A Diplomatic Edition of the Introductory Section of Yamāri's Pramā(n)avārttikālankāra(t)īkā Supari(s)uddhā Folios 10a1-14b2

This is the second part of the diplomatic edition of Yamāri's Pramā.navārttikālatkāra.fīkā Suparisuddhā,the continuation of the part published beforeJ In the part published here,Yamāri explains Prajnākaragupta's two initial verses,i.e.,folios 10a1-12a3 on PVA 1,and 12a3-14b2 on PVA2.     

‘Each fantasy chosen begin’: the music of The Divine Comedy

This article considers the cultural and social context for the music of the Northern Irish band The Divine Comedy. It focuses on three mid-1990s albums – Liberation (1993), Promenade (1994) and Casanova (1996) – and debates the significance of this performance of alternative Ulster masculinity during the peace process. It will detail the lyrical obsession with a very particular type of imagined Anglo-Irishness during the first two of these albums, and then consider the complicated uses of the ‘Britpop’ genre in Casanova. This music is baroque, literary and written by an Anglican bishop's son, Neil Hannon, who grew up in Enniskillen during the Troubles. It will consider how Hannon cobbles together an acceptable identity through the use of literary pretentiousness and a carefully crafted pop persona.     

A hospital in Ilkhānid Iran: toward a socio-economic reconstruction of the Rab‘-i Rashīdī

In the first decade of the fourteenth century, Rashiīd al-Dīn Fazl Allāh penned a remarkable endowment deed in which he meticulously detailed his plans for the creation of a utopian community. He named it the Rab‘-i Rashīdī. In this document, he provides socio-economic data concerning the day-to-day operations of this settlement unparalleled in comparable texts. This article focuses on the hospital ward of the Rab‘-i Rashīdī, and provides a broader historical context for this medieval hospital and its personnel by examining the financial and monetary information in the endowment deed in order to piece together the inner workings of this community. In so doing, we are granted a rare opportunity to explore the daily lives of ordinary people whose endeavors, however significant, often went unnoticed.     

In search of the other Europe: The city of Ivano-Frankivs’k in the works of Yurii Andrukhovych

Yurii Andrukhovych is one of the first writers in post-Soviet Ukraine who created their own concept of Central Europe with a particular focus on the historical region of Galicia as a legacy of the Habsburg Empire. The West Ukrainian city of Ivano-Frankivs’k, the author’s place of birth and residency, appears in his texts as a part of the historical region of Eastern Galicia and the embodiment of Andrukhovych’s vision of the region and, by extension, Central Europe. Showing the relationship of the city to the Habsburg monarchy while referencing his own family memories, Andrukhovych combines the pre-war history of the town with contemporary history. Thus, Ivano-Frankivs’k is depicted by the writer not only through the prism of its Habsburg era, but also through post-Soviet reality. Furthermore, in his first publications, the Habsburg history of Galicia represents the idea of belonging to European civilization as an alternative to the more recent totalitarian past, but Andrukhovych has always attempted to create a new image of modern Ivano-Frankivs’k rather than to reconstruct the Austro-Hungarian past of the region: the subjective and personalized Austrian past of the city is more akin to a point of reference and signpost to other perspectives. Both Ivano-Frankivs’k and Eastern Galicia are portrayed by the author as ambivalent and hybrid spaces. On the one hand it is a peripheral area between East and West; but, on the other hand, it is Andrukhovych’s personal part of Europe, where the processes and figures that shaped the continent gain an individual, unique dimension.     

Science and Politics in the Hawaiian Kingdom: The Progress of the Honolulu Social Science Association, 1882–87

The growth in studies of Indigenous responses to the gradual foreign control and American annexation of the Hawaiian Islands has provided an important corrective to dominant trends in earlier Hawaiian historiography, but there has been comparatively little recent work on the attitudes and values of those identified as colonizers. In particular, how Western ideas were understood and appropriated within the context of Hawaiian politics is not well known. This article extends scholarship demonstrating how in colonizing contexts, ideas about science could be mobilized as a moral resource and scientific societies could become distinct social formations. Specifically, the article shows how, during the pre-annexation period, the predominantly White and Hawaiian-born members of the Honolulu Social Science Association gathered in the performance of scientific modernity, with an implicit yet overarching political aim.     

A Diplomatic Edition of the Introductory Section of Yamāri's Pramā(n)avārttikāla(n)kāra(t)īkā Supari(s)uddhā——Folios 3a1-10a1

Introduction As it is well-known,Yamāri's Pramā(n)avārttikāla(n)kāra(t)īkā Supari(s)uddhā (hereafter PVATS)1 on Praj(n)ākaragupta's Pramā(n) avārttikāla(n)kāra (hereafter PVA) contains a lot of materials concerning various topics which are very important for historical reconstruction of the later development of the Buddhist epistemological system,especially the tradition beginning with Dharmakīrti's Pramā(n)avārttika (hereafter PV).