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The relationship between medicine and the arts, literature in particular, has many aspects. One of the most obvious relations is the use of literature as a source for historical studies. Jean-Martin Charcot and his school often appear in French literature at the end of the 19th century. Several aspects will be highlighted in this study, including (1) the ideas about degenerative diseases in the work of Emile Zola, the main author of the naturalistic movement; (2) decadence and spiritism in two transitional novels by Joris Karl Huysmans, who, once supporter of the naturalistic movement, changed his ideas following observations of disease and cure that could not be explained in a scientific way. Charcots work on hysteria and hypnosis, as well as Brown-Séquards rejuvenation experiments with testicular extracts played an important role with this respect; (3) Charcots relationship with the Daudets, in particular his treatment of Alphonses tabes dorsalis and the ambivalent attitude of his son Léon Daudet towards Charcot; (4) the influence of the lectures at the Salptrire on the work of Guy de Maupassant, who attended the lessons in the mid-1880s. The reading of novels and biographies of these authors provides a part of the social context and the cultural atmosphere in Paris at the “fin-de-siècle” when Charcot and his school played an important role in medicine. Moreover, it shows the influence of medicine and science on society as recorded by writers.  相似文献   

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The Csangos are an ethnic/religious minority from Moldavia, Eastern Romania. They are defined as legitimate subjects by two antagonistically nationalizing projects: the Hungarian and the Romanian one. I am not trying to discover some “authentic” or “hybrid” identity that would explain away the ambiguities connected with this ethno-religious group. The Csangos appear, in this paper, as mutating historical forms and figures, made up through fateful events and part of “historical ontologies”. Because of their specific position inside opposed nationalisms, they can provide theoretical insights into the constituting of nationalizing narratives, ethnography and social sciences in East and Central Europe.  相似文献   

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Abstract

The period between 1600 and 1800 was one of great change in the history of science, generally, and in the history of chemistry, specifically. It opened with Francis Bacon's visionary recognition of the benefits to mankind that would accrue from the expansion of scientia and closed with the overthrow of the phlogiston hypothesis. New chemical knowledge resulted from the efforts of the alchemists, especially the Paracelsians, and of the phlogistic philosophers, some of it recorded by writers of magic books (Thorndike, 1958; Camporesi, 1989). The authors of these works reflected ‘the general mentality… imbued with magic, occult beliefs, unreal suggestions, ‘voices’, and ‘rumours’, … ‘errors’ and ‘prejudices’.‘ In respect to brain chemistry there appeared, beside the fantastic, elements of fact that characterise this period as embracing the ‘pre‐history’ of neurochemistry.  相似文献   

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This article analyses the theory of sexuality, personality and politics developed by the literary critic John Addington Symonds (1840–1893). Sections 1 and 2 introduce Symonds’ changing reputation as a modernist theorist of ‘sexual inversion’ (homosexuality). Section 3 examines his conceptualization of the processes whereby an individual can sublimate sexual urges to create a harmonious and unalienated personality which acknowledges the need to combine transgressive self-expression with social convention. Section 4 demonstrates how this theory led Symonds to endorse an eroticized form of democratic socialism, while Section 5 explores the culmination of Symonds’ thought in a form of pantheistic idealism. This research is significant in that it extends our understanding of socialism and sexuality into areas that are marginalized and yet historically important.  相似文献   

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Traditionally, the Norwegian modernization process has been presented as a success story that focuses on how social movements and democratized political institutions in the 19th and 20th centuries laid the foundations for a society and culture with an emphasis on social equality. The paper offers an alternative analysis of this process, based not on the issue of material equality and inequality, but on the concepts of normality and deviance. A comparison of the development of the Norwegian national education policy since the middle of the 19th century with the Danish and Swedish experiences involves the exclusion of the dissimilar as a distinct feature of the Norwegian policy. ‘Disability’ was constructed as a category of deviance by public policies and administrative and professional practice. The professions – particularly teachers and doctors – were important actors who offered alternative conceptions of normality and disability. However, the constructions that they selected were those that were in closest dialogue with the particular challenges confronted by the Norwegian modernisation process: first the liberal, then the social democratic construction. Because the national conditions confronting the Scandinavian modernization processes differed from each other, so did the related constructions of disability.  相似文献   

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The period of the Atlantic slave trade between Africa and European colonies is relatively well documented compared with the historic records of many regions of precolonial Africa. However, this documentation necessarily presents a perspective distilled through European eyes. This paper suggests a methodology influenced byAnnales history for critically analyzing documentary sources in conjunction with a critical interpretation of archaeological remains. Archaeological evidence from recent excavations at the site of Savi, capital of the Hueda kingdom, is contrasted with documentary evidence, facilitating an interpretation of motivations guiding Hueda interaction with European traders and structuring their spatial relationship.  相似文献   

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Marie Corelli's The Sorrows of Satan (1895) presents a paradoxical test case for the practice of academic literary criticism. The best-selling work of fiction of the nineteenth century, the book was demeaned by Victorian critics and has been long ignored by criticism since. In spite of Corelli's recent mini-revival, the formally self-conscious properties of this work deserve further examination: the text insistently foregrounds the act of literary criticism and demands that the reader's attention is focussed on not only the content of the narrative but also the nature of the procedure of reading. Such a strategy allows Corelli's romance to participate safely in the kinds of literary transgressions enacted in the work of her since-canonized contemporaries such as Thomas Hardy and Oscar Wilde. The narrative mode warns against the production of the wrong kinds of readings of the narrative, inoculating its consumer against the corruption suffered by many of Sorrows's characters – and by the readers of the kinds of contemporary fiction Corelli seeks to warn against. As a consequence, The Sorrows of Satan, while exiled from the canon, shows itself to be surprisingly representative of the image of fin-de-siècle literary culture constructed by its afterlife. Like so many 1890s fictions, it is a work of art about the work of art, and dramatizes such by now familiar late-Victorian tropes as: decadence, moral relativism, debates over literary taste, realism, post-Ibsen drama, the sexual double standard, the marriage market, the New Woman, motherhood, hysteria and female pathologies, degeneration anxiety, mesmerism. The Sorrows of Satan's status as forgotten best-seller, a ‘great bad book’, asks difficult questions about the relationship between literary criticism and literary pleasure.  相似文献   

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This paper examines Frankish castle-building policy during the 13th century through two case studies, Château Pèlerin and Montfort. During this period, castles were built mainly by the military orders, in the same locations as, or very close to, existing fortifications. Furthermore, these activities often coincided with the presence of a crusade in the region. In the two case studies the initiators of the projects had reasons other than military to execute them. The main conclusion of this paper is that during the 13th century castles were not built in the Latin kingdom of Jerusalem for strategic reasons or according to a well defined programme, but in order to meet a series of religious, moral, social as well as economic and political considerations. This conclusion may imply that this was the case also during the 12th century.  相似文献   

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