History of a renegade revolutionary: revolutionism and betrayal in colonial India

This paper highlights an understudied aspect of the history of anti-colonial resistance – the role of people who sat on the fence, displayed ambivalence, or at times played an active role in wrecking, damaging and sabotaging resistance against the state. Such people appear, if at all, in popular parlance as ‘traitors’ and in academia as ‘collaborators’, labels which carry a categorical moral bias. By examining nationalism through the lens of betrayal, this paper engages with a methodological question – is there a way of broadening the scope of the history of anti-colonial nationalism which incorporates acts of collaboration (e.g. spying, informing, perfidy, denunciation), without the implicit moral judgment embodied in each term? To tackle this question, this paper reconstructs the history of one renegade revolutionary, Hans Raj Vohra (1909–1985), a government witness who testified against his comrades, the revolutionaries of the Hindustan Socialist Republican Army in the Lahore Conspiracy Case trial (1929–30). This paper contextualizes Hans Raj Vohra's decision to become an ‘approver’, or a government witness, demonstrating the difficulties in framing his perfidy as a form of collaboration.     

Endangered musical heritage as a wicked problem

The issue of the widespread decline and loss of musical heritage has recently found increasing prominence in ethnomusicological discourse, and many applied projects from grassroots to international levels strive to support genres perceived to be under threat. Much recent literature on the subject features rhetoric that draws on metaphors from ecology, including, for example, the ideas of music ‘ecosystems’, ‘endangerment’ and ‘sustainability’. Offering an alternative (though not contradictory) perspective, I here characterise the widespread loss of musical heritage as a ‘wicked problem’– one with complex interdependencies, uncertainties and conflicting stakeholder perspectives, which defies resolution more than some of the ecological metaphors arguably imply. By drawing on theoretical notions of ‘wickedness’ from social policy planning and other areas, I aim to bring interdisciplinary insights to the discussion of strategies to mitigate the global threat to music as intangible cultural heritage. Offering three ‘stories’ about the problem of music genres ‘at risk’ and critiquing each of these stories against the theory of wicked problems, I explore the implications of this conceptualisation for heritage scholars, music researchers, policy-makers and other cultural stakeholders, in terms of moving us closer to realising effective, resilient and innovative approaches to the problem at hand.     

革命美术的光辉典范——太行木刻选介

在建党八十周年的时候,我们把当年太行革命根据地美术工作者创作的木刻作品介绍给大家。这既是老一辈木刻家留给后代的一份珍贵艺术遗产,也是今天进行爱国主义教育和革命传统教育的形象化生动教材。 太行革命根据地,在抗日战争时期是中国共产党领导的敌后抗日游击战争的战略要地之一,根据地军民保家卫国,抗击日寇,英勇杀敌,用血肉筑起敌后抗战的铁壁铜墙,为抗日民族革命战争的胜利付出了巨大的牺牲。解放战争时期,太行解放区的军民又以空前高涨的革命积极性,投身争取民主自由、光明进步的人民革命战争,为全国解放作出了卓越的贡…     

The British Empire and revolutionary national poetry

ABSTRACT. The British empire set off an explosion of poetry, in English and native languages, particularly in India, Africa and the Middle East. This poetry – largely neglected in the scholarship on nationalism – was often revolutionary both aesthetically and politically, expressing a spirit of cultural independence. Attacks on England and the empire are common not just in native colonial poetry but also in poetry of the British isles. This article discusses some of the most influential poets, including: Shawqi of Egypt, Tagore of India, Rusafi of Iraq, Yeats of Ireland, Iqbal of Pakistan, Greenberg of pre‐State Israel, and Kipling, the ‘poet of empire’. In contrast with other empires, many poets were inspired by British culture to create revolutionary art and seek political independence. Most strikingly, British rule was instrumental in the revival of vernacular Hebrew poetry after 1917 as the centre of Hebrew literature shifted from Odessa to Tel Aviv.     

French adventures in solidarity: revolutionary tourists and radical humanitarians

This article uses the adventures in solidarity of French tiers-mondistes and sans-frontiéristes to introduce these two movements and indicate their position within the intellectual paradigm shift that occurred in France during the 1970s. Focusing on the case of Médecins Sans Frontières (MSF), it draws attention to the important position of humanitarianism during and following the decline of revolutionary frameworks in French intellectual and public life. The study posits that a fuller appreciation of humanitarianism's relationship to political engagement will be necessary to better understand its contribution to internationalism and contemporary activism.     

The unique decline of mortality in revolutionary France

This article seeks to draw historians' attention to a neglected reconstruction of the French population and its mortality rates developed by the Institut National d'Etudes Démographiques in the 1970s. The reconstruction shows a sharp decline in French mortality rates, beginning in the 1790s and continuing through the 1820s. This conflicts with recent historiography stressing the negative effects of the Revolution. This article contends that the reconstruction is plausible and that the French mortality decline was unique in Europe in this period. In turn, this suggests that the Revolution had a much more favorable impact than many historians would have us believe.