On the Centrality of Dionysus in Nietzsche’s Philosophy

Despite the widespread influence of Nietzsche’s iconoclastic works on twentieth-century intellectual and literary culture, there has been a surprising lack of academic focus on the parallels between his philosophical trajectory and the anthropological literature on the mysterious god Dionysus. The striking correlations between ancient Dionysian worship with Nietzsche’s oeuvre revalorise the celebration of ecstasy. In Twilight of the Idols, he states that the Dionysian is “beyond pity and terror, to realize in oneself the eternal joy of becoming.” By elucidating some of the mysteries surrounding this enigmatic god, this article aims to re-establish the central importance of Dionysus in Nietzsche’s work, and to suggest that if we are to understand Nietzsche at all, we must first undertake an anthropological reading of Dionysus.     

Wood and Fire: Scotland’s Timber Cursus Monuments

This paper offers the first comprehensive overview of Scotland’s early Neolithic timber cursus monuments. This small group of sites has, in recent years, been viewed as a significant element of the early Neolithic repertoire in northern Britain, and forerunner to the later earthwork cursus monuments found across the British Isles; but as yet their treatment has been at a largely superficial level. The article draws together the evidence from excavations, cropmarks and the authors’ own fieldwork. As well as describing the monuments, the study also offers a new interpretation of the construction, role and destruction of these monuments within the context of the woodland world of lowland Scotland in the first half of the fourth millennium BC.     

D’Arcy Thompson’s On Growth and Form and the Concept of Dynamic Form in Postwar Avant-Garde Art Theory

Abstract

The impact is considered of D’Arcy Thompson’s notion of biological form as set out in On Growth and Form on postwar avant-garde experimental art practices associated with the Independent Group, Nigel Henderson’s photography, and László Moholy-Nagy’s post-Bauhaus art theory. How Thompson’s insistence on the importance of physical forces in shaping biological form, and of distortion as a component of symmetrical systems, influenced the writings and practices of these artists, is explored, linking abstraction to legacies concerned with materiality and technique encountered earlier in Constructivism. Henderson’s photograms and ‘stressed photography’ are shown to be directly inspired by Thompson’s conception of form as a diagram of forces, and attest to a novel understanding of rules of symmetry in abstract form that may be seen in the dynamic processes at play in complex natural phenomena. How Moholy-Nagy explored these notions theoretically is examined, for example in his definition of drawing in Vision in Motion, which cites Thompson directly as a source of inspiration.     

‘It’s a different time. It’s a different era. It’s a different place’: the Legacy of Vietnam and Contemporary Memoirs of the Wars in Iraq and Afghanistan

Abstract

This article examines censorship of US journalists in World Wars I and II and the Korean War, Vietnam War, and Persian Gulf War, and from war to war, trends in types of censored information. This article also answers whether any censorship has avoided bloodshed or been legitimate, and concludes by examining how, in any future US wars, the government or military could most legitimately ensure safe reporting.     

Rituals of Commemoration,Rituals of Self-Invention: Safavid Religious Colleges and the Collective Memory of the Shi‘a

Shi‘ism, perhaps more than any other current of Islam, places emphasis on numerous forms of commemorative culture. Throughout the history of Shi‘ism, commemorative rituals have provided a comprehensive framework for interpreting a wide array of historical encounters between the Shi‘a and the dominant Sunni culture, thereby allowing Shi‘ism to construct itself as a community of learning and remembering. This self-construction required both a high degree of institutionalization as well as specialists to preserve the religious identity of the Shi‘a and to transmit religious knowledge to the next generation. Madrasas (Islamic institutions of higher learning) as well as the shrines of the Shi‘i Imams and their progeny served as the best institutions to achieve these goals. This paper argues that Safavid madrasas were not only centers for disseminating religious knowledge and preserving Shi'a intellectual heritage. They also rearticulated and contemporized the community's past through the active memorializing of pivotal events in the religious calendar of the Shi‘a. More specifically, the paper delineates the nature and scope of religious rituals and rites carried out in the Madrasa-ye Sultānī and a number of other madrasa-mosque complexes of Safavid Isfahan in order to explore the process by which the Shi‘i past was contextualized or contemporized as salient to suit the needs of Safavid power and society.     

The colour of the facades in Siena’s historical centre: I. Glazings (calcium oxalate films s.s.) and other finishes on the stone materials of the Cathedral’s main facade

This paper focuses on the long-debated topic of the so-called calcium oxalate films: their origin and meaning but also their age and original appearance. The restoration of the main facade of the Siena Cathedral provided a unique opportunity to this end, thanks to the possibility of an extensive and detailed sampling and (as rarely happens) a sufficiently accurate historical knowledge of the construction vicissitudes. This work, mainly based on a polarising microscopy study (coupled with X-ray diffraction and SEM-EDS analyses) of over a thousand thin and ultra-thin sections of 400 microsamples, demonstrates that the current relicts of films are the result of alteration and decay of ancient treatments. In most cases, these were linseed oil-based glazings (the use of this substance is confirmed by historical documents) and pigments. Their role was essentially aesthetic; their use dates the beginning of the fourteenth century and continued at least until the eighteenth century.

Australia’s Detention Centre and the Erosion of Democracy in Nauru

Since 2013, the Nauru government has undermined democracy by reducing the independence of the judiciary, treating opposition MPs as potential traitors, curbing freedom of speech and restricting visits by variously defined groups of people who include journalists, Australians and New Zealanders. New Zealand responded by suspending its aid to Nauru’s justice and border control department. Australia, by contrast, has said little. The Nauru government would not have acted so boldly in curbing civil freedoms and weakening the rule of law if Australia had been less dependent on its goodwill to act as host for Australia’s Regional Processing Centre, which houses asylum seekers who have attempted to reach Australia by boat. Australia’s reliance on Nauru – driven by urgent domestic political considerations – has fostered an atmosphere where the principles of good governance can be flouted with little fear of significant criticism from Canberra.     

Microclimate and Salt Crystallization in the Crypt of Lecce’s Duomo

Ancient masonry structures are often damaged by soluble salt crystallization, which is activated by even small microclimatic variations. Unsuitable environmental conditions can accelerate this process, affecting the type and the quantity of salts and the consequent damage to the masonry. Therefore the importance of monitoring salt diffusion to control salt crystallization and microclimate over time is widely recognized. This study proposes an integrated monitoring methodology to obtain information on the relationship between salt efflorescence and microclimate in the Crypt of the Duomo of Lecce (South Italy). By combining ion chromatography, powder X-ray diffraction analysis, and Raman microscopy with environmental monitoring and deterioration maps, salt components were identified and efflorescence diffusion on masonry was monitored over time. Due to this approach, a possible explanation for the process is finally given.     

Cesare Beccaria’s On Crimes and Punishments: the meaning and genesis of a jurispolitical pamphlet

At the heart of the criminal reform proposed in Cesare Beccaria’s 1764 Dei delitti e delle pene (On Crimes and Punishments) are the principles of penal parsimony derived from a precise interpretation of the social contract. Punishment, being no more than a necessary evil devoid of any intrinsic virtue, must serve no more than a preventative function to the smallest possible extent; its application strictly bound by the principle of legality. Beccaria’s criminal philosophy, therefore, attempts to drastically reduce the power of the penal institution. After recounting its principal aspects, this article seeks to propose a new interpretation of Beccaria’s theory from the perspective of its historical context. The Italian Enlightenment philosopher did not so much express indignation against the barbarism of the Milanese penal system, but rather instigate a rebellion against the political dominance of its patriciate, whose power had long been validated by its juridical functions. In this respect, Beccaria sought to combat the political hegemony of the jurists, concluding his treatise by excluding juridical thought from, and thus removing the intellectual foundations of, the practice of criminal law.     

America’s ‘Religion of Civility’ and the Calvinization of the World

This article examines the importance of Calvinism in producing the public/political “mind-set” of the United States, and how, after the Second World War, the export of this mind-set was as significant as the export of democracy, rock-’n’-roll, jeans, and Coca-Cola. It discusses the historical legacy and evolution of Calvinism from a civil religion to a religion of civility, and how the form and manner of Calvinist thinking—more specifically its ethic and aesthetic—has persisted in a secular manner so that much that Calvin would have found damnable is now intrinsic to the “religion of civility.” It then concludes that the central principles and practices of this religion of civility have had success within nations already “Christianized” but, perhaps understandably, not outside of that sphere.     

Review Article: The Final Publication of the Series ‘On the Iconology of the Gold Bracteates’ and Karl Hauck’s Legacy

Abstract

THE AMBITIOUS AND WIDE-RANGING project launched by the late Karl Hauck with the monograph study Goldbrakteaten aus Sievern in 1970 reached a conclusion, although not closure, with the publication of a massive volume of interpretation and evaluation in 2011. This review article seeks not only to review that publication at an appropriate scale, but also to provide a general reflection upon Karl Hauck’s scholarly legacy of practical value to an Anglophone readership.     

On Taking from Others: History and Sensibility in Archaeologists’ Arguments for Treasure Trove Legislations

The Indian Treasure Trove Act of 1878 is understood as a landmark legislative victory in the preservation of South Asian material pasts. This paper presents a detailed archival history recounting how archaeologists themselves were crucial to the promulgation of the Act and the authors of its specific provisions. It demonstrates how arguments for the reform of royal prerogative into an instrument for the discipline were born in mid-nineteenth-century British debates, where archaeologists’ attempts for a similar statutory change in property laws had been frustrated. Centuries-long tensions in common law definitions and their governance of treasure are demonstrated to be crucial to how we may better understand the new ‘policy’ of the colonial law and its operation. To do so, the paper reviews select cases and presents an evaluation of the archaeological justice of the rule of this law. It asks why our critical historiography has remained insensible to the victims of this law — archaeology’s counter-publics — who have been routinely incarcerated and punished in the name of the greater archaeological common good. Through these examinations, the paper reflects upon the enduring sensibilities and commitments that are involved in continuing to take treasures from others.