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Plans to redisplay the Bayeux Tapestry raise anew the questions as to where and how it was originally intended to be displayed. Analysis of the linen fabric provides new insights into the tapestry’s design and manufacture, and enables its original length to be calculated. Re-examination of the (largely destroyed) 11th-century cathedral at Bayeux and of its liturgical layout demonstrates that the tapestry would have fitted neatly into the nave west of the choir screen. Its narrative falls into three discrete sections that reflect the way in which it would have been hung within the building, and the arrangement of the scenes takes account of the uneven bay-spacings of the nave arcades and the positions of the doorways. It can therefore be concluded that the tapestry was designed for a particular location within the nave of Bayeux cathedral. The cathedral’s liturgical traditions shed light on the way in which the tapestry would have been viewed in the Middle Ages, and the wider implications for the way in which it could and should be viewed today are briefly considered.  相似文献   

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Rev. John Gunn 《考古杂志》2013,170(1):246-251
This paper attempts to demonstrate four things: (1) There is no adequate documentary basis for Petrie's ‘Northern’ system of lengths. (2) We do not know of any system into which Anglo-Saxon lengths were organized. (3) The perch of 5.03 m is the only Anglo-Saxon unit of which the length is known. (4) There is insufficient evidence to support the view that the Drusian foot of 33.3 cm was widely used by the Germanic tribes in general or in Anglo-Saxon England in particular. Conversely the modern English foot of 30.48 cm has more to recommend it as Anglo-Saxon than has previously been recognized.  相似文献   

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More iron objects have been found in East Yorkshire than in any other part of Iron Age Britain of comparable size, largely in the burials of the Arras Culture, named after the excavations at Arras near Market Weighton (1815–17). The region also contains one of Britain's largest prehistoric iron production centres, contemporary with the Arras Culture. This article aims to contribute to re-establishing early iron production and consumption, and its social and economic significance in the archaeological mainstream, and demonstrate the importance of understanding ironworking for the Iron Age landscape.  相似文献   

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Abstract

The early Donjon at Langeais is among the best-known early medieval buildings in Europe, but has not been systematically studied; this paper is based on a stone-by-stone record and archaeological analysis of the standing building, and presents an interpretation of its structural and functional history. Three major structural phases have been identified. Most of what remains is original (Phase I); the ruin can be reconstructed as a main block of two floors with two tower-like attachments to the east side, probably linked by a gallery. A date of c. 1000 is proposed, but does not allow definite attribution to Fulk Nerra. Considerations of comfort and convenience were more important to the original design than security, although the building had some defensive capacity, and could have been incorporated in a walled circuit; it may have been an entire residence of a type ancestral to the mature multi-storeyed residential donjon, or have been included in an assemblage of low-level buildings, representing an alternative form of domestic planning. In the later 11th or early 12th century (Phase II), the annexes were reduced and the building deprived of any defensive character by the insertion of ground-floor doorways. The 15th century saw the demolition of the west wall, followed by consolidation of the remains, and other modifications (Phases IIIa, IIIb and IIIc). A combination of archaeological observation, recording, remote sensing and historical research shows that the fortified area extended at least to c.200 m west of the donjon in the 11th century, and contained a collegiate chapel.  相似文献   

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In November 2008, human skeletal remains were discovered during construction works undertaken by Carlop Properties in the Chloorkop industrial area, Kempton Park, Gauteng. The Forensic Anthropology Unit of the University of Pretoria, Forensic Anthropology Research Centre (FARC) was notified, and rescue excavations of both the exposed and the undisturbed remains were undertaken. The skeletonised remains of at least 18 individuals were recovered and sent to the Department of Anatomy at the University of Pretoria for standard anthropological analysis. The identity and the time period of these human remains are unknown, and during social consultation, no relatives could be identified. Excavations revealed a formal burial pattern, which suggests a formal cemetery, probably associated with a historic institution. All individuals were buried in wooden coffins in an extended, supine position. The remains consist of both adult and juvenile remains. Some of the remains were found in a commingled state because of disturbance caused by construction work. The minimum number of individuals was determined by the visual pair matching of skeletal elements on the basis of similarities observed in bone morphology, age and sex, trauma and pathology and taphonomic alterations. Bioarchaeological techniques were used, and the following results were obtained. Of the 18 individuals, at least 15 were identified to be males, one possibly female and two juveniles. At least five of the adult male individuals presented with cut marks associated with standard autopsy procedures. No reference to the individuals' identity or to the context of the cemetery within the historical span of the Chloorkop area has been located. However, the burial pattern observed, as well as the demographic profile and pathology observed on the skeletal remains, suggests that these individuals could be linked to the Klipfontein Organic Products Factory (ca 1941s–1970s), which employed many migrant labourers, most to whom lived in compounds on the factory premises. Copyright © 2011 John Wiley & Sons, Ltd.  相似文献   

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The presence of the remains of a Tudor cupboard displayed at Cotehele (Cornwall) has for many years been explained by the marriage of Catherine, the widow of Sir Gruffydd ap Rhys (the son of Sir Rhys ap Thomas, a leading figure in south Wales during the reigns of both Henry VII and Henry VIII) to Sir Piers Edgcumbe in 1523; thus dating this piece of furniture to the 1520s. By contrast, costume experts have always considered that the piece should date to the middle or later sixteenth century. This paper links the Cotehele cupboard to other pieces of carved work from the Welsh March in Shropshire—at Lower Spoad Farm, near Clun and in the church at Llanfair Waterdine—suggests an association with two of the major landowners there, the earls of Arundel and Shrewsbury; and places the cupboard in the context of Queen Mary's reign.  相似文献   

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自 198 8年始 ,在配合鹤壁城市建设中 ,先后发现了一批不同年代的古代陶窑遗址 ,对认识古代中原地区的社会经济和古代鹤壁地区的制陶、制瓷等手工业的发展 ,有着极为重要的意义  相似文献   

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This report outlines the results of excavations carried out on the Stanwick earthworks in four different areas between 1981–86. At Forcett, area investigation recovered more of the structural plan of the north-western entrance investigated by Wheeler in 1951. Both here and in the Tofts, earlier deposits and features were recognized beneath the ramparts. Wheeler's idea that the Tofts settlement originated as a defended enclosure can no longer be sustained, and geophysical survey has indicated that its southern defences in fact follow a different line from that originally envisaged. Other excavations took place at Henah Hill, where a low bank underlies a long sequence of agricultural activity, itself sealed by the medieval ridge-and-furrow; and at Forcett Barns. The date and context of the earthworks are briefly reviewed in the light of the recent work at Stanwick. The main defensive earthworks were all probably constructed within a relatively short period around the mid first century A.D., when the long-lived settlement was at its most important.  相似文献   

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论河南秦墓     
赵丹 《华夏考古》2020,(2):84-97
河南地区是受秦文化影响较深的地区之一,目前河南地区发现的秦墓在年代上持续时间较长,且与秦的历史发展密切相关。因此文章将河南地区的秦墓分为四个阶段进行分析,就每个阶段的墓葬形制、随葬器物、文化因素等方面进探讨,并与关中、湖南、湖北和山西等周边地区秦墓进行比较,归纳出不同地区秦墓特点及与河南秦墓异同,最后就秦文化对河南汉墓的影响做简单论述。  相似文献   

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