Digital Technology in Research and Documentation of Hunter-Gatherer Rock Art in South Africa

The use of digital technology to enhance and manipulate photographs of rock paintings affords researchers insights into imagery that was formerly invisible or obscure. Image enhancement and manipulation software have greatly increased the data set available for study. There is a wide range of techniques available in the digital repertoire, depending on the aim of the research. Here, three South African case studies are discussed in which hunter-gatherer rock paintings are enhanced and manipulated to create digital “tracings” using the computer programmes Adobe Lightroom, Adobe Photoshop and DStretch. The results obtained with these simple techniques are presented here, because they might prove useful for rock art research elsewhere in the world. It must be noted, however, that these technological developments do not eliminate the subjective nature of recording and interpreting rock art or the necessity of a theoretical framework in which to understand the imagery.     

Designing Digital Recording for Volunteers in Rock Art Surveys,Management Plans and Public Outreach in the Cederberg,South Africa

The rock art survey and recording project described in this paper was designed for volunteers and heritage professionals involved in locating and mapping the position of rock art and other archaeological sites in the field, recording basic details for conservation and management, and making these details accessible in digital format for researchers who might want to undertake further investigation. An OpenDataKit (ODK) App with a digital site recording form was designed for mobile phones to be used in the field and to send data directly to the digital inventory of the South African Heritage Resources Information System (SAHRIS). The inventory has accumulated over 3000 sites with Later Stone Age rock paintings in the mountainous terrain of the Cederberg, a region that includes properties in the serial Cape Floral Region World Heritage Site in the Western Cape Province. More than a third of these rock art sites have been added to the database since 2007 by the members of the South African Archaeological Society. The information forms the basis for rock art management plans that are given to property owners to guide them in maintaining the value of the rock art. Interpretation of the information has raised awareness of the significance of the rock art in its historical and landscape setting with a trail and information boards. Local residents and CapeNature staff, who have received training in rock art monitoring and tourist guiding, play a key role in implementing the management plans for CapeNature properties, and monitoring individual sites and trails. The broader international context of volunteer programmes for archaeological site recording suggests that this type of programme has the potential to raise awareness of rock art beyond books and visits to museums and public lectures.     

Rock Art Conservation and Tourism

Rock art conservation has developed hand-in-hand with the increased pace of tourism, yet the two activities tend to remain in opposing camps. Policies and guidelines have been developed for cultural heritage and cultural tourism and there is a widely accepted range of principles in place, but a theory of sustainable rock art tourism is only in its infancy. To mature, the discipline needs research into the interaction of key elements that affect the long-term conservation of frequently visited rock paintings and engravings in their original setting, as well as consideration of social and economic factors that drive tourism and the public interest in rock art.     

Usable Pasts Forum: UNESCO and Heritage Tourism in Africa

African Archaeological Review -     

Revisiting the Parietal Art of Wonderwerk Cave,South Africa

Seen by all who visit Wonderwerk Cave, the rock paintings that adorn its walls have attracted less attention than many other aspects of the site. The paper gives a brief account of their history and significance and of factors that have constrained their study. Graffiti damage and restoration added layers through which researchers would need to delve in order to understand them archaeologically. Pointing to directions for future work, the paper concludes with discussion on a currently debated category of southern African rock art, the “non-entoptic” geometric rock art tradition, to which the Wonderwerk Cave rock paintings would belong. A shift in theoretical focus is advocated for comprehending local contingencies in the formation of rock art “traditions” rather than simply assuming the prior existence of such constructs.     

Geoarchaeological investigations at Diepkloof Rock Shelter,Western Cape,South Africa

The sedimentary sequence at Diepkloof Rock Shelter formed through a complex interaction of depositional and post-depositional processes and was variously influenced by biogenic, geogenic, and anthropogenic agents. Here, we present the results of a micromorphological study of the sediments at Diepkloof, focusing in particular on the numerous anthropogenic inputs and modifications recorded within the sequence. By applying the microfacies concept, we were able to identify hearth burning and maintenance, bedding construction and burning, and surface modification by trampling as major processes that contributed to the formation of the site. The human activities recorded within the sediments show a marked change throughout the sequence, implying a shift in the use of the site over time. The present study also provides a context for evaluating other classes of artifacts and data collected from the site.     

态度与价值:遗产旅游体验模式探析——以苏州平江历史文化街区为例

"遗产资本化"(Heritagization)是遗产被用于实现特定目标的社会进程,是遗产旅游的核心,遗产旅游开发是遗产资本化的当代形式,遗产旅游开发的直接目标即向公众提供真实性的遗产体验。本文结合苏州平江历史文化街区的旅游产品开发案例,根据对社交媒体(Social Media)中旅游博客(Blog)原创文本的内容分析(Content Analysis,CA)和语义网络分析(Semantic Network Analysis,SNA),挖掘旅游者对案例遗产旅游地的个人态度和价值认知情况,进而提出一个由旅游者对遗产的个人态度及其遗产价值认知所构成的遗产旅游体验开发框架,勾勒出文化遗产旅游开发的战略导向。     

Still Bay and serrated points from Umhlatuzana Rock Shelter,Kwazulu-Natal,South Africa

Umhlatuzana Rock Shelter is a long-sequence Middle and Later Stone Age site in KwaZulu-Natal, South Africa. Jonathan Kaplan excavated the site and analysed the material in the 1980s as a rescue project. For many years thereafter the collection remained untouched, partly because of doubts raised about the stratigraphic integrity of the site. Using single-grain OSL dating we show that post-depositional mixing of sediment was restricted to time-specific, small-scale events. The OSL ages obtained for the Howiesons Poort and pre-Howiesons Poort are comparable to those of other southern African sites with unambiguous Howiesons Poort and Still Bay Industries. Based on morphological and other characteristics, we reason that the Still Bay is represented at Umhlatuzana, and announce the presence of a serrated point assemblage closely associated in time with the Still Bay points.     

Social Values and Rock Art Tourism: An Ethnographic Study of the Huashan Rock Art Area (China)

The rapid expansion of cultural tourism has led to increased numbers of visitors to rock art sites throughout the world. The rise of rock art tourism has affected not only the preservation of rock art sites, but also the social values attributed to the sites by communities in the immediate vicinity. Social values refer to the social and cultural meanings that a place of heritage holds for a particular community. This article aims to discuss the influence of tourism on the social values that uphold local communities’ emotional attachment to rock art heritage, using the Huashan rock art area in China as a case study. Zuojiang Huashan Rock Art Cultural Landscape is the first rock art heritage in China proposed to be inscribed on the UNESCO World Heritage List and officially obtained World Heritage Status in July 2016. This article argues that many of the changes generated by the endeavour towards tourism promotion by the authorities in their pursuit of World Heritage designation have contributed to the reinforcement of the social values under discussion. However, negative feelings among the communities in response to the undesired consequences of the designation campaign might have resulted in the attenuation of such values. The ultimate goal of the research is to prompt further reflection on existing rock art heritage management mechanisms both in China and worldwide.     

古村落旅游社区居民生活满意度及社区建设研究——以世界文化遗产皖南古村落为例

在市场需求与政府战略双重导向的推动下,古村落正日益发展成为国内重要的旅游地类型。本文以世界文化遗产皖南古村落为案例,通过对调查所得数据采用均值分析、相关分析和矩阵分析等方法,分析了古村落居民的社区生活满意度及其影响因素,提出了未来古村落旅游社区建设的重点和方向。分析结果表明：（1）住房条件、经济收入水平、学校教育、村民参与事务管理状况、社会福利和社会保障等是古村落社区建设与发展中急需改进的因素,也是未来工作中的重点建设方向;（2）村容村貌、道路交通、村内环境卫生、自然环境、基础设施、消防设施、医疗服务等是需要重点维护和完善的因素;（3）物价水平、休闲娱乐设施、就业机会、当地政府工作、公共休闲空间、文体设施等是可以逐步解决的因素;（4）与其他村民的关系处理、购物方便程度、社会治安等是需要不断维护的方面。     

Heritage Tourism, Identity and Development in Peru

In this paper the linkages between archaeology, identity, and tourism in Peru are discussed in the context of economic and social development. The role of archaeologists in the heritage process (patrimonialización) is shown to transcend the production of narratives and destinations pivotal to the touristic experience. Engagements beyond the material remains of the pre-Colonial past have been hampered by the complex role of the indigenous in the national mythology, as much as by the perceived mandate of the discipline. Promise and pitfalls of ethical practices leading to locally grounded strategies are explored in two case studies.     

Heritage,Identity and Tourism in Hong Kong

Once a part of the Chinese Empire, Hong Kong then became a British colony and changed its status again in 1997 to that of a Special Administrative Region of the People's Republic of China. The implications of this history for heritage and cultural identity are discussed with particular reference to their representation and promotion as tourist attractions. Hong Kong is seen to be using its unique heritage in a time of transition and uncertainty to assist in defining a distinct identity that is partly expressed through tourism. There are, however, certain potential conflicts of meaning and interpretation amongst the interested parties that have still to be resolved. The experience of Hong Kong provides an insight into the dynamics of the relationship between identity, heritage and tourism that are especially complex within the context of decolonisation.     

The Middle and Later Stone Age faunal remains from Diepkloof Rock Shelter,Western Cape,South Africa

The faunal sample from the Middle Stone Age (MSA) and overlying Later Stone Age (LSA) deposits of Diepkloof Rock Shelter (Western Cape Province, South Africa) includes at least 40 taxa, mostly mammals, but also tortoises, snakes, birds (especially ostrich represented by eggshell), and intertidal mollusks. The LSA sample contains only species that occurred nearby historically, including domestic sheep, which LSA people introduced to the region by 1800 years ago. In contrast, like other Western Cape MSA faunas, the Diepkloof MSA sample has more species and it is especially notable for five large extralimital grazing species. These imply a greater-than-historic role for grasses in the local vegetation, particularly in the post-Howiesons Poort (latest MSA) interval where the grazers appear most abundant. Extreme fragmentation and dark-staining impedes analysis of the MSA bones, but cut-marks, abundant burning, and numerous associated artifacts suggest that people were the main accumulators. Rare coprolites imply that carnivores could have contributed some bones, and concentrations of small mammal bones, particularly near the bottom of the MSA sequence, suggest a role for raptors. Tortoise bones are common throughout the sequence, and the MSA specimens tend to be especially large, as in other MSA assemblages. The LSA specimens are smaller, probably because LSA human populations were denser and preyed on tortoises more intensively. The most surprising aspect of the Diepkloof assemblage is its marine component. The coast is currently 14 km away and it would have been even more distant during much of the MSA when sea levels were often lower. Intertidal mollusks, particularly black mussels and granite limpets, are concentrated in the LSA and in the Late and Post-Howiesons Poort layers. Only LSA shells are complete enough for measurement, and the limpets are small as at other LSA sites. The implication is again for more intense LSA collection by relatively dense human populations. Both the LSA and MSA deposits also contain bones of shorebirds and Cape fur seals. Whale barnacles and occasional dolphin bones indicate that MSA people scavenged beached cetaceans.     

The Many Meanings of “Integration”: Some Thoughts on Relating Rock Art and Excavated Archaeology in South Africa

African Archaeological Review - New and improved methods for obtaining chronometric dates for southern African hunter-gatherer rock paintings raise questions about how researchers can use the new...     

Ochre resources from the Middle Stone Age sequence of Diepkloof Rock Shelter,Western Cape,South Africa

Although no paintings are associated with archaeological contexts before the end of the Middle Stone Age, hundreds of ochre pieces were discovered on numerous southern African sites suggesting a lasting tradition of ochre use. The variability and the significance of ochre exploitation remain however poorly documented. The MSA site of Diepkloof Rock Shelter (Western Cape Province, South Africa) offers an ideal opportunity to discuss questions of ochre procurement, processing, and use over a long sequence. This study develops an original methodology based on observations on one hand, and SEM-EDS, XRD and Raman spectrometry analyses on the other hand. By comparing raw materials with our geological database, we show that some iron-rich raw materials were collected more than 20 km from the site. Such long-distance procurement combined with other elements of the overall context suggests a planning of procurement. One main chaîne opératoire based on grinding was identified at Diepkloof. In comparison with other South African sites, we observed no evidence for use as loading agent in adhesives. We conclude that ochre use may follow regional cultural patterns.     

Technological successions in the Middle Stone Age sequence of Diepkloof Rock Shelter,Western Cape,South Africa

The southern African MSA comprises a series of phases of unique technological innovations that fuel current models on the evolutionary processes of Anatomically Modern Humans. However, the nature and variability of these technological phases remain poorly documented. This study reports on the previously unpublished sequence of Diepkloof Rock Shelter (South Africa) and investigates the main technological changes therein, particularly emphasizing the emergence, succession and disappearance of the Still Bay (SB) and the Howiesons Poort (HP). We argue for technological change that occurred at different rates and under the influence of variable driving factors. Our model implies that the SB and the HP are not related to the influx of new populations but have regionally specific origins. Unlike the other techno-complexes, the HP at Diepkloof is subdivided into different phases (Early, Intermediate and Late) but only the upper phases resemble the so-called “classic” HP. Finally, the technological sequence of Diepkloof questions the homogeneous picture which has been so far assumed for the southern African MSA and places emphasis on the importance of exploring long regional sequences.     

Rock Hyraxes (Procavia capensis) from Middle Stone Age Levels at Blombos Cave,South Africa

The ～100 ka Middle Stone Age levels at Blombos Cave, southern Cape, South Africa, contain numerous rock hyrax (Procavia capensis) remains. It is often ambiguous to interpret rock hyrax remains from archaeological deposits deriving from cave and shelter sites in southern Africa as the agent or agents of accumulation may be difficult to establish. In this paper, the different taphonomic signatures separating anthropogenic from natural accumulations at Blombos Cave are considered. The analysis indicates that although a few specimens show evidence for raptor and carnivore accumulation, there is also substantial evidence that suggests humans preyed on these small mammals during different times of the year.     

The Middle Stone Age human remains from Diepkloof Rock Shelter (Western Cape,South Africa)

In the course of recent excavations at Diepkloof Rock Shelter (South Africa), three human remains were found in the Middle Stone Age layers. These human remains are two pedal phalanges (intermediate and distal) from a fifth ray, which belong to the same individual, and a deciduous first lower molar. The layers in which they were found represent the end of the Howiesons Poort and the beginning of post-Howiesons Poort occupation, and are radiometrically dated to MIS 3, between 45 and 65 kyr ago. They are thus very close in time to the assumed period of anatomically modern humans (AMH) dispersal out of Africa into Eurasia, a period for which very few remains are available in the African fossil record. Here, we describe these new remains and compare their morphology and dimensions to samples of African and Eurasian Pleistocene and Holocene humans. Our results show that the human remains from Diepkloof Rock Shelter fall well within the range of variation of AMH. The phalanges are of very small size and indistinguishable from those of recent humans. In addition, our analysis of the dm₁ underlines a large size variation at the end of the MIS 4/beginning of the MIS 3 in the Western Cape. The discovery of human remains at Diepkloof Rock Shelter, albeit limited to three small bones, enriches a poorly represented chronological period of the African hominin fossil record.