Social Values and Rock Art Tourism: An Ethnographic Study of the Huashan Rock Art Area (China)

The rapid expansion of cultural tourism has led to increased numbers of visitors to rock art sites throughout the world. The rise of rock art tourism has affected not only the preservation of rock art sites, but also the social values attributed to the sites by communities in the immediate vicinity. Social values refer to the social and cultural meanings that a place of heritage holds for a particular community. This article aims to discuss the influence of tourism on the social values that uphold local communities’ emotional attachment to rock art heritage, using the Huashan rock art area in China as a case study. Zuojiang Huashan Rock Art Cultural Landscape is the first rock art heritage in China proposed to be inscribed on the UNESCO World Heritage List and officially obtained World Heritage Status in July 2016. This article argues that many of the changes generated by the endeavour towards tourism promotion by the authorities in their pursuit of World Heritage designation have contributed to the reinforcement of the social values under discussion. However, negative feelings among the communities in response to the undesired consequences of the designation campaign might have resulted in the attenuation of such values. The ultimate goal of the research is to prompt further reflection on existing rock art heritage management mechanisms both in China and worldwide.     

Death by Water: Boats and Footprints in the Rock Art of Western Sweden

This paper considers two of the key images in the Bronze Age rock carvings of Bohuslän in relation to the wider landscape. It compares the distribution of cairns on islands off the west coast of Sweden with that of similar monuments on low hills surrounded by drawings of boats. These are often in areas which had previously been occupied by the sea. Perhaps the drawings of boats evoked an expanse of water separating the world of the living from the burial places of the dead. If so, the lines of footprints leading between these two areas may also refer to the passage between life and death.     

Digital Management of Rock Art: the African Archaeology Archive Cologne (AAArC)

Archaeology is a costly and object-affine practice requiring sophisticated technical equipment, and therefore is largely initiated and run from industrialised countries. Accordingly, also data and objects are largely lodged in these countries. In rock art, this leads to the paradoxical situation that many motifs and sites with outstanding prehistoric art are better known and more often shown in northern hemisphere urban centres than in the global south rural areas where the art in fact is found. This paper will focus on the possibilities and benefits of a digital archive in making pictures, data and other archaeological source material accessible anytime from everywhere. An open online archive will in the long run flatten the hierarchical order of access to the results of archaeological research and heritage archiving. Today, this is still concentrated in the western metropoles and rarest in African hinterlands. The open access to thousands of pictures will facilitate dissemination of motifs in particular since the distribution of smartphones and network coverage are ever growing particularly in Africa’s rural areas. The African Archaeology Archive Cologne (AAArC), being licenced under Creative Commons, provides open access to tens of thousands of rock art photos and to the enormous Brandberg-Daureb Data Base that contains 39,000+ rock art figures. Additionally AAArC stores all kinds of digital archaeological products from across Africa (mainly Sudan, Algeria, Chad and Namibia), including audio and film documentary.     

Alisa LaGamma (Ed.): Sahel: Art and Empires on the Shores of the Sahara

African Archaeological Review -     

Time, Space, and Image Making: Rock Art from the Dhar Tichitt (Mauritania)

Prehistoric images are particularly versatile and difficult to grasp. In a few cases of historical continuity, local cultural glosses provide researchers with a rich corpus of data and help in the interpretation of the imagery. Such approaches contribute to the interpretation of the material in a frozen time perspective. Their impact on the development of archaeological methodologies enabling researchers to deal with strictly prehistoric image making traditions without any known descendant communities remains to be felt. This paper is an attempt to develop a subtle and robust archaeological methodology for the study of prehistoric images. The suggested approaches are replicable, and conclusions are falsifiable.Les images préhistoriques sont particulièrement versatiles, et leur sens difficile à cerner en raison de leur polysémie. Dans une poignée de cas, là ou il y a continuité historique, les chercheurs ont reussi à constituer une riche documentation sur les pratiques culturelles liées à l'utilisation des images. Ils/elles parviennent ainsi à des niveaux d'interpretation très detaillée, dans une conception paradoxalement réifiée des sociétés en question, conservant des pratiques culturelles inchangées pendant des millénaires. L'impact de telles approches sur l'élaboration de bonnes méthodes archéologique est négligeable. Dans la plupart des cas, les images et les vestiges matériels sont le uniques témoins des sociétés préhistoriques étudiées. Cet article s'efforce de developper des méthodes, à la fois subtiles et robustes, permettant une analyse systématique des images préhistoriques. Les méthodes proposées sont réplicables, et les conclusions refutables.     

Sails Set in Stone: A Technological Analysis of Non-indigenous Watercraft Rock Art Paintings in North Western Arnhem Land

In 2008 researchers from the Australian National University??s Archaeology and Natural History Department and Flinders University??s Program in Maritime Archaeology recorded nine non-Indigenous watercraft rock art images in a rock-shelter in the Wellington Range of north western Arnhem Land in the Northern Territory. During the project it was recognised that one of the missing elements of interpreting watercraft in rock art was a comprehensive analytical framework that can be tested and reproduced. The development of such a framework can be used by future researchers to begin addressing the larger issues and considerations represented in non-Indigenous watercraft depictions across Australia.     

建设镇村风物地情馆 打造乡情文化新名片——“海安:故乡风物地情馆”项目实施报告

随着乡村振兴步伐的加快,城乡建设进入跨越式发展阶段,构成人们乡愁记忆的无数故乡传统和风物风习也在逐渐消失和淡化。海安市委史志工委鼓励并指导镇村挖掘利用地情文化资源,创新打造"让城市留住记忆,让人们记住乡愁"的系列地情馆,发挥地情文化的社会效益,形成地方文化自信,为处理继承与发展关系,让历史文化和现代生活融为一体,进而推动地区经济社会发展做出了有益探索。"海安:故乡风物地情馆"项目入选2019年江苏省地方志工作十大创新项目。     

Working on Rock Art in the Dakhleh Oasis: Some Thoughts on Threats to Petroglyphs and Possibilities of Research in the Western Desert,Egypt

The rock art in Dakhleh, despite being known for more than a century, has been thoroughly investigated only since the late 1980s, and remains far from being well known especially outside of Egypt. At the same time, the consecutive seasons of fieldwork conducted by the Petroglylph Unit (part of the international Dakhleh Oasis Project) have produced a great number of findings and substantially enhanced our knowledge of the petroglyphs of this area. Here, rather than focusing on interpretive aspects of the research, I wish to discuss the threats endangering the petroglyphs in the Oasis. Dakhleh has developed very intensively in the last 100 years. It is, however, the twenty-first century which seems to pose some serious threats to archaeological heritage. Hence, in this paper I wish to report on what has been done so far to document rock art in the Oasis, and try to establish the priorities for potential future work. The agricultural and infrastructural development in the area, and the uncertain political climate in the country, heavily influence the state of rock art preservation and the possibilities of research. The need for documentation and preservation of rock art is larger than ever before, because many changes in the local landscape cannot be stopped. The time is pressing, because more and more rock art is disappearing due to the reasons discussed in this paper. Threats to Egyptian rock art in general will form a background for considerations concerning petroglyphs from the Western Desert.     

从敬神恤民到敛财虐民——解说明代的新官到任

明初,朱元璋御制《到任须知》,为到任新官提供指南.随后,明廷又将新官到任、复任加以礼制化,包括城外斋戒、入城谒神、望阙谢恩、僚属参见、宴飨父老等环节,旨在敬神恤民.国家层面的礼仪下贯到地方社会后,遭遇世俗化的革易,诸如缩短斋期、铺设银器、聚众看戏等,并由于私人权力的腐蚀而变形,以至于国家礼制的规定沦为敛财虐民的工具.     

Earliest Herders of the Central Sahara (Tadrart Acacus Mountains,Libya): A Punctuated Model for the Emergence of Pastoralism in Africa

Journal of World Prehistory - This paper focuses on a reassessment of the emergence of herding in Africa seen from the Tadrart Acacus and neighbouring regions in the Libyan central Sahara. The...     

Functional insights into the innovative Early Howiesons Poort technology at Diepkloof Rock Shelter (Western Cape,South Africa)

The Howiesons Poort (‘HP’) is characterized by a set of technological innovations that mark a rupture in the Southern African Middle Stone Age. However perspectives regarding its origin and emergence remain speculative. The recent identification of an Early HP phase at Diepkloof Rock Shelter provides the opportunity to characterize the initial stage of this technology and to discuss various mechanisms behind its innovative characteristics.     

Introduction to the project and excavation of Diepkloof Rock Shelter (Western Cape,South Africa): a view on the Middle Stone Age

This introduction presents the background to the present research project at Diepkloof Rock Shelter, initiated in 1998. It is followed by a series of original papers that were presented in November 2010 at the join 13th PAA Congress (Panafrican Association of Prehistory and Associated Disciplines) and 20th conference of SAfA (Society of Africanist Archaeologists) at the University Cheikh Anta Diop in Dakar (Senegal). These papers were presented in a “Symposium on the MSA sequence of Diepkloof Rock Shelter: a view on the cultural evolution of southern African modern humans” organized by Pierre-Jean Texier, Guillaume Porraz, John Parkington and Jean-Philippe Rigaud. This series of papers is a first attempt at a multidisciplinary reconstruction of the way Middle Stone Age people inhabited the site of Diepkloof and the way they interacted with their environment. The resultant narrative outlines artifactual change through the sequence and discusses the factors that might underlie it.     

Local Resource Use in the Pacific War with Japan: Logging in Western Melanesia

Abstract

Americans have traditionally been the most wasteful people in the world. Now, however, we are fighting enemies who beat the world at squeezing what they want out of occupied territory. We must husband what we have, not only by avoiding waste, but also by the maximum utilization of local resources.     

State Archaeology and the Private Museum: An Integrated Approach to Archaeological Site Management for Local People in China

During the emergence of Chinese archaeology, the legislative system of cultural heritage in China included archaeological excavations and investigations as being the ‘exclusive right of state’. This mode of state archaeology has proved its worth by increasing the authority and quality of archaeological research and excavations, as well as enhancing the social values and benefits at the state level. The local communities, however, have hardly been embedded into the archaeological projects, nor have the archaeological projects been employed to improve local and regional economic development. This paper considers private museums as embodying regional values and beneficial to projects under the mode of state archaeology. With a case study outlining collaborations between archaeologists and local agents under the excavation and conservation of ancient kiln sites at the town of Zichuan, I argue that private museums could be relatively prominent platforms for public engagement in activities of state archaeology. It might contribute to a reconsideration of the following: indirect archaeological concerns, local economic benefits, identities and alternative interpretations of locality.     

First molecular identification of a hafting adhesive in the Late Howiesons Poort at Diepkloof Rock Shelter (Western Cape,South Africa)

The hafting of tools using adhesive is one of the innovative features that characterizes the southern African Middle Stone Age. This technology has mainstream implications but remains insufficiently documented, largely due to unequal organic preservation and non-adapted analytical procedures. A notable exception is provided by the recent results from the site of Sibudu (Lombard, 2006; Wadley et al., 2009).     

Rock Art: A Potential Source of Information about Past Maritime Technology in the South-East Asia-Pacific Region

It is possible that most or all boats and rig-types used in prehistoric times in the South-East Asia-Pacific region have completely disappeared from the record, and that those recorded by Europeans in the 17th century may have been relatively recent innovations. The purpose of this paper is to introduce to the literature a new source of information on ancient boat and rig designs. This source is the information encoded in rock-art depictions of watercraft. This paper provides a technical appraisal of 18 images of watercraft from the Tutuala region of East Timor.
© 2007 The Authors     

The Sahara in northern Mali: man and his environment between 10,000 and 3500 years bp. (Preliminary results)

This article sets forth the preliminary results of reconnaissance in a totally desertic part of the Malian Sahara, located between 19°30 N. to 22° N. and 0° to 6° W. Pleistocene sites with Acheulian and Aterian materials and Holocene sites are abundant and very rich. The latter, dating from 10,000 to 3500 bp, are correlated with two lacustrine periods and are associated with Sahelian floras and faunas. Burials have given well-preserved human remains. The economy included fishing, hunting and the collection of grass seeds. Certain sites raise the question of the chronological relationship between the Epipalaeolithic and the Neolithic.

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Résumé Cet article présente les résultats préliminaires de la prospection d'une zone totalement désertique du Sahara malien, située entre 19°30 à 22° N. et 0° à 6° W. Les sites préhistoriques pléistocènes (acheuléens, atériens) et holocènes y sont très nombreux et très riches. Les plus récents (10,000 à 3500 bp), qui correspondent à deux périodes lacustres, sont associés à des faunes et des flores sahéliennes. Des sépultures ont livré des restes humains bien conservés; ces populations vivaient de la pêche, de la chasse et de la cueillette des graminées. Certains sites posent nettement le problème des relations chronologiques entre l'épipaléolithique et le néolithique.