Proceedings at Meetings of the Royal Archæological Institute,June 4th, 1885

This is the report of three small research excavations at Waltham Abbey. Each was designed to answer specific questions about the destroyed east end of the Collegiate Church and the relation to it of the Augustinian extensions. Excavation in 1984 was across the chancel of the Collegiate Church which became the Augustinian central nave. In 1986 an area around the Collegiate ambulatory was dug and, in 1987, this was extended to establish the geometry of the apse.

In the area excavated there were no remains of a church which might pre-date the apse-and- ambulatory form. The eastern walls were taken down when the building was extended as part of the Augustinian re-foundation of 1177. Continuous but irregular Collegiate pier foundations were seen and four buttress projections, to the wall foundations, suggest that the aisles and ambulatory had been vaulted. The Collegiate chancel pier foundations seem to have been re-used and even the piers themselves appear to have been incorporated into the Augustinian design. Two new pier foundations for the Augustinian central nave were seen. This nave was wider than the adjacent chancel which caused problems of alignment. Part of the Augustinian north-aisle tiled pavement survived. A previously discovered curved foundation is now known to be that of a small ‘bubble’ chapel which was added between two adjacent buttresses of the Collegiate Church.

As a result of the excavations it is possible to predict the form of the second Collegiate church, of Romanesque style, and to suggest it was begun in the late eleventh century. To the west of the present excavations a much more modest apsidal end is still possible for Harold's original Collegiate Church dedicated c. 1060; no physical evidence of this church has been established with certainty but some possibilities are mentioned.

There is a full documentary survey and a discussion of parallels for the apse-and-ambulatory east end with Waltham having features in common with churches of other secular houses. Details are given of mortar analysis and of stonework which shows some clear parallels with the church begun at Durham c. 1095. There is a record of all previous work on the monastic site.     

Communication of Discoveries of Medieval Paintings,Etc

Abstract

Until 1965 Holy Trinity parish church, Much Wenlock (Shropshire), was believed to be wholly Norman and later. In that year it was proposed that the south chancel chapel and south nave aisle were Anglo-Saxon. Two vertical strips of squared stones, built into the upper part (a later heightening) of the aisle's south wall, were interpreted as Anglo-Saxon pilaster strips of the type later classified by Dr H. M. Taylor as ‘long-and-short’. If the upper part of that wall was Anglo-Saxon, the lower part must have been earlier Anglo-Saxon, and so must the chapel south wall, which is integral with the lower part of the aisle wall. The Norman nave and chancel must have been added to an-existing Anglo-Saxon structure.

We believe, however, that the aisle and chapel must have been added to an existing Norman structure, for the Norman nave had originally a south-east external clasping buttress. Structural and documentary evidence shows that the strips are probably of the later thirteenth or earlier fourteenth century. Moreover similar strips occur in another part of the church that is probably of that date or later. ‘Pilaster strips’ of ‘long-and-short’ appearance may evidently be looked for elsewhere in twelfth-century or later contexts, especially in the heightened parts of unsupported rubble walls.     

En-Rogel,and the Brook that Overflowed

Abstract

Our investigation of the Stratum IB building indicates that the apse on the southern wall was a later addition to a pre-existing 'Galilean type' synagogue, as field plans from Dothan's 1962 excavation testify. In fact, the three main doors to this building were in the southern wall. Contrary to the excavator's final publication, the central apse was not an integral part of the original plan. Some time after the southern wall was broken down and this apse was added, the Stratum IB building underwent further renovations. This subsequent change occurred when a small apse with a pool fed by a water-cistern was built in the southern end of the western courtyard. As these additional features are not found in synagogues, but are typical of baptisteries in churches, they might indicate that this apsed synagogue was transformed into a church.     

The mosaic of the crypt of St. Nicholas in Bari (Italy): integrated GPR and laboratory diagnostic study

The crypt of St. Nicholas in Bari, Southern Italy, is a building of cultural worldwide importance. Inside the crypt a mosaic develops on the apsidal floor and along a parietal seat placed along the apsidal masonry, in the form of cladding. A surviving portion of the mosaic pavement is also preserved in the right lateral chapel. Integrated non-destructive survey and laboratory analyses were undertaken for the diagnostic study of the mosaic. GPR prospection was successfully applied to the study of its conservation state, that is strictly related to the condition of the subsoil, in particular to the presence and distribution of water. The presence of water, whose rise interests also some portions of the masonry and water content distribution were identified by the results of electromagnetic wave velocity analysis in GPR data.     

Peverell’s Castle in the Peak

The church at Hardham is a small simple building constructed of sandstone and ironstone rubble interspersed with Roman tiles; originally it was whitewashed. It was built without a tower, but a bell turret was added in Victorian times. There are no features which prove that it was built before the Conquest, but three of the deeply-splayed windows are primitive; one of them has a rebate on the outside for a shutter. Other windows were cut later, the earliest being a double lancet behind the altar which dates from the thirteenth century. The church consists of a nave, 9.6 m x 5.8 m (31 ft 6 in x 19 ft), and chancel, 5.2 m x 4.7 m (17 ft x 15 ft 6 in). The insertion of the lancet window has destroyed the centrepiece of the decorative scheme of paintings which extended over both parts of the church and formed an integrated whole (Johnston 1901a, 74; 1901b, 62; Milner Gulland 1985, 27, 43; Baker 1986, 49–49). In both nave and chancel the theme of the decoration is the contrast between good and evil. Thus, in the nave the Sacrificial Lamb with angels waving censers is placed over the chancel arch and is confronted by a representation of the damned in hell which faces it on the west wall. In the chancel, Christ seated in Majesty, adored by Cherubim and the Elders of the Apocalypse, was painted on the east wall and faced a representation of the Fall of Man and the history of Adam and Eve on the east face of the chancel arch. This scheme interprets the words of St Paul, As in Adam all die, so in Christ shall all be made alive' (I Corinthians xv, v 22). The central part of this composition was destroyed by the insertion of the thirteenth-century window. The theological idea that sin was brought into the world by the disobedience of Adam and Eve, and could only be expunged by the Life and Passion of Christ, is often illustrated in the Middle Ages. This, for instance, is the theme of the illustrations in the St Albans Psalter, which was produced during the first half of the twelfth century (Dodwell et al. 1960, 49; see especially Pacht 1962, 49–53).     

Archaeological Intelligence

The county of Norfolk is well known for its huge number of ruined and abandoned medieval churches. ‘St Mary's Chapel’ at Ashwellthorpe has not usually been, reckoned among these. Although local tradition always maintained that it was the parish church of the lost village of Ashwell, some architectural historians have been sceptical, suggesting that it is merely a post-medieval domestic building on which part of a church roof has been re-used. Renovation of the property has not only confirmed its ecclesiastical origin, but revealed that it is the chancel of a church later used as a chantry chapel, with a major refurbishment in the fifteenth century.     

Mud-brick composition,archeological phasing and pre-planning in Iron Age structures: Tel ‘Eton (Israel) as a test-case

The eighth century BCE city at Tel ‘Eton (Israel) was destroyed by the Assyrian army, probably during Sennacherib’s campaign of 701. Building 101, sealed within the heavy conflagration caused by this destruction, was uncovered almost in its entirety on the top of the mound. From the beginning, it was apparent that the structure had two major building phases, and while its initial construction was of high quality, later additions were much inferior. Analyses of mud-brick walls for firing temperatures, texture, carbonate content, color, and dimensions approved the observation regarding the differences between the two phases, but consistently pointed out that one wall, initially attributed to the first phase, was analytically different, comprising an intermediate phase. This conclusion not only altered our understanding of the building construction, adding heretofore unknown building phase, but also gave us insights into the pre-planning of Building 101, indicating that some rooms had originally two doorways. Such a configuration allowed easy subdivision of spaces according to needs, without harming the overall structural stability. Differences in inner division of similar Iron Age houses were identified in the past and were attributed to differences in the life cycles of families. The evidence from Tel ‘Eton suggests that such future changes were taken into considerations when the structures were built.     

The Tames of Fairford

Abstract

Based on evidence collected by surveying a sample of Norfolk churches, this paper presents a reappraisal of the presumed ubiquity of chancel screens in late medieval parish churches. Building on this foundation, evidence is presented and discussed regarding the supposed homogenous form of chancel screens, and the relationship of these screens to other elements such as lofts and beams. By considering the broad period of c. 1330–1537, during which chancel screens were being constructed or renewed, this paper sets out the major changes in their structure, decoration and patronage. Whilst perhaps not ubiquitous, chancel screens did achieve and retain a widespread popularity during a protracted period. The paper offers explanations for their prevalence and argues that, in being representative of the gates of heaven, chancel screens were an important element in the setting of the medieval liturgy at parish level. It concludes with a discussion of patronage which is intended to reinforce the points made about the symbolic and physical centrality of these furnishings in Norfolk parish churches.     

Remarks on Some of the Churches of Anglesey

Reconsideration of three published reports about the ruined church at Stone-by-Faversham is shown to lead to some new interpretations of its structure and history 1 especially when account is taken of evidence hitherto left latent in the building and of evidence as yet unpublished from an investigation in 1926. Moreover a new weapon for interpretation of the sequence of the several phases of the building has been developed by study of the extent to which material .from the earliest phase has been used in the fabric of later phases; and reasons are given for re-interpreting as nave-altars the masses of masonry which have in the past been regarded as part of a very confosing east wall of the first stone nave. Plans and .floor-levels are shown for the four principal phases of development 1 and we make a suggestion for a small change in the way the monument is displayed 1 in order to make its history more easily understood and also to protect its most ancient parts .from unnecessary risks. The substance of this paper was delivered to the Institute at its meeting on 11 February 1981.     

Archaeological microgravimetric prospection inside don church (Valencia, Spain)

The microgravimetric surveying technique is applicable to the detection of shallow subsurface structures if a lateral density contrast is presented, and thus, it is a valid technique for archaeological prospection. In this paper, this technique has been revealed to be an efficient tool for archaeological studies, such as those performed inside Don Church (18th century), located in the urban area of Alfafar town, Valencia (Spain), where a buried crypt, suggested by different boreholes drilled during the second restoration process in 1993, is expected. Details of the site’s characteristics, topographic survey procedures, microgravimetric field operations, data collection and gravity reduction operations (where the inner building effect of walls, pillars and the altar is confirmed as one of the most important) are also presented. Finally, the results confirm the buried crypt.     

Castle Acre

This is the report of research excavations and salvage recording both inside and outside the standing Romanesque church. Evidence was seen of three pre-Conquest churches. The first was a ground standing timber building. The second was a Brixworth-type stone building. The third was a T-shaped church with a continuous transept and a tiny eastern apse. The evidence for these interpretations is presented. Documentary evidence is given and parallels are discussed. Additional information about the succeeding Romanesque church is presented. It had a rectangular crossing and tower, and evidence of a large added eastern chapel, reasoned to have been a new setting for the Holy Cross of Waltham, is discussed. Finds include floor tiles and stone. A burial close to the first church probably dates to the seventh century and suggests that Waltham was a minster church from the early years of the conversion. A herring-bone masonry wall is attributed to Harold.     

USING AND ABANDONING ROUNDHOUSES: A REINTERPRETATION OF THE EVIDENCE FROM LATE BRONZE AGE–EARLY IRON AGE SOUTHERN ENGLAND

Summary.   It has recently been demonstrated that a number of roundhouses of the early first millennium BC in southern England show a concentration of finds in the southern half of the building. It has thus been argued that this area was used for domestic activities such as food preparation, an idea which has formed the basis for discussion of later prehistoric 'cosmologies'. However, reconsideration of the evidence suggests that this finds patterning does not relate to the everyday use of the buildings, being more likely to derive from a particular set of house abandonment practices. Furthermore, evidence can be identified for the location of domestic activities within contemporary roundhouses that appears to contradict the established model.     

藤花落史前城址的几个问题

本文通过对《藤花落》报告的层位学、类型学分析,将藤花落城址相关的遗存分为四期,并在此基础上对藤花落城址进行了研究,认为该城址的城墙上和壕沟内的柱洞属于栅栏遗留,栅栏是与城墙、城壕等一体的防御设施;藤花落龙山文化遗存属尧王城类型,晚期文化面貌发生改变与王油坊类型龙山文化的东传有关。     

Medieval Iron-Workings in Minepit Wood,Rotherfield, Sussex

FROM 1965 TO 1967 detailed excavations were carried out in Minepit Wood, Rotherfield, Sussex, on what proved to be a complete and undisturbed iron-working site of the 14th and 15th centuries. Two periods were distinguished. Except for part of the roasting-furnace nothing survived of the earlier structures. The remains of the later period (which followed closely on the earlier) included a dump of natural ore prepared for roasting; a stone-built roasting-furnace with attendant heap of ore-roasting refuse; a stone and clay smelting-furnace and slag-heap; the groundwalls of a timber-framed building, which had been partly roofed and enclosed the smelting-furnace and supplies of roasted ore and charcoal; the ground- walls of a small ancillary building; and a few pieces of iron and contemporary pottery. One of the many minepits, which gave the wood its name, was also shown to be late medieval.     

New light on Schumacher’s Südliches Burgtor at Megiddo

The Südliches Burgtor is a massive structure that was uncovered by Gottlieb Schumacher on the southern edge of the mound of Megiddo in the early twentieth century. Its vicinity was partially excavated by the Oriental Institute team in the 1930s. Still, the stratigraphic affiliation of the building as well as its date and function remained unclear. Here we present evidence from the southwestern sector of Area Q of the renewed excavations at the site, which shed light on these issues. The Südliches Burgtor was originally built in Stratum VII, probably in its later phase (VIIA), of the Late Bronze III, and continued to be in use until the devastation of the city in Stratum VIA at the end of the late Iron I. The building did not disclose clear evidence of its function, but circumstantial considerations based on finds in Area Q to its east point to possible cultic usage.     

Analysis of Construction Timber in Rural Austria: Wooden Log Walls

House-building with wood has a long tradition in Austria. In this study, 47 houses from the Austrian Alps and the alpine foothills were analyzed. Dendrochronology was used to date the houses and to extract further information as construction phases within one building and time needed for harvesting. The construction dates range between 1452 and 1934. The focus was set on log constructions and in particular on wooden log walls. All wooden walls were made of softwood, clearly dominated by Norway spruce (Picea abies). A remarkable decline in the utilization of spruce wood as construction timber was found during the 19th century, which might be due to the high charcoal production at that time. By analyzing age, wood species, time of harvesting and way of processing, knowledge about wood utilization and historical forest management can be regained. Furthermore, some social and economical background of the farmers can be lifted. Technical dates as wall thickness and total wood volume required to build a residential building is provided.     

Communication in a visual mode: papal apse mosaics

ABSTRACT

Apse mosaics are a form of visual communication employed by popes throughout the Middle Ages, from the sixth through to the thirteenth centuries. This essay examines the nature of this visual mode and the means by which viewers could understand it. A theory of viewing widely attributed to Pope Gregory I (590–604) is shown to be especially pertinent to early medieval apse mosaics and to the twelfth-century mosaic in the apse of S. Maria in Trastevere. The apses of thirteenth-century popes display a new, more explicit approach to visual messaging that required less interpretive effort by the viewer. Two mosaics made at the end of this century were signed by the artist who made them. The emergence of the artist as a competing author of the image diminished the utility of this form of papal visual communication, which immediately fell out of use.     

Some Notices of Records Preserved Amongst the Corporation Archives at Southampton

Over three seasons between 1979 and 1981 the author undertook, on behalf of the then Historic Buildings and Monuments Directorate (Scottish Development Department), the rescue excavation of a 2.4 ha native settlement in advance of land reclamation for upland arable farming. Though limited in extent, the excavations identified a complex sequence of four major phases of occupation. Dating evidence was scarce but occupation appears to have begun as an unenclosed settlement during the Iron Age that was subsequently enclosed within earthen ramparts. Occupation inside the earthworks continued at least until the second century A.D. and a succession of later phases of building indicates that the site may have been settled continually or intermittently until the seventeenth century.