The tyranny of the definite article: Some thoughts on the art of intellectual history

This essay argues, following an insight of Burckhardt, that the philosophy of history is a ‘centaur’, and that it has a tendency to hinder rather than to encourage the practice of history. It challenges many of the presuppositions of Bevir's study, demonstrating that The Logic of the History of Ideas is not, in any meaningful sense, an historically minded work. The ‘logic’ of the essay looks to the arts, especially literature and music, as providing genuinely illuminating parallels to the discipline involved in the practice of intellectual history. History cannot be understood as a process of philosophical abstraction; pertinent examples are of its essence, and plurality is therefore central to its richly textured nature. It still has much to learn from the reflexive procedures of anthropology. By examining the idea of ‘tradition’ the essay demonstrates that ‘the past’ is never dead, and that the relationship between texts is a living process: the intellectual historian is him/herself an artist, and his/her task is no less demanding than that of the creative artist, and it is always humblingly provisional.     

The tyranny of the definite article: Some thoughts on the art of intellectual history

This essay argues, following an insight of Burckhardt, that the philosophy of history is a ‘centaur’, and that it has a tendency to hinder rather than to encourage the practice of history. It challenges many of the presuppositions of Bevir's study, demonstrating that The Logic of the History of Ideas is not, in any meaningful sense, an historically minded work. The ‘logic’ of the essay looks to the arts, especially literature and music, as providing genuinely illuminating parallels to the discipline involved in the practice of intellectual history. History cannot be understood as a process of philosophical abstraction; pertinent examples are of its essence, and plurality is therefore central to its richly textured nature. It still has much to learn from the reflexive procedures of anthropology. By examining the idea of ‘tradition’ the essay demonstrates that ‘the past’ is never dead, and that the relationship between texts is a living process: the intellectual historian is him/herself an artist, and his/her task is no less demanding than that of the creative artist, and it is always humblingly provisional.     

The Lantern-Bearers of the history of technology

Historians of technology need to focus more on studying human experiences of technological change rather than technological objects. Aesthetic debates over ‘realism’ and ‘romance’ in the later nineteenth century suggest that greater attention to the inward world of lived experience can enhance our understanding of historical experience. The well-known writer Robert Louis Stevenson experimented with a variety of new forms of romance to write about contemporary events in the South Seas with primary attention to inward experiences of technological change, as opposed to accounts of technological objects.     

Some observations on puff-balls from British archaeological sites

The occurrence of the puff-ball Bovista nigrescens in four British archaeological sites, approximately 2000 years old, is investigated, and the related Calvatia utriformis is reported for the first time in archaeological excavations from one of these sites. The circumstances of their discovery at two of these sites (Skara Brae and Vindolanda) strongly suggest that they did not arrive there fortuitously. The puff-balls are considered to have been used as haemostatic agents and/or as tinder. A detailed morphological comparison of early specimens with present-day material is made.     

Some observations on theObservations the decline of the French Jesuit scientific mission in China

In the late seventeenth century, French Jesuit missionaries in China transplanted a distinctively French and distinctively academic brand of scientific work from Paris to Beijing. This auspicious inauguration has obscured the later trajectory of the mission’s scientific ambitions within Old Regime arenas of scientific activity. In this paper, I argue that significant differences distinguish the French Jesuit scientific mission in its late seventeenth-century and eighteenth-century incarnations. By examining the various Parisian editions of French Jesuit scientific work carried out on the China mission, theObservations (1688, 1692, 1729), I trace the declining fortunes of the French Jesuit scientific mission to the dissolution of its alliance with the Académie des sciences and to its difficulties in sustaining a corporate identity and collective vision as investigators of natural phenomena.     

中国古代采矿工程技术史研究的几个问题

采用矿山考古、模拟实验等方法,对中国古代采矿技术的起源与发展进行系统论证后,得出三个论点：一是关于中国古代采矿工程技术的历史进程,可分为萌芽期(史前时期)、形成期(商代中期)、初步发展期(西周时期)、创新期(春秋至战国中期)、充实提高期(秦汉至元代)、全面发展期(明清时期)这六个发展阶段。二是中国古代采矿工程技术有着浓重的中国特色并具独特的发展体系,其多种技术的配合,在很大程度上基于中国古代各种社会要素的综合。三是中国古代采矿技术观是一种有机的、整体和综合的“和”的技术观,“和”明白地表述了采矿技术观的本质特征。