Confabulations: a conceptual history

Confabulations are inaccurate or false narratives purporting to convey information about world or self. It is the received view that they are uttered by subjects intent on "covering up" for a putative memory deficit. The epidemiology of confabulations is unknown. Speculated causes include amnesia, embarrassment, "frontal lobe" damage, a subtype of "personality", a dream-like event, and a disturbance of the self. Historical analysis shows that "confabulation" was constructed at the turn of the century as part of a network of concepts (e.g. delusion, fixed idea, etc.) meant to capture narratives with dubious content. This paper deals with the history of the construction of the word and concept of confabulation and with earlier recognitions of the behaviours that serve as their referent and puts forward a model based on historical data. Two phenomena are included under "confabulation": "untrue" utterances by subjects with memory impairment and "fantastic" utterances marshalled with conviction by subjects suffering from psychoses and no memory deficit. Under different disguises, the "covering up" or "gap filling" hypothesis is still going strong. Although superficially plausible, it poses problems in regards to the issue of "awareness of purpose": if full awareness is presumed then the semantics of the concept of "purpose" is severely stretched and confabulations cannot be differentiated from delusions.     

Cultural policy as mythical narrative

ABSTRACT

In this paper, we argue that policy assumptions are shaped by mythical narratives carrying underlying beliefs and values. Drawing on narrative studies, organisational theory and Gramsci’s cultural hegemony theory, we examine how sense-making narratives create consensus, how they imply causation and individual agency, and finally how narratives fragment to reveal alternatives to hegemonic ‘common sense’ assumptions. Applying this framework to cultural policy we examine the place of mythic, sense-making narratives in the historical development of foundational national cultural policies in the UK and Mexico – respectively, narratives of ‘the civilising mission’ and ‘social transformation’. We then consider narrative emplotment and individualisation underpinning assumptions about individual creativity in the UK creative industries policy. Finally, we address the postmodern turn in narrative studies, showing how fragmented, polysemous narratives fracture cultural policy into ‘personalised truths’ and give voice to other, counter-hegemonic perspectives. We conclude by proposing an agenda for narrative research in cultural policy.     

Forging the nation as an imagined community

This article examines the ways in which young Canadians represent the ‘the War on Terror’ in their narratives. I explore how a hegemonic nationalist narrative enters into this representation in different ways and positions itself in a dynamic tension with the USA, at times eliding the difference and at times affirming it. I illustrate that these students do not simply tell the narrative of the war, but use the deixis of ‘we/us/our’ or ‘them/they/their’ in a way that constructs multiple imagined communities. I argue that these presumably benign representations of Canadian involvement in the war produce banal nationalism that excludes ‘others’, and binds human imagination into a framework that works against critical thinking.     

Memory in warfare: history as a destituent narrative

Abstract

To what extent may we consider historical writing a field of political tension? Could we make a plausible conceptual distinction between a constituent and a destituent narrative? According to Carlo Ginzburg – one of the proponents of ‘microhistory’ – historical sources are ‘distorting mirrors’, which let the truth shine through in an indirect way. Consequently, the good historian is the one who manages to grasp the ‘Freudian slips’ of history and fixes them in a coherent framework. Michel Foucault’s ‘political historicism’ seems to adopt the same historiographical approach: the most reliable witnesses of the past are the victims of the dominant power and the forgotten subjects of the constituent historical narrative. It seems to the author that Walter Benjamin and Simone Weil’s warfare writings share this destituent attitude towards historical representations. As far as Benjamin is concerned, the author’s hypothesis is that between the two world wars he radically redefines his notion of memory. With the apotheosis of the Nazi regime, he starts to conceive memory of the catastrophic past as the only possible input of an authentic revolutionary action. With a similar attention to collective memory, Weil goes through European history in order to deconstruct its principal political mythologies, from Rome to the Third Reich. Her purpose is to let the stories of the defeated re-emerge in order to show the history of violence that lies beyond the official representation of the past. In both cases, the main political aim is eventually to produce a destituent narrative of Europe that could serve as a guideline in the post-war period.     

Timeline History and the Anzac Myth: Settler Narratives of Local History in a North Australian Town

This paper explores rural Australian settler historical narratives through an examination of the landscape of public history in the northwestern Queensland city of Mount Isa. In various sites of public history, including the city's 75th anniversary festivities, tourism sites, and popular historical literature, certain narrative themes are predominant. Themes of ‘discoverers’, ‘firsts’, and ‘pioneers’ coalesce into a ‘timeline’ approach to history, in which the past is ordered sequentially in a linear pattern of development and progress. Aboriginal people are incorporated into linear histories in various ways, notably through the concept of ‘the last of the tribe’, which separates an aboriginal past from a European, colonial present and presumes colonial authority to be effectively established. Aboriginal people, particularly the Kalkadoon, are also incorporated within a second narrative tradition, the Anzac legend, for their heroic, desperate and failed battle in 1884 against European invaders. Aboriginal leaders in Mount Isa use these settler narrative traditions to advance native title claims and to create a respected public space for Aboriginal people in the city. In short, settler historical narratives, while being conservative in language, are continually being reshaped and metaphorically extended to new contexts, and are mobilized for both conservative and critical political agendas..     

Stories of fracture and claim for belonging: young migrants' narratives of arrival in Britain

This article brings an anthropological approach to bear on the question of ‘children's voices’ and, particularly, on the stories told by some young migrants about their recent arrival as asylum-seekers in Britain. Young migrants' narratives are examined as situated and self-conscious claims to a certain identity as child refugee. The question of why a particular narrative of ‘arrival in Britain’ was offered by a diverse group of young migrants and asylum seekers is discussed. These stories present a view of their tellers as alone and irreconcilably detached from past lives and relationships. These narrative repertoires as well as their telling draw from and elaborate certain views of the ‘proper refugee child’ that circulate through various regimes of immigration, welfare and emancipatory community work that all involved these young people. An approach to the stories as accomplished as well as situated performances that collapse the ordinary division between stories as ‘facts’ or ‘fictions’ is introduced. In this sense, the ‘children's voices’ heard in this study are recognised as situated and interested products of a research relationship.     

Using an awakening narrative to leave behind a former national‐identity: an investigation of the conversion of national‐identity in Taiwan

National‐identity has become a civil religion and a major source of how people define themselves. Changing one's nationality thus is a salient event/social process in today's society; therefore, people's nationality conversion deserves more academic attention. Treating the convert as a social type and regarding people's self‐reports (or converts' accounts) as topics for analysis, this article examines the Taiwan case to illuminate how people tell their stories of converting nationality. ‘Converts’ usually employed an awakening narrative to leave their former national‐identity behind: For example, the ‘awakening’ plot is readily apparent, a huge contrast between a previous ‘wrong’ self and a current ‘correct’ self is mentioned, and the ‘awakening’ is delineated as an achievement. The symbolic awakening is harnessed as a strategic tool to create discontinuity autobiographically, to justify one's major change, to ensure that one's cognitive security remains intact, and to call for more awakenings. This article further notes that, since narrative itself is a practice, people always have ‘a self in the making’ which determines (and is determined by) how people (re)tell their life stories. Moreover, in Taiwan's case, we see that ‘awakeners’ usually admired early awakeners but blamed late awakeners (which constitutes an interesting triadic group relationship); people may also describe their experience of having multiple awakenings before the ‘grand’ awakening (‘Awakening’). © The author(s) 2015. Nations and Nationalism © ASEN/John Wiley & Sons Ltd 2015     

Losing it in Hawai‘i: Weight Watchers and the paradoxical nature of weight gain and loss

In Hawai‘i, bodies may be big, successful, widely accepted, and revered by their public, yet some subjects may simultaneously be seeking a thinner body even with what appears to be ‘fat acceptance’ by many state residents. This article analyses weight and weight loss narratives of two prominent public and nonwhite men, Israel Kamakawiwo‘ole and Sam Choy. We connect these narratives to Weight Watchers International discourses of slimming as these apply to ‘nonwhite’ subjects in Hawai‘i. We suggest that Weight Watchers normalizes thinness through discourses of whiteness inherent in particular foods. Hawai‘i's regional cuisine known as ‘Local Food’ is framed as ‘exotic,’ which is distinct from what the organization proposes is ‘good’ food that produces ‘healthy’ bodies. Weight Watchers narrates slim bodies and health while normalizing ‘white’ cuisine and the bodies who consume it thereby excluding Local brown bodies in Hawai‘i.     

The Indian nation and selective amnesia: representing conflicts and violence in Indian history textbooks

‘Unity is always obtained by means of brutality’ wrote Ernest Renan. Following this idea, this article investigates how social conflicts and violence are included or muted in national history. This is done by comparing the successive series of history textbooks used in India in the postindependence period. The historical narratives contained in the textbooks were influenced by different conceptions of the Indian nation, and these variations allow us to observe and better understand what is remembered or forgotten in the national narrative. We will see that conflicts and violence are referred to when they involve the nation against its ‘other’ but depictions of conflicts within the nation as it is imagined are avoided. Thus, certain violent episodes of the past find a place in the national historical narrative, yet violence in itself is never described.     

The Legendary Commander: the construction of an Albanian master‐narrative in post‐war Kosovo*

ABSTRACT. The ongoing, post‐war construction of Albanian martyrs, memory and the nation in Kosovo has produced iconic tropes of militant resistance, unity and national independence. This critical interpretive account, based on years of the authors' ethnographic and political engagement with Albanians in post‐war Kosovo, focuses on the making of a master narrative that is centred on the ‘sublime sacrifice’ of the insurgent KLA leader Adem Jashari, known as the ‘Legendary Commander’. It also aims to trace voices of discord with this master narrative, testing contestations in terms of the rural–urban, political and gender divides in Kosovo‐Albanian society. It concludes that the narrow international view of Albanians as either ‘victims’ or ‘perpetrators’ has contributed to the consolidation of this powerful narrative, its celebration of Albanian agency in militant resistance and the closing of public debate within Albanian society.     

Rethinking detention and deportability: Removal centres as spaces of religious revival

This article investigates the effects of confinement on the religious subjectivities of migrants who have been held in British removal centres, elaborating connections to broader debates and mobilizations over the boundaries of citizenship and belonging. It draws on geographic scholarship on affect and the emotions to shed new light on the embodied experiences of detention, its wider socio-political effects and the complex links between intensified religious identities and politics. I argue that removal centres are acting as spaces of religious revival. African ex-detainees' narratives of their confinement dwelt repeatedly on their experiences of religious renewal, and the article explores how Christianity and the Bible provided bodily, narrative and performative ways of coping with, and countering the fraught ‘affective atmosphere’ within detention centres. Faith was a source of energy, hope and strength, created ‘communities of practice’ within and beyond the removal centres, while religious narratives affirmed detainees' humanity. Some expressions of faith underpinned directly political messages, intersecting with ideas about the self as a rights-bearing subject. By including religious responses in debates over the effects of the restrictive border controls, the discussion not only highlights dimensions of non-citizens’ socio-political agency but also demands a rethinking of the broader socio-political consequences of detention and deportability. The article is based on interviews with ex-detainees, chaplains and members of detainee visitors' groups as well as official inspection reports.     

Central European Heterotopias of Decay: the Poetics of the Real in Andrzej Stasiuk’s On the Road to Babadag

This article analyses Andrzej Stasiuk’s 2004 travelogue On the Road to Babadag: Travels in the Other Europe as a work that questions the existing narratives about the region commonly referred to as ‘Central Europe’. The main argument is that by bringing forward an original interpretation of ruins and decay — theorized here as ‘heterotopias of decay’ — Stasiuk’s poetics of villages and small towns from forgotten corners of Europe invites an interrogation of the notion of Central Europe itself. The narrative’s dismissal of the very term ‘Central Europe’, because it disregards the mundane qualities of the everyday, is presented as an original contribution to the debates about this region.     

Ritual and interpretation: the early medieval case

In dealing with early medieval ‘rituals’ (whatever this category may mean), historians have to take into account that they were written about, staged, and participated in by members of a culture that was steeped in interpretation, and especially by the exegetical dialectic between letter and spirit. The consequences for narrative techniques, and therefore for our approach to the sources depicting ‘rituals’ are plural. The narratives can heighten or de‐emphasize the ‘ritualness’ of an event, as well as heighten or hide conflict (or consensus) within the ritual event, regardless of what actually happened. Rituals in texts, therefore, should seldom be taken at face value. Such techniques suggest that often enough the textual rendition (or even imagination) of a solemnity had more political impact than its performance.     

Anatomy of the national myth: archetypes and narrative in the study of nationalism

This paper argues that recognising types of underlying narrative form which repeatedly occur across cases is critical to the study of nationalism. It proposes a method borrowed from the literary theory of Northrop Frye – archetypal criticism – for identifying the four basic forms of emotional architecture that characterise the myths of particular nations: tragic, romantic, comic and satiric. The study of nationalism has long acknowledged the importance of narrative in political behaviour. But consideration of how distinct types of narratives affect specific emotions is missing. The ‘narrative turn’ in the social sciences, which has responded to instrumentalist scepticism, has thus far focused on the cognitive functions of narrative. That is, how narrative influences the acquisition and interpretation of information and how stories are used to construct or reinforce a collective understanding of events. The undertheorised dimension of narrative in nationalism relates to the emotional structures embedded within narrative. This is where this paper makes its contribution.     

‘Narratives of Survival in the Post-Colonial North’

Scholars have recently paid more attention to narratives of colonial contact in Australia, as elsewhere (cf. Hill 1988). Western elements and characters (such as Captain Cook) have been widely documented in Australian Aboriginal narratives which nevertheless are clearly not close accounts of past events. This has promoted reconsideration of the distinction between ‘myth’ and ‘history‘. If we follow Turner's (1988) suggestion that myth is the formulation of ‘essential’ properties of social experience in terms of ‘generic events‘, while ‘history’ is concerned with the level of ‘particular relations among particular events’, we need not restrict ourselves to seeing myth as charter for a social order distinct from western influence. In the paper I examine two stories of cultural and physical survival from the Katherine area, Northern Territory, and seek to identify in them fundamental themes and enduring narrative precipitates of social experience lived in intense awareness of colonial and post-colonial relationships between Aborigines and whites.     

Creativity,geopolitics and ontological security: satire on Russia and the war in Ukraine

ABSTRACT

Some states create geographical imaginaries that envision the homeland as coherent and good, and the spaces of Others as disordered, dangerous and therefore legitimate objects of violence. Such ‘violent cartographies’ serve not only to justify policy actions, but constitute bordering practices aiming to provide stability, integrity and continuity to the Self, sometimes referred to as ‘ontological security’. This article examines the role of creativity and artistic imagination in challenging dominant geopolitical narratives. It examines satire on the Russian-language internet, which played upon the Russian state’s geopolitical narrative about the war in Ukraine 2014–15. Three themes within this dominant narrative – (1) the imperialist idea of Russia as a modernising force, (2) the gendering of Ukraine as feminine and Europe as homosexual and (3) the idea that the current war was a re-enactment of Russia’s historical battle against fascism – all became the object of fun-making in satire. I argue that satire, by appropriating, repeating but slightly displacing official rhetoric in ways that make it appear ridiculous, may destabilise dominant narratives of ontological security and challenge their strive towards closure. Satire may expose the silences of dominant narratives and undermine the essentialism and binarism upon which they rely, opening up for estrangement and disidentification.     

Disseminating the policy narrative of ‘Heritage under threat’ in China

ABSTRACT

Originating from within the UNESCO, narratives on ‘heritage under threat’ tell the story of how and why intangible cultural heritage (ICH) practices are valuable, why are they disappearing, and how they can be protected from destruction. Focusing on PR China, this paper conducts a frame analysis to identify narratives on ‘heritage under threat’ as employed by the UNESCO, the Chinese party-state, and academics. The study argues that while policy narratives in any country undergo a process of congruence-building, circulation, and implementation, these processes take distinctive forms in authoritarian countries due to the states’ discursive and political monopoly: While non-state actors are involved, the state primarily steers the appropriation process. Nevertheless, once established, the policy narrative transforms across time and space, enabling local actors to use it to pursue their own interests.     

The bricolage of the here: young people's narratives of identity in the countryside

Memories are crucial to our construction of place. They simultaneously offer an anchor for identity and different temporalities to encounters with landscapes. Memory allows different spaces, pasts, and futures to become embedded in particular locales. Yet the spontaneous assemblages of meaning that memory enables are not apolitical. Thus the mechanisms and processes by which meaning is articulated in these encounters are fundamental to our understandings of place. This paper, therefore, brings together the work of Henri Bergson on memory and Paul Ricoeur on narrative, to examine the stories individuals produce which define the self. By drawing on research into the lives of young people in the countryside, the paper does three things: it discusses the role of memory in creating identity; it examines the political process of narrative by which memories become woven into understandings of place and create a bricolage of the here; and finally, it offers the ‘storied-self’ as a resolution of the competing constructions and experiences of personal continuity and the inconsistencies and constant change in the project of the individual.