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1.
The tapestry series of the ‘Defeat of the Spanish Armada’ was a national artistic treasure which hung in the old Palace of Westminster from the mid 17th century until the fire of 1834. This article outlines the creation of the tapestries in the 1590s and covers the major treatments of them in illustrations of parliamentary interiors and in John Pine's 1739 engravings; it ends with a short account of the curious episode of the tapestry which escaped the conflagration. In the absence of any known historical record of how the tapestries were displayed, suggestions are offered about how many and in what order they hung in the two chambers occupied successively by the house of lords (before and after 1801), and about how they were physically supported on the walls of the Parliament Chamber.  相似文献   

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Thomas Watson's controversial expulsion from the bishopric of St David's – and hence from the house of lords – after a long and bitterly‐fought series of legal actions, raised fundamental and difficult questions about the right to control membership of the house of lords and about the relationship between politics and the law, as well as between church and state. This article explores both the local and the national political contexts that prompted Watson's ordeal, suggesting that subsequent demonisation by Gilbert Burnet has obscured the extent to which Watson was the casualty of William III's determination to cow his political opponents. It concludes that Watson was marked out for opprobrium precisely because, like Sir John Fenwick, his political and social insignificance enabled him to be victimised without risking a backlash of opposition from the social and political elite.  相似文献   

4.
The Parliament Act 1911, limiting the veto power of the house of lords, constitutes a major piece of constitutional legislation in the United Kingdom. The vulnerability of the house of lords to major change was long‐standing and to be found in the actions of prime ministers over more than a century. The constitutional crisis leading to the passage of the act was triggered by the rejection of the budget by the Lords in 1909. However, the outcome of the crisis was by no means certain, either in terms of the provisions of the Parliament Bill or its passage. It was neither a product of a clash between peers and people or a principled debate as to the place of the second chamber in the nation's constitutional arrangements. It was the result of the stances taken on the issue that had dominated British politics since the 1880s: Irish home rule. This determined that the house of lords would be subject to change, not in terms of composition but in respect of its powers. In terms of the contemporary relevance of the act, attempts at further changes to the second chamber constitute neither history repeating itself nor unfinished business.  相似文献   

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采用现代分析测试技术,对甘肃东千佛洞西夏和元代壁画的24个颜料样品进行了分析检测,查明了绘制壁画所使用颜料成分,并对壁画制作工艺和病害机理进行了探讨。  相似文献   

7.
The Painted Chamber, adjacent to the old house of lords at Westminster, was the venue for conferences between the house of lords and house of commons designed to settle any disagreements between the two Houses. Information about the accommodation in the Painted Chamber and its furnishings is provided by a study of a plan by Sir Christopher Wren dated about 1703 and a painting by William Capon of 1799. This note discusses the layout of the accommodation in the early 17th century and how it changed after the Restoration in 1660 and again at the union with Ireland in 1801. It further considers how the furnishings dictated the use of the space by the managers of the conferences, and how the gentleman of the black rod regulated the use of the Painted Chamber by the public.  相似文献   

8.
There were two versions of the Peerage Bill in 1719, one which was lost in the house of lords in April when the parliament was prerogued and one in December which was defeated in the house of commons. The first was constructed in debates in the Lords, in conjunction with the judges, based on resolutions introduced into the upper House by the duke of Somerset; the second was introduced into the Lords as a fully formed bill. Both bills underwent changes during their progress through the house of lords. The result was that the second bill differed significantly from the first. Based on the first bill, the second allowed for more peerages to be created, while trying to prevent the problems associated with female succession, particularly in the Scottish peerage, and more closely defining when a peerage had become extinct. This article is based on documents generated by the passage of the two bills through parliament which have not been studied before.  相似文献   

9.
The gentleman usher of the black rod has long been acknowledged as an officer of the house of lords. Yet he was in origin an officer of the order of the Garter with no necessary connection with parliament. This note aims to throw light on the process whereby this association came about. By 1509, the house of lords had the services of an usher of the parliament chamber, a post always held in conjunction with an office in the royal household. By 1558, this post was being exercised by one of the gentlemen ushers daily waiters, who had been granted the office of black rod as an additional perquisite in 1554. From this point it became customary for the offices of black rod, daily waiter and usher of the parliament chamber to be held by one man. This association was broken in 1620, when the then usher relinquished the office of daily waiter but retained his parliamentary functions together with the office of black rod. In 1631, a decree was promulgated annexing the office of black rod to that of one of the gentlemen ushers daily waiters but it was only from 1660 that this became fully effective.  相似文献   

10.
Following the 1834 fire, the work of house of lords committees continued virtually without interruption, at first in temporary accommodation and, from 1846, in rooms in the new palace designed by Charles Barry. This article charts the history of house of lords committee activity and the varied use of its accommodation at Westminster from 1834 to the present. Major committee work immediately following the fire included an inquiry into prison reform. Barry's accommodation was scantily fitted out, and quickly needed technical and other adaptations. Committees themselves changed too, with the heaviest phase of private bill activity needed for the creation of the railways tailing off by the late 1860s. Following a low point in committee activity between 1940 and 1970 committee work has developed in fits and starts from 1971 onwards. The further expansion of committees following the Jellicoe committee report of 1992 was accommodated by the reform of private bill procedure, which helped free up committee rooms, and in October 2009, the establishment of the Supreme Court meant that the law lords no longer sat judicially in the large committee rooms 1 and 2. Since 2012, however, the further expansion of committee activity has not been matched by an increase in its accommodation.  相似文献   

11.
壁画的发展与不同民族在各个历史时期的生活习俗、宗教、哲学、美学观念等紧密相连。同时,壁画的制作也与当时社会的政治、经济、文化、技术发展水平相适应,因此古代壁画极具历史、艺术、科学技术价值。墓葬壁画出现并最终形成一种丧葬文化现象是在汉代。汉代墓葬壁画自西汉前期形成以后,不断发展演变并形成了一套非常系统完整的体系,表达了深邃而复杂的信仰和丧葬观念,丰富和发展了中国古代绘画的造型技巧和艺术表现形式,因此墓葬壁画在早期绘画史和思想史上都占有非常重要的地位。本研究对发表在《考古学报》、《考古与文物》等十余种期刊自创刊至2015年的有关墓葬壁画方面的资料进行了系统整理,据此研究了我国墓葬壁画的分布区域及其特征,总结墓葬壁画的保护模式与方法,并就墓葬壁画保护的研究方向提出建议。  相似文献   

12.
This note deals with previously unpublished lists which identify the party affiliations, whig, Liberal, and Conservative, of members of the house of lords from 1833 to 1842. They were prepared by the chief whips (or in one case the party leader) of their respective parties, and can thus be considered authoritative. Such information is invaluable in properly understanding the political history of the house of lords, and therefore of the nation.  相似文献   

13.
Though a community of some note throughout the Middle Ages, Leicester really came to the forefront of England's consciousness following a series of political and economic crises in the first decades of the fourteenth century. Thereafter the relationship between the town and its Lancastrian lords was forced to shift from one of sometimes indifferent, sometimes overwhelming, clientage to a more balanced and mutually beneficial association. This increasingly positive relationship found physical expression in two projects in particular: the renovation of Leicester Castle and the foundation of the Newarke Hospital and College. This building programme gave the Lancastrian dynasty not only a place to stay, entertain and pray in southern England, but also a solid base from which to face the political and economic turmoil of the fourteenth century. This fact, along with Leicester's growing connection to the English royal family, would distinguish the town, and bequeath it an importance even once its Lancastrian lords had become kings of England. Leicester exemplifies important themes in later-medieval urban history. The town not only derived concord out of conflict with its lords in the face of difficult economic circumstances; it also brought some of the most potent aspects of both the English and continental traditions of urban-seigneurial relations together, especially in terms of the lord's political and physical connections with the town under his control.  相似文献   

14.
By the late 17th century it had been largely established as a part of the ‘constitution’ that the house of commons played the leading role in proposing financial legislation and that the house of lords by convention could not amend such bills, but only accept or reject them. From the late 1670s, the practice developed of the Commons ‘tacking’ money or supply bills to other, controversial legislation, to try to ensure that the Lords would pass the whole bill. This underhand proceeding sometimes worked, but at other times the Lords amended the non‐monetary parts in such a way as to render the bill unacceptable to the Commons, but such actions sometimes resulted in the loss of financial legislation necessary for the king's government. From the 1690s, the whig‐dominated Lords attempted to ‘outlaw’ tory‐backed tacking by protesting at its unparliamentary nature. This culminated in a formal declaration by the House in 1702 of the unconstitutionality of tacking. The last major attempt at tacking took place over the Occasional Conformity Bills of 1702–4. The final bill of 1704 essentially failed, however, because of the party strengths in the Lords when the tories were outvoted by the whigs. The Lords, however, continued to condemn tacking until at least 1709.  相似文献   

15.
The reform of the East India Company following its acquisition of vast territories in Bengal in the mid 1760s raised hopes that it could provide Britain with a fund to alleviate the burdens of the national debt in the wake of the failure of American taxation. Concomitantly, it elicited genuine fears that the acquisition of such revenues and patronage by the state would radically augment the already overgrown ‘influence of the crown’. Studies of the parliamentary debates surrounding East India reform have consistently emphasized the house of commons as the principal scene of action. Inspired by the work of Clyve Jones in reasserting the centrality of the house of lords as a ‘pillar’ of the 18th-century constitution, this essay seeks to redress the balance, arguing that the Lords was a key arena through which co-ordinated parliamentary and extra-parliamentary activities and press campaigns altered the trajectory of the regulation and reform of the East India Company. Through the use of its distinct privileges, such as the right of opposition lords to protest any vote of the House and the right of peers to an audience with the monarch, as well as its determination to uphold its status as a mediator between the powers of the crown and the Commons, the upper chamber played a crucial role in shaping debates in the 1770s and 1780s over the future of the East India Company and its place in a burgeoning British Empire.  相似文献   

16.
Benedetto Croce was the author of the most important and original theory of history in the 20th century. His theory was that of ‘absolute historicism’, and this necessarily entailed an acute critique of inherited ideas about the Enlightenment. This article studies both Croce's theoretical analysis of Enlightenment and his historical analysis of the Neapolitan Enlightenment. Croce's interest in the Enlightenment had political as well as philosophical roots. All over Europe in the 1920s and 1930s historical and theoretical research was occurring into in the Age of Enlightenment. The broad goal of such research was to bring forth a new concept of reason, which would have purchase in the contemporary debate about rationalism and irrationalism. This debate, which flourished in the era of totalitarian regimes, raised a series of further questions: What was culture? What was the task of culture in the fight against political irrationalism? What was the relationship between culture and the growth of public opinion? With respect to the latter relationship an important role was played by intellectuals, as evinced by the works of Benda, Max Weber and Croce himself. The genealogy of the modern intelligentsia led again to Enlightenment. In the third part of the article Croce's position on this issue is discussed in the light of his historical researches on Enlightenment by reference to his correspondence with two young historians, Delio Cantimori and Franco Venturi.  相似文献   

17.
The journals for both the house of lords and the house of commons for the Tudor period are not, in our sense of the word, journals. Political historians coming to them with unwarranted expectations based on the modern concept of journal have been disappointed by what they have found. The men who compiled both sets of records never saw them as more than notes on the business of both Houses which they kept for their own use.  相似文献   

18.
The church of Andahuaylillas located near Cuzco, Peru, is frequently hailed for its lush interior decorations and seventeenth-century mural paintings. One mural image in particular has captured the sustained attention of scholars for decades: the entrance wall mural entitled Camino del cielo e infierno depicting a complex allegory of good and bad faith. This article explores the mural's connections to a Flemish print and a Spanish auto sacramental (a one-act play associated with Corpus Christi), demonstrating the hitherto unexamined relationships between mural painting, print culture, and religious theatre in the Andes. It also considers the inclusion of local indigenous and Inca references in the mural that were simultaneously subsumed within discourses of idolatry while at the same time granting visibility and legitimacy to indigenous Andeans. This article brings to light the plurality of meanings invested in Heaven and Hell as both destination and journey among Spanish ecclesiastics and their indigenous constituents.  相似文献   

19.
春秋战国时期的楚国县公一般被作为秦汉以后的县级行政长官看待,与封君分属封建与郡县两个不同系统。然而考察这一时期楚县公的活动及其在先秦史上发挥的特殊作用,发现县公具有不同于行政职官的爵称属性和封邑主的特征。楚县公多出身于王族与世家大族,拥有超越任职地的影响力,常常在楚都城和王庭参与中央大政决策,领导对外军事行动。另外,县公与其任职地之间存在较强的私人连接,呈现出相当程度的“在地化”特征。理解春秋战国时期楚县公的多重身份属性,需要对楚县的性质进行全方位把握,也有助于深化对现有的封建-郡县二元认知框架在先秦时期实践的多样性与复杂性的理解。  相似文献   

20.
In 1733 Lord Hervey was summoned to the house of lords early. The move has traditionally been seen as part of an effort by Walpole to increase his ministry's strength in the upper chamber in spite of objections voiced by allies such as the duke of Newcastle. This essay seeks to reconsider the circumstances of the move and question more broadly the management of the Lords during the ‘Robinocracy’.  相似文献   

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