Reassessment of Neovenericor Rossi de García,Levy & Franchi, 1980 (Bivalvia: Carditidae) using a geometric morphometric approach,and revision of planicostate carditids from Argentina

Pérez, D.E., Alvarez, M.J. & Santelli, M.B., July 2016. Reassessment of Neovenericor Rossi de García, Levy & Franchi, 1980 (Bivalvia: Carditidae) using a geometric morphometric approach, and revision of planicostate carditids from Argentina. Alcheringa 41, xxx–xxx. ISSN0311-5518.

Various systematic approaches have been applied to the Neogene planicostate carditids of Patagonia. Some authors have included these species within Venericor (known from the Eocene of North America and Europe) or in Megacardita (recorded from the Miocene of Europe). By contrast, Rossi de García et al. erected the endemic Neovenericor in 1980 for Patagonian species. The three proposed genera have variable outlines and similar hinge teeth configuration. Two geometric morphometric analyses were performed, which included the type species of the following taxa: M. jouanneti (middle Miocene, Mediterranean Basin), V. planicosta (middle Eocene, Paris Basin) and N. austroplata (early Miocene, Chenque Formation, Chubut Province). In the first approach, an Elliptic Fourier Analysis was used to test the general variability of outlines. In the second, a landmark-based method was employed to analyse the hinge configuration, followed by a Discriminant Function Analysis. The outline analysis discriminated Megacardita from the other two taxa based on its more elongate and rectangular shells. The Landmark Analysis distinguished the three taxa based on both, left and right hinges. The Discriminant Function Analysis showed significant values for this differentiation. Neovenericor has a higher hinge plate, broader and less posteriorly inclined teeth, and a less sinuous ventral edge than Megacardita; and it has larger and more posteriorly inclined teeth than Venericor. Other morphological characters of the genus include an intermediate number of radial ribs that do not dissipate ventrally, and wide and deep intercostal spaces. Thus, Neovenericor is clearly a distinct taxon. All Argentinian planicostate carditids were revised and included in this genus because they embrace its diagnostic features.

Damián E. Pérez [trophon@gmail.com], Maximiliano J. Alvarez [maxialvarez82@gmail.com] and M. Belén Santelli [mbsantelli@gmail.com], Museo Argentino de Ciencias Naturales Bernardino Rivadavia, División Paleoinvertebrados, Av. Ángel Gallardo 470 (C1405DJR), Buenos Aires, Argentina.     

Schiavone Camacho,Julia María,Chinese Mexicans: Transpacific Migration and the Search for a Homeland, 1910-1960

In this refreshing study of the "search for a homeland" by Chinese-Mexicans,Julia Schiavone Camacho sets Chinese diaspora studies on its head by centering her work on "a Chinese-Mexican identity rooted in an imagined Mexican homeland," and the history of their exile from Mexico (p.1).Based on archival research at multiple sites (Sonora,Mexico City,Macau,Arizona,and Washington DC),and spliced with oral history interviews with her subjects,Camacho deftly reconstructs the diasporic trajectories of these Chinese Mexican families,as they responded to twentieth century transregional and global events and circumstances in their multiple crossings of the Pacific lake.     

María Rosa Lida,Borges y una cita inexistente de Lucrecio: filología y auctoritas

In 1952, María Rosa Lida de Malkiel published a work in Sur magazine about the literary sources of Jorge Luis Borges. In the second paragraph of that work she relates a passage from one of the Argentine's stories with a verse from the Aeneid and, later on, two verses of the poem “Las calles” with some others from Lucretius' work De rerum natura. In both cases, she cites the number of the book and verse of the Latin poets. The one referring to Virgil is correct; however, Lucretius' verses are apocryphal. In this work, I analyze the reasons the eminent philologist could have had to carry out tremendous artifice and, at the same time, the objective and personal qualms that, during the revision, produced the auctoritas of her figure.     

Cuba's Cinematic Élan Vital: Cubanidad and Cubanía as Citizenship and Sentiment

This article focuses on the current shifts in expressions of Cuban national identity by considering the articulations of cubanidad and cubanía in recent documentary films from Cuba's Muestra joven. Rather than suggesting a disappearance or deterioration of national identity, these three examples of contemporary Cuban cinema evidence a more fluid, sentiment-based articulation of Cubanness that can be considered the island's élan vital. This analysis of representations of the ongoing transformation of Cuba deploys theories and terms conceptualised by Georg Sorenson in The Transformation of the State: Beyond the Myth of Retreat (2004) in order to posit how cubanidad is aligned with the modes of citizenship (the official), which is a sense of Cubanness defined by a rationality that may be imposed, while cubanía is affined with a sentiment fuelled by intuition (the personal). Thus we propose that just as the Muestra joven embodies the current vacillation and movement of Cuban cinema between citizenship and sentiment, so deMoler (Muestra 2004), Model Town (Muestra 2007) and La Época, el Encanto y Fin de Siglo (Muestra 2000) indicate a process of reinterpretation and rupture in a context of flux instead of rigidity.     

María Zambrano’s theory of subjectivity and modal ontology

ABSTRACT

Zambrano is well-known for her critique of the ideal subject, as well as of philosophy and ‘Western’ reason. Despite this critique, notions like the individual and reason in her works has not been thoroughly analysed. Enquist Källgren argues that Zambrano’s texts contains a comprehensive theory of subjectivity. It is shown that Zambrano’s notion of subjectivity presupposes a structure that positions the human being in a modal relation to her surroundings. The human being can be conceived of as a structure of transcendent and transcendental positions in which the individual is the product of an expressive performativity. Zambrano’s theory of subjectivity can be read as an engagement with the thinking of both Aristotle and Kant, placing subjectivity in the tension between embodiment and transcendental capacities. It is concluded that Zambrano’s theory of subjectivity is in fact a modal ontology describing the condition of possibility of human existence. In addition, it is concluded that this modal ontology has important ethical implications since it presupposes the presence of an ‘other’ towards which expressive performativity is directed.     

Descubrimiento,geografía y origen de los discursos hispanoamericanos

Imaginación del Nuevo Mundo. Diez estudios sobre los inicios de la narrativa hispanoamericana. By JOSE JUAN ARROM. México: Siglo XXI Editores, 1991. Pp. 196.

Signs, Songs, and Memory in the Andes: Translating Quechua Language and Culture. By REGINA HARRISON. Austin: University of Texas Press, 1989. Pp. xvii, 233.

The Armature of Conquest: Spanish Accounts of the Discovery of America, 1492–1589. By BEATRIZ PASTOR. Translated by LYDIA LONGSTRETH HUNT. Stanford: Stanford University Press, 1992. Pp. x, 317.

Mil leguas por América. De Lima a Caracas 1740–1741. Diario de don Miguel de Santisteban. Preliminary study by DAVID J. ROBINSON. Bogotá: Banco de la República, 1992. Pp. 323.     

María Zambrano’s and Albert Camus’s communal ethics

ABSTRACT

Maria Zambrano and Albert Camus had much in common, especially their sympathy for the Second Spanish Republic and their ethical vision. Both intellectuals employed literary forms to explore philosophical ideas allegorically, explicitly notions related to exile and solitude. Works included in the study are ‘Delirio de Antigone,’ La tumba de Antigone, and Delirio y destino [Delirum and Destiny] by Zambrano and The Plague and The Myth of Sysifus by Camus. Zambrano’s works are interpreted as allegories of Franco’s Spain, while Camus’s novel and essay represent Vichy France under the Nazis. Like Camus, Zambrano was a master of blending political, philosophical, and literary themes and genres.     

Missionization and Economic Change in the Pimería Alta: The Zooarchaeology of San Agustín de Tucson

Spanish missions were important support bases for colonization; Native American labor provided both food and commodities to support regional colonial expansion. Zooarchaeological remains from Mission San Agustín, located in present-day southern Arizona, offer a unique perspective on livestock use at missions, and engagement with regional economic networks through secondary animal products. Despite decades of resistance to livestock, the O’odham became the primary labor force in an economic system based on livestock ranching, particularly of cattle. The transition to cattle ranching was likely influenced by a number of factors including pressure from missionaries, population growth, and, perhaps most importantly, the regional demand for secondary livestock commodities such as hide and tallow.     

Socionatures,Space, and Decolonisation: Amílcar Cabral's Praxis of Dialectics

The agronomic writings of influential theorist and independence leader Amílcar Cabral contain a hitherto underappreciated dialectical approach that is environmental, nonreductive, spatialised, nonteleological, and anticolonial, with significance for geographies that are simultaneously critical, physical, Southern, Black, African, and decolonial. Cabral's interests in socionatures—and especially colonialism and the state—emerged from childhood in colonial Cabo Verde. His undergraduate thesis examines dialectics of soil erosion and agrarian structures in Portugal, amidst his politicisation and anti-colonial networking. He developed his dialectical approach spatially as he conducted Guinea-Bissau's agricultural census and advanced beyond methodological nationalism and evolutionary stagism by emphasising colonial connections (colonial state mechanisation and export crops in African agrarian systems). These insights and concerns shaped and were shaped by his work on warehouses, Angolan plantations, and broader post-1960 liberation struggles to suggest that a rural guerrilla strategy was possible and necessary in Guinea through dialectical engagements with diverse peasantries and international support.     

Feasting and Building an Urban Society at Cerro Jazmín,Oaxaca, Mexico

Here we present new excavation data from the urban site of Cerro Jazmín, Oaxaca, Mexico. Based on a comparative analysis of ceramic, faunal, botanical, and architectural evidence collected from a prominent city sector and a contemporary residence, we argue that feasting took place in the Sunken Patio Sector in the Late and Terminal Formative periods. Feasting strategies in an earlier occupation of the city sector employed a largely exclusionary strategy, giving way to a more corporate strategy in a later occupation. We take the findings from the Sunken Patio feasting complex as evidence of the formalization of Cerro Jazmin’s urban, regional role as a site of civic-ceremonial activity. Participation in this meaningful act of food consumption may have served to cement communal ties in a nascent urban society.     

Cartografía emocional entre la China y la Gloria: Agustín de Foxá, Víctor Ruiz Iriarte y la Modernidad

Both Agustín de Foxá and Víctor Ruiz Iriarte premiered their first plays very near the end of the Spanish Civil War in 1939. The two playwrights appear to belong to the same imaginative and poetical vein, but in fact Foxá yearns for an impossible return to an idealized past, in a pessimistic lamentation against Modernity—that is, precisely, his exotic drama Cui-Ping-Sing. The poetical theatre Ruiz Iriarte endorses in Un día en la Gloria, and thinks apt to Modern times, is based in a radical optimism—the idea that fantasy can always transform and improve a disappointing reality.     

Structural Assessment of Companhia Aurífícia,a 19th Century Industrial Building Located in Northern Portugal

Companhia Aurifícia is located in Porto, Portugal, and was founded in 1864. It was a pioneer factory in the industrial production, casting, rolling, and stamping of metallic objects and laboured for about 150 years, in areas as jewelry, manufacture of parts in silver and gold or the production, and casting of various metals. In 1866, it began laboring in Rua dos Bragas, its present location, and in 2003 ceased all activities.Companhia Aurifícia is an industrial complex including several buildings, all located in the same block. It is a precious example of the industrial architecture in Porto, where the still existent retaining walls, structures, machinery, and decorative elements make it one of the last examples of 19^th century industrial life of the city.This article aims to evaluate the safety condition of one of the buildings included in this industrial complex, in order to propose the necessary strengthening interventions.