El pulso de Centro América a través de la novela

This article offers a new reading of Miguel de Unamuno's San Manuel Bueno, mártir. Critics have traditionally focused on the question of the protagonist's supposed lack of faith and sought to relate San Manuel's doubts in the novel to Unamuno's own religious views. Although this novel is very much concerned with religion, eschatology, and social issues, it is also an extremely sophisticated literary narration wherein the use of irony and ambiguity remains perhaps unequalled in Spanish contemporary literature. By considering the principles of linguistic pragmatics, this article shows that in her account of San Manuel's life, the female narrator tells the dramatic story of the love she and San Manuel felt for each other. By means of a complex use of ambiguity, Unamuno writes a novel that can be read in two different ways: the religious novel and the love novel.     

Algérie: Les retours de la mémoire de la guerre d'indépendance

After independence, the history of national liberation in Algeria was largely managed by the single-party state. Founding figures of Algerian nationalism such as Messali Hadj and Ferhat Abbas were shrouded in silence. Since 1988 a plurality of voices has emerged and a number of historic figures have been rehabilitated. The state of quasi-civil war which has existed since 1992 between government forces and Islamic insurgents has, nevertheless, continued to inhibit discussion of human rights abuses during the war of independence. The recent resurgence in France of the debate over the use of torture during the Algerian war has been largely ignored by the Algerian government. The status of harkis , Algerian Muslims who fought on the side of the French during the war of independence, also remains acutely sensitive in official Algerian circles. Events such as the 'Berber Spring' of 2001 are continuing to press the authorities towards greater openness.     

La fabrique de la perpétuité

TheTrésor des chartes is probably one of the best preserved single collection of archives of the ancient French monarchy. Paradoxically, however, it was never part of a central record office in the modern sense. This large and confused mass of documentation slowly emerged as a records collection during the XIII^th century. Although it seemed to follow the construction of a State administration, it was already inactive by the middle of the XIV^th century. Its records and charters, prestigious and inaccessible, were kept in the Sainte-Chapelle of Paris, close to the relics of the Passion bought by Louis the Ninth. As a record of the past it played a crucial role in the social construction of a notion of «perpetuity» suitable to the domanial and dynastic ideals of the monarchy. The ambiguities of this medieval heritage became obvious in the early modern period. Although there were a large number of inventories and classifications of theTrésor des chartes, it was never able to incorporate the other State records. The Republic inherited a majestic sanctuary which can certainly be described as a piece of shared memory, but which is unable to summarize the genesis of the Nation.     

Negotiating Human Rights in Icíar Bollaín’s También la lluvia

This essay examines the interpretations of 16th-century and present-day human rights found within Icíar Bollaín’s 2010 film También la lluvia. I argue, firstly, that central to the film is the question as to whether human rights can foster justice and contest the cruelty of (neo)colonialism or if, conversely, they are designed and/or doomed to reinforce colonizing relationships and, secondly, that an interpretation of the film’s ambiguous response might contribute to recent criticism regarding the imperializing tendencies and emancipatory potential of human rights culture. By exploring the film’s self-reflexive and critical considerations of the violence human rights have caused as well as its treatment of spaces in which these rights bring about adaptations, inversions, and transformations of colonizing relationships, I propose that the film can be understood to reimagine human rights culture. In order to interpret the film’s representation of human rights, my article identifies and analyzes the processes of negotiation by which the relationship between rights and colonialism is revealed to be an unstable and malleable one, continually subject to change and in need of criticism that takes its adaptive character into account.     

Communautés de Savoirs

The social and institutional history of the university of Paris still frequently remains detached from the study of the intellectual dynamics which were produced in its midst. The concept of «communities of knowledge » allows us to fill this gap by narrowly associating the history of knowledge to its concrete conditions of production and teaching. This model permits us to give attention to the maintenance, in the midst of the Parisian university of diverse «schools » endowed with orientations and specific programmes of research. The appearance of colleges can equally be situated in this perspective, which permits us to better grasp the interaction between the political and intellectual stakes which lay stress on the history of the university in the xiii ^th century. Finally, it neveals the image of an institution more fragmented than unified.     

“Vivo sin vivir en mí”: YouTube y la poesía de santa Teresa de Jesús

ABSTRACT

The poetry of Saint Teresa of Jesus has not aroused the same interest from the critics as has her prose. There are several reasons for this. However, her poetry has remained in the memory of anyone who has come in contact with it, as well as in public manifestations, one of which is the phenomenon of new media—in particular, YouTube. Consequently, this article presents an analysis of Teresa de Jesus's poem “Vivo sin vivir en mí” (“Live without living in me”) in the context of new media, specifically YouTube, in order to further analyze the oral-auditory impact of her work as a strategy of representation in the reception of her writing and, therefore, expand the communicative possibilities of her writing style close to the spoken language, beyond her time and context.