Distinguishing different types of early 17th-century Dutch Jacht and Ship through multivariate morphometric analysis of contemporary maritime art

In research to reconstruct the design of a small Dutch vessel of c . 1600, morphometric analysis of ship iconography proved very useful. Both uni-variate and multi-variate modes of statistical analysis, as used in this research, are described and discussed. Four classifications of three-masted, square-rigged Dutch sailing vessels—ships, jachts, large jachts and small jachts—were shown to be clearly distinguished types in the multi-variate data space.     

Building and ornamental stones of the Awam (Mahram Bilqis) Temple in Marib, Yemen

One of the most famous monuments of the ancient Kingdom of Saba is the first-millennium BC Awam Temple in Marib, Yemen. Despite its fame, almost nothing has been published about the building and ornamental stones used in its construction, or the quarries that supplied these stones. This paper presents the results of the first geological study of the Awam Temple and its stone quarries.     

The tyranny of the definite article: Some thoughts on the art of intellectual history

This essay argues, following an insight of Burckhardt, that the philosophy of history is a ‘centaur’, and that it has a tendency to hinder rather than to encourage the practice of history. It challenges many of the presuppositions of Bevir's study, demonstrating that The Logic of the History of Ideas is not, in any meaningful sense, an historically minded work. The ‘logic’ of the essay looks to the arts, especially literature and music, as providing genuinely illuminating parallels to the discipline involved in the practice of intellectual history. History cannot be understood as a process of philosophical abstraction; pertinent examples are of its essence, and plurality is therefore central to its richly textured nature. It still has much to learn from the reflexive procedures of anthropology. By examining the idea of ‘tradition’ the essay demonstrates that ‘the past’ is never dead, and that the relationship between texts is a living process: the intellectual historian is him/herself an artist, and his/her task is no less demanding than that of the creative artist, and it is always humblingly provisional.     

Some thoughts on art-historical dendrochronology

Imported timbers pose potential problems for the dendrochronologist. The problem is general and any particular dendrochronologist may run into difficulty when he attempts to correlate an exotic ring pattern against an indigenous chronology. Sufficient evidence exists to suspect that high quality oak boards and planks were extensively imported into England in medieval times. However, chronologies constructed from just such boards, namely the art-historical chronologies, have been treated as indigenous without being proven to be so. Almost identical comments can be made with respect to art-historical chronologies constructed by German workers using supposedly indigenous Flemish oak panels. This article explores how failure to allow for importation may well call into question the dating of these art-historical chronologies and in addition demonstrates how an art-historical dating system has been created wherein erroneous placement of the chronologies could escape detection (this latter aspect may well make the argument of general interest to scientists).     

Images of Uncertainty: some thoughts on the meaning of form in in the art of Late Antiquity

Abstract

My concern is with the change in style in the visual arts which occurred with the emergence of Late Antiquity. The discussion is intended to fall into three parts; in the first part I review how art historians have approached Late Antique art and examine some of the theoretical positions that have arisen through attempts to explain style in art; in the second part I shall endeavour to formulate my own theoretical explanation and I shall go on, in the third part, using some examples, to consider how this theoretical formulation is particularly valuable in the analysis of the art of the Late Antique period.     

Shell Middens, Ships and Seeds: Exploring Coastal Subsistence, Maritime Trade and the Dispersal of Domesticates in and Around the Ancient Arabian Peninsula

The Arabian Peninsula occupies a critical position at the intersect of several major Old World landmasses. Inland aridity and a major coastal perimeter have long made maritime activities critical to Arabia’s cultural trajectory. A wealth of recent studies, not previously synthesised, suggest not only that the peninsular littoral offered a rich resource base for thousands of years of human occupation in the region, but also that Arabia witnessed some of the world’s earliest seafaring and maritime exchange activities, and played a role in Bronze Age maritime trade that has often been underestimated. Maritime activities were closely linked to developments in agriculture, which not only fuelled trade and exchange, but were also impacted on by the dispersal of domesticates along early maritime corridors. While regional specialisation has to some degree prevented consideration of the maritime prehistory of the peninsula as a whole, it is clear that there are interesting parallels, as well as important differences, between cultural trajectories in different parts of the peninsula.     

Wild Cattle: Red Deer in the Religious Texts,Iconography, and Archaeology of Early Medieval Ireland

Humans use animals as a means of creating and manipulating relationships with other human beings. This process occurs both through the use of animals for food or raw materials and through the use of animals as literary and artistic symbols. Cervus elaphus is Irelands only indigenous deer species. It is also unique in being the only native Irish, wild animal to appear frequently in medieval texts, iconography, and archaeological deposits. This paper brings together diversesources of information to illuminate how early medieval monasteries used reddeer to establish an identity for themselves and to conceptualize socioeconomic relationships with others.     

对中日学校唱歌的发生与发展的思考

音乐作为文化的一个领域,在中日交流中发挥着极其重要的作用。这一点从中日两国近代音乐交流的代表事物－学校唱歌（中国早期称之为学堂乐歌）中即得到反映。就中日两国而言,它体现了与西方音乐相接触时所发生的变迁,即音乐上的“涵化”过程。同时,由于两国社会历史条件、文化经济等方面的差异,因此两国的学校唱歌也有着不同的发展轨迹,对其的研究也正受到应有的重视。     

Some thoughts on the factors that controlled prehistoric maize production in the American Southwest with application to southwestern Colorado

In this paper, we present a model of prehistoric southwestern Colorado maize productivity. The model is based on a tree-ring reconstruction of water-year precipitation for Mesa Verde for the period A.D. 480 to 2011. Correlation of historic Mesa Verde precipitation with historic precipitation at 11 other weather stations enabled the construction of an elevation-dependent precipitation function. Prehistoric water-year precipitation values for Mesa Verde together with the elevation-dependent precipitation function allowed construction of the elevation of southwest Colorado precipitation contours for each year since A.D. 480, including the 30-cm contour, which represents the minimum amount of precipitation necessary for the production of maize and the 50-cm contour, which represents the optimum amount of precipitation necessary for the production of maize. In this paper, calculations of prehistoric maize productivity and field life for any specific elevation are also demonstrated. These calculations were performed using organic nitrogen measurements made on seven southwestern Colorado soil groups together with values of reconstructed water-year precipitation and estimations of the organic nitrogen mineralization rate.     

Change and continuity in the recent 30 years of research on modern Chinese history: Some unsystematic reflective thoughts

Research on modern Chinese history in the past 30 years can be equally divided into two parts, which are different in terms of attended issues, observed objects, and investigated topics, and also employ different perspectives to explore “problems,” utilize different materials, and resort to different formats for narration. To understand this “thirty-year” (post-1978) historiography, it is necessary to go back to the “seventeen-year” (1949–1966) research before the Cultural Revolution and examine and analyze these studies for trends of continuity and fracture in the accumulation of scholarship. On the other hand, future research should be cautious about even an unconscious tendency of self-isolation, keep an open mind, and fully consider the numerous foreign elements “present in China” in the modern period, their consequences, and impact.     

A multi-technique characterization and provenance study of the pigments used in San rock art, South Africa

During the course of a conservation project at the rock shelter known as RSA TYN2 (Eastern Cape, South Africa), a sample of 33 painted fragments that had become detached from the wall were collected. They have been studied using a multi-technique approach (optical microscopy, SEM-EDS, Raman spectroscopy and FTIR), with the aim of achieving a better understanding of their paint stratigraphy, composition, and provenance. The paintings are on a Clarens Formation sandstone and are embedded in calcium sulphates and oxalates. The red pigments show two different ‘hues’, corresponding to two different compositions. The light red is a red ochre, possibly pure, which is probably a degradation product of the Clarens Formation sandstone. The dark red contains more iron oxides and may be a mixture between the red ochre and pure haematite. Because of the presence of crystals which may be identified as augite we suggest this haematite came from the basaltic upper part of the Drakensberg, at least 4 km away from the rock shelter. The black pigments have been identified as carbon black, that is to say, incomplete combustion products of organic compounds, and are radiocarbon dated to between 2120 and 1890 cal BP, making these samples the oldest directly dated South African rock art.     

Motifs,Metaphors and Mythomoteurs: Some Reflections on Medieval South Asian Ethnicity

Abstract. This article takes account of medieval literary sources in Sinhala Sri Lanka and Tamil South India to describe the existence of notions of ethnic loyalty and ethnic categorisation in premodern societies. Literary tropes such as metaphors and motifs in the two cultural areas are discussed in detail and placed in the context of sociological concepts such as lateral and vertical ethnie. In doing so the argument is made that there have been forms of politicised ethnic solidarity in the past, and that these forms are parallel to modem nationalism.     

Gazetteer of small‐scale monuments in prehistoric Hadramawt,Yemen: a radiocarbon chronology from the RASA‐AHSD Project research 1996–2008

This paper provides a new, interpretive gazetteer and chronology of Hadramawt’s highland monuments based on results from archaeological survey and test excavations by the RASA‐AHSD (Roots of Agriculture in southern Arabia‐Arabian Human Social Dynamics) Project. With the exception of a few incidental sightings and an unpublished pipeline survey, the prehistoric record of southern Yemen’s highland plateau has been largely unknown. There are few settlements, so that understanding human landscape history must begin with the numerous small‐scale stone monuments left by mobile people. With examples representing monuments from the fifth, fourth, third and first millennia BC, the corpus of small excavations and radiocarbon dates reported here provides the first guide to the monument types of South Arabian highlands. Monument building began under more moist conditions and appears to have commemorated animal sacrifices long before commemorating mortuary rites and interment. There appears to be a temporal break of 1000 years before the widespread and varied practices of Bronze Age tomb construction, which lasted through the third millennium BC. After another break in monument construction, tombs were reused in the first millennium BC, sometimes with successive ritual visits. The data presented offer new material for the interpretation of the lives and activities of prehistoric pastoralists throughout the Holocene.     

Horse and cargo handling on Medieval Mediterranean ships

The history of ships and boats is filled out through three forms of evidence: archaeological discoveries, textual sources, and a corpus of artistic images. Art from Venice and Ravenna in north-east Italy and the Topkapi Museum in Instanbul, Turkey, offers keys to understanding several questions of Medieval ship-loading practices in the Mediterranean, including cargo loading, and where the war-horse entered his Crusader's ship.     

日本对东亚直接投资"雁行模式"再思考

20世纪80年代以来日本在东亚地区进行大规模的直接投资,执意要确立梦寐以求的、以日本为领头雁,带动亚洲NIES,由ASEAN和中国作为后盾的“雁行模式”。这种三位一体的投资地区分布和产生结构的梯度转移,虽然在短期内有利于日本在亚洲乃至世界保持经济、技术上的优势,有助于东亚经济的高速增长,但从长期效应来看,由于“雁行模式”所具有的致命缺陷,对东亚等发展中东道国乃至日本本国经济发展以及产业结构的高度化将带来深刻的负面效应。     

Architectural decorations from the private buildings in the Market Square at Tamn

The architectural decorations in pre-Islamic Yemen feature a wide and heterogeneous range of materials. Their many functions cover different fields: domestic, religious, funeral architecture, grave goods (particularly censers and furnishings) and, last but not least, epigraphs. Thus the study of this class of materials requires a two-fold approach: on the one hand to identify and understand the various ornamental motifs in themselves; on the other to study which types of decorative motifs were applied in various circumstances, and hence what it is that links them to each other and to the structure they adorn. This work aims to provide a foundation for a thorough study of the decorative motifs on stonework in various contexts. We begin by defining the use of architectural decorations in the domestic sphere. The archaeological context of the Market Square at Tamna' is particularly suitable, in view of the number of houses brought to light, the amount of related materials found and, above all, because it represents a coherent urban context over a specific period of time.     

AMS C dating of early human occupation of southern South America

The time of appearance of a persistent and demographically-viable hunter-gatherer population in late Pleistocene southern South America must be determined by evaluating evidence from as large as possible a sample of candidate archaeological sites in the region. We co-ordinated the AMS dating of multiple bone and charcoal samples from previously-excavated strata at the following sites: Arroyo Seco 2, Paso Otero 5, Piedra Museo, and Cueva Tres Tetas (all in Argentina), and Cueva del Lago Sofia 1 and Tres Arroyos (both in Chile). With one possible exception, we did not obtain new results to confirm earlier observations of pre-Clovis-age cultural activity at any of the sites considered in this study. The possible exception, Arroyo Seco 2, is considered in detail elsewhere [Politis G., Gutierrez M.A., Scabuzzo, C. (Eds), in press. Estado actual de las Investigaciones en el sitio 2 de Arroyo Seco (región pampeana, Argentina). Serie Monográfica INCUAPA 5. Olavarría]. However, our results for the samples which were the most preferred indicators of cultural events (hearth charcoal and cut-marked bone) confirm that people were in the southern cone of South America at or soon after 11,000 BP (13,000 cal BP). Considered alongside recent age estimates for the Clovis culture in North America, these results imply the contemporaneous emergence of a consistent and archaeologically-robust human occupation signal at widely-separated locations across the Western Hemisphere. Such findings suggest that Palaeoindian demic expansion may have involved more than one terminal Pleistocene dispersal episode.