On Anglo-Saxon Remains in Iver Church,Bucks

The presence of the remains of a Tudor cupboard displayed at Cotehele (Cornwall) has for many years been explained by the marriage of Catherine, the widow of Sir Gruffydd ap Rhys (the son of Sir Rhys ap Thomas, a leading figure in south Wales during the reigns of both Henry VII and Henry VIII) to Sir Piers Edgcumbe in 1523; thus dating this piece of furniture to the 1520s. By contrast, costume experts have always considered that the piece should date to the middle or later sixteenth century. This paper links the Cotehele cupboard to other pieces of carved work from the Welsh March in Shropshire—at Lower Spoad Farm, near Clun and in the church at Llanfair Waterdine—suggests an association with two of the major landowners there, the earls of Arundel and Shrewsbury; and places the cupboard in the context of Queen Mary's reign.     

Some Account of the Parish Church of Bakewell in Derbyshire,and of the Early Grave-Stones and Other Remains Discovered During the Recent Repairs

This report outlines the results of excavations carried out on the Stanwick earthworks in four different areas between 1981–86. At Forcett, area investigation recovered more of the structural plan of the north-western entrance investigated by Wheeler in 1951. Both here and in the Tofts, earlier deposits and features were recognized beneath the ramparts. Wheeler's idea that the Tofts settlement originated as a defended enclosure can no longer be sustained, and geophysical survey has indicated that its southern defences in fact follow a different line from that originally envisaged. Other excavations took place at Henah Hill, where a low bank underlies a long sequence of agricultural activity, itself sealed by the medieval ridge-and-furrow; and at Forcett Barns. The date and context of the earthworks are briefly reviewed in the light of the recent work at Stanwick. The main defensive earthworks were all probably constructed within a relatively short period around the mid first century A.D., when the long-lived settlement was at its most important.     

A Rich Bell Beaker Burial from Wellington Quarry, Marden, Herefordshire

An intact Bell Beaker grave was discovered in February 1996 at Wellington Quarry, Marden, Herefordshire. The unmarked flat grave had no signs of a ditch or barrow, but may have been timber lined. It contained a tanged copper knife, a shale wristguard fragment, four barbed and tanged arrowheads, three arrowhead blanks, three flint knives, two triangular points or small daggers and four flint flakes. The adult male inhumation was accompanied by a complete, Maritime (AOO) Bell Beaker and may be dated to 2750–2500 BC (Late Neolithic). It belongs to Case's Group D. A notable feature of the grave goods is their different states of wear and completeness, varying from pristine to old, and including a fragment of a wristguard.     

Deerhurst Church,Gloucestershire

Abstract

The zoomorphic ornament of a group of sculptured crosses from Ryedale is here analysed in detail in terms of motif and style. Its Yorkshire context is defined and close parallels from Skaill, Orkney and Kirk Braddan on the Isle of Man are discussed. Origins for various style and motif elements are sought in insular and Scandinavian art. It is concluded that a group of sculptures in Ryedale, exemplified by the Sinning ton crosses, were produced in the second quarter of the tenth century during a period when Yorkshire was under strong Scandinavian influence and had close contacts with the Irish Sea Province. The ornament of the Sinnington crosses closely reflects Anglo-Scandinavian motifs and styles current in York and around the Irish Sea in this period. These Anglo-Scandinavian artistic developments reveal a complex assimilation of preceding English and Scandinavian artistic traditions and may have been a source for reciprocal influences on the arts in mainland Scandinavia. Following the abolition of Scandinavian kingship in York in 954, metropolitan art styles further developed, with prominently insular, particularly Mercian, rather than Scandianavian influences, while the sculpture of Ryedale became introverted and provincial with little evidence of further external influence.     

Church,Community and Democracy

Abstract

The doctrine of church shapes Christian practice around community, producing a Christian worldview that privileges communal life. Authoritarian and/or sectarian conceptions of church will by definition undermine the practice and sustainability of democracy. Democratic practices are needed to avoid authoritarianism within the church and to promote dialogue between the church and the larger community. Resulting, qualified understandings of community may allow for helpful reformation of the doctrine of church and create space for a communitarian corrective to the overly secular and individualistic conceptions of democracy that are currently dominant.