A Single Thread of Meaning: Esperanza Ortega's Hilo solo

Scholarship on Marie de France's Lai de Lanval has long held Guinevere's accusation of homosexuality against Lanval to have been motivated by hurt feelings: it is made, in the words of one commentator, "in the fury of a woman scorned." This article suggests that subtler motives may have been apparent to the text's earliest audiences. By the twelfth century, sodomy was increasingly categorized by ecclesiastical legislation as a kind of treason. Accordingly, it is likely that Guinevere's charge is meant to counter Lanval's insinuation that, in attempting to seduce him, she has tried to lure him into an act of treason as well.     

New insights into the ancient silver production of the Wallis area, Switzerland

This paper discusses the results of a study of the exploitation history of the metallogenic region of the Wallis, Switzerland. Periods of exploitation in this mining district are determined by comparisons of the lead isotope fingerprint of the mines with those of dated artefacts presumed to have a local origin based on the style of craftsmanship. The approach is based on the study of silver mines in the Wallis area and illustrated by three examples of local craftsmanship: (1) silver jewellery from the Late Iron Age, (2) a reliquary shrine from the Early Middle Ages and (3) silver coins from the Late Middle Age.     

Shrine diplomacy: Turkey’s quest for a post-Kemalist identity

ABSTRACT

Shrines are many things to different people: war memorials, places of pilgrimage and even venues for shared festivities. The Sultan Murad shrine complex in Kosovo was raised to commemorate the strategic Ottoman victory at the Battle of Kosovo in 1389. Over the past decade, however, it has assumed significance for Turkey as at no other time in the Republic’s history. Not only is it a key part of state visit itineraries, it also hosts dignitaries of various kinds, tourists and even schoolchildren from Turkey. Taking inspiration from historical and anthropological studies on shrines and memory, this paper dissects the significance of the Sultan Murad I shrine complex in Kosovo to contemporary Turkish foreign policy imaginaries. The shrine allows us to explore the wider motifs and symbols used in presenting the state’s attachment to physical spaces outside of its borders.     

‘Because their patron never dies’: ecclesiastical freedmen,socio-religious interaction,and group formation under the aegis of ‘church property’ in the early medieval west (sixth to eleventh centuries)

In the early medieval west, patronate, as adapted from Roman law, was a fundamental category in determining the legal status of freedmen. In many cases it entailed a basic set of obligations. In an increasing number of situations, however, the patron became an ecclesiastical institution, since slaves and freed persons were often given to churches and monasteries. As ecclesiastical institutions regarded their patronal rights over freed persons as part of inalienable church property, the patronal relationship became permanent and inheritable. In Eastern Francia (the Rhineland and beyond) this transformed ecclesiastical freedmen into religiously defined social groups with potentially distinct aims, religious tasks, and organizational structures, and a shared notion of freedom. From the Carolingian period onward, it even became attractive to enter voluntarily into this status. It is argued here that with its underlying network of socio-religious relations, patronate over ecclesiastical freedmen and censuales can be better understood when considered as an element of a ‘temple society’.     

Changing Notions of Authenticity: Presenting a Castle Over Four Centuries

Bolsover Castle is a 17th‐century mock‐medieval castle built for the Cavendish family. First impressions suggest that its Pillar Parlour has survived with little alteration for nearly four centuries. In reality, there have been minor but telling changes to its fabric. The 18‐century Cavendishes venerated the castle as a shrine to their ancestors. Bolsover’s 19th‐century tenants recreated a romantic Olden Time appearance. The public bodies responsible for the castle in the 20th century used archaeology to reconstruct its 17th‐century form. In each case, these custodians aimed to present the site ‘authentically’, but their work reveals their own contemporary readings of the castle’s history. This evidence, gathered for a Conservation Plan, allowed English Heritage’s re‐display of the castle (1996–2001) to take a more reflective and positive approach to creating new meanings. This use of history to create local important meanings should give good cheer to those managing similar small but significant sites across the world.     

The Carolingian local ecclesia as a ‘temple society’?

This article assesses the question to what extent the model of a ‘temple society’ can be fruitfully employed as a tool of analysis for the Carolingian ecclesia, by which we mean not only the rich, well-endowed churches, but also the small, local ones. An investigation of the many different forms of ecclesiastical land-holding, and of the various functions a church and its ministers did (and did not) fulfil for early medieval Christians, shows the shape of the Carolingian ‘ecclesia-society’ as it took shape in the course of the ninth century.     

A Nabataean and Roman shrine with civic and military gods at Humayma,Jordan

The lifecycle of a Nabataean and Roman community shrine at Humayma, Jordan reflects the evolving values of the town's inhabitants from the first to the third century CE. This paper reviews the evidence for the shrine's appearance and significance over this period, as well as the nature of the cult practised there. Beginning its existence as a Nabataean shrine, whose design incorporated the rising sun and the town's primary peak, the building was damaged when the Romans converted Nabataea into Provincia Arabia. The Roman garrison initially dismantled the shrine to build their fort, but a few decades later the shrine was restored with a centrally placed Nabataean betyl and legionary altar symbolising harmony between the garrison and the town. The garrison's god, Jupiter‐Ammon‐Serapis, and possibly Isis, were now worshipped alongside the town's Nabataean deity. This shrine stressing military‐civilian harmony was later deliberately damaged, most likely during Zenobia's revolt.     

Was Photios an Anti‐Latin?: Heresy and Liturgical Variation in the Encyclical to the Eastern Patriarchs

In discussing Epistle 2, most of the attention has been focused on the discussion of the filioque, to the exclusion of Photios’ other liturgical and ecclesiastical comments. While the filioque arguments are now widely seen as an interpolation into the text (though whether by the hand of Photios or another author can be debated), these additional comments are largely glossed over. However, the liturgical comments in Photios’ Ep. 2 are indeed a central point of contention for the Patriarch himself, rather than a scribe or secondary author. Photios’ antagonism towards Latin liturgy is part of a broader cultural conflict between the two halves of medieval Christendom. For Photios, as well as his predecessors and successors, Orthodoxy was increasingly defined as not only a theological issue, but an issue of praxis, and the presence of innovative liturgical practices was indicative of a perverted theology. These sorts of differences would have been especially notable for Greek missionaries to the Bulgars who lived and worked beside, and in opposition to, Latin missionaries in a competition for ecclesiastical hegemony. Ultimately, Photios’ writings against the liturgical practices of the Latins were of considerably greater importance to his contemporaries than the filioque was to his successors, and the implications of Photios’ theology, given his enduring importance to Orthodox Christianity, have the potential to create new flashpoints in contemporary discussions between Orthodox and Western Christians.     

Archaeological Intelligence

The county of Norfolk is well known for its huge number of ruined and abandoned medieval churches. ‘St Mary's Chapel’ at Ashwellthorpe has not usually been, reckoned among these. Although local tradition always maintained that it was the parish church of the lost village of Ashwell, some architectural historians have been sceptical, suggesting that it is merely a post-medieval domestic building on which part of a church roof has been re-used. Renovation of the property has not only confirmed its ecclesiastical origin, but revealed that it is the chancel of a church later used as a chantry chapel, with a major refurbishment in the fifteenth century.     

Revisiting Female Pilgrimage in Medieval Oxford: Evidence from the Miracula Sancte Frideswide*

The most common form of female pilgrimage in medieval England was local pilgrimage to a saint's shrine. One English pilgrimage destination which is especially associated with women is St Frideswide's shrine in Oxford, owing to a collection of miracle stories compiled in the 1180s in which women are particularly prevalent. Drawing on a new edition and translation of the Miracula sancte Frideswide, this article revisits the cult of Frideswide in the late twelfth century and takes a fresh look at the experiences of women visiting Oxford on pilgrimage. The article reassesses previous speculations about women's attraction to the cult, brings to light some little-appreciated aspects of female pilgrimage, and finds that many of the accounts challenge assumptions made about female behaviour and expectations in the Middle Ages.     

Uxores,ancillae and dominae: women in thirteenth-century Hungary in the Register of Várad

Women’s history for Árpád-era Hungary (1000–1301) has generally been restricted to legal issues and the royal court. This study addresses these deficiencies by examining women in the Register of Várad in regard to three areas of investigation: marriage practices and the involvement of the Church, access women had to property and the access women had to authority. Evidence from the register indicates that by the thirteenth century, ecclesiastical ideas regarding marriage were barely making themselves felt. Ideas of consent and even the indissolubility of marriage were at times unimportant. Though priests were occasionally present at marriages, their role was not decisive. Women had three primary means of obtaining property. They could receive gifts or dower on the event of their wedding, and they could receive a portion of the patrimony. This inheritance was termed the quarta filialis as it amounted to no more than one-quarter of the father’s property. These gifts came under the control of the woman’s husband, and she could not access them until his death. Widowhood combined with guardianship of a minor son could allow women to exert considerable power and, just as elsewhere in Latin Europe, women’s access to public and private authority most approximated that of men’s as a widow. Not all women, of course, had access to such power. The Register of Várad shows numerous instances of women slaves who were under the complete control of their master.     

Beyond the Visible: Combined Neutron and X‐ray Imaging of an Altar Stone from the Former Augustinian Church in Fribourg,Switzerland

An altar table from the former Augustinian church in Fribourg (Switzerland) was studied by means of neutron and X‐ray imaging to investigate the embedded reliquary. The neutron transmission images showed that the sepulcrum contained three objects showing high contrast and high attenuation. As the particles were almost invisible in the X‐ray image, it was assumed that they were organic material. Comparative measurements on reference samples of materials possibly contained in such a reliquary (bone, teeth, leather, incense and parchment) suggest that the particles are bone fragments. Besides an assessment of the content, the results from the neutron investigation allowed a proposal of the probable geometry (i.e., shape and dimensions) of the sepulcrum.     

Recording and curating relics at Westminster Abbey in the late Middle Ages

ABSTRACT

Westminster Abbey’s relics, and objects functionally related to them, were kept in the shrine chapel of St Edward the Confessor, where the kings and queens of England were customarily buried. They constituted a discrete collection, curated by a dedicated monastic officer titled ‘the keeper of St Edward’s shrine and the relics of St Peter’s church’. Inventories of the chapel, made when the office changed hands, survive from 1467, 1479 and 1520. These documents are analysed here for what they reveal of the contents of the collection, monastic interest in it, and the way the relics and related objects were cared for. As an important aspect of the chapel’s spatial configuration, the problem of where precisely the relics were located is also investigated. By examining the routine management of a single, important collection, the article aims to contribute to a more holistic understanding of the cult of relics in the late Middle Ages.     

Confessional disputes in the republic of letters: Susan Du Verger and Margaret Cavendish

The starting point of this article is an understudied piece of critical exegesis from 1657 titled Humble Reflections Upon Some Passages of the Right Honorable the Lady Marchionesse of Newcastles Olio. An obscure Englishwoman named Susan Du Verger composed this 164-page tract to refute a three-page essay on “A Monastical life” by the prolific poet, playwright, and philosopher, Margaret Cavendish. While there is now a substantial body of work on nuns and convents, this research largely overlooks how early modern women engaged with these topics in a scholarly manner. Along with elucidating the gamut of relevant patristic and ecclesiastical histories that were available in the English and French vernaculars, Humble Reflections provides a prompt for investigating Cavendish’s ideas on ecclesiastical order, ceremonies, and toleration. I propose that Cavendish refused to grace Du Verger with a direct response because her polemic disregarded the unofficial codes of conduct — friendship, transnational community, and inter-confessional co-existence — that were supposed to maintain peace within the Republic of Letters. In conclusion, this essay displays that Cavendish was actually a great admirer of monasticism, though not so much for its role in the spread of Christianity as for its place in the development of natural philosophy.     

‘As Poor as Church Mice’: Bishops,Finances, Posts,and Civil Duties in the Duchy of Warsaw, 1807–13

Abstract

Relations between the Catholic Church and the secular authorities of the Duchy of Warsaw were characterized by the one’s efforts to maintain its old privileges, and the other’s modernization of the law in a Josephist spirit. Cooperation and compromise between Church and state were possible, but their relations were full of tension, which sometimes erupted into open confl ict. This article presents a wider range of problems than has hitherto been noted in the historiography. From the beginning of 1807, the Catholic clergy was expected to fulfi l new duties, because of the shortage of administrative staff. Confl icts arose over the duties of patrons, payments for the clergy, their taxes, the government’s prohibition on plural holding of benefi ces cum cura animarum, and over ecclesiastical organization in general. The place of the Church was more clearly outlined in the Constitution of the Duchy of Warsaw (1807), but the concept of the ’state religion’ was seen by some clergymen as an opportunity to spread the Church’s infl uence. Further changes opened the higher ecclesiastical ranks to commoners. The civil government and the episcopate also differed on the role of religious orders, with the former looking to employ nuns and monks in social welfare and education. Bishops complained of ministers and offi cials who did not pay priests’ salaries punctually, if at all, but some episcopal interventions led to the authorities releasing the orders from fi nancial obligations and taxes. The Civil Code, introduced in 1808, assigned the duties of registrars to priests. Insofar as divorces and civil marriages were concerned, this role could place priests in contravention of canon law, although in practice almost no such cases occurred. Despite the work undertaken by representatives of the clergy and the civil authorities, no concordat, which would have resolved these issues, was agreed with the Holy See. As a result, the period of the Duchy brought the Catholic clergy great insecurity, alongside their hopes for the Polish nation.     

On Crystals of Augury

Abstract

Salisbury cathedral is usually seen as a ‘one period’ building, a ‘complete’ 13th-century cathedral. As a result, the later medieval work at Salisbury has rarely been considered in its own right. This neglect has been compounded by the subsequent loss of many of its most important elements: the two eastern chantry chapels, St Osmund’s shrine and half the library. The aim of this paper is to redress this imbalance. Salisbury’s original appearance was transformed dramatically in the early 14th century by the construction of the high tower and spire, and in the later 15th century, following the canonisation of St Osmund, when the east end was substantially remodelled. As at other great churches, the interior was continuously adapted to enable the cathedral to meet the spiritual needs of late medieval society. These were principally the performance of the liturgy, the commemoration of the dead, the augmentation of devotional cults and the promotion of learning. These themes are explored in the discussion of the new library, major monuments, the shrine of St Osmund and the construction of four new chantry chapels. Thus the cathedral evolved significantly in the two and a half centuries after Bishop Ghent’s consecration in 1297.     

Breton woodworkers in the immigrant communities of south-west England, 1500–1550

SUMMARY: The paper assembles documentary evidence which shows that there was a substantial community of immigrants in south-west England in the early 16th century. In Cornwall these people came largely from Brittany; in Devon their origins were more varied. They included a surprising number of carpenters and carvers — many Breton, some ‘Dutch’. Various examples of ecclesiastical and domestic woodwork surviving in the region, including some of the finest examples of craftsmanship of the period, are attributed to these immigrants, and stylistic and technical features are proposed for distinguishing their output from local English work.     

The Rise and Fall of Hicky's Bengal Gazette (1780–2): A Study in Transoceanic Political Culture

The rise and fall of Hicky's Bengal Gazette (1780–82), India's first printed newspaper, is a narrative of prime importance to the history of Indian newspapers, and such is the context within which it has invariably been written. Previous works have approached Hicky's Gazette in a somewhat teleological and insular manner. These accounts have ignored the significance of foreign news among its content and fail to acknowledge Hicky's appropriation of political rhetoric from other parts of the British Empire. Through the contents of Hicky's Gazette we find Calcutta residents engaged in a transoceanic political discourse, criticising ‘nabobs’ with all the ferocity of the metropolitan British press; claiming the freedoms of Englishmen in common cause with the discontented, not only in Britain, but also in Ireland and America; and participating in discussions to regulate the governance of the East India Company through petitions of grievances. In the circulation of Hicky's paper throughout the presidencies and in the contributions of pseudonymous writers we find a platform for the politically discontented among the European community of Bengal whose voice is otherwise muted amidst the Francis-Hastings disputes and the steady stream of ‘official’ information between Calcutta and London.     

Ruinismo: the Catholic Church in Italy from ‘mediation culture’ to the Cultural Project

It is only seven years since Monsignor Camillo Ruini resigned from his role as President of the Italian Episcopal Conference (CEI), yet it feels much longer. The tempestuous events that marked Silvio Berlusconi's decline, on one hand, and the election of Pope Francis to the Holy See, on the other, have made such an impression on recent Italian history that seems to leave no time for reflection on what has happened over the last twenty years. This article explores how, during this time, Cardinal Ruini has re-fashioned the relations between the Catholic Church and Italian politics, following a pattern that has come to be known as ‘ruinismo’. The essay follows the development of the theological-political line of the Conference, from the “mediation” of the “Catholic Party”, the Christian Democrats (DC), to the “policy of presence” of politically committed Catholics, defined in these terms by the ecclesiastical congress in Loreto in 1985 and fully carried out under Ruini's management, with the backing of Berlusconi's governments. The aim is to establish whether and to what extent the “Ruinian” rule may be regarded as the consequence of mainstream Catholic politics of the 1980s and, equally, as a response to the cultural and political transformation brought about by the upheavals of the corruption scandals of 1989–91. Only from this long-term perspective is it possible to determine whether Ruini's exit has brought an end to ruinismo.     

Hospital Drama: Visual Theatres of the Medical Rendezvous from Asylum to Hospital with Reference to Specific Works by Anna Furse

Abstract

This paper is informed by Furse’s practice as a theatre maker in two fields of output that are connected by two factors: first, the presence of the woman patient — hysteric/subfertile respectively — within the clinical gaze; second, the significance of the womb to each pathology. In the treatment of each (explored in Furse’s theatre), lens based technologies play their part, whilst the cultural and medical can be seen to have overlapped to produce specific meaning with regard to Her body and its spectacularity. The article presents an overview of some of the key issues in precisely how the woman’s body becomes spectacular within this prosthetic medical gaze and how the medical — and theatrically designed spaces to represent these — become meaningful and potent proxemics that in turn inform medical/ theatrical spectatorship. Overarching nineteenth-century protocols at the Salpêtrière Hospital in Paris (where Furse’s Augustine (Big Hysteria) is set) to contemporary imaging technologies used in the treatment of subfertility with Assisted Reproduction Technologies (the topic of her Art of A.R.T. projects), it examines the way in which photography develops through cinema to X-Ray, ultrasound and then 3D/4D ultrasound to ‘capture’ the woman’s body in ways by which she becomes muted and exposed. These occular technologies that extend the gaze, first to an exterior subject and then, eventually, traversing the flesh without knife, lend specific performativity to the ‘patient’ women, within the context of hysterias and reproductive impairments respectively. Finally, issues of suspension of disbelief are addressed. The spectator’s faith in the screen-based image of Her spectacular body is interrupted in Furse’s work, which is also keenly interested in the effect of such imagery on the woman’s sense of Self. The historical and cultural leaps in this article argue that there is indeed a trajectory through the history of medical imaging since the first application of photography to anatomy to the more advanced scoping technologies of medical imaging today, and that in each era, the production of these images remain fraught with cultural implications.