Twenty-Sixth Annual Meeting,St. Alban’s, 1869

A round-headed window in the cathedral close at Winchester, drawn by John Aubrey on or before March 1669 for his Chronologia architectonica, may belong to a hitherto unidentified structure shown by John Speed on his Map of Winchester of 1611. The location suggests that this structure and hence the window may have been part of the royal palace built in the centre of Winchester by William the Conqueror by about 1069–70, said by Gerald the Welshman, writing about 1198, to have been second to the palace in London ‘in neither quality nor scale’     

St. Winefrede’s Well at Holywell,Flintshire

This paper reviews the use of hair pins in Roman Britain and examines in detail the ones made of metal which are found in the south. These are divided into twenty-five distinct and two miscellaneous groups, and the dating and distribution evidence for each is briefly discussed. It is shown that there is a distinction between those of the early and late Roman periods. The later first-and second-century groups tend to have restricted, regional distributions whereas the late third and fourth century ones are found throughout the area. There is also a change in length associated with time which is likely to be related to the way in which they were worn. An appendix on microfiche provides summary details of all the pins discussed.     

J.S. Bach’s St. Matthew Passion and intellectual history

ABSTRACT

Recent thinking about Intellectual History has moved beyond studying only verbal texts, to encompass other kinds of visual and aural texts that can be vehicles for generative thought. Where might music fit into this expanded conception? If ideas are defined purely as concepts that can be expressed in words, music can be no more than an “epiphenomenon”, a consequence or representation of ideas that lie behind it, but not capable of embodying those ideas in itself. Yet to many musicians, it seems obvious that music can function as a way in which ideas are developed and worked out. What kinds of knowledge might be embodied in music, then, and how do its meanings change over time? In this paper, I examine some of these issues through consideration of one of the key texts of Western art music, J.S. Bach’s St. Matthew Passion, exploring how it was conceived in a liturgical context in Bach’s time, how its meaning changed when transposed to the very different milieus of concert performance in nineteenth-century Berlin and colonial Sydney, and as it has been re-imagined in a variety of recent staged and recorded versions.     

St Mary’s,Southwell, and the archbishops of York,c. 1100–15401

Although there may have been contacts between Southwell and York from the seventh century onwards, it was a royal grant to Archbishop Oscytel in 956 AD that formalised the relationship and led to the creation within the archbishopric of the Peculiar of Southwell. This centred on an impressive minster church, described by A. Hamilton Thompson as ‘the greatest of all the medieval collegiate foundations of England’. This paper considers aspects of its institutional organisation, its place in the archdiocese of York and its long enduring relationship with the archbishops, for several of whom Southwell was a favoured place of residence and burial. It particularly concentrates on the period from c. 1100 to the Reformation, exploiting the Minster's recently published main medieval cartulcary, The White Book of Southwell, to follow developments. It pays particular attention to the Chapter and its personnel, whose careers are set in a wider context by comparison with the experience of canons and prebendaries elsewhere, particularly at Beverley and Ripon, the other two major Minsters of the archdiocese.     

Imposed and Home-Grown Colonial Institutions: The Jesuit Chapels of St. Mary’s City and St. Francis Xavier,Maryland

We compare the settings and architecture of a small, community based church in Maryland (US), to that of the Jesuit church in the colony’s capital, St. Mary’s City. The State of Maryland researches and interprets St. Mary’s City, while the parish of St. Francis Xavier supports the search for its first sanctuary. We explore the differences between the sites and their institutions sponsoring the studies, and reflect on what these differences might mean for the relationship of church and state in twenty-first-century Maryland.     

E.A. Markham’s St. Caesare: the other “Ulster”?

This essay examines the invented Caribbean island of St. Caesare and its relation to the representational space of “Ulster” in Montserratian poet E.A. Markham’s collection Letter from Ulster and the Hugo Poems (1993). As the title of the book implies, it unites two of the poet’s home islands, Ireland and Montserrat. Ireland was Markham’s home at the moment when he drafted many of these poems, as he was Writer-in-Residence at the University of Ulster at Coleraine from 1988 to 1991. However, as a Caribbean writer of Afro-Irish heritage, Ireland is also home in that it represents a “hinterland”. Of the Caribbean islands, Montserrat is the most closely identified with Ireland owing to its Irish cultural inheritance, which has earned it the nickname “The Emerald Isle of the Caribbean”. This article surveys Markham’s depictions of St. Caesare and “Ulster” as analytical spaces that enable him to chart the palimpsestic topologies of Montserrat and Northern Ireland. The author argues that Markham limns St. Caesare and “Ulster” as transatlantic mirror images to allow for critical relationality between Montserrat and Northern Ireland.     

‘History meets Archaeology: St Helen’s Chapel,Malham, Revisited’ *

Documentary evidence describes how in 1549, during the suppression of the chantries under Edward VI, the medieval chapel in Malham township was destroyed. Combining this evidence with aerial photographs and geophysical surveys, a potential site for the ancient chapel and cemetery was identified. Between 2015-2017 archaeological excavations confirmed that this site was the ancient chapel. The notes update the original article about Malham chapel in Northern History, 52 (2015), which was written before the excavations began.     

Original DocumentsNotarial Instrument,Dated A.D. 1322, Relating to Saint Nectan’s Chapel,in the Parish of St. Winnow,Near Lostwithiel,Cornwall

Our demographic knowledge of early Anglo-Saxon cemetery populations is highly valuable. This paper will present new demographic data from the Elsham and Cleatham cemeteries, both located in North Lincolnshire. These population structures will be compared with those recorded from contemporary cemeteries, including Sancton and Spong Hill. The observations made in this paper illustrate that the demographic profiles of cremation practicing groups are largely similar in nature. Two intriguing trends are verified by the Elsham and Cleatham assemblages, both of which include the under-representation of infants and males. This enlarged body of osteological data highlights that large amounts of information can be extracted from burned skeletal remains and can enhance our understanding of the demographic structure of cremation practicing groups in early Anglo-Saxon England.