圣托马斯·阿奎那论高利贷

圣托马斯·阿奎那关于高利贷的讨论与亚里士多德的著述、罗马法和《圣经》等基督教道德伦理训导紧密相连,更与他的四法理论密切相关。通过在神法、"自然法"与"人法"等三个层面上对高利贷进行考察,阿奎那向我们展示了他对高利贷的独特态度:按照神法—"自然法",高利贷是绝对不允许的;但是根据"人法"或实在法,它又是可以存在的。阿奎那对待高利贷的态度之所以如此,主要原因在于一方面他秉承并发扬了教会的反高利贷道德伦理传统;另一方面他又受到同时期西欧经济社会现实的影响,对高利贷给予一定的关照。阿奎那的这种二元态度包含了一种内在的紧张关系,这种关系丰富了他的高利贷论的内涵,同时也使得他的态度具有复杂性。     

Richard Fishacre's Sentences Commentary,the Oxford Studium,and Thomas Aquinas

Abstract

For three years Oxford was the only Dominican foundation in England and so it was the place for novitiate formation, for a priory studium, and for further and higher studies in theology. When Robert Bacon, a regent master in theology, entered the Order, 1229–30, a chair of theology became attached to the Oxford School. Richard Fishacre (c. 1200–1248), who was apparently destined for the priesthood in Exeter, was the first Englishman educated in the Dominican Order to incept in theology at Oxford, under his friend and teacher, Robert Bacon, in about 1240. Some time approximately between 1241 and 1245 Fishacre produced his Sentences Commentary. The present article focuses on Fishacre, the production in the Oxford studium of his commentary on Peter Lombard's Sentences and the way in which it subsequently came to the attention of no less a figure than Thomas Aquinas.     

The Moral Economy of Saint Thomas Aquinas: Agent Sovereignty,Customary Law and Market Convention

The ethical authority carried in the conventions of fairness and human well-being has been widely adopted under the idea of “moral economy,” forming an eclectic and interdisciplinary debate. Significant, though external to this debate, is a corpus of medieval thought which exhibits a fundamental interest in legitimate market protocols, and the political rights and obligations of agents in relation to the common good of the community. This article asserts the imperative status of a customary basis for understanding not just the analytic version of moral economy but the legacy contained in what might be termed the “the moral economy of Aquinas.”     

Biblical Inspiration & Islamic Instrumental Causality: Thomas Aquinas on prophecy and the two authors of Sacred Scripture

Scripture, according to the Christian tradition, has two authors: God as the principal author and the Holy Fathers as instrumental authors. Thomas’s biblical inspiration is accomplished through instrumental causality—the theory of causal motion where the power of a principal agent works hiddenly through a lower cause to achieve an end beyond the lower cause’s natural powers. However, Thomas formulates a new account of instrumental causality by integrating Islamic causal accounts within Greek and Christian ones. After confirming that Thomas accounts for biblical inspiration with instrumental causality, I will show how Thomas’s Commentary on the Sentences of Peter Lombard explains his theory of instrumental causality pertaining to the sacraments and how it neatly fits biblical inspiration. Finally, I will demonstrate that Thomas’s formulation of instrumental causality is novel incorporating Islamic influences through Arabic sources including: the Arabic Liber de Causis, Averroes’s two sources of motion, and Avicenna’s modes of efficient causation. The paper will thereby conclude that Thomas’s explanation on how Scripture comes to be is beholden to philosophical thinkers of the Arabic tradition.     

Reconstructing aesthetics

This [effect of the discovery of the New World on Renaissance Europe] is among the most difficult problems which face us, and it is one to which I can see no clear answer. Some work has been done, and much more could be done, on the printing and translation of books relating to America in comparison with those on other parts of the globe. But unless we can find more about their readership, the printing statistics, however valuable in themselves, afford only a certain indicator of a highly complex phenomenon.     

The Reward of a King: Machiavelli,Aquinas, and Shakespeare's Richard III

Abstract

Richard III centers on the rise and fall of a man who claims that he will “set the murderous Machiavel to school” and proceeds to seize the crown of England, only to lose his grip on that coveted prize in his own sudden personal and political unraveling. Insofar as we see Richard as a genuine but failed Machiavellian, it remains difficult to determine the extent to which Shakespeare's critique of Richard is a critique of Machiavelli. Yet Shakespeare's account of Richard's hopes, successes, and failures, examined in light of relevant classical texts, points to fatal flaws in Machiavelli's account of reason, conscience, and the end of human actions, demonstrating that the concept of the objective good is an essential component of any meaningful and coherent account of human action. Thus, Richard's ultimate descent into madness is a sign of the fate that even the “best” Machiavellian statesman or society is destined to share.     

Climbing heritage: The lines and aesthetics of rock climbing

Climbing is an experience born of the interplay of aesthetics and heritage. Nowadays, climbing attracts people in droves, all eager to join the contest between body and rock. In this article, the author addresses the refined social background of climbing. He asks how the intangible heritage left behind in rocks by generations of climbers manifests itself in the aesthetics of movement and the experiences embedded in the lines that form the climbing routes. How might anthropologists study the mind-body experiences and traces left by generations of rock users? How are we to understand the multisensory craft of climbing?     

On ideology and aesthetics

Fascist Visions: Art and Ideology in France and Italy. By Matthew Affron and Mark Antliff, eds. (Princeton: Princeton University Press, 1997) ix + 283 pp. $59.50, £45.00 cloth, $19.95, £14.95 paper.     

On the aesthetics of captivity

ABSTRACT

An anthropology of captivity can theorize beyond the brute reality of enclosures by assessing the aesthetics that contribute to the imprisonment of people. Drawing on Gernot Böhme’s philosophy of atmosphere, this essay engages the carefully curated front offices of Pentecostal drug rehabilitation centres in Guatemala City.