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1.
The discourse surrounding Luke 15:11–32 — commonly titled “the parable of the prodigal son” — in early modern England is a major site of convergence for Aristotelian and Christian ethics. During the sixteenth and seventeenth centuries, the perceived role of “prodigality” (in the sense of excessive expenditure) in the parable of the prodigal son became deeply bound up with Aristotelian ethics; the parable's evolving title and its increasingly prominent role in casus summarii both contributed to and were affected by these changes. Despite the importance of both Aristotelian ethics and the parable of the prodigal son to early modern culture, scant research exists on the vital intersection between the two. By tracing the evolution of biblical paratexts, this article explicates how the parable gained its title. It then explores how the shared use of ?σωτ?α (prodigality) in Aristotle's Nicomachean Ethics and Luke 15:13 affected the interpretation of Luke 15:11–32 in early modern England, and the repercussions this had for early modern philosophy and theology. It concludes that Aristotelian ethics were hugely influential in both the early modern interpretation of Luke 15:11–32 and the concept of “prodigality” that the parable was so often used to explore.  相似文献   

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This article explores the work by Bernard Katz (1911–2003), Stephen W. Kuffler (1913–1980), and John C. Eccles (1903–1997) on the nerve–muscle junction as a milestone in twentieth-century neurophysiology with wider scientific implications. The historical question is approached from two perspectives: (a) an investigation of twentieth-century solutions to a longer physiological dispute and (b) an examination of a new kind of laboratory and academic cooperation. From this vantage point, the work pursued in Sydney by Sir John Carew Eccles’ team on the neuromuscular junction is particularly valuable, since it contributed a central functional element to modern physiological understanding regarding the function and structure of the human and animal nervous system. The reflex model of neuromuscular action had already been advanced by neuroanatomists such as Georg Prochaska (1749–1820) in Bohemia since the eighteenth century. It became a major component of neurophysiological theories during the nineteenth century, based on the law associated with the names of François Magendie (1783–1855) in France and Charles Bell (1774–1842) in Britain regarding the functional differences of the sensory and motor spinal nerves. Yet, it was not until the beginning of the twentieth century that both the histological and the neurophysiological understanding of the nerve–muscle connection became entirely understood and the chemical versus electrical transmission further elicited as the mechanisms of inhibition. John C. Eccles, Bernard Katz, and Stephen W. Kuffler helped to provide some of the missing links for modern neurophysiology. The current article explores several of their scientific contributions and investigates how the context of forced migration contributed to these interactions in contingently new ways.  相似文献   

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ABSTRACT. This article argues that understanding national identity requires a reappraisal of friendship as a political sentiment. Although studies of nationalism underscored the transformation of face‐to‐face interactions into ties between ‘distant others,’ they failed to acknowledge how sentiments of friendship may be involved. First, following theorising in political philosophy, the Aristotelian paradigm of civic friendship is conceptually applicable to modern civil society based on characteristics such as volition, commitment and sentiment. Second, feminist scholarship has delineated how an implicit discourse of male fraternity underlies the historical realisations of the modern social contract and mediates the notions of both patriotism and nationalism. Finally, networks of male associations and transformations in collective affection from small settings to large‐scale societies contributed to the magnification of a politics of friendship. Consequently, rather than viewing fraternal friendship as a relic of traditional societies, it should be studied as a unique aspect of modern nationalism.  相似文献   

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Summary

This article focuses on the analysis of sensibility in the works of three major late eighteenth-century philosophers: Smith, Cabanis and the young Wilhelm von Humboldt. It analyses to what extent Smith's concept of sympathy influenced Cabanis in France and Humboldt in Germany. It argues that modern anthropology, based on a specific theory of sensibility, assumes a strong connection between knowledge acquisition and life in society. This article reveals the strong links between the three authors which were made possible precisely because of their common philosophical background. It proves, for the first time, that Humboldt had access to Condillac's ideas before 1798, since in an early work on the state, the former makes numerous borrowings from speeches Cabanis wrote for Mirabeau, which were in turn strongly influenced by Condillac.  相似文献   

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Locke has often been hailed as the father of an empiricism that provided a philosophical basis to natural science in the Age of Enlightenment. In this article his empiricism is compared with that of the little known Dutch Aristotelian professor Gerardus de Vries. There are striking parallels between Locke's brand of mechanist empiricism and the pragmatic and flexible Aristotelianism of De Vries. These parallels put strictures on both the archaic character of the Aristotelianism embraced by De Vries and on the modern and forward-looking character of Locke's philosophy of science.  相似文献   

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It is known that, according to Rousseau, the voice of conscience speaks instantaneously, and immediately ratifies the good that reason presents to it. The ferocious corruption that strengthens the progress of knowledge, the tumult of conversations or spectacles, however, prevent modern man from listening to his conscience, at the moment when society requires its engagement: the actuality of corrupted relations that enclose the individual gains ground against the presence of moral imperatives in his heart. Therefore Rousseau’s moral philosophy cannot dispense with a theory of memory: the latter permits thedictamen of the conscience to be disengaged from the transitory passions that subject us to contemporaries; it disengages the horizon of an authentic freedom and a responsibility that creates the person’s permanence, in regard to the soul’s immortality. In sum, we show here that in Rousseau’s eyes, reform is accomplished in a conversion narrative.  相似文献   

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This article describes the conceptual framework (what I call a “style of reasoning”) within which knowledge about Africa was legitimized in eighteenth–century French philosophy. The article traces a shift or rupture in this conceptual framework which, at the end of the eighteenth century, led to the emergence of new conditions for knowledge legitimation that altered Europe’s perception of Africa. The article examines these two conceptual frameworks within the context of a discussion of the social theory of the time, which categorized Africans first as savages, and then, with the advent of our modern “style of reasoning,” as primitives. The argument used to demonstrate this change in categorizations is historical. (In the terminology of Michel Foucault, the paper is an “archaeological” investigation of knowledge about Africa.) The greater part of the article analyzes in detail the principal social theory of Enlightenment philosophy, the stadial theory of society, with the aim of demonstrating how it determined what could be affirmed about Africa. The shift in the perception of Africans from savages to primitives involved an epistemological change in how societies were grasped. The article provides a greater understanding of the constitution of Africa as a cognitive construct, which is not only of theoretical concern; this construct shaped Europe’s intervention in Africa, and continues to influence what we believe Africa is and should become.  相似文献   

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This survey of classical astrology is in three parts: a) a summary of its rich and eventful history from the Babylonians to the Renaissance; b) the methods of calculation which remained the same throughout the period, based on the planets, the zodiac and the “twelve houses”; c) an analysis of astrological thought, which is quite different from any modern approach; providing a rigid interpretation of the universe, it granted confort and security. It presents a curious combination of religion and science: the physics is the one forwarded by the stoïcs, with an equal balance of the four elements, and the microcosmic economy within the soul representing the macrocosmic one; but such a determinism is in contradiction with the Stoics' sense of responsability which presupposes free will.  相似文献   

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ABSTRACT

This paper challenges the notion that Galenic humouralism stripped the early modern body of agency and argues that some accounts of early modern materialism were connected to epistemology. It evidences how Milton’s passions are inscribed with the shocking language of agency and moral responsibility to overturn the assumption of “passive”, unconscious passions. It explores two pictures of passions in connection with knowledge: passions as obstacles to knowledge, and passions as sources as knowledge. Both images recast the material body as a knowing agent, but do so with complications. Agency-ridden passions complicate a straightforward notion of agency, and seem to leave early moderns with the option of blaming their passions instead of themselves for deception. Frequent references to internal passions in political discourses also suggests an unsettling degree of comfort with subjectivity in making knowledge-statements, but it is a version of subjectivity that seems far more public than private.  相似文献   

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Max Stirner is generally considered a nihilist, anarchist, precursor to Nietzsche, existentialism and even post-structuralism. Few are the scholars who try to analyse his stands from within its Young Hegelian context without, however, taking all his references to Hegel and the Young Hegelians as expressions of his own alleged Hegelianism. This article argues in favour of a radically different reading of Stirner considering his magnum opus “Der Einzige und sein Eigentum” as in part a carefully constructed parody of Hegelianism deliberately exposing its outwornness as a system of thought. Stirner's alleged Hegelianism becomes intelligible when we consider it as a formal element in his criticism of Bauer's philosophy of self-consciousness. From within this framework it becomes quite clear what Stirner meant with such notions as “ownness” and “egoism”. They were part of his radical criticism of the implicit teleology of Hegelian dialectics as it found according to him its highmark in Bauer. In short, this article puts the literature on Stirner into question and tries for the first time in 30 years to dismantle Stirner's entire undertaking in “Der Einzige und sein Eigentum” by considering it first and foremost a radical criticism of Hegelianism and eventually the whole of philosophy while fully engaged in the debates of his time.  相似文献   

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This article reflects on the relationship between historical writing and enquiry and philosophy, and more particularly the manner in which the pursuit of a particular natural philosophy can influence historical narratives. The article begins with a comparison of Roman and Greek approaches to history, employing a distinction between narrative and logic. It goes on to consider the impact of Christianity, the relationship between enlightenment narratives and philosophical developments regarding the nature of causation, and the Hegel/Marx critique of the kinds of empiricism associated with Hume. The article ends by considering the counterfactual historical analysis and the proper relationship between history and philosophy for modern historians.  相似文献   

14.
My article recovers a forgotten moment in the history of popular fiction criticism – the late Victorian advent of what I term occultic literary criticism – to challenge the persistent anxiety thesis that continues to dominate fin-de-siècle studies. In the late 1890s, the close friends, writers, bibliophiles, and, for varying amounts of time, practising occultists Arthur Machen and A. E. Waite used their literary criticism to champion the ecstatic occult potential of mass-circulated popular fiction, insisting that the penny dreadful, the newspaper story, and the popular picaresque as exemplified in Charles Dickens’s The Pickwick Papers (1836–37) represented coded versions of ancient mystery tradition rituals. The cheap popular texts could offer to readers, writers, and collectors the kind of joyous direct encounter with the unseen world that sacred texts no longer could. The pair’s conviction that ecstatic occult initiation was just as, if not more, attainable through popular exoteric texts as through their restricted esoteric counterparts offers an important corrective to contemporary understandings of both the late-Victorian reception of popular fiction and of the reach and constituency of the occult revival.  相似文献   

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This article reflects on the relationship between historical writing and enquiry and philosophy, and more particularly the manner in which the pursuit of a particular natural philosophy can influence historical narratives. The article begins with a comparison of Roman and Greek approaches to history, employing a distinction between narrative and logic. It goes on to consider the impact of Christianity, the relationship between enlightenment narratives and philosophical developments regarding the nature of causation, and the Hegel/Marx critique of the kinds of empiricism associated with Hume. The article ends by considering the counterfactual historical analysis and the proper relationship between history and philosophy for modern historians.  相似文献   

16.
In the debate about Michael Oakeshott’s philosophy there is very little agreement on the theoretical and historical meaning of his skepticism. Starting from the assumption that skepticism is not a fixed theory but a tradition of ideas, this article draws on both published texts and archival materials to contend that Oakeshott developed his thought by confronting himself with, and even merging, different strands of skepticism: the ancient, the modern, as represented by Hobbes and Montaigne, and the idealist, as conceived by F. H. Bradley. The article firstly shows Oakeshott’s awareness of ancient skepticism, even though its impact on his thought is contested and controversial. With regard to modern skepticism, it looks at how Oakeshott defines Hobbes’s skepticism in his “Introduction to Leviathan.” It also examines the relevance of Montaigne to Oakeshott’s image of conversation, his idea of human agency and conception of politics. Finally, the article illustrates the influence of Bradley’s skepticism on Oakeshott’s conception of philosophy and reveals the consistency between Oakeshott’s skepticism and idealism. What emerges is a complex picture, in which Oakeshott’s skepticism is a constellation of elements taken from a variety of sources.  相似文献   

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Galileo did not develop a systematic methodology but rather a methodical form which represents an essential part of the development of modern scientific thought. Keywords to the methodical form of Galileo's thought are: 1) The geometrization of the sciences (‘mathematization of nature’) - this refers especially to the explication of the methodological priority of a theory of measurement. 2) Argomento ex suppositione, that is, the coupling of the originally proof-theoretical distinction between analysis and synthesis to elements of a methodology of empirical science. 3) The axiomatic structure of mechanics that corresponds to the modern semantic theory conception and to constructivist conceptions of the philosophy of science. 4) A constructive (or instrumental) concept of experience, which replaces the Aristotelian concept of a phenomenal experience in the construction of physics.  相似文献   

18.
This article argues that debates about the theoretical relations between Critical Theory and Existential philosophy have to date been excessively focused on the connections between Martin Heidegger and Theodor W. Adorno, and should now extend their analysis to consider points of dialogue between Adorno and Karl Jaspers. Examining the cognitive, ethical and political implications of their works, the article claims that Jaspers and Adorno have much in common and contribute in related ways to our understanding of certain important issues. This is the case in their views on idealism and on the politics of humanism, but it is most evident in their reflections on the role of metaphysics in modern philosophy: both seek to salvage the contents of metaphysical thinking, and they denounce the tendency towards purely immanent or autonomist accounts of human reality in the theoretical traditions to which they belong. Their views on metaphysics are especially apparent in their interpretations of Kant, in their critiques of neo-Kantianism, and in their shared hostility to Heidegger's reaction to Kantian philosophy.  相似文献   

19.
Current attempts by historians of science to revise the narrative of the Scientific Revolution by using the concept of the Baroque have important implications for art history. Correspondences between baroque art and baroque science gain new complexity when the rational, epistemologically optimistic image of the New Science is put in doubt. Rather than a method of objective observation, early seventeenth‐century science and art share an acceptance of the constructed nature of reality, of human epistemological limitations and of the role of passions in the observation of the world. While Caravaggio has revolutionised art precisely through his interest in questions of knowledge and sensorial perception and by his subversive transformation of Renaissance epistemological values and ideals, this article concentrates on the work of Jusepe de Ribera, who made the senses and their shortcomings a major theme of his pictorial research. Ribera's epistemology is examined in the context of contemporary Neapolitan philosophy and science. Through the confrontation of some of the Spagnoletto's paintings with the work of figures such as Giovanni Battista della Porta, Federico Cesi and particularly Colantonio Stigliola, it becomes clear that early modern Neapolitan faith in rational knowledge was more ambiguous than is sometimes assumed.  相似文献   

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