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Elaine Forman Crane’s The Poison Plot opens with the core challenge facing her as a scholar and author. “How,” she asks, “to frame a narrative that more closely resembles fiction than most nonfiction works, while remaining faithful to the historical record?” (xi). It is a matter of historical record that Newport, Rhode Island, resident Benedict Arnold petitioned to divorce his wife, Mary Arnold, in 1738 and that his petition accused her of attempting to poison him. Whether she had, in fact, poisoned him and her motivations for doing so, by contrast, remain unknown, particularly because there are no surviving documents from her perspective. The Poison Plot also poses readers with challenges. What can a reader gain from a historical monograph whose conclusions must, by their very nature, be rooted more in circumstantial evidence and speculation than in concrete documentary evidence? In what contexts might readers approach this book?  相似文献   

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