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Knut Kjeldstadli: Jerntid. Fabrikksystem og arbeidere ved Christiania Spigerverk og Kvtemer Brug fra om lag 1880 til 1940. (Iron Age. Manufacturing system and laborers at Christiania iron works and the Kvaxrner factory from 1880 to 1940.) Pax forlag Oslo 1989. ISBN 82–530–1451–1. 594 pp., NKr. 198.  相似文献   

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This article examines the so-called Free Negro Company in the town of Christiansted on the island of St. Croix in the Danish-Norwegian West Indies in the latter part of the 18th century. It examines the range of practices and social strategies developed by these men to obtain recognition as free subjects and position themselves in the social space of a racially divided Caribbean society.

The article shows that well before the more well-known instances of coordinated collective action in the beginning of the 19th century, the men of the Free Negro Company developed and applied a variety of social strategies. They challenged the social order that defined their place in society; challenges that took place in physical encounters with Euro-Caribbeans both in the streets and in courtrooms. These free Afro-Caribbean men continuously attempted to expand their space of action, and to emphasize to Euro-Caribbeans that they were free citizens and should be treated as equals. They challenged the distinctions created by the Euro-Caribbeans whilst at the same time setting themselves apart from the enslaved population.

The article focuses on the period prior to the first British occupation of the Danish-Norwegian West Indies in 1801, in order to look for signs of opposition to the social order and attempts to achieve a better position in society. The article investigates the militia-like Free Negro Company from the first instance of its members tentatively challenging the racialized social order in 1773 until 1799, when the last mention of a similar case is found in the archival material examined. The Free Negro Company held a central position in the society, and an examination hereof provides the opportunity to get closer to the free Afro-Caribbeans, as individuals and as a group. The role and function of the Company in Danish-Norwegian West Indian society meant that its members came into regular contact with both Euro-Caribbeans and enslaved labourers, and that they often found themselves in situations marked by conflict.  相似文献   

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In the last decade of the twentieth century a shift occurred in the way western governments defended their cultural policies. New, instrumental arguments were put forward. This collided with the way the arts had learned to see themselves in the twentieth century: autonomous, with a value of their own. This article elaborates this confrontation of the arts and policy in two ways. First, it is shown that the distinction between an instrumental and an intrinsic value of the arts originates in a misperception of recent history. It was the political constellation of the Cold War that made governments in the second half of the twentieth century support the arts to be free and independent. Next, an attempt is made to anchor the value of art in a unique kind of instrumentality. With the help of philosophers and historians of culture, it is argued that the arts should be considered instruments of experience.  相似文献   

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Abstract

The Ottoman policies towards the Orthodox patriarchate and its clergymen have been discussed in a number of articles. For some scholars the relationship is one of purely financial character, with the patriarch being a mere tax collector, whereas for others the patriarch is acting as ethnarch of his millet, as defined by supporters of the millet theory. In this case study, the re-establishment of the Orthodox Church on the island of Crete testifies to the complexity of the relationship between the patriarch and the sultan. The struggle of the metropolitans of Crete to establish their authority from 1651 to 1735 is connected to the history of the Greek Orthodox patriarchate in the Ottoman capital.  相似文献   

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