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This study examines the climate‐related methods of adaptation on which the traditional Arab house in the Eastern Mediterranean was based. We analysed nine old houses (from the 18th century to the early 20th century), built in the Arab vernacular tradition style, in three areas of Israel with different climatic conditions. Three houses in each area were chosen at random. Only nine were chosen because of the difficulty in finding houses whose state of preservation was in keeping with the aims of the research. For each house, climate‐related elements of the construction were documented. We found elements included at the design stage indicating climate consciousness, climate‐related elements due to building constraints, and building constraints in a cultural context with implications for the balance of climatic efficiency. The findings showed that climatic considerations were an integral part of the design while the principles crossed the boundaries of the three areas. Temperature, relative humidity, and heat intensity were measured, both inside and outside the house on selected days in each season. The research showed that the house moderates the impact of the outside temperature, inside the house in winter and mainly during the hot hours of the day in summer. Most of the climate‐related elements are still relevant. They can be used in regions with Mediterranean‐type climates (in the Mediterranean Basin, South Africa, central Chile, and southwestern Australia), especially when global warming and air pollution demand a substantial revolution of building design philosophies, strategies, technologies, and management methods.  相似文献   

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Abstract. Because many area experts studying the Arab Middle East commonly credit assumptions about nationalism that have, for the most part, been abandoned by their colleagues working in other parts of the globe, they assert that nationalist sentiment in the region has declined, either as a result of a series of political shocks or as the result of competition from other ideologies (such as Islamism). However, popular forms of nationalism not only have strong roots in the region, they have been continually reinforced over time. As a result, the current popular support for Islamism cannot be taken as a sign that nationalist sentiments are on the decline, particularly in light of the fact that Islamic movements share with nationalism a number of significant attributes.  相似文献   

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张旭鹏 《史学月刊》2006,1(5):79-86,93
后现代主义对现代性的批判为人们提供了一个理解现代的有益视角,它有利于揭示现代性充满矛盾和悖论的一面,促使人们加强对现代性的反思并发掘其尚未释放的理性潜能,从而实现现代性的重建。就中国的后现代主义者而言,他们对现代性的批判过多地集中于剖析其“西化”本质,忽视了现代性的某些普遍内涵,使中国的现代性问题局限于中西对立的二元视野。客观地评价中国的现代性,就应当突破上述理论框架,认识到现代性中所包含的普遍性与特殊性之间的张力,同时借鉴后现代主义的建设性作用,努力实现现代性的解放功能。  相似文献   

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This paper considers the functionality and biographies of artifacts in the context of historical archaeology. It is argued that in order to understand how human life in the recent past unfolded in relation with material culture, artifacts must be recognized to perform various unobvious functions and also be conceived as processes rather than bounded physical objects. The paper begins with a theoretical discussion and then focuses on the post-acquisition life of artifacts and human-artifact relations in the seventeenth-century town of Tornio, northern Finland.  相似文献   

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Waller R. Newell in Tyrants: A History of Power, Injustice, and Terror explores how ideas, and the philosophers responsible for them, can aid us in understanding tyranny. In the process, Newell also broaches the possibility that the ideas of these thinkers actually shape succeeding political events. Although the second part, entitled “City of God or City of Man? The Tyrant as Modern State Builder,” has an extensive cast of characters, its fulcrum is the combination of Niccolò Machiavelli, the Florentine writer, and Henry VIII, the English ruler. Newell raises the question of whether the writer presented the ruler with the blueprint for overturning the rule of the Catholic Church in England. Machiavelli would thus be the teacher of the modernizing tyrant. A reader is left to wonder whether, in Newell's assessment, the articulation of Machiavelli's fundamental insight that the world can and should be remade by the human will does not lead necessarily to ever deepening violations which characterize totalitarian tyranny.  相似文献   

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ABSTRACT. The national flag, anthem and emblem are the three symbols through which an independent country proclaims its identity and sovereignty. Although each state has its distinctive flag, there are similarities in the flags of certain countries, such as in Scandinavia (the cross) and Africa (colours). These symbolise certain propinquity in terms of ideology, culture and history. Similarity is also to be found in the flags of the Arab countries: out of the twenty‐two current members of the Arab League, ten share the same colours on their flags (green, white, black and red), while a certain Islamic symbol (eagle, star) in some flags represents the uniqueness of that country. Of the other twelve countries, most rely on one colour of the four (usually red or green) while nine use Islamic symbols (stars, crescent and sword) on their flags. In spite of the importance of this national symbol, the study of the modern Arab flag is almost non‐existent. This article explores the modern evolution of the Arab flag and the reasons for the similarities in many Arab flags. In particular, it will deal with the pan‐Arab flags of the Hashemites Kingdom of the Hijaz (1916–26), Jordan, Iraq, Palestine, Syria and Egypt.  相似文献   

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This article expounds the nature of Arab American identity through an exploration of discourses and practices related to traveling and movement at global and local levels, with a particular emphasis on personal narratives of both men and women of different ages and socioeconomic backgrounds. Travel is dealt with here in its broad meaning and connotes migratory travel, and immigration. It also indicates traveling back and forth between the homeland and new land. Despite the fact that cross‐cultural studies of travel are scant, population movements and transnational migration are currently the focus of broad academic debates and surround such issues as transnational cultural relations, the renovation of migrants' social cosmologies, 1 and the dynamics of identity reconstruction ( Axel, 2004 ; Clifford, 1988 ; Cohn, 1987 ; Coutin, 2003 ; el‐Aswad, 2004, 2006a ; Euben, 2006 ; Hall, 1990, 1992 ; Julian, 2004 ; Kaplan, 1996 ; Kennedy & Danks, 2001 ; Mintz, 1998 ; Tsing, 2000 ). This inquiry is contingent on ethnographic material gathered from 20 case studies addressing various experiences of Arab Americans living in the community of Dearborn, in the metropolitan Detroit area of Michigan. 2 These case studies reveal some important and comparative theoretical insights that help us understand core features of the unity as well as the multiplicity, diversity, and plasticity of Arab American identity. The study concentrates on narratives of personal experience, defined as verbalized, visualized, and/or embodied framings of a sequence of actual or possible life events, through stories, narrations, diaries, memoirs, and letters ( Herman & Vervaeck, 2009 ; Ochs & Capps, 1996 ). Although personal narratives encompass a wide range of daily experiences, they are prototypes that express people's views of other cultures generated by travel or direct contact. Travel is used here to mean a range of material and spatial practices that generate knowledge, stories, traditions, books, and other cultural expressions ( Clifford, 1997 ; Euben, 2006 ). Cultures are understood by studying sites of dwelling, the local ground of collective life, and the effects of travel ( Clifford, 1997 ). Travel and migration or Diaspora 3 are prototypical rites of passage involving transition in space, territory, and group membership. They transform people's sense of themselves and others. For instance, migrants experience profound changes in their outlook and orientation as they move from the state of belonging to the homeland to that of belonging to the new land, generating a unique sense of multiple identities. The article aims to answer these questions: To what extent have travel and migration of the Arabs transformed their worldviews, including images of themselves, of others, and of new and old homelands? To what extent have these experiences of movement been incorporated into Arab American identities and articulated in their narratives as well? Do they view themselves as having one unified transnational identity, as being “Arab American,” or multiple identities? Is there a conflict of having multiple identities and maintaining one encompassing identity? And to what extent can Arab Americans be viewed as cultural mediators or agents bridging the West and the East (the Middle East) as well as the north and the south? These questions are examined within the perspectives and views of both Arab American writers and ordinary Arab immigrants of the Detroit metropolitan area. 4  相似文献   

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