Industrial suburbs and the growth of metropolitan Pittsburgh, 1870–1920

In 1907, the Pittsburgh Survey team recognized that dispersed industrial development had created a metropolitan area stretching 30 to 50 miles from downtown Pittsburgh. Traditional interpretations of metropolitan formation fail to account for the crucial role of industry in this process. Beginning in the 1870s, the transformation from small, craft organized factories to integrated mills, mass production, and modern management organization in steel and other industries led many manufacturers to search for large sites with railroad and river accessibility. They purchased land, designed modern plants, and sometimes built towns for workers. Other firms bought into new communities begun as speculative industrial real estate ventures. Some owners removed their plants from the city's labour politics to exert greater control over workers. The region's rugged topography and dispersed natural resources of coal and gas accentuated this dispersal. The rapid growth of steel, glass, railroad equipment and coke industries resulted in both large mass-production plants and numerous smaller firms. As capital deepened and interdependence grew, participants multiplied, economies accrued, the division of labour increased, and localized production systems formed around these industries. Transportation, capital, labour markets, and the division of labour in production bound the scattered industrial plants and communities into a sprawling metropolitan district. By 1910 the Pittsburgh district was a complex urban landscape with a dominant central city, surrounded by proximate residential communities, mill towns, satellite cities, and hundreds of mining towns.     

The Book of Job – The Cyclical Progression of the Aporia

ABSTRACT

This article explores the relation between aesthetics and theology in the Book of Job. The overall aim of the article is to explain the relationship between centre and periphery (poetry and prose) and its significance for the theology of the book. The article claims that Job's problem is not the attainment of wisdom but how to reconcile wisdom with suffering—how to relate to suffering. And this theological theme is propagated through aesthetics—including stylistic, narrative, compositional and structural features.

It is impossible to point out a preferential reading in the Book of Job because of the fundamental and structural dissonance of the text. This destabilized, ambiguous, paradoxical, ironical and dissonance-producing text is the hermeneutical starting point. Qua dissonance-producing text this feature is used as foundation for the interpretative task. And to get a comprehensive grip on the book two instruments are used: the literary and compositional means are analyzed, and the structural elements are evaluated in their relation between frame and centre. Following this line of interpretation reveals that the stylistic differences of the work manifest crucial theological distinctions. In the book of Job, shape and aesthetics are meaning and theology.     

The chronology of Rebetiko – a reconsideration of the evidence

Abstract

In this note I would like to discuss the problems presented to researchers by the almost complete lack of reliable information concerning the dates of pre-war rebetika recordings. It is unfortunately no exaggeration to say that with very few exceptions the published dates of older rebetika recordings are not to be trusted, and they have not been based on factual evidence. We are all of us familiar with the well-known reissues of older discs which as a rule never contain the slightest information about the original 78 recordings. A crass example is the series <inline-graphic href="splitsection11_in1.tif"/>whose six volumes do not furnish anything in the way of chronological or label information about the reissued records. There are, moreover, other reissues with more serious pretensions, but no less disappointing. For example the various reissues of the ‘Center for the Study of Rebetika’ where we are given extensive notes and illuminating discussions of musicological problems (at least on some of the early reissues) but not a word about the date, label, catalogue and master numbers of the original recordings. Even in the case of the best reissue so far of pre-war rebetika, Martin Schwartz's ‘Greek-Oriental’ (Folklyric 9033) the information provided in the extensive sleeve notes is not wholly satisfactory. The editor has given us the information found nowhere else on similar reissues, namely the original catalogue and masternumbers from which it should be possible to date the recordings. For instance, Schwartz notes that Charal. Panagis' recording <inline-graphic href="splitsection11_in2.tif"/>appeared originally on Greek Parlophone with the catalogue B 21751 and the masternumber 101476. He does not say, however, when he thinks the record was made, although he has all the information needed. From what we know of Parlophone catalogue numbers it seems certain that the record was issued in early 1934. On the same LP we also have Roza Eskenazi's <inline-graphic href="splitsection11_in3.tif"/>(Greek HMV AO 2147); nor in this case does Schwartz attempt to give a date, although it is plain that the record was issued in 1934.     

Chaos and Order – The Complex Structure of the Living An Extract: Two Dialogues

Abstract

Recently the author has published a book (in German) with the above title. In nine chapters the problem of biological structures, their evolution and transient character are treated. This is one of the rare books in which difficult problems are dealt with in an easily readable fashion. In it, the author has used an unusual technique in order to introduce the reader to the subject: Each of the nine chapters begins with a fictitious dialogue in which in most cases Georg Christoph Lichtenberg, the famous Göttingen physicist and philosopher of the 18th century, is one of the discussion partners. The dialogues are made up of original quotations by Lichtenberg and the particular partner. Here, two of the dialogues are translated into English by the author.     

The dating of Doggerland – post-glacial geochronology of the southern North Sea

Abstract

The landscapes and archaeological sites of the southern North Sea, drowned in the period 12–6 ky BP, represent an almost unexplored field of research. Published palaeoenvironmental reconstructions are largely speculative, being based on few published sea-level index points and in the absence of detailed physical and chronological surveys. In this paper, we review the post-glacial geochronology for the southern North Sea, which includes 54 radiocarbon ages derived from peat, 17 from molluscs and one known dated artefact. The lack of detailed contextual information for many dated samples means that there remains uncertainty in some elevation data, and thus in the resulting interpreted sea level. The archaeological artefacts are mostly derived deposits and thus are of limited use in palaeoenvironmental reconstruction. Overall, the data are consistent with current models of relative sea-level change back to about 10 ky BP (～45 m depth) but beyond this, there is very little published data. Much more detailed stratigraphic, microfossil and geochemical analysis is needed to help verify chronological data, help interpret the sedimentary settings in which fossils and artefacts are found, and contribute towards more reliable palaeoenvironmental and archaeological reconstructions of the history of the southern North Sea.     

The Death of Alexander the Great – A Spinal Twist of Fate

Alexander the Great died in 323 B.C. from an unknown cause. Physical depictions of this historical figure reveal the likelihood of a cervical scoliotic deformity. This is substantiated with the medical history and is correlated with his untimely death. For the first time, it is concluded that Alexander’s death may have ensued from the sequelae of a congenital scoliotic syndrome.     

The Origins and Ethics of Maritime Archaeology – Part II

Abstract

The institution of maritime archaeology in 2007 stands in a privileged position, uniquely placed to comment upon and engage in 'live' contemporary debates such as the bicentenary of the abolition of slavery, and particularly responsible for comment upon the broader cultural impact of pending global risks such as climate change. With reference to such debates, this paper considers some possible short- and medium-term priorities for maritime archaeology.     

The Rise and Fall of Alexander the Great – The Need for Medical Analysis: Reply to Commentaries

Alexander the Great died in 323 B.C. from an unknown cause. By elucidating the nature of his death, we can better interpret various aspects of Alexandrian history. Alexander’s death may have ensued from the sequelae of a congenital scoliotic syndrome. It would therefore be of significance to note that one of the greatest leaders in history who conquered much of the then known world may have been suffering from a physical disability.     

The Origins and Ethics of Maritime Archaeology – Part I

Abstract

For archaeologists, the principal value of prehistoric figurines is that they offer a means – however limited – into the cultures and lives of prehistoric peoples. There is a long tradition of archaeologists assuming that the figurines they unearth had a religious significance for the people who created them (since anthropomorphic figurines have a religious use in many cultures with which we are familiar). However, just as archaeologists began questioning their attribution of divine status to prehistoric figurines in the 1960s, practitioners of neopagan and goddess spiritualities – particularly those in the feminist spirituality movement – were adopting it. Moreover, in addition to describing prehistoric figurines as images of a Great Goddess who dominated prehistoric religious life, these contemporary feminist neopagans use reproductions of prehistoric figurines to inspire and enact their own spirituality. Feminist neopagan appropriation of prehistoric figurines has been problematic for many archaeologists, who quarrel – legitimately – with the conclusions feminist neopagans make about prehistory based on these artefacts. Yet, as this article argues, the contemporary religious use of prehistoric figurines should not be a matter for archaeologists to decide.     

Assimilation of the Sami – Implementation and Consequences1

If it has taken 100 years to norwegianise the Coast Samis, then it will perhaps take another 100 years to make us Samis again? (Beate Hårstad Jensen (29), Dagbladet 28 July 2001)     

The path-dependent evolution of the entrepreneurial ecosystem (EE) – dynamics and region-specific assets of the case of Vienna (Austria)

The paper sheds light on the path-dependent development of the Viennese entrepreneurial ecosystem (EE). By taking into account temporal dynamics from the 1990s onwards as well as region-specificities we are able to demonstrate the evolution of the EE is not a linear process, but rather the various pillars of the EE may develop in distinct directions and find themselves in discrete development stages. Our in-depth analysis supports the understanding of how various pillars of the EE – especially the regulatory and finance/funding pillar – interrelate. Furthermore, the detected cause–effect interlinkages are not balanced, but are rather shaped by power-constellations and temporal imprinting as well as other regional specificities, which influence the overall success of the EE.     

The notebook and the laboratory – types of knowledge in German piano-making, 1880–1930

ABSTRACT

Between the second half of the nineteenth century and the 1930s, German piano making changed from a craft to an industry. Nevertheless, piano makers still needed specific working knowledge to produce quality instruments. This knowledge was bound to individuals and transmitted informally from one person to another. The piano makers took working knowledge as the core of their practice. But in the shift to industrial methods of production, the key question was how to translate working knowledge into formal knowledge—to articulate what such knowledge meant and how it might be applied. Using the case study of the German piano making factory Grotrian-Steinweg, I show how the piano maker Kurt Grotrian used his notebooks to grapple with the problem of formalizing his working knowledge. At this company, an acoustic laboratory was established, in whose reports formalized knowledge was stored due to the transition of piano making from a craft to an industry.     

The temporality of territorial production – the case of Stortorget,Malmö

In recent years, we have seen the development of a more relational approach to territoriality. This perspective, which focuses on events rather than space, also opens up for an elaboration of temporal aspects of territorial production. In this study, I investigate the central urban square, Stortorget, in Malmö, Sweden, in order to develop a discussion of a time–space territorology. In 1978, Korosec-Serfaty performed a thorough study of the square, observing its everyday activities. The present study compares territorial productions at Malmö’s Main Square during 1978 with those of 2013. The results of the study indicate a change of time–space production in which temporary territorial appropriations and tactics tend to become shorter in duration, whereas the number of temporary and large-scale territorial strategies has increased and the role of these become more important. The study also shows how these territorial transformations include changes (in pace, rhythm, temporal salience and scale) that seem to vertically stabilise the territorial structure of the square, and thus decrease both territorial complexity and the possibilities for new publics to evolve.     

Portraits of the garçonne as artist: gender and creativity in French fiction of the années folles

This article examines a series of popular and middlebrow works of fiction from the 1920s that represent the garçonne (the flapper, or androgynous, emancipated young woman) as artist. Challenging the popular view of the années folles as a period of relatively relaxed social conventions and gender norms, it shows that far from embracing female creativity, the authors of the period took pains to link it to moral and aesthetic deviance. Having considered what the representation of female creativity in novels by Berthe Bernage, Victor Margueritte and Marcel Prévost can tell us about gender in the 1920s, I go on to examine novels by the art critics André Warnod and François Fosca, who use the figure of the garçonne as artist to air art-critical positions about the modernist art produced in Montparnasse, especially by members of the École de Paris. Whereas Warnod represents his female artist as a victim of a modernism linked with the foreign and the ‘primitive,’ in Fosca’s novel the female painter is a more threatening figure: an agent of a modernism whose attacks on the female body (in the form of the conventional academic nude) are in turn echoed in a broader ‘troubling’ of gendered and aesthetic categories.