Lessons in Seeing: Art,Religion and Class in the East End of London, 1881–1898

In 1881 the Reverend Samuel Barnett, Anglican incumbent of St Jude's Church, Whitechapel, established the Whitechapel Fine Art Exhibitions with his wife Henrietta. These quickly became an important part of the parochial programme ofSt Jude's. The Barnetts followed the art theories of John Ruskin and Matthew Arnold and argued that exhibiting famous and beautiful paintings would revive the spirituality of poor East Enders. In order to test this theory, they introduced the practice of ‘Voting for Your Favourite Picture’. The result, however, did not bear out straightforwardly the Barnetts' belief that paintings are ‘Windows into the other World’. The gap between the intended outcome and the actual reception of the Whitechapel Exhibitions reveals that, although they may not have adopted the Barnetts' religious aestheticism, working-class visitors were keen to engage with art on their own terms.     

The “Nation of Poetry”: Language,Festival and Subversion in Macedonia

This article critically examines the Struga Poetry Festival established in 1961 when it placed Macedonian poets and writers on the wider map of world poetry, international literature and language. With this the festival carried a subversive and an emancipatory task that not only promoted Macedonia's national poetry but also pushed the nation itself onto the world stage. Although highly politicized (and deeply political), the festival emerged as a seemingly apolitical event that celebrated the “universal language of poetry”. Yet, with its aesthetic form of an open event devoted to poetry, this festival (in a very Bakhtinian manner) pinpoints the obvious carnivalesque element in manoeuvring and subverting established social and political hierarchies. Initially, it allowed Macedonian language and poets to join established national states that have “undisputed” (or less disputed) literary traditions. The subversive nature of this festival after the 2001 military conflict in Macedonia changed the direction and intensity of the Albanian struggle for improving their status into the Macedonian society. This event has effectively allowed a minority group to initiate social movement and engage in serious identity politics related to territorial self-governance, language and cultural representation.     

Welsh Sojourners in India: The East India Company,Networks and Patronage,c. 1760–1840

During the late eighteenth and early nineteenth centuries, within the framework of imperial expansion and exploitation there were opportunities for individuals to acquire wealth and power. Several men grew wealthy in India through the opportunities afforded to them by the East India Company, with lucrative careers and the possibility of generating money through commerce and trade. Britain witnessed the return of several East Indians, or ‘nabobs’ as individuals who returned home with considerable wealth were called. Indeed, some of these nabobs succeeded in amassing sizeable fortunes during their time in the East. This article aims to address a neglected area in the historiography, by examining the experiences of Welshmen as sojourners in India. In comparison with Scotland in particular, but also England and Ireland, the Welsh dimension of the East India Company is under-researched. This article highlights the existence of networks of patronage in existence in Wales which facilitated the voyage out to India and the return home of men in the employ of the East India Company during the late eighteenth and early nineteenth centuries. Networks were predominantly regional or familial, with family members supporting and sustaining loved ones during their time in India, and aiding them in their return home at the end of their sojourn in the East. The importance of letters in maintaining links with home is explored, not only as a method of relaying news, but also as a means for the sojourner to maintain an emotional link with home, and ultimately to lay the groundwork for a smooth transition home. How these Welshmen viewed themselves while out in India will be analysed, and the multi-layered nature of concepts of identity explored. Identity could be regional in focus, while some showed an awareness of a Welsh identity. Integration within the broader framework of the British East India Company is evident, as is the broader European community in the East.     

The Archaeological Survey of India and Communal Violence in Post‐independence India

This article argues that that the discipline of archaeology as practised by the Archaeological Survey of India (ASI) significantly contributed to communal violence in post‐Independence India. The essay investigates several legacies handed down from the colonial ASI to the post‐Independence ASI, with a goal of explaining the contribution of archaeology to the ongoing disturbances at Ayodhyā in Uttar Pradesh. The colonial ASI was marked by four characteristics: it was a monument‐based archaeology based on geographical surveys, literary traditions and Orientalist scholarship. These four characteristics combined to form a traditionalist, location‐driven excavation agenda that privileged specific holy sites in the post‐Partition era, sustaining the violent disagreements between Hindu and Islamic populations of India and Pakistan.     

The “Hidden” Code: Coding and Classifying in Rock Art. The Case of Northwestern Patagonia

In spite of its importance for rock art studies, rock art motifs coding and classification process is not always made explicit. In this discussion of the process of rock art classification, we consider an exploratory research employing two different criteria for the coding of a northwestern Patagonian rock art motifs database. One coding makes use of a ‘lumping’ criterion, and the other uses a ‘splitting’ criterion. Each of these criteria will be evaluated using cladistic analysis, recording how each coding criterion affects results. As a conclusion, and given our results, the use of more than one coding criterion is suggested when classifying rock art.