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Daniel Nodes 《Medieval Sermon Studies》2017,61(1):20-43
Oklahoma City, Museum of the Bible Foundation, MS 465 is a fourteenth-century codex containing the Collationes de tempore of one Frater Petrus. The codex was designed and assembled for easy reference to individual texts and sections. The 145 Latin texts address themes derived from the liturgical readings for the Sundays and moveable feasts of a complete year. They are collations in a strict sense, treating concise themes through a rigid pattern of division and subdivision of topics that are illuminated by equally systematic forms of amplification. Their pattern closely resembles the layout for collations described in the Ars faciendi sermones of Geraldus de Piscario (fl. 1330s). 相似文献
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Stijn Bussels 《History of European Ideas》2016,42(7):882-892
This article explores how writers from the Dutch Golden Age thought about human contact with that which is elevated far above everyday life. The Dutch Republic offers an interesting context because of the strikingly early use there by seventeenth-century humanists of the Greek concept ?ψο?, from (pseudo-)Longinus, to discuss how writers, artists and their audiences were able to surpass human limitations thanks to an intense imagination which transported them to supreme heights. Dutch poets also used the Latin sublimis to discuss how mankind constantly aims at that which is far above it, but, despite this, can never entirely be a part of it. Thirdly, protestant writers discuss the concept of the Fear of God by explaining that elevated contact with God should be accompanied by the contrasting emotions of attraction and fear. With reference to the humanist Franciscus Junius, poet Joost van den Vondel and preacher Petrus Wittewrongel, I will discuss how these artistic, literary and religious discourses concerning contact with the sublime are related to one another. 相似文献
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nne Bumer-Schleinkofer 《Berichte zur Wissenschaftsgeschichte》1991,14(1):53-54
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Giovanna Cifoletti 《Revue de synthèse / Centre international de synthèse》2001,122(2-4):503-520
In the xvth and xvith centuries the Humanist movement transformed the curriculum into a form more apt to the needs of the new student population of the arts. In particular, what was the actual utility of mathematics in the new encyclopedia? It is Ramus who gave the most explicit answer: after the fall of aristotelian ontology, nobody could count anymore on the classical distinction between theory and practice, between speculation and action, but it was necessary to introduce a new order founded on the most fundamental human knowledge,mathesis. This is the first and irreplaceable utility of mathematics. The mathematical arts traditionally belonging to mathematics are reformed within this new encyclopedia and the humanist is supposed to know their principles and their utility for action. 相似文献