Deerhurst Church,Gloucestershire

Abstract

The zoomorphic ornament of a group of sculptured crosses from Ryedale is here analysed in detail in terms of motif and style. Its Yorkshire context is defined and close parallels from Skaill, Orkney and Kirk Braddan on the Isle of Man are discussed. Origins for various style and motif elements are sought in insular and Scandinavian art. It is concluded that a group of sculptures in Ryedale, exemplified by the Sinning ton crosses, were produced in the second quarter of the tenth century during a period when Yorkshire was under strong Scandinavian influence and had close contacts with the Irish Sea Province. The ornament of the Sinnington crosses closely reflects Anglo-Scandinavian motifs and styles current in York and around the Irish Sea in this period. These Anglo-Scandinavian artistic developments reveal a complex assimilation of preceding English and Scandinavian artistic traditions and may have been a source for reciprocal influences on the arts in mainland Scandinavia. Following the abolition of Scandinavian kingship in York in 954, metropolitan art styles further developed, with prominently insular, particularly Mercian, rather than Scandianavian influences, while the sculpture of Ryedale became introverted and provincial with little evidence of further external influence.     

Church,Community and Democracy

Abstract

The doctrine of church shapes Christian practice around community, producing a Christian worldview that privileges communal life. Authoritarian and/or sectarian conceptions of church will by definition undermine the practice and sustainability of democracy. Democratic practices are needed to avoid authoritarianism within the church and to promote dialogue between the church and the larger community. Resulting, qualified understandings of community may allow for helpful reformation of the doctrine of church and create space for a communitarian corrective to the overly secular and individualistic conceptions of democracy that are currently dominant.     

Church,State and the Rwandan Genocide

Abstract

This article takes a critical look at the experience of the Christian Churches during the time of the Rwandan genocide between 6 April and mid July 1994. It is established that in about 100 days about one million people faced death at the hands of soldiers, militias and ordinary civilians. Most victims were killed in churches and other church premises where they had gathered in hope of protection. The genocide in Rwanda was extensive both in its scale and execution. In this article we attempt to understand why and how the churches were involved in the killings, and the implications of such involvement in contemporary efforts towards reconciliation.     

Remains of Shobdon Old Church,Herefordshire

Nineteenth-century barrow-diggers have been stereotyped as village parsons and schoolmasters who decimated the prehistoric monuments of England. This study of Derbyshire and Gloucestershire identifies who they were, and provides a social context for their work. Although unsurprisingly drawn mainly from the middle classes, they range from the intellectuals of the age to local curates, doctors and farmers. The booming English rural economy of the mid-Victorian period allowed many to participate in the activity, often for a social or even political purpose; it is also clear that agricultural improvement was the catalyst for many of these barrow excavations.