Medieval Painted Pottery in South and Central Italy

DURING the 9th century unglazed pottery decorated with red or brown slip came into production along the middle Rhine. This pottery, known as Pingsdorf ware, was exported in large quantities to the North Sea region and even to the Baltic coast.² By the 12th century red-painted pottery, often imitating Pingsdorf ware, was made at a number of sites in the Low Countries and western France.³

It has long been known that painted pottery was manufactured throughout the medieval Islamic world, including north Africa, and isolated finds of painted ware have been published in Italy and Spain.⁴ Nevertheless, little attempt has been made to explore the possible connexions between painted pottery in the Mediterranean basin and western Europe,⁵ A serious obstacle to such an attempt is the inadequacy of most publications of Mediterranean finds. This paper offers an account of the painted wares in one area of the Mediterranean, peninsular Italy, and suggests that the pottery found there may indeed be related to the earliest painted wares north of the Alps. It must be emphasized, however, that the study of Italian medieval pottery is in its infancy and that the suggestions made here are of an entirely speculative nature.     

Parliament and the People in Medieval England

This article traces the relationship between parliament and the ordinary people of medieval England, mainly peasants but including townsmen, between about 1270 and 1450. In charting the early history of representation prior to 1270, it outlines the transition from representation of the people by the country's magnates, to the socially broader system of representation through the election of shire knights and town burgesses. Two themes emerge: the growth of the electorate, from the probable presence of freeholders among the electors in the county court under Edward I, to the enfranchisement of the 40s. freeholders by the famous statute of 1430; and the changing nature of petitions to parliament, from the complaints of individuals to those presented by the Commons on behalf of the nation. In the history of both these themes, the Black Death and subsequent plagues marked a turning point. In drastically reducing the population, the plagues brought prosperity to many of the peasant survivors – men who sought a place among the electorate in the early 15th century. And in threatening the income of the gentry through higher labour costs, the plagues fundamentally changed the attitude of the Commons in parliament towards the people. Until about 1350, the Commons had spoken up for their interests, in the face of Edward III's oppressive wartime demands; but from that time onwards, the Commons set their collective face against the rising claims of a potentially more prosperous people. The article pays special attention to the position of the villeins, whose relationship with parliament differed considerably from that of the freeholders.     

中世纪英国庄仆探微

庄仆是中世纪英国庄园自营地上的全职工资劳动者,其前身可以追溯到11世纪末的奴隶,并在此后的两个世纪里经历了由服役庄仆向领薪庄仆的转变。庄仆长期从事一些专门工作,与惯例佃农和临时雇工一道满足了领主不同方面的需求。庄仆的报酬是其维持生计的主要来源,形式多样,主要由谷物和货币组成,在经历黑死病之前的下降之后,其待遇在中世纪晚期不断改善。但由于此时高工资和低物价的影响,领主对于直接进行农业生产失去兴趣,自营地逐渐被出租,传统的庄仆也就从历史上消失了。     

Gendering the Black Death: Women in Later Medieval England

This review article of Mavis Mate's Daughters, Wives and Widows after the Black Death: Women in Sussex, 1350–1535 (1998) locates Mate's work within the broader context of the debate about changes in women's social position caused by the collapse in population following the Black Death. Was demographic decline accompanied by growing social and economic opportunities for women or should historians emphasise the continuity of female work as low‐skilled, low‐status and low‐paid throughout the late medieval and early modern periods? How did women's role in the labour market affect the age of marriage, fertility rates and long‐term population change? In general, Mate's conclusions offer support to the ‘pessimists’: women's work was vital to the household but economic centrality did not bring a commensurate social power or legal rights and the ideology of female subordination remained firmly in place. The main problem with Mate's case is, inevitably, a lack of evidence, for family structure, for the sexual division of labour and, above all, for affective relations. Nevertheless, this detailed, empirically based local study shows how successfully women's history has moved into the historical mainstream.     

中古壁画与陶塑再现的挎包女性形象

中国服装史一直以来较为忽视服饰中的挎包装饰,本文利用新出土的中古壁画和唐代各种挎包女性陶塑,对中古艺术中的挎包女性形象进行了初步分析。作者认为,"挎包女人"图像赋予了女性非凡的人性精神。同时,作者还对外国该类形象的出现和流传进行了梳理,依据现存图像资料,指出中国古代女性挎包要比西方早出现几个世纪。挎包、拎包具有时尚和实用美观的意义,折射出古代女性鲜明的超前意识和服装审美。