Medieval Architecture Illustrated from Illuminated Manuscripts

Abstract

Following examination of a number of post-medieval perceptions of Peak, or Peveril, Castle in Derbyshire, the topographical setting of the castle is discussed. It is suggested that late-12th-century literature can give clues as to the way in those who built and used the castle in the 12th and 13th centuries might have appreciated the site.     

Illustrations of Domestic Architecture,from Popular Medieval Writers

Correlation between features excavated in advance of a gas pipeline, and cropmarks photographed some years previously, led to identification of a Saxon rural settlement, occupied from the sixth or seventh century through to the mid-ninth century. It comprised several interconnected enclosures, adjacent to two main trackways. A narrow strip was excavated through the settlement, and five possible sunken-featured buildings, and numerous ditches and pits, were recorded—most ditches delineated enclosures which had been repeatedly redefined. The pottery assemblage spanned the transition between regional early Saxon and middle Saxon wares. Prehistoric occupation in the vicinity was evidenced by pottery (including beakers), flints and a bronze dagger jragment.     

Early English Receipts for Painting,Gilding, &c.

This research reviews the occurrence of animal remains in Late Neolithic and Early Bronze Age funerary contexts in three southern British counties: Wiltshire, Dorset, and Oxfordshire. Biases of survival and recovery are discussed before the data for species and body parts are analyzed. Explanations for the occurrence of animal remains are first offered in terms of chronology, monument architecture and the character of pre-existing deposits. It is then argued that animal remains (most notably deer antler) could be used to express notions of cyclical temporality and to evoke landscapes relevant to the living and the dead within the funerary context.     

Illustrations of Domestic Manners During the Reign of Edward I

Abstract

A small ivory head of a tonsured man, expertly carved in relief, was found in 1991 during excavations at the great eighth-eleventh century Lombard monastery at San Vincenzo al Volturno. The head was excavated with other fragments of carved ivory, antler and bone, in the vicinity of the collective workshop of the monastery, and was doubtless carved in this workshop. The head-type is a variant on an early Byzantine formula which was employed in Rome by the sixth century and subsequently, in the eighth century, was adopted by artists working for noble Lombard patrons in northern Italy. The painters responsible for decorating the churches and claustral buildings of San Vincenzo in the first half of the ninth century also used this type, and in details of its carving the new ivory head seems to show the direct influence of painted heads of early ninth-century date from the walls of the monastery. The relief was probably intended for the embellishment of a small casket or the cover of a book. The new head, besides being a significant addition to the tiny corpus of surviving carvings in ivory from early medieval Italy, shows the craftsmen in the monastery's workshop had at their disposal a material which was both rare and prestigious in the period.     

Inigo Jones & Christian IV: Archaeological Encounters in Architecture

CONTENTS:
I. VISITORS & STONEHENGE 3
II. KING CHRISTIAN IV & HIS ARCHITECTURE 8
III. ON A SERIES OF CLASSICS 15
The King's Privy Passage 15
The Mint Gate 24
Chapel at Roskilde Cathedral 25
Børsen 31
Architects 41
IV. THE EARLY ROSENBORG CASTLE 43
V. THE GATE TOWER 48
The Gate Tower & Vitruvius 49
Architectural Analysis 59
Statues 65
VI. THE BLUE HOUSE 66
Architectural Analysis 70
VII. INIGO JONES & DENMARK 77
Inigo Jones & Rosenborg 79
A Painting 85
VIII. CONCLUSIONS 88
APPENDICES
I. John Webb in 1655 on Inigo Jones 90
II. "Stone Mason Double Foot" 90
III. Rosenborg Castle & King Christian IV. Outline Chronolgy 91
IV. Rosenborg Gardens & Structures. Selected Statements and Accounts 91
V. Text Accompanying Leonardo da Vinci's Drawing of the "Vitruvian man" 92
VI. Length of the Long Wall Segments in the Blue House 92
VII. Inigo Jones and Selected Events 93
VIII. Excerpts from the Diary of Sivert Grubbe 94
BIBLIOGRAPHY 95     

Illustrations and the genesis of Barrett and Yonge's "Collins pocket guide to the sea shore" (1958)

Twenty nine items of correspondence from the mid-1950s discovered recently in the archives of the University Marine Biological Station Millport, and others made available by one of the illustrators and a referee, shed unique light on the publishing history of "Collins pocket guide to the sea shore". This handbook, generally regarded as a classic of its genre, marked a huge step forwards in 1958; providing generations of students with an authoritative, concise, affordable, well illustrated text with which to identify common organisms found between the tidemarks from around the coasts of the British Isles. The crucial role played by a select band of illustrators in making this publication the success it eventually became, is highlighted herein. The difficulties of accomplishing this production within commercial strictures, and generally as a sideline to the main employment of the participants, are revealed. Such stresses were not helped by changing demands on the illustrators made by the authors and by the publishers.     

U.S. Latina/o Muslims Since 1920: From “Moors” to “Latino Muslims”

This article provides a historical overview of the development of the U.S. Latina/o Muslim community. U.S. Latina/os have been converting to Islam since the 1920s. Early converts were primarily found in African‐American‐majority Islamic communities, though there were some others who entered Islam through ties to Muslim immigrants. In both cases, the U.S.'s racist social system had brought the two communities together. In New York City during the 1970s, however, a group of around a dozen Latina/o Muslims felt that neither the African‐American‐majority nor the immigrant‐majority communities sufficiently addressed Latina/os' particular culture, languages, social situations, and contributions to Islamic history. To correct this, they created the first known U.S. Latina/o Muslim organisation, the Alianza Islamica, a group which fostered a “Latino Muslim” identity. Since that time, due to the growing numbers of U.S. Latina/o Muslims, as well as a tendency to foster ties with Latina/o Muslims in countries outside of the U.S., U.S. Latina/o Muslims are more and more adopting the “Latino Muslim” identity, which is now being promoted by several organisations and prominent leaders.