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1.
博物馆观众是博物馆教育研究的核心问题。研究的进步依托于理论的成熟,但是目前学界有关博物馆观众这个定义的理论研究还处于一个发展阶段。本文作者对以往有关博物馆观众的若干流行定义进行了质疑和辨析,同时对博物馆观众的定义进行了新的探讨,提出了自己对于博物馆观众的理解,即博物馆观众是博物馆环境的直接体验行为人的集合体。文章结束部分进一步对博物馆环境、博物馆体验以及人的集合体等信息点进行了必要的深化补充。  相似文献   

2.
    
This paper focuses on the use of web communication tools as a policy device to regulate access to theaters. By comparing the profile of what we call ‘tech-savvy’ spectators (i.e. audience using the website of a theater) with the profile of the general audience we examine whether the web can be regarded as an effective tool to address regular spectators or to reinforce the participation of different segments within the audience. The study suggests that the web appears to be the favorite direct marketing tool for informing or retaining ‘inexpert drama lovers’, namely those who fish in different types of performing arts events (i.e. opera, ballet, and classical concert) or attend different types of theatres. Moreover, internet may combat the aging of the performing arts audience by giving priority to access to those that are more familiar with the new technologies (i.e. younger audience).  相似文献   

3.
This paper considers how debates over the instrumentalisation of the arts have informed the cultural production of an Australian arts organisation – Multicultural Arts Victoria (MAV). In an effort to make multicultural arts more ‘mainstream’, MAV has increasingly adopted market‐based rationales for its work – particularly the use of ‘audience development’ policy frameworks. It is easy to evaluate this marketisation of multicultural arts negatively as an acceptance of neoliberal policy agendas and as a weakening of its commitment to ‘cultural development’ goals. This paper suggests, however, via a critique of Ghassan Hage’s analysis of multiculturalism, that such accounts do not consider how economic rationales actually sit in practice with MAV’s other (cultural development) agendas. Such critiques, therefore, preclude an affirmative reading of the instrumentalisation of multicultural arts. An alternative analytical framework is proposed – one which can more readily account for multicultural arts as a set of practices informed by diverse agendas, and which acknowledges how such practices might both contest and converge with official government policies.  相似文献   

4.
    
The changing economic and technological conditions often referred to as ‘globalization’ have had a deep impact on the very nature of the state, and thus on the aims, objectives and implementation of cultural policy, including film policy. In this paper, I discuss the main changes in film policy there have been in Mexico, comparing the time when the welfare state regarded cinema as crucial to the construction of national identity, and actively supported national cinema at the production, distribution and exhibition levels (about 1920–1980), and the recent onset of neoliberal policies, during which the industry was privatized and globalized. I argue that the result has been a transformation of film production, from the properly ‘national’ cinema it was during the welfare state – that is, having a role in nation building, democratization processes and being an important part of the public sphere – into a kind of genre, catering to a very small niche audience both domestically and internationally. However, exhibition and digital distribution have been strengthened, perhaps pointing towards a more meaningful post-national cinema.  相似文献   

5.
    
This paper attempts to distinguish the different meanings of “audience development” and “social inclusion” – two areas receiving increasing attention in British cultural policy – by discussing their overlap and close relation to “access”. These policy areas are fraught with inherent contradictions when examined in the light of sociological theories on culture. Consumption skills, the level of which is determined socio‐economically, and the function of culture for distinction suggest problems and paradoxes for audience development and social inclusion. Discussion on representation in culture, which can work to institutionalise inequality, also leads to a call for a “target‐driven” approach to these areas. This would be fundamentally different from the dominant “product‐led” approach that tries to leave the core product intact whilst making changes in presentation. To become truly inclusive is a most formidable challenge for cultural organisations as it inevitably brings them into a wholesale review of their core products.  相似文献   

6.
凌静 《神州》2011,(9X):5-6
由于在高中阶段学生的兴趣爱好、智力因素、学习习惯的优劣、个人意志和毅力等非智力因素的作用都会逐步显现,随着学习的深入,数学成绩的分化是必然的,成绩在落后的同学会与初中比较,原来在班上是前几名,现在是后几名,精神压力很大,处理不好对以后学习影响较大。高中数学有十几章内容,高一数学主要是函数,有些同学函数学得不怎么好,但高二立体几何、解析几何却能学得不错,因此,一定要用变化的观点对待学生。鼓励和自信是永不失效的教育法宝。  相似文献   

7.
    
The revival of interest in music evident in recent historiography has led to an investigation of the specifically transnational nature of musical languages and practices. This article explores the possibility of re-reading in a transnational perspective the classical theme of the relationship between the Risorgimento and opera. It focuses on two different points of view: on the one hand, the construction of the librettos as a delicate balance between European romantic narratives and dramatic themes evoking nationalistic sentiments; on the other, the fact that ideas and practices of the theatre as a vehicle of political mobilisation developed in a broad international context where Mazzini and many other nationalists found inspiration in multinational political experiences and discourses. The article concludes by saying that the meanings of terms such as cosmopolitanism and nationalism need to be carefully weighed when we look at nineteenth-century opera production. Only in the closing decades of the century did genuine competition between national traditions arise, which led in Italy to a veritable ‘obsession’ with ‘Italianness’ in music.  相似文献   

8.
    
In Germany, cultural policy is formally made on the level of municipalities, the Länder (federal states) and the federal government. With approximately eight billion Euros per year, they finance a large percentage of cultural and arts activities: music, theater, dance, museums, libraries, film and the preservation of sites of historic interest. The federal government sets the legal framework in which art can be produced and distributed, and finances it indirectly through tax reductions (VAT reduction), copy right laws, and special health insurance and retirement arrangements for artists (Künstlersozialkasse). Within this institutionalized legal and governmental setting, the discursive dimension of politics is often forgotten, particularly when policy creation is being discussed. This article focuses on the discursive dimensions of politics within the field of classical and contemporary music and offers a discourse analysis of mass media coverage to investigate policy‐making.  相似文献   

9.
试论明清商人对职业戏班发展的积极影响   总被引:1,自引:0,他引:1  
聘请职业戏班,是商人看戏的重要途径.商人一般在酬神赛神还愿,有喜庆丧葬之需,或者自家娱乐、宴客,巴结各级官吏等情况下聘请职业戏班前来搬演.商人在聘请职业戏班时往往会尽力选择名班,这使其花费的钱财不可胜数.商人手中掌握着大量的财富,在观戏听曲方面出资又很大方,许多戏班都争相成为商人青睐的对象.而商人对戏班的选择及其对戏班演出的评价,则在一定程度上促使各戏班努力提高演艺水平.  相似文献   

10.
日本世界工厂的发展及其经验   总被引:2,自引:0,他引:2  
上世纪50~60年代,重化学工业迅速发展初步奠定了日本世界工厂的基础.80年代中期前后,以汽车工业、电气机器工业、机械工业等加工组装型工业和半导体工业的高度发达为标志,日本继英国、美国和德国之后,终于成了名副其实的世界工厂.在日本世界工厂发展的过程中,产业政策、贸易立国战略、技术革新和设备投资、大批量生产与专业化分工、充分利用国内外有利条件等发挥了重要的作用.  相似文献   

11.
潘莉  任文顾  方睿哲 《人文地理》2024,39(4):182-192
无论是审视游客出行感受,还是提升行业服务品质,旅游体验的优劣评价都是一个重要依据。然而,旅游体验的身心在场与情境交互特性导致其科学测量问题尚未得到较好解决。鉴于此,文章依据具身理论阐释旅游具身体验质量的内涵,通过严格遵循量表开发流程,采用理论演绎、文本分析、焦点小组访谈、问卷调查等方法,开发出一份可靠有效的具身体验质量量表。21个问项归入6个维度,分别是:身体层面的强化的感官体验、交互的感官体验与整体的身体体验,场景组织层面的具身感觉性,以及情绪情感层面的情感升华与惊喜之情。本文为旅游体验评价提供新的测量工具,相关结论将为目的地创设特定场景以满足游客具身体验需求提供思路借鉴。  相似文献   

12.
Whereas most theoretical and historiographical accounts of the event have focused on its present and past dimensions, this article addresses the relatively underexplored phenomenon of the future event. As temporal junctures, events often already elicit effects before they come to pass, and even if they never do. Building on foundational work on the relation between experience and expectation by Hans‐Georg Gadamer and Reinhart Koselleck as well as on current historiographical debates on “past futures,” I develop a threefold typology of the future event, distinguishing between the assumption of the routine event, the expectation of the relative event, and the adumbration of the radical event. Engaging with case studies like the year 2000, the ambivalent character of so‐called media events, and ongoing debates about a possible climate collapse and the COVID‐19 pandemic, I show how reconsidering the complex temporalities of the future event can shed new light on the ways in which past societies made their futures present.  相似文献   

13.
体验导向型景区开发模式:一种新的旅游开发思路   总被引:11,自引:0,他引:11  
本文提出一种新的旅游开发规划思路-体验导向型景区开发模式,从模式提出的背景、依据以及模式的开发思想、目标、前提、原则和步骤等方面,对体验导向型景区开发模式做了初步的系统理论研究,起抛砖引玉作用。  相似文献   

14.
三维度服务体验实证研究   总被引:11,自引:0,他引:11  
服务体验是顾客对服务遭遇所作出的感觉和评价。顾客每次消费都追求相应的利益,比如,追求产品或服务的实用功能、享乐性情感或增进与同伴的友谊等。不同的消费目的决定了顾客的服务体验应当是一个多维的概念。本文在文献回顾的基础上,提出服务体验包含功能体验、情感体验和社会体验3个维度,并以餐馆为调研行业,用问卷调研方法验证了这3个维度的合理性。最后,文章提出对旅游体验作进一步研究的几点思考。  相似文献   

15.
唐贞全 《东南文化》2012,(3):110-114
注意是人类进行信息加工的前提条件。博物馆观众的注意具有明显的选择性,大多数观众的参观是无意注意行为,博物馆应根据此特性进行管理,从展前的信息组织开始,合理规划展览的内容和形式;在展览预展期,应结合驻足人数、驻足时间以及参观效果访谈等因素进行观众注意力评量,并根据结果实时调整展览设计;开展后,应综合利用各种资源和手段,完善观众注意力引导,从而加强博物馆与观众之间的信息沟通与交流,实现博物馆的教育和传播功能。  相似文献   

16.
章波  多措 《攀登》2008,27(6):149-150
建立科学量化的电视栏目评价体系是实施栏目评价的前提。电视栏目评价体系的框架是由一系列指标构成的,它大致可分为主观指标、客观指标、社会效益指标和经济效益指标。着力构建电视栏目的评价体系,有利于促进节目质量的提高,有利于建立健全电视栏目管理的约束机制、栏目运营的责任机制以及对创作人员的激励机制。  相似文献   

17.
运兆军 《神州》2011,(3X):113-114
初一学生处于半幼稚、半成熟阶段,掌握其规律教学,更应善于引导,使他们旺盛的精力,强烈的好奇化为强烈的求知欲望和认真学习的精神,变被动学习为主动自觉学,习让学生的各种素质都得到有效的发展和培养。  相似文献   

18.
何建民 《旅游科学》2006,20(1):63-70
旅游业已发展成为世界最大产业,发达国家的旅游管理教育与学科发展也有100多年历史。本文以世界著名高等学校旅游管理教育与学科建设的国际经验为参照,以我国旅游业发展对旅游管理教育与学科建设的需要为导向,依据上海财经大学将努力创建成具有“现代化、国际化、信息化”特色的一流大学的目标,提出了上海财经大学旅游管理教育与学科发展的设想。由于上海财经大学是上海市第一个设立旅游管理博士点的院校,因此,这一设想对我国旅游高等教育的发展具有一定的借鉴意义。  相似文献   

19.
寻求心理体验是各种类型旅游活动具有的共同属性,能否满足体验需求是旅游经营特别是特色旅游能否健康发展的根本所在。特色旅游是旅游发展到一定阶段时的高层次体验需求。本文以沙漠旅游为例,从旅游者切身感受的视角出发,通过分析沙漠特色旅游体验的形成机理来认识旅游开发及服务管理中出现的问题,找出在现实状况下我国北方沙漠旅游发展的途径:树立一切从“旅游体验”出发的理念,贯穿于开发规划、产品设计和服务模式之中,树立品牌,扩大远程市场,使沙漠旅游具有可持续性。  相似文献   

20.
中国节事活动开发与管理研究综述   总被引:13,自引:1,他引:13  
本文通过大量文献分析,对呈明显上升趋势的中国节事活动研究状况进行了较深入的阐述,这一研究重点是从节事活动的概念界定和分类,节事活动的作用、存在问题和发展对策,节事活动的经济学分析,节事活动经营模式,发展展望等几个方面加以讨论.文章试图通过研究综述来了解中国节事活动研究的现状、特点、进展和发展方向.研究表明,目前国内节事研究尚不够系统化,视野较狭窄,仍较多集中在城市节事的某个侧面进行局部的分析.据此,文章提出要加强节事活动理论和方法研究,特别要重视对节事活动的规划、组织、营销、管理和影响研究.  相似文献   

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