The definition and duration of the Beaker Culture in the Spanish Balearic Islands: a radiocarbon survey

This paper presents 45 radiocarbon dates demonstrating International Bell Beaker cultural contact and interaction with the Island of Mallorca, c. 2500 cal BC to 1300 cal BC. The radiocarbon documentation is accompanied by supporting artefactual and architectural evidence that demonstrates long-range seaborne exchange and a high degree of social complexity outside the Iberian Peninsula. The evidence has been collected over a thirty-four year period (1962–1996) from a number of sites which include cave, rock shelter, open-air settlement and ritual contexts. These demonstrate social, religious and economic activities which show an unusually rich variation and complexity, giving indications of social differentiation and local technological skills, such as water- and animal-management, architectural construction, as well as lithic, ceramic, metallurgical and other production, over some twelve hundred years.     

公元七至十四世纪中国扶壁形制流变研究

本文通过对中国现存的古代木构建筑、《营造法式》以及其它相关间接史料的研究,揭示出公元7-14世纪中国扶壁形制的典型类型及其分区、分期特征。并在此基础之上探讨了此时期中国南北方建筑的部分区域特点,以及《营造法式》的部分地域渊源与流布关系。     

Time to Say Goodbye

Tim Hortons’ first donut store was established in Hamilton, Ontario, in 1964; other stores were added over time as the chain gradually diffused across Canada to become the country’s largest quick-service restaurant chain with more than 2,400 restaurants. In achieving this dominant status it adopted one of the strategies of any successful restaurant chain; utilizing a uniform architectural style to emphasize to customers the consistency in its menu and operations. This article examines the processes underlying the development of the Tim Hortons brand and the diffusion of its restaurants into the US, specifically the appearance of their restaurants in the Great Lakes borderlands. The study found a consistent architectural style in Ontario but several different styles in Michigan and New York. It is suggested that this lack of consistency in brand identification in its US restaurants is a contributory factor to their lack of profitability and smaller sales.     

Regeneration and Structural Strengthening of the Fortress of Arnara,Latium, Italy

The fortress of Arnara is a small castle in a high seismic hazard zone in Latium, Italy, which represents a landmark for the local population. It was chosen as a case study, being a perfect example of Middle Age fortress, well preserved during the centuries despite some strong earthquakes damaged it in the past. The project presented here is a significant example of how the interest of a community to regenerate an ancient structure for its re-use can pave the way to a complete structural strengthening, which includes anti-seismic concepts aiming at retrofitting the ancient fortress walls. The overall project joins architectural and structural solutions. The architectural solution aims at a functional reconfiguration of the spaces, so to attract the locals to reuse it, while at the same time highlighting some valuable architectural features of the fortress. The structural solution aims at improving the seismic resistance of the masonry walls with a structural intervention that is respectful and integrates with the existing forms. This was achieved by means of a tenso-structure that has the two-fold role of reconnecting the different portions of the structures and of endowing it with a distinctive architectural sign. This project demonstrates that rediscovery of architectural heritage can also be pursued by proposing a new use for these structures, following an appropriate regeneration strategy that must take into account the cultural features of the territory, being at the same time respectful of the past history of the buildings.     

The Choir of Auxerre Cathedral and the Question of a Burgundian Gothic Architecture

Despite criticisms, the classification of the choir of Auxerre Cathedral as Burgundian persists in recent literature. Yet the cathedral’s choir, begun c. 1215, demonstrates the problematic nature of the existing regional categories for French medieval architecture. Based on the 19th-century idea of progress, the conceptual model that conceives Gothic France as consisting of ‘centre and periphery’ and notions such as regional styles or period styles are deeply at odds with medieval concepts of innovation as inclusive of tradition, as evidenced in the biography of Bishop William of Auxerre (1207–20). Indeed, 20th-century studies in support of the classification are contradicted by recent archaeological findings, and neither the historical evidence nor the architectural evidence support a Burgundian label for the choir. The architecture’s distinctly trans-regional character with a mixture of both traditional and up-to-date architectural elements as well as the fact that patronal identities were strongly based on local affiliations and not attached to the duchy of Burgundy, invite a profound reconsideration not only of the position of the choir in the architectural landscape of the early 13th century but also of Gothic architecture of north-eastern France in more general terms.     

Structural,Visual, or Iconic: Transmutations of Wooden Brackets in Modern China

Together with pillars and roof, the bracket set is one of the most fundamental structural components of traditional timber-frame architecture in China. Not only structurally indispensable, it was also emblematic of specific building styles developed through history. Entering the modern era, however, its architectural validity was overturned by the use of modern technology and building materials, rendering brackets merely a visual and decorative motif. This paper contends that it was precisely when the bracket set lost its structural significance that it began to be discussed in ways that endowed it with layers of cultural meaning in the context of modern China. Examining its modern appropriations in materials other than wood throughout the twentieth century, the paper explores shifting meanings of brackets in their continuous transmutations from a reminder of a defunct component in the building tradition to a nostalgic sign for an irretrievable architectural past.     

Restoration Techniques Applied to Tile Dome Conservation in the Western Mediterranean. Valencia,Spain

The domes studied, widespread in a large area of the Mediterranean, constitute an architectural heritage of great value to the history of architecture and construction. They were all built using brick masonry and ceramic tile roofs. Restoration work has made it possible to define their geometry, including the construction layouts of the buildings. In addition, on inspection it can be seen that common construction problems tend to be located at specific critical points. The restoration process of different cases sharing the same methodology, construction criteria, and solutions is accurately described. Following international charters, there is minimal intervention and maximum respect for the original solutions, but also a carefully considered incorporation of new materials and technologies to improve the critical points.     

Remarks on an Enamelled Tablet,Preserved in the Museum at Mans,and Supposed to Represent the Effigy of Geoffrey Plantagenet

Abstract

One of the most intriguing problems in the study of Gothic architecture in the Latin East concerns the network of interrelationships between the major architectural centres in the eastern Mediterranean, especially the Crusader states of the Levant, the kingdom of Cyprus and Hospitaller Rhodes. Although scholars have been aware of the artistic links between these areas for decades, the Cyprus-Rhodes connection remains to this day largely unexplored, despite the obvious interest it presents for the development of ecclesiastical architecture in the region. This article examines the architecture of the Carmelite church in Famagusta and its formal affinities with Rhodes cathedral, in order to identify the conditions and modes of transmission of architectural designs from Cyprus to Rhodes in the second quarter of the 14th century. It will also attempt to demonstrate that the same basic design had been employed for two buildings of radically different status and function, in a reflection of the circumstances, financial or ideological, surrounding their creation.     

Mediæval Military Architecture in England

Recent survey of the late twelfth- to early thirteenth-century chancel of St Mary's church, New Shoreham (Grade I listed) has revealed traces of two consecutive medieval paint schemes on the architecture, dating from c. 1210. No previous research or publication has taken account of these remains, which indicate the original interior appearance of this large and historic parish church. Samples of the paint have been scientifically analysed, revealing the pigments used and their stratigraphic relationship across the survey area; the identification of carbon black on architectural features is particularly important. Comparison with other ecclesiastical buildings in England and on the Continent indicates that St Mary's chancel is a key example of a widespread decorative scheme of red-and-black architectural polychromy, reinforcing its significance as an exemplar of early Gothic style in medieval England.     

From verifiable authenticity to verisimilar interventions: Xintiandi,Fuxing SOHO,and the alternatives to built heritage conservation in Shanghai

ABSTRACT

The introduction of contemporary architecture into historic urban environments creates an open heritage discussion that includes the underlying relationship between development and conservation. This discussion requires theoretical clarification, as heritage conservation is frequently mistaken for other architectural design approaches that, even though they may operate within the historic environment as their primary source, do not comply with the complex definition of heritage authenticity used today. This article aimed to contribute to this debate, offering a characterization of such architectural design strategies operating through principles of verisimilitude that target authentication for tourists and the creative classes in a global city like Shanghai. Comparative studies of Xintiandi (Ben Woods, 2001) and Fuxing SOHO (Von Gerkan, Marg und Partner, 2015) provided an insight into the concepts of historic re-creation and abstract inheritance, currently used as ways of interpreting the historic residential typology of the Shanghai lilong according to the economic and political aims of the entrepreneurial model of governance. This allowed a critical evaluation of the growing attention paid to heritage in Shanghai in the last 25 years, and whether the substitution of the principle of authenticity for authentication has solved the contradictions between urban conservation and development in contemporary China.     

An alternative approach to zoning in France: Typology,historical character and development control

The paper describes an approach to development control taken in France, bringing together the zoning system of planning and geographical and architectural studies of urban form. The approach addresses a number of issues, in particular the maintenance of the historical and regional character of towns, often eroded under systems of land‐use zoning. The principles and methods of the approach are set out and its application is illustrated by an example, illuminating both the approach and the context in which it was realized.     

内与外 虚与实——五代、宋墓葬中仿木建筑的空间表达

五代、宋墓葬中的仿木建筑砖雕表现的均为建筑的外观,该形式处于墓葬这一内部空间时,必然会导致一系列问题,如何协调仿木建筑的外观与墓室内部空间之间的矛盾?怎样表现仿木建筑构件之间的空间关系?通过什么方式塑造仿木建筑的虚拟空间?这正是本文作者试图解决的主要问题。     

The Line,the Void and the Current: Iron Age Art from a Design Theory Perspective

Objects from the European Iron Age decorated with swirls and scrolls, faces and figures, and generally referred to as Early Celtic Art, can offer deep insight into later prehistoric notions of creativity. By drawing on archaeology and social anthropology, art and architectural design, this theoretical discourse investigates the design processes involved in the creation of Early Celtic Art. Rather than attempting to decipher a meaning behind decoration, this enquiry uses architectural ‘Design Theory’ to explore the implications of certain design choices. It starts with the premise that these designs are integral to the objects in order to identify different layers of complexity, innovation and emulation, and ends with wider reflections on who was creative and how. This approach, borrowed from architectural analysis, aims to open a new line of enquiry into the fascinating world of Iron Age creativity.     

Colonial exhibitions,hybrid architecture,and the interpretation of modernity in the Dutch East Indies

To gain more economic profit and strengthen its colonial power, the Dutch brought Western technologies and products to their colonies and organized colonial exhibitions, modeled on the successful international exhibitions in Europe. This article analyzes colonial exhibitions in the Dutch East Indies and the ways that Dutch architects used various local architectural forms for those ephemeral events to attract visitors and to modernize the colony. The empirical case study discusses hybrid architecture in the Dutch East Indies at three events: Pasar Gambir of Batavia, Jaarmarkt of Surabaya, and the 1914 Semarang Colonial Exhibition. Through analysis of archival and historical documents, I argue that the use of local architectural forms in colonial exhibitions helped the colonies to adapt to modernity and created places where local people could practice a Dutch lifestyle and create their own idea of modernity.     

Compton Castle

Abstract

One of the perennial problems in the study of medieval architectural sculpture is the lack of identifiable patrons. At the church of St Michael, Horwood (North Devon), however, the north aisle and chapel of c. 1400 can be firmly associated with the patronage of the Pollard family, in particular John Pollard and his wife Emma. This includes the north arcade of five bays with its four freestanding and two engaged columns, all of which bear carved capitals. It is likely that the building of this extension was intended to establish the Pollard family at Horwood as well as to commemorate the patrons. Thus the work carries a funereal/monumental air that is reflected in the choice of sculptural imagery which includes a skull, angels and hybrid monsters. This context provides new insight into the ways in which architectural images were perceived and used in the later Middle Ages, particularly with regards to the image of the mermaid.     

Gold Fibula,Found at Odiham,Hampshire

A cropmark complex of ring-ditches and square-plan ditches in the Vale of Clwyd, North Wales has been partially excavated. Mesolithic activity is represented predominantly by lithic waste in local cherts. A small bronze age cemetery, dated to between about 1660–1400 b.c., comprises a large and small ring-ditch and a ‘flat cemetery’ associated with Beaker inhumation burials, and by cremation burials, of which some were found with Food Vessel Urns. The larger ring-ditch was superseded by an undated rectangular enclosure with causeways at the centre of each side. An early medieval inhumation cemêtery, with associated dates of about a.d. 510 and a.d. 860, was established to one side of the larger ring-ditch. A small proportion of the graves are enclosed by square-plan ditches, two of which had a causeway at the centre of the eastern side. Generalized parallels are drawn with other sites in eastern and northern Britain and within Wales itself.     

Rescue excavation of a third‐millennium BC tomb at Al‐Khubayb,Sultanate of Oman

A third‐millennium BC tomb was subject to a rescue excavation in connection with the construction of a new road near the village of Al‐Khubayb in the Sultanate of Oman. It yielded a small number of finds, especially small metal objects that belonged to a later reuse of the tomb in the Samad period. As all diagnostic finds from the tomb date to the reuse, its architectural elements were the only indicator for the construction date of the tomb. Besides its small size and large wall thickness, which might suggest that the tomb is a transitional type between the Hafit and the Umm an‐Nar periods, its separation into two chambers and its facade made of white, dressed stones, can be seen as a clue for a construction date of the tomb in the Umm an‐Nar period.     

Architectural Energetics, Ancient Monuments, and Operations Management

Architectural energetics, subsumed within replicative archaeology, provides a means through which buildings are translated into labor-time estimates. To date, the majority of architectural energetics analyses have generated comparative measures of architectural costs, equating these with a vertical structure of political power and authority within and among societies. The present analysis expands the application of architectural energetics by subjecting construction labor costs to an analysis based on concepts central to the Theory of Constraints, which is widely applied in modern operations management. This modeling generates a hypothetical set of behavioral patterns performed by general laborers within a construction project and explicates a method which allows further exploration into the question of labor organization (i.e., allocation and articulation of workers), as well as perhaps other economic organization, in an archaeological context. The case example is Structure 10L-22, a large Mayan palace at the site of Copan, Honduras.     

Uses of Gold in Jewellery

Abstract

Gold plays a dominant role in the jewellery market. This is to a large extent due to the intrinsic value of gold, its beauty and its unique resistance to tarnish and corrosion. In 1990 the amount of gold used in jewellery was about 2000 t worldwide, reaching about 75% of the total demand for gold. The demands on gold materials for jewellery, its applications in the form of bulk material for wrought and cast jewellery and as gold solutions for electrodeposition and electroforming as well as activities to introduce powder materials for the manufacture of jewellery are described. Today's conventional carat gold alloys are reviewed; coloured gold alloys based on the Au–Ag–Cu system, as well as the white gold alloys, based on Au–Ni or Au–Pd alloys. Additionally, the development of special gold alloys is mentioned, for instance that of a very high carat gold alloy, 990 gold–titanium.