乾清宫空间功能的转换与制度变迁（上）

乾清宫是明清皇宫中位于内廷的宫殿,在明代是皇帝的寝宫,清康熙八年,皇帝居住场所从保和殿迁入乾清宫,这座明代皇帝寝宫遂被改造成清帝的理政中心。随着乾清宫空间功能的改变,清代一些重要的制度也随之出现,如乾清门御门听政、乾清宫召对臣工、懋勤殿秋谳勾到等。而且乾清宫功能的转变,直接影响了外臣进入内廷的行为方式。本文通过对文献资料的梳理,论证了乾清宫空间功能转变的原因、过程及相应制度的产生。     

渭南市博物馆藏金代“总领军马都提控印”考释

渭南市博物馆收藏一方20世纪80年代出土于陕西省渭南市大荔县的金代官印,此方官印除印文外,背面和两侧阴刻铸印机构、铸印时间等款识。此印作为特殊的文献资料,真实记录了金代后期招募义军的历史,同时也侧面反映了金代官制、官印的变迁,蕴含了丰富的历史信息。本文借鉴前人的研究成果,结合《金史》的相关记载,从官职、铸印机构、品阶三个方面对该印进行考释。     

A Family Affair: The Dundas Family of Arniston and the Military Survey of Scotland (1747–1755)

ABSTRACT

This paper is the result of extensive investigation of the archives of the Dundas family of Arniston, Midlothian. It uncovers significant roles played in the organization of David Watson and William Roy's Military Survey of Scotland (1747–1755) by successive generations of the Dundases and suggests that the introduction of Watson, an established military engineer, to the young civilian Roy, was facilitated by that family. The Dundases' patronage of the Military Survey encourages us to understand the project as a private-public partnership and supports contentions that Enlightenment mapping resulted from complex social networks straddling military and civilian life.     

Temporal and Narrative (Dis)junctures: Guillermo Núñez’s Aesthetics of Memory and the Museum of Memory and Human Rights (Santiago,Chile)

Focusing primarily on Guillermo Núñez’s work, this essay juxtaposes two almost-identical exhibits of his ‘exculturas’ (sic: xculptures/ex-cultures) – one at the Chilean-French Cultural Institute in 1975, which resulted in his detention and exile, the other in 2010 for the official inauguration of the Museum of Memory and Human Rights (MM) – to explore their relationships to memory production in Chile four decades after the military coup. In the first, Núñez offered a pointed critique of the repressive post-coup context through a series of caged and netted objects; the second reconstructed the first as a memory gesture, framed within the ultra-modern, state-sponsored MM, in its designated art space, at once included and physically separated from the historical narrative of the Museum. How do the politics, aesthetics and design of the MM work to complement, complicate, or contradict Núñez’s – and, perhaps, any – artistic proposal? What challenges might the aesthetic of memory in Núñez’s work pose to the Museum’s narrative frame? Examining Núñez’s ‘exculturas’ (and, briefly, Gonzalo Díaz’s reconstructed Lonquén) reveals several tensions – around politics of inclusion and exclusion, the state’s role in memorysites, and the relationships between human rights concerns and museological and artistic strategies – marking the social production of memory in Chile today.     

“非遗”传承人权利保障机制地方法制评述:兼论“非遗法”的反思与完善

《中华人民共和国非物质文化遗产法》("非遗法")颁布实施以后,我国已就非物质文化遗产(非遗)传承人权利保障相关问题进行地方法制实践。这些地方立法不仅保留了"非遗法"相关规定之精华,同时亦在此基础上进行了创新。这些地方法制的做法不仅具有正当性,还具有诸多亮点和启示。为缓解非遗领域不同位阶法律适用冲突以及平衡、协调非遗传承人权利与义务之间关系,"非遗法"应就非遗传承人权利保障机制等问题进行规定,以最终实现非遗法律体系形式功能与实质功能的统一。     

Patagonian Cinnamon and Pepper: Blending Geography in Alonso de Ovalle’s Tabula Geographica Regni Chile (1646)

ABSTRACT

The context and conditions under which early modern Europeans created images and maps that blended Asian and American geographies have recently received the attention of scholars. In this article I explore an example of this practice in the Chilean Jesuit Alonso de Ovalle’s mapping of Asian spices as it affected the southern region of his Tabula geographica regni Chile (Rome, 1646). I examine Ovalle’s inclusion of cinnamon and pepper in the Patagonian landscape as a persuasive allusion to the crucial role of the Strait of Magellan in his proposed revision of the trade route of the Spanish galleons.     

乾隆与石鼓文

作者根据乾清宫旧藏石鼓文和相关的御制诗文,梳理出弘历传拓石鼓、考证鼓文和新编,重刻石鼓几件史事。说明他本人对石鼓怀有浓厚兴趣,奉之为"千秋法物",同时他也从石鼓得到启发,一再阐明"述古兴贤"、"述古传今"、"重道崇文"的文治思想,并提出了保护、重刻和异地放置石鼓的具体办法。由此也推动了乾嘉考证学的发展。