化是精神的,西方文化是物质的这种大分别.胡适又指出,历来各民族的文化交流的常态都是自由选择,各取所需.胡适还强调指出,任何文化都有其自身的"根本保守性",也就是所谓"文化本位".这个"文化本位"实际上就是那无数无数的人民.基于这样的认识,就能够以一种开放的文化观念来处理中国文化与世界新文化的关系,化解种种困惑,较好地解决近代文化转型中遇到的各种问题.     

20世纪70年代末以来的中国文化体制改革

20世纪70年代末以来,我国文化体制改革经历了三个阶段:1978～1991年为改革的酝酸和初步展开阶段,在这个阶段,改革的任务虽已提出,但由于思想不够解放、改革措施不配套等原因,成效不彰;1992～2001年为改革的稳步推进阶段,在这个阶段,改革适应发展社会主义市场经济的需要,取得了较大成绩,但对于文化体制改革重大意义和文化建设战略地位的认识仍不够充分;2002年至今为改革实现重大突破阶段,这个阶段的改革在党和政府的高度重视下,在改革试点取得成功的基础上全面提速,实现了一系列重大突破。     

Symposium ‘exploring the (multiple) futures of world politics through popular culture’

ABSTRACT

Bringing popular culture and world politics together yields multiple advantages, including shifting where the ‘political’ is located and expanding conventional understandings of policy and policy communities. It matters that researchers expand what is considered necessary for understanding the socio-political world, that they challenge hierarchical assumptions of where world politics happens and that they reconsider what and whose knowledge counts. Taking popular culture seriously ‘creates new spaces for critical reflection’ (Federica Caso and Caitlin Hamilton [2015]. Popular Culture and World Politics: Theories, Methods, Pedagogies. Bristol: E-International Relations, 2), spaces to which this Symposium contributes directly.     

Reconceptualizing Resistance in the Historical Archaeology of the British Isles: An Editorial

The present resonates with the harmonics of past events. Our archaeologies, because they deal with the everyday materiality of life, should not neglect to concern themselves with the domination of past people, since many similar forms of oppression persist. Moreover, we should consider the resistance to such domination. Rather than seeing resistance as simply reactive a problem which has generated much criticism—we can reconceptualize it to encompass a more nuanced understanding of the volition and agency of people in inferior positions of power. This lends new strength to the role of archaeologists in representing historical narratives of resistance.     

The sound of images: peddlers' calls and tunes in Republican Peking

Street peddlers were a common feature of city life in China well into the twentieth century. The presence of these small-scale, often single-good merchants can be traced back to earlier centuries. That they survived until after WWII reflects in part the state of economic development of China, where recent immigrants were prepared to take up the meanest, lowest-paid jobs to make a living. In Peking, thousands of peddlers roamed the streets, and more particularly, the hutongs where most of the population lived. They ceaselessly offered their goods and services to the residents, day and night. In order to attract customers and to entice them out of their walled houses and courtyards, peddlers uttered musical vocal phrases, sometimes in elaborate form, and more interestingly, they sometimes used musical instruments. In this paper I examine who they were, how they operated and what they represented to Peking's urban society. From this sketchy social portrait, I will move into a study of how the peddlers were represented in various settings of the pictorial records. Finally, I argue that peddlers were an integral part of a kind of street theater. This is not just a metaphor. Through their calls, songs, and music, peddlers created a constant flow of live entertainment in the street.     

集市:民俗学理解日常生活的新视野

集市是广泛存在于世界各地区各民族的商品交易形式,也是地方社会生活在空间上的浓缩。以流动为特征的集市为地方性知识的生成与表述、民俗关系的搭建与互动提供了场域,是区域性生活实践、文化变迁和社区整合的动力源泉。民俗学对集市中民俗事象、时空特征和实践活动的关注,可在超越村落边界的基础上,透视人群交往、文化交流和物品交换之间的关系,从而拓展民俗学的研究视野,深化对日常生活的理解,提升民俗学理论方法的活力;同时,民俗学的学术关怀可以进一步充实集市研究的生活感、文化性与应用性,丰富有关集市当代转型和乡村社会建设等议题的讨论,体现学科服务社会发展的现实关切。     

The automatic production of space

This paper is concerned with the changing nature of space. More and more of the spaces of everyday life come loaded up with software, lines of code that are installing a new kind of automatically reproduced background and whose nature is only now starting to become clear. This paper is an attempt to map out this background. The paper begins by considering the nature of software. Subsequently, a simple audit is undertaken of where software is chiefly to be found in the spaces of everyday life. The next part of the paper notes the way in which more and more of this software is written to mimic corporeal intelligence, so as to produce a better and more unobtrusive fit with habitation. The paper then sets out three different geographies of software and the way in which they are implicated in the reproduction of everyday life before concluding with a consideration of the degree to which we might consider the rise of software as an epochal event or something much more modest.     

Suburban women and the ‘glocalisation’ of the everyday lives: gender and glocalities in underprivileged areas in Sweden

This article presents results from two case studies of marginalised housing areas on the outskirts of two major cities in Sweden. The areas have been analysed through the lens of glocalisation of the everyday lives. The aim is to illustrate and gain a deeper understanding of the meaning of, and relationship between, place, gender and transnationalism. The article contests the simplified image of migrant women in these marginalised areas as local-bound and isolated. It analyses their everyday lives as spaces of glocality, with a particular focus on local and global networks, local and global meeting places, and relationships to local authorities. The aim is to disseminate new knowledge about the complexities of these women's lives in a global–local context, which also has implications for the theoretical concept of glocality. Through the concept of glocality, the beneficial as well as the negative aspects of these women's lives in marginalised neighbourhoods are illustrated.     

Toiling in the Vale of Tears: Everyday Life and Resistance in South Uist, Outer Hebrides, 1760-1860

Following the 1745 rebellion, agrarian capitalism rapidly transformed subsistence practices in the Outer Hebrides. Landowners increased rents, enclosed common lands, and replaced crofters and cattle with sheep-ranges. Population growth, the demise of the kelp industry, and crop failures compounded the problems of the peasantry. Widespread emigration commenced in the 1770s and peaked in the 1850s, when entire communities were exiled to British North America—the so-called Highland Clearances. This article traces the development of agrarian capitalism on the Isle of South Uist, explores the agricultural improvements undertaken by successive landlords, and considers modes of resistance adopted by the island's population.     

日常生活实践视角下的非正规空间生产研究——以宁波市孔浦街区为例

基于米歇尔·德赛图的日常生活实践的视角,结合列斐伏尔的空间生产理论(空间生产的三个层次),建立\"战略/战术-空间生产\"的分析框架,以宁波市孔浦街区为例,通过对权力主体和弱势群体(流动人口和失地农民)之间规训——抵制的空间实践分析,解释非正规空间的生产过程:施加于日常的支配、压制和规训与来自日常的抵抗构成非正规空间生产的核心机制。研究表明,在\"增长主义\"发展模式之下的中国,地方政府成为非正规空间的主要塑造者,而被固化在非正规空间中的弱势群体为了生存,通过灵活的日常生活实践对空间进行重构,进一步加剧非正规空间的非正规化。