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This article explores the anarchists' multilayered theoretical and practical engagement with the concepts and performance of nations, nationalism and national belonging, by applying the frameworks of banal nationalism (understood as an ideology) and everyday nationhood (the daily practices in which nation and nationhood are enacted) as analytical categories, to investigate the Italian and French anarchist exile groups in London between 1870 and 1914. Adopting these theoretical categories proves fruitful in probing the anarchists' perception and enactment of the idea of nation and national belonging, contributing to the literature on the relationship between pre-1914 socialist movements and (inter)nationalism and highlighting the specificity of anarchism therein. Using Fox and Miller-Idriss's four categories of everyday nationhood, we show that while the anarchists explicitly subverted the everyday performance of nationhood, redeploying it along internationalist lines, some forms of attachment to the national did endure and were in fact not always contradictory with anarchist internationalism. Looking at the exilic rituals of this intensely diasporic group thus complicates the simplistic but still pervasive view of a monolithic ideological internationalism and rejection of the national on the part of anarchists.  相似文献   

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This article is a comparative study of crusade portrayals in French and German history textbooks published between 1871 and 1914. The crusades had been events that had moved practically all of Europe in the Middle Ages. In the course of the nineteenth century the crusades once more became a matter of scientific, cultural and therefore public interest. Crusade narratives portrayed these events as the climax and the heroic period of the Middle Ages and thus offered highly varied patterns of interpretation. Although in this nationalist age France and Germany consigned themselves to national history and thus the glorification of one's own nation, this article will not only analyse the national and sub-national (denominational, Laicist …) images conveyed via this European event. It will also ask if and how the tension between nationalism and concepts of Europe were made subject of discussion in this historical ‘European event’. Therefore, it focuses on school textbooks as a source that, during the period in question, was responsible for a significant portion of national mythology and cultural memory as conveyed by media.  相似文献   

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This article examines two of the most significant Italian political movements at the turn of the twentieth century—anarchism and Futurism. Although these movements shared a common vocabulary and rhetoric, they contrasted sharply in their aims and objectives. I address three interrelated questions: How were these movements and their ideologies related to, and perceived by, the ruling elites? What were their mutual influences and inspirational centre? Did both movements share a broader core ideology? To answer these questions, I explore the links, parallels and dissimilarities between anarchism and Futurism in the context of the nationalist mass mobilizations preceding World War I. In line with Emilio Gentile’s landmark analysis, I identify the core ideology of Futurism as a potent blend of nationalism and modernism. Futurism’s double matrix is thus contrasted with the theory and practice of anarchism, the two displaying sharply differing relationships with political power. I also consider the links between Italian Futurism and French ultra-nationalism as championed by prominent intellectuals, beyond Paris’ artistic epicentre, where art and politics intermixed. I conclude that the fusion of modernism and nationalism was central to twentieth-century ideological radicalization to which Futurism fully belonged, but from which anarchism eventually dissociated itself.  相似文献   

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