The Querelle Between Alain Badiou and Éric Marty,Contrasted With Régis Debray's Lettre Ouverte to Élie Barnavi and Barnavi's Response

This article contrasts two major debates in book form on the Israeli–Palestinian conflict, so central to French political discussion today—the ‘quarrel’ between Alain Badiou (with Cécile Winter, in Circonstances 3: Portées du mot ‘juif’) and Éric Marty (Une querelle avec Alain Badiou, philosophe), and the debate between Régis Debray and Élie Barnavi (À un ami israélien, by Debray with a response from Barnavi). The Badiou/Marty exchange is hostile and polarised, Badiou arguing strongly against the existence of a separate Israeli state and Marty vehemently in its favour, while À un ami israélien evidences what I describe as Debray's post-Zionism in dialogue with Barnavi's Left Zionism. What emerges from the two exchanges is, it is argued, a taxonomy of attitudes towards Israel substantially more complex than the traditional, and often misleading, polarity between ‘Zionist’ and ‘anti-Zionist’.     

Historical explanation: From narrative to causation – and back?

This article reflects on the relationship between historical writing and enquiry and philosophy, and more particularly the manner in which the pursuit of a particular natural philosophy can influence historical narratives. The article begins with a comparison of Roman and Greek approaches to history, employing a distinction between narrative and logic. It goes on to consider the impact of Christianity, the relationship between enlightenment narratives and philosophical developments regarding the nature of causation, and the Hegel/Marx critique of the kinds of empiricism associated with Hume. The article ends by considering the counterfactual historical analysis and the proper relationship between history and philosophy for modern historians.     

Capitalism,Crisis and Critique: Reassessing Régis Debray's ‘Modest Contribution’ to Understanding May 1968 in Light of Luc Boltanski and Ève Chiapello's Le nouvel esprit du capitalisme

In 1978 Régis Debray argued that, rather than threatening to overthrow capitalism, the student and worker revolt of 1968 actually strengthened the mechanisms of capital accumulation in France. Today the historical significance of May 1968 continues to generate much debate and scholarly interest, yet Debray's controversial thesis is largely absent from contemporary accounts of May's impact on post-1968 socio-economic and political change. Adopting the theoretical framework of Luc Boltanski and Ève Chiapello's Le nouvel esprit du capitalisme, this article shows that Debray's work correctly highlights the ability of post-1968 capitalism to appropriate the critiques of May. In certain respects, Debray offered a prescient analysis of capitalism's ‘new spirit’ as later described by Boltanski and Chiapello. The article also explores some of the political and theoretical implications of a grave anti-capitalist threat being paradoxically turned into a source of capitalist strength. While highlighting the notable shortcomings in Debray's argument, particularly its deterministic approach, the article suggests that Debray's stimulating analysis of May 1968 instructively reveals the importance of understanding and explaining capitalism, crisis and critique together.     

From Paper to Celluloid and Back Again: Finance and Form in Jorge Délano’s Films

This essay argues that our current understanding of the cinematic work by the pioneering Chilean film director Jorge Délano obscures a sophisticated interaction between politics, art and economics, one that reveals unexamined aspects of how the film industry developed in Chile. Most notably, it argues that Délano’s illustrated political satire magazine Topaze was central to the development of early sound cinema in the country. Following Rielle Navitski, the essay utilizes and examines tensions between models drawn from periodical studies and the concepts of remediation and intermediality in film studies. Examining illustrations from the first three years of Topaze’s production (1931–1933) in the context of the country’s economic situation, the essay argues that Délano remediated cinema in Topaze as a strategy of capital accumulation. This analysis also makes it possible to see how one of his sound films, Escándalo (1940), similarly remediated the illustrated paper periodical as he pursued financing for the production of cinematic commodities for export. The essay ends by examining the relationship between these issues and the political situation in early Cold War Chile.     

Métissagein France: a postmodern fantasy and its forgotten precedents

Increasingly in the last decade France has defined its identity in terms of mixity. Its new vocation as a land of me´tissage is associated with the,‘black, blanc, beur’ theme of mixed identity. While the old ideal of the universalism of French values is now largely discredited, multiculturalism generally retains a negative association for the French: me´tissage, instead, is held up as a new ideal, indeed a new universal value. This article comments on the newly fashionable status of me´tissage by reading it in the context of the older, nightmare vision of racial mixing that dominated from the mid-19th to the mid-20th century. Despite this essentially negative view there were, it is suggested, some precedents for the current attempt at a political recuperation of me´tissage.     

From Hope to Escape: Post‐Soviet Russian Memory and Identity

Drawing on letters written by citizens of the USSR to US Congressman James Wright following his 1987 congressional visit and Soviet television appearance as well as follow‐up interviews conducted by this author with many of the same individuals in 2002–2004, this paper will recount the memories of several Muscovites and argue that although the western collective memory of the Cold War is one of victory, the individual accounts of Russians reveals a created memory of the Soviet past which, when confronted with the dire socioeconomic conditions that exist in post‐1991 Russia, leads to a crisis of identity.     

From productivism to post-productivism … and back again? Exploring the (un)changed natural and mental landscapes of European agriculture

This paper has evolved out of a growing dissatisfaction with the relatively uncritical acceptance in contemporary debates that agriculture in advanced societies has moved from 'productivism' to 'post-productivism'. A brief review of current conceptualizations of productivist and post-productivist agricultural regimes reveals inconsistencies in current understandings these dualistic terms. The problem has partly been that the conceptual literature on post-productivism has largely failed to take into account the wealth of actor-oriented and behaviourally grounded research. Productivist and post-productivist agricultural regimes have also been conceptualized from a UK-centric perspective that has largely failed to discuss whether the concept has wider applicability within Europe and beyond. The paper discusses the time-lag and spatial inconsistencies in the adoption of post-productivist action and thought, and emphasizes that different localities are positioned at different points in a temporal, spatial and conceptual transition from 'pre-productivist' to 'post-productivist' agricultural regimes. The notion of the 'territorialization' of productivist and post-productivist actor spaces highlights the wide-ranging diversity that exists within the productivist/post-productivist spectrum, and that productivist and post-productivist action and thought occurs in multidimensional coexistence leads one to question the implied directionality of the traditional productivist/post-productivist debate. It is suggested that the notion of a 'multifunctional agricultural regime' better encapsulates the diversity, non-linearity and spatial heterogeneity that can currently be observed in modern agriculture and rural society.     

Divine Spark: The Prelude to the Tobacco Régie of 1890

This article looks at the negotiations leading up to the Persian Tobacco Régie of 1890 as well as a previous failed Tobacco Régie in 1886. There exist only a few allusions to these two phases of the tobacco concession in the existing literature. Due to the newly uncovered diaries of the main commercial intermediary in these negotiations, the present article will be able to retrace, with precision, the events leading up to this economic concession of historical significance.     

Rex imago dei: Charles V of France and the Livre des propriétés des choses

The subject of this paper is the Livre des propriétés des choses, the fourteenth-century French translation of the thirteenth-century encyclopedia De proprietatibus rerum. The translation was made for Charles V of France, and the original copy is lost. Here a reconstruction is offered of the appearance of the frontispiece of the royal exemplar. The textual additions of the translator and the iconography of this frontispiece reveal a new conception of the meaning and usage of the encyclopedia, as well as a concerted attempt to draw this authoritative work into the orbit of royal aims and aspirations. The reconstructed frontispiece also allows us to correct an error, which originates with Montfaucon, concerning the illustration of the original copy of the Livre des propriétés des choses.     

From the Arctic and Antarctic to ‘the back parts of Mull’: The life and career of William Gordon Burn Murdoch (1862–1939)

Published and archival sources are examined to elucidate the career of William Gordon Burn Murdoch, artist, bag‐piper, explorer, geographer, hunter, Scottish nationalist, traveller, whaler and writer. Burn Murdoch's diverse contributions to geography are discussed, as are the roles he played in the Royal Scottish Geographical Society and other Scottish scientific and literary societies. A preliminary list of his extant original works of art is included.