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岷江上游新石器时代遗存新发现的几点思考   总被引:6,自引:3,他引:3  
2000年成都市文物考古研究所发掘出土的茂县营盘山新石器文化遗存与甘青地区马家窑文化的特征基本一致,其文化属性当为"马家窑文化",同时也有小的差异.宝墩文化很可能与岷江上游的马家窑文化有关系,之间还有时间缺环,哨棚嘴文化通过白龙江、嘉陵江流域与甘青地区的原始文化可能也有联系.  相似文献   

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This report reviews and updates the evidence from the Roman temple site of Pagans Hill, Chew Stoke, North Somerset, which was partly excavated between 1949 and 1953. This includes a revised terminus post quem for the initial building of the temple complex of c. A.D. 262 and an emphasis of the importance of the location of the well on the axis of a planned layout. This is accompanied by a resumé of a reassessment by George Boon of the sculpture of the torso of a dog found in the well in 1951; this was formerly dated to the sixteenth century, but is now redated to the Roman period, and assigned to a group of temple sculpture. This has also stimulated discussion about the dedication of the temple, possibly to Apollo Cunomaglus. There is also a new review by Professor Vera Evison of the Anglo-Saxon glass jar from the temple well and other comparable vessels.

A further excavation in 1986 clarified certain ambiguous points in the earlier work, and added some new data, notably of prehistoric (Neolithic/Early Bronze Age and? Iron Age) use of the site, and of the construction of the Roman well. Finds reports include details of a collection of flints, prehistoric pottery, and industrial refuse; a review of the consolidated coin evidence, the first assessment of any faunal remains from the site and details of objects found by metal-detecting, the latter including a note on a rare coin of Edward the Confessor.  相似文献   

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E. B. 《考古杂志》2013,170(1):59-61
Scholarly opinion on the character and timing of the end of Roman Britain remains deeply divided. The evidence presented by those favouring a ‘long chronology’ is seriously flawed. ‘Continuity’ or ‘survival’ of Roman Britain is claimed because early medieval activity is attested on some former Roman sites and some early medieval artefacts are of Roman type. But Roman Britain was part of a ‘world system’ with a distinctive and rich archaeological assemblage, and once terms are properly defined and material analysed quantitatively, the argument for fifth-century continuity collapses. The archaeological evidence shows that after a long process of decline beginning in the third century, Roman Britain had ended by c. A.D. 400.  相似文献   

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长期以来,由于材料的局限,人们对冀中南地区仰韶晚期考古学文化面貌的认识是较为模糊的。20世纪80年代,有学者曾将这一时期该地区的考古学文化暂且归属于仰韶文化大司空类型[1],以当时可见的材料,最大限度并具高度概括性地描述了冀中南地区仰韶文化晚期的文化面貌。随着资料的  相似文献   

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关于济南大辛庄商代遗存年代的思考   总被引:3,自引:0,他引:3  
济南大辛庄商代遗存的上限约当二里岗上层晚段,下限已到殷墟文化末期。由大辛庄遗存看鲁西地区商文化上限,将有助于商族起源、“中商文化”乃至岳石文化下限和去向等重大课题的研讨;其下限的判定则可为商周文化断代提供标准。  相似文献   

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尉迟寺遗址位于准河以北的蒙城县境内,目前物考古部门对该遗址已连续进行了9次考古发掘,发现了大汶口化晚期和龙山化时期的遗迹和遗物,其中以大汶口化晚期的遗存最为丰富,又极富代表性。本主要探讨尉迟寺遗址大汶口化遗存的化内涵、地方特点及其化源流,以展示大汶口化晚期豫鲁皖三省相邻地区人们的生产和生活状况。  相似文献   

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Abstract

The pentice, a medieval, colonnaded walkway centrally placed on the south side of the High Street in Winchester, Hampshire, occupies part of the site of the former Norman palace. Other medieval colonnaded walkways exist, notably at Chester and Totnes, but it is not entirely clear when these latter walkways were created, nor whether they resulted from piecemeal development over time, or from a single, concerted campaign of building. These questions are explored with regard to The Pentice in Winchester between c. 1250 and c. 1550 in this interdisciplinary study, which includes evidence from archaeology, dendrochronology, documents and standing remains. Key new evidence has come recently from dendrochronology, allowing a re-evaluation of documentary evidence and of dates at present ascribed to standing remains on typological grounds. This study presents fresh evidence for the structure of The Pentice in the 14th century and examines the case for development of the present form of the buildings in the late 15th and early 16th centuries. Finally, it is noted that this new evidence encourages a re-examination of the argument that structural alignments and split-level retailing were indicators of pre-Plague pressure on street frontage which eased after the Black Death.  相似文献   

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Plans to redisplay the Bayeux Tapestry raise anew the questions as to where and how it was originally intended to be displayed. Analysis of the linen fabric provides new insights into the tapestry’s design and manufacture, and enables its original length to be calculated. Re-examination of the (largely destroyed) 11th-century cathedral at Bayeux and of its liturgical layout demonstrates that the tapestry would have fitted neatly into the nave west of the choir screen. Its narrative falls into three discrete sections that reflect the way in which it would have been hung within the building, and the arrangement of the scenes takes account of the uneven bay-spacings of the nave arcades and the positions of the doorways. It can therefore be concluded that the tapestry was designed for a particular location within the nave of Bayeux cathedral. The cathedral’s liturgical traditions shed light on the way in which the tapestry would have been viewed in the Middle Ages, and the wider implications for the way in which it could and should be viewed today are briefly considered.  相似文献   

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