The poetry of nationalism*

The poetry of nationalism has roots in ancient literature, particularly the Hebrew Bible, but is mostly a product of nationalism since the French Revolution. Many national poets are politically active and serve in government. Asserting artistic individuality, they express national individuality, though nationalism can also suppress creativity. Calling for moral regeneration, poets inspire their people with memories of heroism, real or imagined, and with myths unique to the nation. Their poetry often springs from defeat but anticipates national liberation and independence. Yet there is also a dark side to some national poets, particularly in their glorification of violence and lust for revenge against oppressors. National poetry changed after the failed revolutions of 1848–9. National poets were less inclined to believe in liberal ideals and progress toward universal goals and there was greater disillusionment and ambiguity toward the national role. World War I severely limited the militarist tendency in national poetry.     

辛亥革命与民族主义

辛亥革命的民族主义,是认同血缘的种族主义,不是一致对外的民族独立建国,而是排斥国内已经溶合了的少数民族.清朝的满汉矛盾,经二百多年的溶合,在文化上已成一体.鸦片战争以后,已形成中西对立,"满洲人"三字只表示一个特权阶层的存在.但在戊戌变法失败后,革命党人以"驱除鞑虏"为政纲,把政治革命变成种族革命,实是一种倒退,应重新评估其价值.     

The growth of artistic nationalism in Senegal

ABSTRACT. In the 1960s, Senegal's first national leaders narrowly defined how artists should practise nationalism through their work, particularly in the weaving craft, and enforced this definition through selective state patronage. This ideological and stylistic control echoed state control over economic markets. As subsequent administrations have restructured the economy, leading to a powerful informal business sector, so have independent contemporary weavers redefined artistic nationalism. Using ethnographic and archival interviews, this article examines nationalism in Senegalese weaving, placing the perspectives of contemporary weavers alongside those of two arts administrators who helped to develop state‐sponsored programmes in the 1960s and 1970s. I argue that contemporary weavers find inspiration from Senegalese nationalism of the mid‐twentieth century, yet have modified it to encompass individual expression. Because definitions of artistic nationalism in Senegal have shifted, it remains a significant ideology within the national arts scene.     

第一个工业化民族的民族主义

英国民族主义经由诺曼入侵后的孕育时期、清教运动的发展时期和帝国扩张的成型时期等三个阶段的发展,最终形成了第一个工业化民族的民族主义。在这一漫长的历史过程中,盎格鲁—撒克逊的部族传统与诺曼入侵者的较量,近代以来英国社会经济力量的变化,新兴阶级争取自身权益的努力,以及对外扩张获取经济利益的冲动,都对英国民族主义的形成产生了巨大的影响。     

Argentine territorial nationalism revisited: The Malvinas/Falklands dispute and geographies of everyday nationalism

This paper is concerned with expressions of Argentine territorial nationalism with a specific focus on the Malvinas/Falklands dispute. Billig’s (1995) notion of banal nationalism has been widely applied as a means to understanding the ways in which national identities are learnt and reproduced by the populace, through a multitude of ‘mundane’ representations. More recently Billig’s (1995) thesis has been critiqued (Jones & Merriman, 2009) for its rigidity and inability to take account of the different ways these nationalisms are produced and received (Müller, 2008) within and outside of the nation-state. We build on these interventions by arguing that research into territorial nationalism should not ignore the wider temporal, spatial, political and everyday contexts in which such discourses emerge and are consumed. To illustrate this diversity we contend that territorial nationalism and, more specifically, the attention placed on the Malvinas dispute by the Argentine government has varied in its intensity, depending on wider political events and agendas in the South West Atlantic and Latin American regions. Secondly, through the use of interview extracts from a pilot study conducted with 20 young people in Buenos Aires, we suggest that Argentine territorial nationalism is not received uniformly across the nation-state and, rather, should be explored in its everyday contexts. These contexts take into consideration things like respondent’s geographical location, personal/familial relationships and generation, amongst other variables, in order to more sensitively appreciate Argentine territorial nationalism’s multifarious reception.