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Rose Graham 《英国考古学会志》2013,166(1):102-121
AbstractInigo Jones is conventionally seen as an isolated genius who had little direct effect on contemporary architects and builders. This is true if his early, elaborately Classical, buildings such as the Banqueting House, are examined in isolation. However, after 1630 Jones developed a very different, astylar domestic manner which proved highly influential among contemporary architects and builders both in London and the countryside. 相似文献
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