Putting the drum in conundrum: Guadeloupean gwoka,intangible cultural heritage and postnationalism

Since 2004, Felix Cotellon, the president of the centre for traditional music and dance on the island of Guadeloupe, has spearheaded a grass roots campaign to see gwoka inscribed on the UNESCO’s list of Representative Intangible Cultural Heritage of Humanities. The move has been surprising, even controversial. Gwoka, a drum-based music and dance, has been used as a symbol of Guadeloupean cultural identity and resistance against French colonialism since the late 1960s. Moreover, Cotellon has had a long association with separatist activism. However, because Guadeloupe remains a French overseas department without a seat at the UN, the petition to add gwoka to the ICH list had to be sponsored by the French state. Following a successful bid, gwoka is now listed as representative of the culture of a French region. In this article, I draw from my ethnographic work as well as my own involvement in the committee that drafted Guadeloupe’s application to trace the complex network of individuals, who are shaping gwoka’s transformation from weapon of national resistance to symbol of humanity’s cultural diversity. I argue that these individuals shape and operate within a ‘zone of awkward engagement’ that allows for the emergence and expression of a postnationalist political subjectivity.     

Family stories,public silence: Irish identity construction amongst the second‐generation Irish in England

Formal narratives of history, especially that of colonial oppression, have been central to the construction of national identities in Ireland. But the Irish diasporic community in Britain has been cut off from the reproduction of these narratives, most notably by their absence from the curriculum of Catholic schools, as result of the unofficial ‘denationalisation’ pact agreed by the Church in the 19th century (Hickman, 1995). The reproduction of Irish identities is largely a private matter, carried out within the home through family accounts of local connections, often reinforced by extended visits to parent/s ‘home’ areas. Recapturing a public dimension has often become a personal quest in adulthood, ‘filling in the gaps’. This paper explores constructions of narratives of nation by a key diasporic population, those with one or two Irish‐born parents. It places particular emphasis on varying regional/national contexts within which such constructions take place, drawing on focus group discussions and interviews for the ESRC‐funded Irish 2 Project in five locations — London, Glasgow, Manchester, Coventry and Banbury.     

A Picturesque Modernity in 1920s Peru and Argentina: Ruins,Cuzco and Americanism in the Photographic Reportages of Variedades and Plus Ultra

This essay focuses on a series of pictorial reportages on the city of Cuzco and the surrounding region published in the Peruvian illustrated magazine Variedades in 1924 and 1925. Looking at the interplay of the aesthetic and documentary value of photographs, I analyse how the reportages on Cuzco’s architecture and ruins contributed to the indigenista proposal of regional and national identity and how, in so doing, they articulated an idea of modernity which opposed the main narrative of Western modernization produced by the magazine. I argue that Variedades became the discursive place of an interplay between opposite ideas of modernity since it afforded its readers-viewers a dual, almost conflictive, experience. Moreover, I posit that the magazine ‘mediated’ the regional discourse for the Limeño readers through the discourses of tourism and the picturesque familiarizing them with those ‘unknown’ regions. By comparing the reportages with similar documents published in the same decade by the Argentine magazine Plus Ultra, I also show that this was not something exclusive to Peru, but rather part of a broader Americanist trend that was shaping the relationship between native tradition and modernization as well as giving form to a proposal for a ‘pan-American’ identity in the 1920s.     

Contestation and negotiation: regionalism and the politics of school textbooks in Ukraine's eastern borderlands

ABSTRACT. This paper aims to explore the (re)construction of identities in three regions adjacent to the Russian–Ukrainian border. The article analyses the areas' historical and political development and argues that placing such areas within a mega‐region term such as ‘eastern Ukraine’ fails to recognise important differences between them. Content analysis of regional history textbooks reveals that the ‘official’ state historical narrative found in school history textbooks is heavily negotiated, with regional elites in each area ‘picking and choosing’ which parts of the ‘official’ state narrative to accept and which parts to reject. In this way, the article demonstrates how the notions of ‘inclusion’ and ‘exclusion’ are highly debated topics in the Ukrainian classroom as the central and local state elites are both part of the dynamic process of (re)definition of national identities.     

‘In gente Britanniarum,sicut quaedam nostratum testatur historia …’: national identity and perceptions of the past in John of Salisbury's Policraticus

This article examines the construction of national identity in John of Salisbury's Policraticus (c.1159). This well-known treatise has not been included in recent discussions of identities in medieval Britain. The focal point of the analysis is the author's contradictory representations of Britones. John of Salisbury emphasised the distinction and hostility between the Britons/Welsh and the English; at the same time, he claimed that the ancient Britons (Brennius and his companions-in-arms from Geoffrey of Monmouth's De gestis Britonum) were ‘compatriots’ and ‘ancestors’ of the ‘contemporary’ inhabitants of the English kingdom. Comparison with other twelfth-century texts reveals specific features of the model of national identity traced in the Policraticus: the appropriation not only of the British past, but also of the British name and identity, and the imagining of a unified people of Britain. This culminated in the invention of the unique term gens Britanniarum, which nevertheless did not exclude the ‘English’ as an alternative or even interchangeable name. The article discusses political agendas behind John of Salisbury's use of the language of ‘Britishness’, most importantly, support for the pan-British ambitions of the archbishops of Canterbury. The example of the Policraticus, with its combination of both conventional and original elements, nuances our understanding of how and for what ideological purposes national identity might have been constructed in twelfth-century England.     

Epitomising the Modern Spanish Nation through Popular Music: Coplas from La Caramba to Concha Piquer, 1750–1990

Music is an important language of the emotions and can often arouse strong passions in its performance and representation, both from the individual's perspective of personal identity and for the individual's sense of identity and of belonging to a given community. Likewise, music can serve to whip up and reinforce nationalism and national chauvinism against the ‘other’ as well as serving as a badge of identity. In this article I explore a musical form, a song that has been defined as ‘Spanish’ and as the ‘national’ song: la copla. Copla is rooted in the past and first appeared as both a poetic and a theatrical form, but always accompanied by music. It was, however, during the eighteenth century, when nationalism made its appearance as a ‘concern’ in the Spanish political‐cultural arena, when coplas would be used as a mark of Spanish identity. Copla is a women's song. Although it has been interpreted by men, some of them internationally renowned like Miguel de Molina, the most famous performers have been and still are women. That is why perhaps a recurrent theme of coplas is unrequited love, whereby love and passion play an important role, either with regard to the individual or the community from which the individual hails. But there are also other themes such as the longing stimulated by alien rule, which is reflected by cultural opposition and resistance to discourses of power, not only in terms of open opposition, but in a more subtle form of resistance, particularly in gender terms. I claim that it is precisely this resistance to fixed discourses of gender that have made coplas excellent negotiators with the different musical, social and political contexts and in this way have made them an icon of the invented tradition that is fundamental in the creation of a nation.     

Is there a core national doctrine?

National doctrines are notoriously diverse, and often embody contradictory political values and criteria for membership. This article asks whether there is a ‘core’ national doctrine that connects republican, cultural, ethnic and liberal concepts of nationality. It considers two attractive candidates: one locating the ‘core’ in a doctrine about the political and psychological significance of pre‐political cultural identities, the other in the constitutional principle of popular sovereignty. After assessing the limitations of both, I sketch a different core national doctrine. This doctrine is constitutive and geopolitical, not constitutional or cultural. It has deep roots in the security concerns specific to the modern, pluralistic system of sovereign states, and prescribes in general terms the form that any community should take in order to survive or distinguish itself in that system. It says very little about the appropriate basis for such communities; the choice of political, cultural, ethnic or even racial criteria is left wide open. More than other versions, this ‘core’ is able to identify the common ground between cultural, constitutional, and other national doctrines. It also puts a sharp focus on the reasons why, historically, national and liberal values have been so hard to combine.     

A Decadence Baedeker: D’Annunzio’s The Triumph of Death

This article investigates how Gabriele D’Annunzio’s The Triumph of Death brings together Nietzsche’s ideas and Wagner’s music and interweaves them with the motifs of literary Decadence and the author’s own particular sexual politics. The novel is an experimental text striving to be a Gesemtkunstswerk, an integrated work that incorporates music, painting, poetry, regional folklore, and private thoughts about personal and national power. I discuss the novel’s themes of violent sexuality and the anxiety of powerlessness and explore their implications for the fascist political aesthetics in which D’Annunzio played a pioneering role.     

War as Feminized Labour in the Global Political Economy of Neoimperialism

ABSTRACT

This article examines the structures of international relations that facilitate political violence in postcolonial states. It explores the intersections of patriarchy and imperialism in the contemporary political economy to understand how armed conflict and political violence in postcolonial states form an integral element of the global economy of accumulation in deeply gendered ways. By focusing on the structural level of analysis, this article argues that the siting of armed conflict in postcolonial contexts serves to maintain neo-colonial relations of exploitation between the West and non-West, and is made both possible and effective through the gendering of political identities and types of work performed in the global economy. I argue here that armed conflict is a form of feminized labour in the global economy. Despite the fact that performing violence is a physically masculine form of labour, the outsourcing of armed conflict as labour in the political economy is ‘feminized’ in that it represents the flexibilization of labour and informalization of market participation. So while at the same time that this work is fulfilling hegemonic ideals of militarized masculinity within the domestic context, at the international level it actually demonstrates the ‘weakness’ or ‘otherness’ of the ‘failed’/feminized state in which this violence occurs, and legitimizes and hence re-entrenches the hegemonic relations between the core and periphery on the basis of problematizing the ‘weak’ state’s masculinity. It is through the discursive construction of the non-Western world as the site of contemporary political violence that mainstream international relations reproduces an orientalist approach to both understanding and addressing the ‘war puzzle’.     

Cultural policies for national music in South and North Korea (1960s–70s): a comparative study

ABSTRACT

This article is a comparative study of the cultural policies of North Korea (DPRK) and South Korea (ROK) in the 1960s and 1970s, specifically concerning the disciple of music. In this period, both South and North Korean regimes demonstrated similar conceptualisations of ‘national music’, harmonising Korean traditional music with western musical styles, but the end result differed in the two regimes. The DPRK developed national music through a homogenised musical style by assimilating Korean folk music with a western musical style while excluding traditional court music, with drastic modifications to traditional instruments and musical forms. In contrast, the ROK’s policy on establishing national music resulted in a combination of traditional court music for the ruling class and western classical music, indicating elitism. Particularly, this article argues that these distinct features of their national music were the result of differences in the strength and interest of government officials between the regimes.     

The Choir of Auxerre Cathedral and the Question of a Burgundian Gothic Architecture

Despite criticisms, the classification of the choir of Auxerre Cathedral as Burgundian persists in recent literature. Yet the cathedral’s choir, begun c. 1215, demonstrates the problematic nature of the existing regional categories for French medieval architecture. Based on the 19th-century idea of progress, the conceptual model that conceives Gothic France as consisting of ‘centre and periphery’ and notions such as regional styles or period styles are deeply at odds with medieval concepts of innovation as inclusive of tradition, as evidenced in the biography of Bishop William of Auxerre (1207–20). Indeed, 20th-century studies in support of the classification are contradicted by recent archaeological findings, and neither the historical evidence nor the architectural evidence support a Burgundian label for the choir. The architecture’s distinctly trans-regional character with a mixture of both traditional and up-to-date architectural elements as well as the fact that patronal identities were strongly based on local affiliations and not attached to the duchy of Burgundy, invite a profound reconsideration not only of the position of the choir in the architectural landscape of the early 13th century but also of Gothic architecture of north-eastern France in more general terms.     

International sustainable development policy: (re)producing sexual norms through eco-discipline

This article contends that the global thrust towards population management, legitimised by the concept of sustainable development, works to construct identities along the lines of gender and sexuality. This article focuses on the operation of what Foucault termed, biopower, as operational through and (re)productive of the United Nation's (UN) population/sustainable development discourses. I argue that the said disciplinary narratives and apparatuses such as the construction of environmental threat and the monitoring and regulating of populations, in the service of sustainable development, work to construct gendered identities and ‘naturalise’ heterosexual relationships. To demonstrate this, this article focuses on key UN documents directed at informing international environmental/population policy, namely Agenda 21 and the International Conference on Polulation and Development's Programme of Action.     

‘What’s left of the flag’: the Confederate and Jacobite ‘lost cause’ myths,and the construction of mythic identities through conflict commemoration

The use of battlefields and associated conflict sites provide tantalising hooks upon which to hang tapestries of grand narratives relating to regional and national identities, often defined by what the identities are not. This paper examines the unlikely connection between Jacobite and Confederate romanticism, and how battlefields, conflict related sites, and symbolic material culture are mobilised through active commemoration by some heritage groups in support of a created, mythic identity of a ‘Southern Celt’. Furthermore, it examines the production of a mythic history that whitewashes and recasts the Confederacy, the reality of the Civil War, and the Confederate Flag, while at the same time minimising, hiding, or ignoring competing narratives.     

Untangling creativity and art for policy purposes: ethnographic insights on Manchester International Festival and Manchester Day Parade

This paper draws on anthropological fieldwork of a civic parade in Manchester from 2010 to 2012 to argue for engaging with creativity as a process rather than an attribute of a particular sector or individual. It shows how the focus on funding and supporting ‘creative industries’ defined as ‘cinema, television, music, literature, performing arts, heritage and related areas’ actually excludes and diminishes the potential for others to engage with ideas and creative processes. Two major events in Manchester’s cultural calendar – Procession by artist Jeremy Deller, produced by Manchester International Festival and Manchester Day Parade, a council-led civic celebration – both combined community groups with artist input to put large-scale structures and people on the city’s streets. In this ethnographic analysis, I argue that the ‘creativity’ sought from these artists is their adaptive and productive approach to making ideas tangible. By focusing on creativity as a process rather than a character trait, there is even greater potential for stimulating a ‘creative’ city.     

The rediscovery of ‘the national’ in the 1990s – contexts,new cultural forms and practices in reunified Germany

This article examines how and in which societal and political contexts nationhood is expressed and symbolised in reunified Germany. This ‘rediscovery’ of nationhood since the 1990s mixes new and old motifs of the cultural repertoire of ‘the national’ for different purposes. Three main contexts triggered a rediscovery of ‘the national’ after 1989: reunification, immigration and the retrenchment of the social state. I argue, by analysing ethnographic material and political discourses, that these contexts, on the one hand, rearticulate old forms of ethnic and cultural nationalism and, on the other hand, create new images and symbols of an open civic society and immigration country. There are ‘playful’ forms, such as campaigns of nation branding, that symbolically include the ‘productive’ and ‘useful’ immigrant into the national project. Moreover, such campaigns serve to legitimatise the downsizing of the national state that – according to a neoliberal attitude – relies on a new community spirit of entrepreneurial, ‘activated’ citizens who ‘help themselves’. Thus, focusing on these pluralised renationalisation processes makes evident how polyvalent ‘the national’ still is. It can be employed by those who attempt to ‘reunite’ the East and West Germans, by businesses to sell their goods and ideas and by almost any political orientation, be it right‐wing or left‐wing.     

Valuing place/placing value: the elusive normativity of landscape in rural Tuscany

Rural Tuscany has become both a paragon of harmonious beauty and a terrain of legal conflict and recrimination. When they do not resort to essentialist notions of taste, many commentators are prone to explain the ‘preservation’ of Tuscany's countryside as the outcome of locally rooted legislative interventions meant to prevent ‘speculation’ and ‘debasement’ (scempio). Tuscany is indeed the site of layers of normative constraints and guidelines, ranging from local zoning regulations to the expectations associated with UNESCO's World Heritage Site status. Far from being self-evident, however, these normative constructs have been debated in Tuscan society over decades of rapid and often chaotic change. The reinvention of rural Tuscany as a paragon of beauty emerged from the search for an elusive form of coherence and meaning, whose features generated both conflict and accommodations. By focusing on a valley in southern Tuscany which obtained the status of World Heritage Site in 2004 (the Orcia valley), the article shows the power of the circumventions, negotiations and reinterpretations in which rural Tuscans have engaged while navigating the alternative temporalities of global validation, national legitimation and local belongings.     

Grief as method: topographies of grief,care, and fieldwork from Northwest Arkansas to New York and the Marshall Islands

Abstract

When we grieve during fieldwork, our grief forms new geographies of knowledge production and emotion. In this article, I use autoethnography to theorize my grief during fieldwork following the death of my sister. I examine grief’s methodological implications using the concept of ‘grief as method,’ an emotionally-inflected practice that accounts for the vulnerability produced by grief. By centering vulnerability, ‘grief as method’ also urges researchers to consider the practices and politics of ‘caring with’ our research subjects and caring for ourselves, raising larger questions about the role of care in research. Furthermore, this article demonstrates how grief’s geographical features—its mobility, its emergence in new sites and landscapes, and its manifestation as both proximity and distance—shape ‘grief as method’ profoundly. I examine grief’s spatial implications by building on Katz’s ‘topography’ to theorize a ‘topography of grief’ that stitches together the emotional geographies of researchers, blurring both spatial divisions (‘the field’ vs. ‘the not-field’) and methodological ones (the ‘researcher-self’ vs. the ‘personal-self’). If we see grief as having a topography, then the relationships between places darkened by grief come into focus. Moreover, by approaching grief methodologically, we can better understand how field encounters—relationships between people—are forged through grief. ‘Grief as method,’ in offering a spatial analysis of grief’s impact on fieldwork, envisions a broader definition of what engaged research looks like and where it takes place.     

Anthropological race psychology 1820–1945: a common European system of ethnic identity narratives

ABSTRACT. This article examines ethnic stereotypes in biological race classification of Europeans between the 1830s and 1940s as part of political discourse on national identity. Anthropologists linked physical‐psychological types to nations and national character stereotypes through ‘national races’, achieving an often quite enduring international consensus on each race's mentality. The article argues that race mentality narratives were therefore partly dictated by their place within a dynamic interlocking European system. I focus on two key interacting elements that structured this system: the central role of the Germanic‐Nordic blond and the geographically uneven process of modernisation. I consider the spatiality of socio‐cultural and political factors ‘external’ to the stereotype system, such as geopolitics and modernisation, but also emphasise that discursive relationships between national stereotypes helped structure the international stereotype system. My conclusion argues for greater consideration of the influence of both scientific and international systemic factors in research on national identity.     

The chimera of national identity

ABSTRACT. In both popular discourse and many academic works, the existence of national identity is largely taken as given. Although researchers disagree on whether national identities are modern or perennial, and how best to gauge the intensity of identification with a particular nation, there is near unanimity on the view that national identities are real and perceptible entities. In contrast to this view I argue not only that there was no national identity before modernity but also that there is little empirical evidence for the existence of national identities in the modern age either. While it is obvious that many individuals show great affinity for their nations and often express sincere devotion to the ‘national cause’, none of these are reliable indicators of the existence of a durable, continuous, stable and monolithic entity called ‘national identity’. To fully understand the character of popular mobilisation in modernity it is paramount to refocus our attention from the slippery and non‐analytical idiom of ‘identity’ towards well‐established sociological concepts such as ‘ideology’ and ‘solidarity’. In particular, the central object of this research becomes the processes through which large‐scale social organisations successfully transform earnest micro‐solidarity into an all‐encompassing nationalist ideology.     

Ordinary culture in a world of strangers: toward cosmopolitan cultural policy *

The image of Zwarte Piet, as part of Dutch Sinterklaas celebrations has caused heated debate in the past decade, which has polarized tensions between the ‘Dutch’ and ‘strangers’. This article argues that the debate cannot be resolved within a framework of a methodologically nationalist cultural policy. Building on Kwame Anthony Appiah’s book Cosmopolitanism: Ethics in a World of Strangers, I argue that a cosmopolitan framework for belonging is not only a normative but also a policy imperative. Cultural policy should recognize our shared global belonging, rather than building a national polis predicated on difference that sets us apart. However, a methodologically cosmopolitan cultural policy cannot be a blanket approach to replace or undermine national frameworks. It should embed the nation in a cosmopolitan public policy to accommodate cultural and religious diversity under globalization that has irrevocably eroded the illusion of a national unity.