Biopower, genetics and livestock breeding: (re)constituting animal populations and heterogeneous biosocial collectivities

Genetic techniques have become increasingly prevalent in livestock breeding, associated with new types of knowledge-practice and changes in the institutional and geographical relationships related to animal husbandry. This paper examines the value of Foucault's concept of 'biopower' to theorising livestock breeding and the implications of the rise of genetic knowledge-practices in agriculture, developing the concept to apply to nonhuman animals and to situations where humans and nonhuman animals are co-constituted through particular knowledge-practices and corporeal meetings. It focuses on the idea of 'population' as a central component of biopower, and relates this to conceptualisations of biosocial collectivity. Reacting to the inherent humanism of Foucault's outlining of biopower, the paper argues for its relevance in relation to nonhuman populations, and for heterogeneous conceptualisations of biosocial collectivity. Drawing on research with UK beef cattle and sheep breed societies, the paper explores how, in practice, populations are constructed in relation to the production of particular sorts of truths concerning, and particular modes of intervention in, the lives of nonhuman animals. It explores how heterogeneous biosocial collectivities are constituted around these interventions. The emergence of genetic techniques is shown to transform the processes constituting populations and heterogeneous biosocial collectivities, and this is discussed in terms of a new inflection of agricultural biopower associated with novel interventions in the lives of livestock animals.     

Living in commodified history: constructing class identities in neotraditional neighbourhoods

This paper examines how residents of neotraditional neighbourhoods in the Netherlands socially construct a ‘classed’ place identity and what role the historicised architecture plays within that process. Given that place identity is constructed through social and cultural practices, the paper argues that residents' consumption of historicised environment is bound up with drawing symbolic boundaries that have been explored here by analysing residents' narratives. Three prominent types of narratives were found: (1) residents' locational choice, (2) their aesthetic judgement of the residential environment and (3) the way they use it. Through these layered narratives, all interviewees appear to use historicised aesthetics to classify themselves as part of a valued social category. However, the way of boundary drawing took several forms, based either on fostering moral judgements of social behaviour accompanied by sophisticated efforts to keep neighbourhoods' historicised image unchanged, or by conducting cultural practices shared with fellow residents by which ‘the other’ living outside the neighbourhood is ‘bracketed out’ symbolically and socially.     

Aims and contradictions of cultural diversity policies in the arts: a case study of the Rich Mix Centre in East London

In recent years, the concept of diversity has become prominent in cultural policy, echoing community arts philosophies of the 1960s and 1970s that questioned the notion of universal artistic value and argued for greater recognition of the relationship between cultural identity and inequality. Cultural diversity policies today implicitly challenge the liberal‐humanist discourse of ‘the best’, and emphasise what is ‘relevant’ to particular communities. Official policy rhetoric can often hide contradictions that are only apparent in practice. How does ‘diversity’ shape the way organisations engage with audiences and does this contradict the still present discourse of ‘universalism’, with its emphasis on value judgements? This paper explores this tension through the study of Rich Mix, a multi‐functional arts centre in London's multi‐ethnic East End. It argues that Rich Mix is caught between discourses of universalism and diversity, leading to confusion over the project's rationale and ambivalence amongst artists about how their art is judged.     

Front and Back Covers,Volume 28, Number 1. February 2012

Front and back cover caption, volume 28 issue 1 Front and back cover MEAT STILL ON THE MENU? Communities around the world are experiencing changes in the price and availability of animal products. In many places, meat, which was once eaten rarely, if ever, is now more readily accessible. In the top picture, a recently built international supermarket in the Guatemalan highlands stocks its shelves with packaged sandwich meat. The bottom image shows a meal served to mark a momentous occasion in the same community. Both of these images illustrate a change in dietary patterns that is manifesting in many regions of the world. Several international organizations, concerned about balancing the environmental costs of meat with human nutritional needs, have begun to address what they typically describe as ‘the increasing worldwide demand’ for meat. But how might we understand this narrative? What assumptions underpin these representations of demand? What are the implications of this kind of economic framing? In this issue, Emily Yates‐Doerr takes up the question of how anthropologists, with their attention to local contexts and realities, might add to discussions of global transitions. How might ethnographers engage with and respond to the representations of global trends employed by international institutions? What might these questions say about the discipline of anthropology's own engagement with questions of material needs and demands? The front cover shows how entomologists in Wageningen, The Netherlands, are responding to concerns about the ‘growing demand’ for livestock by working to cultivate edible insects, in this case mealworms, as ‘the next white meat’.     

The extimacy of space

Jacques Lacan coined the neologism ‘extimacy’ (extimité) in order to theorize two interrelated modes of psychical apprehension: first, how our most intimate feelings can be extremely strange and Other to us. Second, how our feelings can be radically externalized on to objects without losing their sincerity and intensity. Attending to the socio-spatial dimensions of extimacy, this paper provides insight into the importance of topology in Lacan's work. In so doing, the paper challenges the enduring doxa in geography that Lacanian theories ultimately devalue the intricacies and liveliness of space. To substantiate this claim, I explore the extimacy of the most popular vehicle accessory in the USA since the 1980s' ‘Baby on Board’ signs: the ‘ribbon magnet’. Specifically, I elaborate the extimate contours of two ribbon magnet slogans, ‘Half Of My Heart Is In Iraq’ and ‘I Support More Troops Than You’. Affirming a recent critique that social and cultural geographers have ‘tamed’ psychoanalysis, that is, shied away from working through psychoanalysis's allegedly unseemly conceptualizations of politics and subjectivity, this paper suggests that we have yet to catch up with some of psychoanalysis's most fundamental and valuable theorizations about space itself.     

Plain lives in a golden age. Popular culture,religion and society in 17th-century Holland

Though it has rarely been the subject of academic criticism, there is a philosophy of truth that animates Jean-Jacques Rousseau's broader philosophical system. This philosophy of truth was unique for its time—in the same way as the whole of Rousseau's thought—in its emphasis on feeling over reason, the heart over the mind, the simple over the sophisticated, the useful over the demonstrable, the personal over the systematic. Rousseau's philosophy of truth might be more accurately called a ‘philosophy of truthseeking’ or an ‘ethics of truthseeking’, because its focus is on the pursuit and acquisition of truth rather than on the nature of truth itself. What was needed, Rousseau believed, was a guide back to the simple truths of human happiness—truths that were immediately apparent to us in our natural state but have become opaque in society. This article describes Rousseau's normative philosophy of truthseeking, of what human beings must do if they hope to (re)discover the truths of human happiness. This philosophy can be summarised as utility, autonomy, immediacy and simplicity in pursuit of what Rousseau called the ‘truths that pertain to the happiness of mankind’.     

Italian cultural geography,or the history of a prolific absence

This article focuses on a group of buildings that form the site for a Steiner school in Pembrokeshire, West Wales. It examines the ways in which an environmentally friendly, ‘ecological’ structure was (and is) constructed such that the building and its accompanying practices might be seen as ‘performed art’. By more critically examining the school's geographies through ethnographic material, the paper moves away from the buildings' symbolic meanings to demonstrate how art and nature intersect in various ways, in the school's life. Art and nature were crucial to the type of education there, the physical process of building the school, and daily uses of the buildings. The paper also explores how the art-nature intersection is involved in the construction of ethical discourses and practices constitutive of ‘childhood’ and ‘education’.     

Cultural policy as mythical narrative

ABSTRACT

In this paper, we argue that policy assumptions are shaped by mythical narratives carrying underlying beliefs and values. Drawing on narrative studies, organisational theory and Gramsci’s cultural hegemony theory, we examine how sense-making narratives create consensus, how they imply causation and individual agency, and finally how narratives fragment to reveal alternatives to hegemonic ‘common sense’ assumptions. Applying this framework to cultural policy we examine the place of mythic, sense-making narratives in the historical development of foundational national cultural policies in the UK and Mexico – respectively, narratives of ‘the civilising mission’ and ‘social transformation’. We then consider narrative emplotment and individualisation underpinning assumptions about individual creativity in the UK creative industries policy. Finally, we address the postmodern turn in narrative studies, showing how fragmented, polysemous narratives fracture cultural policy into ‘personalised truths’ and give voice to other, counter-hegemonic perspectives. We conclude by proposing an agenda for narrative research in cultural policy.     

The Representation of Joe Whelks: Charles Dickens’s Reflections on a Theatre Audience

This article explores how Charles Dickens both alludes to and occludes the Victoria Theatre’s looking-glass curtain in his article ‘The Amusements of the People’ (1850). This vast mirror curtain hung at the Victoria in the early 1820s and again in the mid-1830s. Contending that Dickens would have been aware of this spectacular novelty, this article argues that his reference to the Victoria Theatre’s management ‘holding up a mirror’ to its audience is an allusion to the curtain. The mirror curtain reflected the working-class audience at the theatre back to itself, putting it ‘on the stage’, a comment on the nature of representation and its relationship to reality. Like theatre itself, which it also figured, the mirror curtain had a heterotopic nature, both representing and contesting reality. This challenge was particularly unsettling to middle-class onlookers in the context of the representation of an unrepresented (disenfranchised) plebeian audience. I argue that Dickens’s article, like the mirror curtain, reflects the Victoria’s working-class audience and that he alludes to the mirror when making radical arguments concerning the political and class-based nature of aesthetic judgements about representation. His article, however, remains equivocal about the right to working-class self-determination and enfranchisement that the mirror curtain represented. Dickens gestures to, but occludes, the curtain and displaces it with his own representation of the Victoria’s audience and his mediation on their behalf. Ultimately, the challenge posed by the looking-glass curtain to the social and aesthetic order is too great to be fully acknowledged.     

‘Indigenous Knowledge’ and ‘Science’: Reframing the Debate on Knowledge Diversity

Responding to Kai Horsthemke’s call for the valorisation of universal knowledge within the debate on indigenous knowledge, the paper argues for an understanding of knowledge that is based neither universalism nor relativism. Arguing against the dualisms of ‘indigenous knowledge’ and ‘science’, the paper proposes that the debate be focused rather on knowledge diversity. Drawing on the work of Nelson Goodman and Catherine Elgin, the paper argues that diverse epistemologies ought to be evaluated not on their capacity to express a strict realism but on their ability to advance understanding. Such an approach allows for the evaluation of the advancement of understanding without necessarily requiring the expression of the literal truths that divide ‘belief’ from ‘knowledge’.     

What's in a name? Anthrozoology,human‐animal studies,animal studies or…? (Respond to this article at http://www.therai.org.uk/at/debate)

Human interactions with other animals feature regularly in the pages of Anthropology Today, and academic research focusing on the human‐animal relationship is undergoing something of a boom in the social sciences and humanities generally. This comment, prompted by Caplan's paper ‘Death on the farm’ in the last issue of AT, considers the place of human‐animal interactions in anthropology through a discussion of the terminology and methodologies employed by scholars within this area. It is argued that such a discussion is instructive because, as the etymology of the term suggests, anthropology is ultimately concerned with ‘understanding humans’. The ways that we, as researchers, choose to distinguish between humans and other animals, and the ways that we choose to represent our informants' interactions with other animals, can provide considerable insight into how all concerned think about what it means to be human.     

Mauna Kea: Two Cultures and the 'Imiloa Astronomy Center

When Snow wrote delivered his lecture on ‘The Two Cultures’ in 1959, he considered this to be a phenomenon that had British, Western and global significance. This article looks at how Snow's ideas play out in the setting of Hawai'i from the early contact with Western navigators through to current disputes over the building of the Thirty Meter Telescope (TMT) atop Mauna Kea. ‘Mutual incomprehension’, identified by Snow as the chief characteristics of his two cultures are clearly seen to be at play in Western-Hawai'ian encounters.

This article places the TMT disputes in the setting of the Hawai'ian Renaissance, a movement that has gathered pace since the 1960s. It looks Gieryn's notions of ‘boundary work’ and that of Star and Griesemer on ‘boundary objects’ as ways of framing the discussion. The final focus of the article is the 'Imiloa Astronomy Center in Hilo as a ‘place of safe disagreement’.     

‘Of place’ or ‘of people’: exploring the animal spaces and beastly places of feral cats in southern Ontario

Feral cats are contentious and transgressive, with opposing views on whether to classify them as abandoned pets, wild animals, or invasive species. Concerns about their welfare often conflict with fears that they are impacting native fauna. This paper presents the results of a case study of human–feral cat relations that took place in southern Ontario, Canada in 2014. This research investigates the discursive constructions of feral cats and their ‘animal spaces’ using the results of 40 semi-structured interviews. Following recent calls to move beyond human representations of animals and better integrate animals’ geographies, this study also explores the ‘beastly places’ of feral cats using the results of field observations of 20 feral cat colonies and anecdotal evidence from colony caretakers. The results emphasize the diversity of free-living contexts and the complexity of management options. This paper ends by discussing the place-making practices of cats, along with their potential ethical ramifications. Overall, it illustrates the importance of spatial factors in understanding the complex social and ethical dynamics of human–animal relations, and advances an understanding of nonhuman animals as inhabitants of personally meaningful homes.     

Not all dogs go to heaven,some go to Battersea: sharing suffering and the ‘Brown Dog affair’

This paper concerns the memorialisation of a dog's (after)life. It traces the story of the ‘Brown Dog’: a terrier allegedly vivisected in 1903 by English physiologist Sir William Bayliss and subsequently commemorated by two statues in Battersea, London. Each statue has been the locus for ethical encounters between human and animal, and I draw upon the work of Donna Haraway to explore them. The first, installed in 1906 in Battersea borough, enjoyed a prominent social existence at the centre of Edwardian anti-vivisectionism. The second, by contrast, erected seven decades later in 1985, was welcomed with minimal fanfare and now sits, an obscure curiosity, in a corner of Battersea Park. Both statues attempt to honour the non-human lives lost through the unequal and instrumental power relations of animal testing. Here, I see the statues as experimental means of ‘paying attention to’ the suffering inflicted through animal experimentation and vivisection, mobilising Haraway's concept of ‘shared suffering’. I also argue that their varied success demonstrates how both the nature of and responses to the animal suffering they embody are historically contingent. The paper follows recent trends in animal geography arguing that explorations of ‘discomforting encounters’ might offer better ways of relating with animals.     

“Security,mobility, and the body – Syrian insurgent groups’ infrastructures and their geopolitical contestations through/by/in legal institutions”

Political geographers have repeatedly demonstrated how the ‘global war on/of terror’ has led to repressive and unjust international and domestic policies. Nevertheless, little has been said about the multifold intertwinements between such ‘Western’ perceptions and their shaping of anti-terrorism efforts within. To this end, this paper draws on recent feminist understandings of scale, global/local processes, and geopolitics, suggesting how these might be combined with current European participations in Syria, and its legal prosecution as ‘state-endangering actions.’ By visiting the sites where issues on security, mobility, and their interrelated body actions have been negotiated, I deploy an intersectional and multi-scalar analysis of how a layered system of gender-rendered and racialized patterns intersects with/in Germany's legal institutions combating terrorism wherever it may occur as well as the way multifold and different modes of support and logistics have been carried out through the European Schengen Area to Syria. Combining both feminist geopolitics and the vibrant work of (feminist) geolegalities, I offer another way of redressing Hyndman's call (2019) for expanding the tent of feminist geopolitics by not reversing the former, but through refocusing on embodied and material power-geometries and (legally) interconnected sites of an Islam-rendered, Western state-defined ‘war on/of terrorism’ simultaneously.     

Dying for the fatherland: Thomas Abbt's theory of aesthetic patriotism

This article aims to dissect Thomas Abbt's (1738–1766) theory of aesthetic patriotism as laid out in his On Dying for the Fatherland (1761) and his prize-essay On Mathematical, Metaphysical and Moral Certainty (1763). Aesthetic idioms, such as the emphasis on the intrinsic pleasure from the order and beauty of virtue, had been invoked throughout the eighteenth century to vindicate the morally optimistic view of humanity against the sceptical vision of an exclusively utility-centred mankind. In the post-Montesquieu debates on the moral foundations of modern politics, German-speaking authors in particular, from both republics (Switzerland) and monarchies (Prussia), appropriated the aesthetic idioms in order to reject those theories which grounded patriotism in some sort of self-interest or proclaimed it redundant in modern society. Thomas Abbt was one of the most prominent representatives of this intellectual position. Combining the general emphasis of Shaftesbury on the role of aesthetic appreciation in moral and political agency with the more specific German Baumgartenian analysis of ‘beauty’ as a central principle in human ‘empirical psychology’, Abbt argued that patriotism in modern monarchies could be grounded in an aesthetic passion of enthusiasm generated through sensuous examples of great virtue. The example of a king fighting for his country on the battlefield could inspire monarchical subjects to follow his example as well as regenerate patriotism among them. Abbt was adamant that patriotism based on aesthetic foundations had to be supported and stabilised by a pervasive patriotic culture of remembrance and emulation of dead heroes through the fine arts, as well as by a system of meritocratic honour in the army.     

CONTRASTS MARRIAGE AND IDENTITY IN WESTERN FIJI

You see how people get married here, how much work it involves. The mats, the drums, the animals, it's murder! If it's a woman, that's all right, you just go and eat. But if you've got a young man, you have to start raising cattle. With you foreigners, it's easy. You have a small party and that's it. It's better that way, here it is just too much. You know how the Indians get married, Niko? The man goes to the woman's father and says, ‘Here's a thousand dollars. How about it?’ He says, ‘That's not much.’ Then the man offers fifteen hundred, he says ‘Ummm.’ Then when the man offers two thousand, he says, ‘All right.’ Different customs, say!     

Exploring Poetry with Cognitive Neuroscience: T.S. Eliot's ‘The Love Song of J. Alfred Prufrock’

Research that involves both neuroscience and art often attempts to explain the aesthetic experience of ‘beauty’ in visual art, and to define the function of art in neural terms; less has been written concerning the neural correlates of poetry reading. It is suggested that there are existing areas of study in neuroscience that may help elucidate how we enjoy literature beyond pure neuroaesthetics, such as research in creative problem-solving, knowledge-based pleasure, and music. This essay endeavours to bring together insights from both neuroscience and literature to shed light on how and why we take pleasure in interpreting T.S. Eliot's ‘The Love Song of J. Alfred Prufrock’. It is proposed that the pleasures of reading ‘Prufrock’ are ultimately associated with the ways in which the reader's expectations are confirmed or challenged. While the conclusions of this paper are intentionally constrained to a single poem, they are potentially generalisable.     

论高校美育的建构

美育是以美育人,美化身心的教育,高校设立其目的是促进学生的全面和谐的发展。但是,当前高校的美育教育不容乐观,与德智体三育相比,处于弱势地位。因此,建构高校美育体系,刻不容缓。古今中外深厚的美育理论基础,成为当今高校美育建构的大背景,在探讨了其建构的大背景之下,本文从教育管理、课程建设、教师素质三个方面探析了当今高校美育的建构路向。