Revuelta plebeya,conciencia criolla y reivindicación jesuita: política y gobernanza en la Historia del Reino de Quito,de Juan de Velasco

Este artículo propone una lectura de la Historia del Reino de Quito en la América Meridional (1789), de Juan de Velasco, a partir de las ideas políticas y jurídicas de su autor. Sugiere abordar el tomo tercero de la Historia no solamente como un relato del declive social y económico que aqueja a la Audiencia de Quito, sino como un comentario a la crisis de gobernanza que, según Velasco, inicia con el ascenso de los Borbones al trono. La incapacidad jurídica de controlar la mestización de la sociedad y las desacertadas políticas de las autoridades peninsulares, resultan en la Rebelión de los Barrios de Quito, episodio que representa el clímax de las penurias que atraviesa el Reino y que le permite a Velasco cuestionar el modelo de gobierno establecido por los reformistas ilustrados, abogar por la necesidad de un gobierno criollo y restaurar la desgastada imagen de la Compañía de Jesús.     

La retórica bajo el barniz de la lógica: Samuel Ramos y su discurso sobre la inferioridad mexicana

Samuel Ramos reflects on the essence of the Mexican people in the philosophical essay El perfil del hombre y la cultura en México (1934). He emphasizes the sentiment of inferiority and the desire to hide this inferiority by camouflage strategies as a distinctive characteristic of the Mexican. This analysis of Ramos's Perfil unveils a discrepancy between the form that the author imitates—the scientific treatise—and the true argumentative constitution of his text—the rhetorical discourse. Along with the anti-rhetoric position of the rationalists, Ramos considers rhetorical argumentation as an inferior approach that has to be dissimulated and hidden under a layer of science.     

Identidad,pasaportes y vigilancia política: la expulsión de los extranjeros de Buenos Aires en 1809–1810

Due to the crisis caused by the Napoleonic occupation of Spain in 1808 and the general fear of independence movements fostered by French and Portuguese agents, the government of the last viceroy of Buenos Aires, Baltasar Hidalgo de Cisneros, by the end of 1809 decided on the expulsion of foreigners from the Viceroyalty of the River Plate. In order to control and expel the foreigners in an efficient way, the government introduced new measures and institutions of surveillance. While, thus far, a foreigner had been accepted as a neighbour (vecino) by integration, and the marriage to a local woman protected him from expulsion, this social practice now lost its significance. Instead, the political conduct and notably the foreigner's nation of origin now became crucial to his acceptance. This process can be understood in the wider sense of the framework of Atlantic history as an attempt by the Spanish Metropolis to regain control over a region were transimperial networks were very active. This article is based on original documents mainly from the Argentinean National Archive in Buenos Aires and on edited sources.     

Reflexiones en torno al teatro en la producción crítica de Alberdi y Sarmiento

This article examines the important role played by Juan B. Alberdi's and Domingo F. Sarmiento's literary articles in advancing the modern nationalist discourse in Argentina. I argue that in their performance reviews, these two men of letters advocated for the formation of a national theater in an effort to promote a national cultural expression.     

Comercio y comerciantes en América Latina colonial: Reflexión historiográfíca

Tráfico de Indias y política oceánica. By Fernando Bordejé Y Morencos. Madrid: MAPFRE, 1992. Pp. 341.

Relaciones económicas entre España y América hasta la independencia. By John R. Fisher. Madrid: MAPFRE, 1992. Pp. 280.

Las comunicaciones en América. By Secundino‐José Gutiérrez Alvarez. Madrid: MAPFRE, 1993. Pp. 424.

Piratas, bucaneros, filibusteros y corsarios en América. Perros, mendigos y otros malditos del mar. By Manuel Lucena Salmoral. Madrid: MAPFRE, 1992. Pp. 306.

El dinero americano y la política del imperio. By María Emelina Martín Acosta. Madrid: MAPFRE, 1992. Pp. 333.

Cargadores a Indias. By Julian B. Ruiz Rivera and Manuela Cristina García Bernal. Madrid: Mapfre, 1992. Pp. 395.     

Topoiesis: Procesos de espacialización en la literatura (crítica y metodología)

ABSTRACT

Space in literary texts has been widely studied but poorly systematized. There is no valid method of analysis that gives space a critical meaning. For instance, critics have eluded the fact that time and space cannot be considered separately. On the other hand, they have used concepts or methods from disciplines aside literature such as anthropology, biology, psychology, or geography that do not help clarify the meaning or signification of a literary text. We begin this article by giving a review of the main theoretical and critical positions regarding space in literature from the second half of the twentieth century. We do this in order to evaluate the main results those studies have attained. Later on, we propose a methodology that may clarify the significance of space in a literary text. The concept topoiesis (as far as we know, it has not been used in the humanities) represents for us a key word. It helps us to distinguish one main process where space can turn from a signification practice to the production of meaning in a literary text.     

“Voy a empeñar la Edad de Oro”: Historia,música y política en la crisis española (2011–2016)

ABSTRACT

Spain's current economic and social crisis has involved a profound reappraisal of the country's history, institutions, and official narratives, especially after the emergence of the 15M or indignados movement in 2011. A crucial example of this shift has been the widespread criticism of Spain's “Transition to Democracy” or Transición, widely considered Spain's “foundational” narrative. In this article, a series of examples from the musical field—including essays, songs, and public uses of music—are studied and contextualized in order to analyze different interpretations and critiques of the Transición developed by artists, intellectuals, and politicians who took part in the 15M or have been influenced by its “climate” (Fernández Savater). In these examples, two complementary trends are identified: on the one hand, an intention to reclaim part of the Transición's collective mood through its musical symbols; on the other, a rejection of its political legacy, as expressed in criticisms of its musical canon.     

Epistemologías transculturales: prácticas y producción de conocimientos en zonas de contacto colonial en los Andes y Paraguay

It is proposed that there is an iconographic and epistemological relationship between some drawings in Felipe Guaman Poma de Ayala’s Nueva corónica y buen gobierno and the images recorded in several colonial wood vessels (qeros) which circulated widely during the time that Guaman Poma was writing his letter to the King of Spain. This connection shows that the work of Guaman Poma was not an isolated or singular act in the colonial context and that both communicative and creative processes, that of the Nueva corónica and that of the qeros, formed part of a process of shared colonial semiosis through which Andean societies maintained a certain autonomy in the production and circulation of their own discourses. Secondly, the article discusses the epistemological tension that results from the coexistence of different narratives (European and Andean) that used their own temporal and spatial categories to account for new colonial conditions.     

La espada,la cruz y el padrón: soberanía,fe y representación cartográfica en el mundo ibérico bajo la monarquía hispánica, 1503–1598

Antique Maps of Wales. By John Booth. Montacute, Somerset, 1977. pp. xiv, 132, illustrated, £4.95.

Sir Francis Drake. An exhibition to commemorate Francis Drake's voyage around the world, 1577–1580. Pp. 128, illustrated. British Museum Publications, 1977. Price £2.50.

Nautical charts on vellum in the Library of Congress. Compiled by Walter W. Ristow and R. A. Skelton. Washington 1977.

Collection for the History of Cartography. By Roy. V. Boswell. Fullerton, California: Published by Roy V. Boswell, 1976. pp. 41. (typewritten and xeroxed in an edition of 100 copies).

Maps for an emerging nation: Commercial cartography in nineteenth century America. By Walter W. Ristow. Library of Congress, Washington, 1977, pp. 66, 20 figures, U.S. $5.00.

The Nature of Maps. Essays toward Understanding Maps and Mapping. By Arthur H. Robinson and Barbara Bartz Petchenik. Chicago and London, The University of Chicago Press, 1976, pp. 138.

Lee, Chan, Old Maps of Korea. The Korean Library Science Research Insitute, Seoul, Korea, 1977, 249 pages (22,000 Hwan, $50.00).