Annual Meeting of the Archaeological Institute,to be Held at Edinburgh in July, 1856

The following paper is based on work carried out between 1974 and 1984 in connection with J. T. Smith's survey for the Royal Commission on the Historical Monuments of England of the domestic buildings of Hertfordshire. It deals principally with painted decoration on plaster and timber walls and ceilings, but also takes into consideration other decorative features such as moulded plasterwork and wooden panelling.     

Proceedings at the Meetings of the Archaeological InstituteAnnual Meeting, 1856, Held at Edinburgh

Focusing upon the restructuring over many years of a mid nineteenth-century ‘blackhouse’ in the crofting township of Callanish, on the Outer Hebridean Isle of Lewis in northwestern Scotland, this paper explores the manner in which a number of interests repeatedly rewove the fabric of the building over time as a means of expressing often competing views of society and community. In an attempt to make sense of and legitimize the present and project a desired future, various groups literally built strategic, contradictory and conditional pasts, infusing the material fabric of everyday life with a political dynamic. The paper concludes with observations on the implications for the practice of ‘cultural resource management’ as strategic negotiation of the politics of past and present.     

Inaugural Address to The Annual Meeting of The Institute Held at Bedford

The Great Tower of Norham Castle has been considered to be a typical example of a two-cell rectangular donjon, divided unequally by a spine wall. Examination of the fabric shows that its history was much more complex, and that it was originally constructed in the early twelfth century as a single unit, two-storeyed building, perhaps as a ceremonial chamber above a vault. During the later twelfth century a second unit, containing private chambers and an upper room in a tower, was added against the original structure, and the present rectangular shape was achieved only as the result of further rebuilding during the fifteenth century. Parallels are suggested in the bishops' palaces of the twelfth century, and the significance of Norham for our appreciation of the complexity of design of great towers is emphasized.     

Address to the Historical Section of the Annual Meeting of the Institute Held at Cardiff

An investigation of almost all recognized Anglo-Saxon churches has been undertaken to scrutinize carefully their quoins, pilaster strips and arch jambs, where these are readily visible for detailed study from ground level. The geological orientations within the stones in these structures have been recorded where they are clearly discernible. The stones, irrespective of their size and shape, display in all visible instances distinct patterns and styles of Anglo-Saxon construction. A simple nomenclature is proposed to identify the bedding orientations of the stones. These patterns of stone orientation, particularly when applied together with an understanding of the different rock lithologies, can be used to enable the structural portions of Anglo-Saxon church buildings to be identified with greater precision.     

Proceedings of the Twenty-ninth Annual Meeting,Wolverhampton, 1872

Abstract

This paper takes as its starting point the relatively unusual form taken by Lincoln's gatehouse-cum-guildhall, which was rebuilt in 1520. It is argued that the Stonebow's elevation bears a superficial similarity to the contemporary royal palace at the Field of the Cloth of Gold. The local political background may suggest that the two buildings are, indeed, connected — through the city council's efforts to renegotiate the terms of their fee-farm with their feudal lords. The new building, and its simple Annunciation iconography, were intended to be understood at several levels of symbolic meaning, all of which referred to the city's relationship with its various lords. Consequently, the Stonebow's simplicity is deceptive; it is, in fact, a multi-faceted political statement, summing up the city's own view of its place in contemporary politics and, as such, it is a good example of the complexity sometimes achieved in early Renaissance architectural iconography.     

Proceedings at the Meeting of the Archaeological InstituteAnnual Meeting, 1855

Salisbury Cathedral was first built with a low, insubstantial stone lantern, perhaps with a timber superstructure, over the central crossing. In the fourteenth century the lantern became the foundation for the tower. Both it, and the steeple on top, were reinforced with networks of iron bars at their interface. There is also a complex iron framework in the lantern to prevent the collapse of its walls. The origin, purpose, and technology of iron reinforcement of medieval buildings is discussed. In time, because of corrosion, these reinforcements became less effective and even damaging to the fabric. Wren was the first of a succession of architects and engineers in the last 350 years who have initiated additional schemes of reinforcement at Salisbury.     

Annual Meeting at Colchester, 1876

The evidence for the reconstruction of building C12 at Cowdery's Down is reconsidered and an alternative structure proposed. In this, the massive inset slots by the doorways are identified as holding door jambs. A common-rafter roof is proposed, and it is suggested that any floor boarding would have been set directly on the ground and not suspended.     

Notice of the Annual Meeting,at Norwich

Excavations took place in 1969, in advance of housing development, on the site of a fourth-century Roman pottery workshop, two adjacent kilns, a well, a large pit and two burials. The workshop contained internal features linked with pottery production, including possible emplacements for potters' wheels. Two kilns, each constructed differently, were producing grey and colour-coated wares. A large pit was used for rubbish. A well, square in plan, was associated with the workshop and must have provided water for the potters. Of particular interest was a complete millstone, which appears to have been used as a flywheel fixed to a potter's wheel. Pottery production at the site may have continued into the early part of the fifth century and as such is one of the last known production centres of the Roman Nene valley pottery industry. The site is significant in that it probably represents a near complete and typical industrial pottery production unit within a major pottery production area of the province and represents an important aspect of the late Roman economy.