Designing Digital Recording for Volunteers in Rock Art Surveys,Management Plans and Public Outreach in the Cederberg,South Africa

The rock art survey and recording project described in this paper was designed for volunteers and heritage professionals involved in locating and mapping the position of rock art and other archaeological sites in the field, recording basic details for conservation and management, and making these details accessible in digital format for researchers who might want to undertake further investigation. An OpenDataKit (ODK) App with a digital site recording form was designed for mobile phones to be used in the field and to send data directly to the digital inventory of the South African Heritage Resources Information System (SAHRIS). The inventory has accumulated over 3000 sites with Later Stone Age rock paintings in the mountainous terrain of the Cederberg, a region that includes properties in the serial Cape Floral Region World Heritage Site in the Western Cape Province. More than a third of these rock art sites have been added to the database since 2007 by the members of the South African Archaeological Society. The information forms the basis for rock art management plans that are given to property owners to guide them in maintaining the value of the rock art. Interpretation of the information has raised awareness of the significance of the rock art in its historical and landscape setting with a trail and information boards. Local residents and CapeNature staff, who have received training in rock art monitoring and tourist guiding, play a key role in implementing the management plans for CapeNature properties, and monitoring individual sites and trails. The broader international context of volunteer programmes for archaeological site recording suggests that this type of programme has the potential to raise awareness of rock art beyond books and visits to museums and public lectures.     

Digital Technology and a Community Framework for Heritage Rock Art Tourism,Makgabeng Plateau,South Africa

Using digital technologies in the process of collecting and documenting oral heritage allows previously marginalised voices to feed into heritage and historical narratives for rock art heritage tourism. Literary heritage narratives have tended to dominate the dissemination of information on African heritage, whereas African cosmologies and oral traditions are the intangible values of place that attract visitors to heritage sites. In the Makgabeng, oral heritage narrated through stories, songs, dances and poetry and collected using digital technologies will help preserve African values threatened by the onslaught of Western ones, especially through written European languages and social media. The Makgabeng Community Rock Art Project re-values the role of elders in sustainability of heritage tourism initiatives and the integration of a community structure as a sustainable “ready-made” framework to heritage management in Africa.     

From Photography to Cinematography: Recording Movement and Gait in a Neurological Context

The major challenge of photography has been freezing movement, to transform it into a fixed image or series of images. Very soon, photographers became interested in movement itself and tried to use photography as a tool to analyze movement. At the early stages, physicians interested in movement, perhaps surprisingly, made important technical contributions. Mécanisme de la physionomie humaine, by Duchenne, the first book with physiological experiments illustrated by photographs, is a landmark in this historical development. At the Salpêtrière, thanks to Charcot, photography officially entered clinical neurology. Medical journals with photographs were actively developed by Bourneville. Londe established a clinical photographic laboratory and published the first book on medical photography. The study of animal and human movement by Muybridge and Marey in the 1880s led to chronophotography and later cinematography. Clinicians such as Dercum and Richer took advantage of these new techniques to study pathological movement and gait in neurological diseases.     

From the sublime to the meticulous: Art,anthropology and Victorian pilgrimage to Palestine

This essay focuses on practices of representing the Holy Land, as performed by Protestant British travellers during the Victorian and immediately post-Victorian era. I argue that traveller-artists of the period, such as the Pre-Raphaelite William Holman Hunt, promoted a realist aesthetic that combined spiritual and ethnographic sensibilities in its depiction of sacred scenes. Similar concerns are evident in the writings of nineteenth-century pilgrims to Palestine, who wrestle with issues of "participation" and "observation" in relation to topographical and cultural landscapes that are exotic and yet already rendered partially familiar through biblical narrative. In conclusion, some parallels are drawn with aspects of representation and fieldwork evident among early anthropologists.     

Engagement and Management: Developing a Monitoring System for Open-air Rock Art in the UK and Ireland

ABSTRACT

Neolithic and Early Bronze Age rock carvings in the United Kingdom and Ireland represent an internationally unique rock art tradition as it is, to the best of our knowledge, the only wholly abstract global rock art tradition. This heritage resource is, however, under threat from an array of factors, such as increasing population densities and agricultural intensity. In this paper, we report on the Condition Assessment Risk Evaluation (CARE) project that had as one of its primary objectives the co-production of a user-friendly, non-invasive condition assessment risk evaluation Toolkit for gathering and organising information essential for the long-term conservation of open-air rock art. We describe the public involvement CARE process through co-experience participatory focus groups, which evaluated the Toolkit, concluding that we can have confidence in the results obtained from the public. Furthermore, the variables that form part of the Toolkit and related management recommendations are presented.     

The New ‘Coimbra Method’: A Biologically Appropriate Method for Recording Specific Features of Fibrocartilaginous Entheseal Changes

This paper presents a revised version of the Coimbra method for recording fibrocartilaginous entheses. The method itself is the only biologically appropriate recording method for fibrocartilaginous entheses that scores features separately, thereby ensuring that the aetiology of individual features can be studied. The method divides the enthesis into two zones, scoring the relevant features in each zone. These features represent either bone formation or bone destruction and include erosive lesions, fine and macro‐porosity, and cavitations. The revised method includes a new feature, textural change, which is scored as absent or present when it involves 50% or more of the surface. All other features are now scored as zero (absent), one or two with the higher score representing greater expression of the feature. This change in scoring has led to the reduction of inter‐observer error with approximately 80% agreement for overall feature scores for both the common extensor origin and subscapularis insertion. The simplification of the scores and the reduction in inter‐observer error mean that the method is now recommended for widespread use. Copyright © 2015 John Wiley & Sons, Ltd.     

The Rock Art of the Matobo Hills World Heritage Area,Zimbabwe: Management and Use,c 1800 to 2016

The Matobo Hills World Heritage Area in southern Zimbabwe is an acknowledged treasure trove of rock art sites. Despite a century of research and management, there remains much to be done to conserve these sites for future generations. Following a chronological approach, this paper reviews a century of research and conservation efforts, detailing various strategies and achievements by individuals, government agencies, and affiliated organisations. Zimbabwe’s recent economic collapse and ‘land reform’ programme had fundamental impacts on the appreciation and protection of the rock art sites by tourists, local communities, international organisations and government agencies, all of which are explored. The article ends with brief suggestions on how to potentially improve and expand the management of rock art in the Matobo Hills area.     

A Pigment Characterization Approach to Selection of Dating Methods and Interpretation of Rock Art: The Case of the Mikinak Site,Lake Wapizagonke,Quebec, Canada

Dating is perhaps the most frequently asked question in rock art studies, but still one of the most difficult to answer. However, chronology is vital in order to understand and interpret rock art sites. Unfortunately, attempts at dating the Mikinak site, at Lake Wapizagonke, Quebec, Canada were unsuccessful. But a multi‐instrumental protocol applied to characterize paintings shows that at least three different paint recipes were employed to create the site. These may reflect three different phases of paintings, and that at least three different artists contributed to the production of this site.     

从文物艺术到历史故事:我国博物馆展陈设计的叙事趋势、原因与反思

近年来,"了解故事"代替"欣赏珍宝"成为博物馆观众最主要的参观目的.当代博物馆展陈设计亦呈现四种叙事趋势:主题展代替珍品展、语境阐释逻辑代替符号分类逻辑、动态故事代替静态描述以及多元媒介组合代替单一媒介组合.推动展陈"走向"叙事的原因有西方博物馆展陈经验的影响、博物馆"泛艺术化"困境的阻挠和文物身份多元化发展的需要.当下,博物馆人应兼顾"具有中国风格的叙事结构""以人为焦点的叙事视角"和"规范化展览叙事机制",努力呈现具有科学阐释逻辑、较高传播效率和理想认知规模的展览.     

Access, Style and Imagery: The Audience for Prehistoric Rock Art in Atlantic Spain and Portugal, 4000–2000 BC

The prehistoric rock art of western Iberia is normally divided into several styles with different associations, distributions and chronologies. Some are associated with monuments and others are found in the open air. A more basic division may help to account for the degree of overlap between these separate groups. This paper suggests that it may be possible to learn something of the significance of the painted and carved designs by considering their accessibility and the audiences to whom they could have been addressed. The argument is illustrated by recent fieldwork at Monte Penide and El Pedroso.     

Working on Rock Art in the Dakhleh Oasis: Some Thoughts on Threats to Petroglyphs and Possibilities of Research in the Western Desert,Egypt

The rock art in Dakhleh, despite being known for more than a century, has been thoroughly investigated only since the late 1980s, and remains far from being well known especially outside of Egypt. At the same time, the consecutive seasons of fieldwork conducted by the Petroglylph Unit (part of the international Dakhleh Oasis Project) have produced a great number of findings and substantially enhanced our knowledge of the petroglyphs of this area. Here, rather than focusing on interpretive aspects of the research, I wish to discuss the threats endangering the petroglyphs in the Oasis. Dakhleh has developed very intensively in the last 100 years. It is, however, the twenty-first century which seems to pose some serious threats to archaeological heritage. Hence, in this paper I wish to report on what has been done so far to document rock art in the Oasis, and try to establish the priorities for potential future work. The agricultural and infrastructural development in the area, and the uncertain political climate in the country, heavily influence the state of rock art preservation and the possibilities of research. The need for documentation and preservation of rock art is larger than ever before, because many changes in the local landscape cannot be stopped. The time is pressing, because more and more rock art is disappearing due to the reasons discussed in this paper. Threats to Egyptian rock art in general will form a background for considerations concerning petroglyphs from the Western Desert.     

From Hand Survey to 3D Laser Scanning: A Discussion for Non-Technical Users of Heritage Documentation

Abstract

Digital technology has changed our approaches to cultural heritage documentation radically and promises to continue to bring rapid changes. Photographic and non-photographic (graphic) documentation tools are merging in one process, in which digital photographic technology is the main base. Due to digital technology, there is an increasing gap between specialist technicians and non-technical users involved in heritage documentation. 3D approaches are still not popular among users in cultural heritage. However, in order to build a bridge between the specialist and non-technical users, a dialogue between them needs to be developed, not only to discuss issues of data precision and 3D accuracy, but also visualization production systems, which can now easily be achieved by modern digital photographic technology.

This paper presents a comparative evaluation and synthesis of cultural heritage documentation methods and survey techniques currently available, focusing on the needs and requirements of non-technical users of heritage documentation. It attempts to clarify some new aspects in cultural heritage documentation and to assess the impact of current technology. The paper undertakes a comparative evaluation of the potential application of digital methods in documentation — and examines issues such as quality, accuracy, time, costs and specific skills required — from pre-electronic techniques (hand measurement) to 3D laser scanning, which today represents the most advanced technology available for measuring and documenting objects, structures and landscapes.     

From Scale to Practice: A New Agenda for the Study of Early Metallurgy on the Eurasian Steppe

This paper evaluates conventional scholarship surrounding early metallurgy in the Eurasian steppe zone, with a particular focus on prehistoric developments in a region including northern Kazakhstan and the Southern Ural Mountains of the Russian Federation. Traditionally, the emergence of metallurgy in this region has been viewed either as peripheral to core developments in Mesopotamia, Europe and the Near East, or as part of a much larger zone of interaction and trade in metals and metal production technologies. Such views have deflected scholarship from pursuing questions concerning metallurgical production, consumption, trade and value, and their connection to local diachronic socio-economic change. This paper examines these key issues through recent research programs in the steppe region, and in so doing offers an important comparative case study for early metallurgy. It is suggested that in order to develop a better understanding of early mining, metallurgy and socio-economic change in the central steppe region, new theoretical and methodological approaches are needed that highlight the unique characteristics of early mining communities and their relationships to micro-regional resources and concomitant local, in addition to long-distance, trade dynamics. These issues are discussed in light of current field research by the authors and their Russian colleagues on the Middle Bronze Age Sintashta development (2,100–1,700 BC) in the Southern Ural Mountains.