Illustrations of Medieval Manners,Chivalry, and Costume,from Original Documents

In 1994 investigations comprising geophysical and earthwork surveys, together with evaluation excavations were carried out at Hylton Castle, Sunderland. The results confirmed the former presence of buildings east of the gatehouse tower, and contemporary with it. Some evidence for a hitherto unknown sixteenth- or seventeenth- century successor to the castle was discovered on an artificial terrace overlooking the earthworks of an ornamental garden with associated water features.     

Illustrations of Medieval Manners and Costume from Original Documents

The Coningesby family connection with Guy of Warwick is recorded in a pedigree of the family in the Lincolnshire Record Office. The will of Sir Henry Coningesby, knight, indicates that he built the present house at North Mymms Park, probably in the 1580s. It is suggested that the ‘Warwick’ worthy depicts Sir Henry's thirteenth-century ancestor, Sir Roger Coningesby, knight, Steward of the house to Guy of Warwick. There was a connection by marriage between the house at North Mymms, Hertfordshire and Nether Hall, Essex, where similar wall paintings had existed. The association between the Coningesby family, when at the Manor of Weld and the Cutts family, when at Salisbury Hall, both in the parish of Shenley, Hertfordshire, probably accounts for the similarity of the frieze in the Oak bedroom and the frieze in Childerley Hall, Cambridgeshire.     

Medieval Architecture Illustrated from Illuminated Manuscripts

Abstract

Following examination of a number of post-medieval perceptions of Peak, or Peveril, Castle in Derbyshire, the topographical setting of the castle is discussed. It is suggested that late-12th-century literature can give clues as to the way in those who built and used the castle in the 12th and 13th centuries might have appreciated the site.     

Illustrations of Domestic Manners During the Reign of Edward I

Abstract

A small ivory head of a tonsured man, expertly carved in relief, was found in 1991 during excavations at the great eighth-eleventh century Lombard monastery at San Vincenzo al Volturno. The head was excavated with other fragments of carved ivory, antler and bone, in the vicinity of the collective workshop of the monastery, and was doubtless carved in this workshop. The head-type is a variant on an early Byzantine formula which was employed in Rome by the sixth century and subsequently, in the eighth century, was adopted by artists working for noble Lombard patrons in northern Italy. The painters responsible for decorating the churches and claustral buildings of San Vincenzo in the first half of the ninth century also used this type, and in details of its carving the new ivory head seems to show the direct influence of painted heads of early ninth-century date from the walls of the monastery. The relief was probably intended for the embellishment of a small casket or the cover of a book. The new head, besides being a significant addition to the tiny corpus of surviving carvings in ivory from early medieval Italy, shows the craftsmen in the monastery's workshop had at their disposal a material which was both rare and prestigious in the period.     

Signs from Above: Towards a Comparative Symbology of Bird Imagery in Medieval Near Eastern Popular Prose

This article presents excerpts from two near-contemporary works of popular prose from the medieval Near East: the Persian Dārāb-nāmeh and the Arabic Sīrat Banī Hilāl. In each, birds or birdlike characters (the sīmorgh and the crow, respectively) that share in having had theriomorphic, mythic significance in regional pre-Islamic traditions dispense premonitory wisdom to Muslim characters. Comparing these passages, the article contends that the characterization of these birds brokers a pietistic shift in symbolism between the pre-Islamic and Islamic context, while still maintaining the birds’ mystical significance and sustaining the trope of birds as winged, heaven-sent messengers. This modified association between birds and divine ministry is not only prominent in these two texts, but also in the Qur?ān and varied bestiaries, poetry, and belletristic works that comprise these texts’ cultural network.     

A Deposit of Early Medieval Iron Objects from Scraptoft,Leicestershire

Abstract

A DEPOSIT OF FIVE iron objects found at Scraptoft, near Leicester, is interesting for the range of activities represented: woodworking, cultivation, harvesting and warfare. The objects are described and their dating discussed together with possible reasons for their deposition. Hoards of early medieval tools and weapons are well known in Britain, but iron objects seem surprisingly common on what appear to be Anglo-Saxon rural sites. The possibilities of ritual deposition and of these hoards symbolically representing the Anglo-Saxon economy are also considered.