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1.
Jayaprakash Narayan (JP) is often remembered as a ‘Gandhian Socialist’ because of his explicit rejection of revolutionary Marxism in and embrace of Gandhian principles in the 1950s and 1960s. However, the easy mapping of a ‘Marx to Gandhi’ trajectory in JP's political life minimizes the complexity of his political journey, in which cultural nationalism and internationalist Marxian thought were intertwined. This article, based on JP's 1972 interview with Hari Dev Sharma of the Nehru Memorial Library and Museum, investigates his early radicalization in the 1920s, and examines the uneven development of his political consciousness in that context. As such, it makes a specific contribution to the historical record of Indian revolutionaries, bringing JP into that story and suggesting that his later political turns may have had as much to do with the crises of global revolutionary thought and organization in the interwar period as with his own ideas and beliefs.  相似文献   

2.
Both personally and professionally, the 1950s proved a difficult decade for Albert Camus. Not only would the controversy surrounding the publication of L'Homme re´volte´ (1951) leave an indelible mark, but also the pressures of history would increasingly impact on his concern for justice throughout this troubled period. This article examines how Camus's moral sensibility is undermined by le drame alge´rien to such an extent that, as the pressures of history and personal circumstance become increasingly intolerable for him, he is forced to undertake a ‘scaling-down process’ of his whole attitude towards justice. Both the ‘Appel pour une tre?ve civile en Alge´rie’ (1956) and the ‘Re´flexions sur la guillotine’ (1957) can usefully be read in this context where, against a more general background of a,retour aux sources, Camus reverts to his earlier ‘person-to-person’ response to perceived injustice as a means, perhaps, by which to reinvigorate his now frustrated moral stance.  相似文献   

3.
George Woodcock was anarchism's most influential historian and an important public intellectual in Canada. This article focuses on his engagement with Canadian nationalism in the 1960s and 1970s. It argues that a ‘philosophical anarchism’ was at the heart of his intellectual project, and this informed his reading of Canadian cultural development and subsequent political challenge to Pierre Elliott Trudeau's civic nationalism. Woodcock decoupled the concepts of ‘nation’ and ‘state’ in order to develop a radically different model for Canada—the ‘anti-nation’—defined by regionalism, federalism and direct democracy. His reading of Canada's cultural history supporting this position was therefore part of a strategy to repurpose nationalist rhetoric towards anti-state ends.  相似文献   

4.
ABSTRACT

Narokobi’s call for a distinctive ‘Melanesian Way’ was not rigid traditionalism. Narokobi understood Melanesian indigeneity as agentively engaging the foreign, seeking and welcoming it, as opposed to merely acquiescing to it as an unbidden, external force. This understanding was informed by Narokobi’s Arapesh cultural background and his experience of a historic movement led by the visionary Arapesh leader Sir Pita Simogun in the 1950s to modernize the distinctive cultural institution of the Arapesh ‘roads’, which were practical travel passageways as well as valued channels of exchange and social relationships. The modernized Arapesh road facilitated Narokobi’s passage to advanced education just as new scholarships and opportunities were created by Australia’s acceleration of decolonization, positioning him to study law in Sydney and play a central role in planning for PNG’s constitution. It was also a potent Indigenous model that Narokobi built upon in his famous concept of the ‘Melanesian Way’.  相似文献   

5.
In 966, by the end of the reign of its third duke, Richard I, Normandy had overcome the crises that had beset it in the middle of the century. Much of this success came from the coherence of its ruling group, which expressed itself partly in terms of ‘Norman’ identity. This article uses Dudo's history of the dukes and Richard's charters to argue that ‘Norman’ as a political identity was a deliberate creation of the court of Richard I in the 960s, following the perceived failure of his and his father's policies of assimilation into Frankish culture.  相似文献   

6.
‘Brigadoon’ is an American musical comedy of the 1940s and early 1950s. The story centres on a village called Brigadoon, in the Scottish Highlands. Two hundred years ago Brigadoon was threatened with an influx of witches. The village priest, fearing the evil of the influx, prayed that God would so change Brigadoon that one night in the village would last one hundred years in the outside world. Thus, to outsiders, Brigadoon appears only one day each century. Brigadoon would thus survive, each centennial appearance being so brief, in the priest's opinion, that the outside world would not affect it. Brigadoon is a picture-postcard ‘traditional Highlands village’: Highland cattle, milk-maids, village fairs, kilts, tartans, clans and bagpipe music overwhelm the audience. In ‘The invention of tradition: the Highland tradition of Scotland’, Hugh Trevor-Roper (1983) demonstrates that the marks of Highlands culture so pronounced in Brigadoon were a late creation. The kilt was invented by a Quaker English ironmaster from Lancashire, Thomas Rawlinson, around 1730; the image of a distinctive Highlands culture was the creation of James McPherson and the Reverend John McPherson in the 1760s; the distinctive clan tartans were created and marketed by cloth merchants in the late 18th and early 19th century, especially the firm of William Wilson & Son, of Bannockburn, and especially in preparation for the visit of George IV to Edinburgh in 1822.  相似文献   

7.
ABSTRACT

Gustav Metzger (1926–2017) has been described as ‘the conscience of the art world’ for the consistently political content of his art and his commitment to political activism on the subject of nuclear weapons, capitalism and environmentalism. Metzger’s artistic output from the late 1950s onwards reflects a theory of art as both aesthetic form and social action and identifies him as a key precursor of activist art. This article considers the inherent interdisciplinarity of Metzger’s practice as it evolved during this early period between the late 1950s and early 1970s in relation to his agenda of social engagement.  相似文献   

8.
This article explores a hitherto unexamined chapter of German Cold War politics: West Germany’s relations with Indonesia between 1955 and 1965. Indonesia was a peculiar case, as in the late 1950s and early 1960s, President Sukarno turned his country into a radical champion of ‘anti-imperialism’. This included actions directed against the Netherlands, Britain, Malaysia, and the United States. As part of a comprehensive strategy to isolate East Germany in the ‘Third World’, West German diplomacy nevertheless tried to maintain solid relations with Sukarno’s increasingly unpredictable Indonesia, even if that meant undermining the position of Western allies.  相似文献   

9.
One of the most intractable challenges to emerge during British decolonisation was the need to reconcile the competing political aspirations of settler and African populations in Central Africa. During the 1950s Britain sought to construct a ‘multiracial’ Central African Federation, financed largely by Northern Rhodesia's copper industry. Of the two major mining groups involved, the Rhodesian Selection Trust, under the chairmanship of Sir Ronald Prain, arguably played an important and unusual role in the Federation's politics and eventual demise. Having supported the Federation at its inception, Prain quickly reassessed the Federal project and concluded that its expected benefits had failed to materialise, and that a new political orientation was necessary for Northern Rhodesia, his companies' host country. Whereas expatriate business interests were often ‘weak’ political actors during decolonisation, Prain, through pragmatic readjustment, evolved a forward-thinking strategy of accommodation to the rise of African nationalism, and to the corresponding eclipse of settler power. Adapting with unusual success to political change, he became actively involved in the political developments which led to Zambian independence in 1964.  相似文献   

10.
It was during two train-journey meetings with the physicist William Lawrence Bragg (1890–1971) that both Charles Percy Snow's (1905–1980) civil service career and, if the anecdotal evidence is to be believed, the ‘two cultures’ metaphor originated. The first part of this paper is concerned with the background, consequences and significance of the first of these journeys: Kettering station in 1939. It will address the somewhat hazy record of Snow's wartime work found in existing accounts, and argue that Snow's wartime experience helped shape his characterisation of the scientific side of his ‘two cultures’. The second part of this paper deals with Bragg's intellectual influence on Snow, tracing the former's interest in ‘two cultures’ arguments prior to probable encounters between the two on the Cambridge to London train in the late 1940s and early 1950s, including a historically hazy one in which together they allegedly coined the famous phrase. In examining their early relationship, it becomes clear that Bragg was a key influence and support in Snow's career as an administrator and as a cultural commentator.  相似文献   

11.
This article situates the work of East India Company servant Alexander Dow (1735–1779), principally his writings on the history and future state of India, in contemporary debates about empire, religion and enlightened government. To do so it offers a sustained analysis of his 1772 essay ‘A Dissertation Concerning the Origin and Nature of Despotism in Hindostan’, as well as his proposals for the restoration of Bengal, both of which played an influential part in shaping the preoccupations with Mughal history that dominated the contemporary crisis in the Company’s legitimacy. By linking these texts to his earlier work on ‘Hindoo’ religion, it will argue that Dow’s analysis of the relationship between certain religious cultures and their civic qualities was rooted in a deist perspective. It doing so it restores the enlightenment components of Dow’s thought, and their impact on the ideology of empire, in a crucial period of British expansion in India.  相似文献   

12.
ABSTRACT

This article uses a study of the politics of marketing and advertising to consider the role that British World collaboration played in consumer politics in the UK and the Dominions between the 1920s and 1950s. We will assess how politicians and businesspeople in the Dominions responded to the Empire Marketing Board’s efforts to encourage the habit of ‘Buying British’ in the inter-war years, as well as exploring the activities of the leading American marketing agency, J. Walter Thompson. The article concludes with a discussion of how the politics of patriotic trade was recast in the 1950s. While this was a cause which had taken on different forms in Australia, Canada and South Africa during the 1930s, in each country its advocates shared a wider concern with imperial development. And yet, changes in the advertising and marketing industries, and the growth of market research, cut across efforts to promote the consumer habit of buying imperially. By the early 1960s patriotic trade campaigns in the ‘old’ Dominions were nationally focused and shorn of their earlier ‘Britannic’ identity.  相似文献   

13.
In contrast to the conventional view of Ludwig Feuerbach as a left-wing Young Hegelian, this article argues that his primary contribution to philosophy is to be found in his later ethics, the basis of which may be discerned in his earlier writings. Over and above recent work on Feuerbach's aesthetics, his relation to Herder, and the relationship between aesthetics and ‘theological politics’ in his thought, Feuerbach's philosophy can re-evaluated, in relation to Epicurus and the French libertin tradition, as articulating an ethics of hedonism. In The Essence of Christianity (1841), the Nachlass fragment ‘Elementary Aesthetics’ (1843), and his Principles of the Philosophy of the Future (1843) Feuerbach moves towards the vitalist materialist position that culminates in his (proto-Nietzschean) insight in ‘Against the Dualism of Body and Soul, Flesh and Spirit’ (1846) into the world as an ‘aesthetic phenomenon’, thus laying the foundations for his recognition of the centrality of sensuous pleasure to the ethical life.  相似文献   

14.
Rabindranath Tagore, whose oeuvre provincialized Europe, thought about the Nation-State’s wars and crimes in ways congruent with that of another man from Calcutta: Radhabinod Pal, the Indian judge at the Tokyo War Crimes Trial. Several themes intersect here. Tagore was prescient about the aeroplane as the colonial vehicle of atrocity in modern war, anticipating the atomic bombs. He began with high hopes for Japan and an Asia that was one, but his story is a transition from innocence to experience of Japan’s militarism. In the face Japanese scorn at his criticisms Tagore expressed a profound moral teaching about defeat, so called, and the extent to which even victorious civilizations might dishonor themselves. Justice Pal, naively thought by the great powers to be an ally in their legal endeavors to ratify a ‘victor’s justice’, arrived in Tokyo in 1946 with a secret weapon strapped to his heart: his faith in ancient Hindu law, which covertly informs the post-colonial tenor of his ‘dissentient’ judgment, first fully published in Calcutta in 1953. The argument here rests, if that’s possible, where Ashis Nandy ends his illuminating essay on Pal: culpability in matters of war is not easily divisible.  相似文献   

15.
《Anthropology today》2011,27(6):i-ii
Front and back cover caption, volume 27 issue 6 Front cover ANTHROPOLOGY IN CHINA China has its own anthropology ancestors, revered today well beyond the discipline. In this photograph, former Vice Chairman of the Standing Committee of the National People's Congress Gu Xiulian and former Finance Minister Xiang Huaicheng jointly unveil a statue built to commemorate the centenary of the birth of Fei Xiaotong, China's most celebrated anthropologist. Official sources declared that the statue was intended to highlight the academic achievements of this nationally celebrated anthropologist. The Wujiang Municipal Party Committee and the Wujiang municipal government also dedicated a ‘Cultural Garden’ to ‘further expand the popularity’ and ‘enhance the influence’ of Kaixiangong village, the village in which Fei did most of his fieldwork. The Culture Garden is made up of an Exhibition Hall of the History and Culture of the Village, built in memory of Fei Xiaotong's sister, Fei Dasheng, and the Fei Xiaotong Museum. The museum explores the anthropologist's extraordinary life, highlighting in particular Fei's 26 visits to Kaixiangong. However, many Kaixiangong residents, and some government officials, were not enamoured of the commemorative statue that was erected on 23 October 2010. In his official standing pose, Fei Xiaotong was deemed ‘too distant’, and unlikely to ‘find repose’. Wu Weishan who had carried out the original official commission (and whose 31‐foot statue of Confucius was inexplicably removed from Tiananmen Square earlier this year), then visited Kaixiangong village and consulted its residents, after which he sculpted free of charge what was generally felt to be a more fitting replacement. The new statue depicts Fei relaxed and smiling in an armchair, echoing the Chinese ‘big‐tummy Maitreya Buddha’. Villagers believe this statue to be a more apt tribute to Fei's memory, and have expressed the hope that it will bring happiness to their village. Back cover BACK TO ‘CIVILIZATION’? Civilization is the name of a successful series of computer games (more than nine million units sold globally: see http://www.civilization.com ). Over the past two decades, the games have become increasingly sophisticated, not only in terms of programming, but also with respect to the background history, sociology and economics. For example, irrigation can increase food production, and granaries enable surpluses to be stored and populations to increase. The moods of the citizens matter too: ‘If a city has more happy citizens than content ones, and no unhappy ones, the city will throw a celebration for the ruler called “We Love the King Day”, and economic benefits ensue.’ Featured civilizations range from the Aztecs to the Zulu. It is not known whether Sid Meier (‘the father of computer gaming’) and his fellow game designers have ever studied anthropology. Even if they had, it is unlikely, as Chris Hann points out in his editorial in this issue, that the concept of civilization would have figured prominently in their curriculum. Civilizational analysis is a lively subfield of sociology and has never really gone away in archaeology, but it largely disappeared from anthropology in the second half of the twentieth century. Hann discusses some of the reasons for this, and lends his support to recent efforts to revive anthropologists’ interest in the concept. For all its variation, Sid Meier's addictive gameplay exemplifies the fiercely competitive, often violent ethos of today's capitalist civilization. The aim of each game is to rule the world in the name of just one civilization. Hann sees affinities with recent popular books engaging with world history, which rely heavily on contemporary readers’ familiarity with IT. The big question is whether ‘killer apps’ (Niall Ferguson) and the rise of silicon intelligence at the expense of carbon (Ian Morris) will eventually eliminate civilizational pluralism.  相似文献   

16.
Abstract

This paper explores the role of diasporic subjects in China’s heritage-making through a case study of the Turtle Garden built by Tan Kah Kee in Xiamen, China. Tan is the first person with Overseas Chinese background who built museums in the P.R. China and has been regarded as a symbol of Overseas Chinese patriotism. This paper argues that the Turtle Garden, conceptualised as a postcolonial ‘carnivalesque’ space, is more than a civic museum for public education. It reflects the owner’s highly complex and sometimes conflicting museum outlook embedded in his life experience as a migrant, his encounter with (British) colonialism in Malaya, and integrated with his desire and despair about the Chinese Communist Party’s nation-building project in the 1950s. Rather than a sign of devotion to the socialist motherland as simplistically depicted in China’s discourse, the garden symbolises Tan’s last ‘spiritual world’ where he simultaneously engaged with soul-searching as a returned Overseas Chinese and alternative diasporic imagining of Chinese identities and nation. It brings to light the value of heritage-making outside centralised heritage discourses, and offers an invaluable analytical lens to disentangle the contested and ever shifting relationship between diasporic subjects, cultural heritage and nation-(re)building in the Chinese context and beyond.  相似文献   

17.
《巴勒斯坦考察季》2013,145(4):306-319
Abstract

In a recent visit to the site of Tel Dothan the top of a four-horned stone altar of Iron Age type was unexpectedly observed among the structural remains exposed by Joseph P. Free in Area L of his excavations of the late 1950s. Owing to the location of this find within a well-dated building complex (labelled ‘House 14 ’) it can be dated with some certainty to the early Iron Age IIa, i.e. to the 9th century BCE. Dated four-horned stone altars from this period from the northern Kingdom of Israel are extremely rare. ‘House 14 ’ was identified by the excavators as an ‘administrative building,’ but we suggest it probably had a primary cultic function.  相似文献   

18.
Henry Tudor’s diffusion of power in the English far north, and his savage pruning of resources for his wardens there to maintain good rule and defence, were perhaps necessary steps initially to prevent further challenges from overmighty subjects. Twenty years later, this was no longer an issue; and once peace with Scotland collapsed, the absence of the region’s traditional ruling magnates was keenly felt. Under Henry VIII, an obscure border baron, Lord Ogle of Bothal, was often Northumberland’s only resident lord, precipitating a crisis of lordship described as ‘the decay of the borders’. Unable to recruit as warden a reliable magnate on acceptable terms, Henry VIII then decided that, as a matter of principle, he would ‘not be bound, of a necessity, to be served there with lords’. The King appointed himself as warden-general, delegating the real work to gentlemen deputy wardens whose manraed was enhanced by feeing other leading local landowners, including Lord Ogle. Ogle’s kin and connection thus supplied successive wardens with an adequate following in peacetime; but in the ensuing war Ogle was overwhelmed with his warden on Ancrum Moor, becoming the only nobleman in England under Henry VIII to die in battle.  相似文献   

19.
Writing for the influential magazine Il Mondo, Antonio Cederna relentlessly denounced the projects and works that endangered Italy’s historical and landscape heritage in a period – the 1950s and 1960s – characterized by processes of change that were as intense as they were disordered and contradictory. The battles he waged against the danger of Italian cities being tampered with by those whom he called ‘the vandals at home’ had a significant impact on urban development. In addition, his discourse left a deep and enduring trace in Italian journalism, urban planning and historiography. This article focuses on the early period of Cederna’s journalistic activity: it delineates the core features of his denunciation, paying as much attention to its contents as to the form and manner in which it was expressed, and it assesses the outcome and legacy of his press campaigns both on a material and a political-cultural level.  相似文献   

20.
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