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1.
Summary

International intellectual history—the intellectual history of the international and an internationalised intellectual history—has recently emerged as one of the most fertile areas of research in the history of ideas. This article responds to eight essays inspired by my own contribution to this field in Foundations of Modern International Thought (2013). It engages with their positive achievements regarding the recovery of other foundations for modern international thought: for example, in theology, historiography and gender history. It addresses some of the methodological problems arising from the search for foundations, notably anachronism, presentism and diffusionism. It expands on others' arguments about the international thought of Hobbes and Locke and the limits of cosmopolitanism. Finally, it points the way forward for international intellectual history as a collaborative, interdisciplinary, transnational and transtemporal enterprise.  相似文献   

2.
Summary

Focused on the much-debated historiographical and academic status of intellectual history, this article addresses for the first time and in detail the methodological views of the British historian John Wyon Burrow (1935–2009). Making use both of his published works and of unpublished material left to the University of Sussex Library (including lectures, letters, academic projects and biographical sketches), its goal is to provide a thorough account of an original and eclectic intellectual historian and, at the same time, cast new light on the role of the discipline in the scholarly context of the last few decades in Europe and the US. More specifically, the following pages will illustrate Burrow's work and career, with particular attention being paid to his insistence on narrative, imagination, irony and style; present his writings as an original instance of the anti-methodological practice of intellectual history; and study his opinions of what it means to carry out the métier d'historien. Finally, by examining Burrow's idea of the intellectual historian as a creative ‘eavesdropper’ on the ‘conversations of the past’ and as a ‘translator’ of past dialogues, this article will both pose some central questions and advance some proposals concerning the future of intellectual history.  相似文献   

3.
Abstract

This article seeks to defend James Connolly from attacks on both the Left and Right, particularly the charge that his legacy is nationalist delusion and fanaticism. The article argues that Connolly’s politics and his engagement with Irish cultural politics demonstrate his commitment to human equality as both a right, but also a principle of human intelligence. The article addresses Connolly’s status as a working-class intellectual with reference to how he challenges conventional hierarchies between the philosophers of Marxism and the proletarians who are the object of those deliberations. The article argues that from Connolly’s thought and activism an anti-colonial Marxism emerges which might help explain the neo-imperialist world we find ourselves in today and provide a critique lacking in the collapsed teleological versions of orthodox Marxism. The relations between his Marxism and nationalism are explored, as are his play Under Which Flag? his poetry and songs.  相似文献   

4.
Summary

The transmission of ideas about sovereignty and its related practices from one time, place, or intellectual context to another is sometimes characterised as a process of ‘diffusion’ or even ‘contagion’. Intellectual historians may use such metaphors but the explanations they provide are historical, not scientific. Sovereignty was transmitted when European states brought their forms of government to other peoples and when those peoples embraced such forms in declaring their independence from imperial rule. It was also transmitted when the idea of sovereignty was itself transformed in the course of these and other historical passages. In Foundations of Modern International Thought, David Armitage explores some of these historical passages, the outcome of which he sees as the world of sovereign states that defines the modern period and the disappearance of which would signal its end. In doing so, he illuminates the larger enterprise of writing the history of international thought or, as he prefers to call it, international intellectual history, inviting reflection on its relationship to other kinds of historical inquiry and the opportunities and dangers it poses.  相似文献   

5.
This article intends to clarify what distinguishes the so‐called new “politico‐intellectual history” from the old “history of political ideas.” What differentiates the two has not been fully perceived even by some of the authors who initiated this transformation. One fundamental reason for this is that the transformation has not been a consistent process deriving from one single source, but is rather the result of converging developments emanating from three different sources (the Cambridge School, the German school of conceptual history or Begriffsgeschichte, and French politico‐conceptual history). This article proposes that the development of a new theoretical horizon that effectively leads us beyond the frameworks of the old history of political ideas demands that we overcome the insularity of these traditions and combine their respective contributions. The result of this combination is an approach to politico‐intellectual history that is not completely coincident with any of the three schools. What I will call a history of political languages entails a specific perspective on the temporality of discourses; this involves a view of why the meaning of concepts changes over time, and is the source of the contingency that stains political languages.  相似文献   

6.
ABSTRACT

If the subject matter of intellectual history is the study of past thoughts, the intellectual history of the visual arts and music may be characterised as the study of past thoughts as they were expressed visually and aurally. Yet this is not always how an intellectual history of art and music has been practiced. More attention is often paid to verbal texts about art or music, rather than to the visual or the aural per se. If we accept that ideas can have visual and aural, as much as verbal form, then the histories of art and music are significant repositories of thoughts of individuals and networks of individuals (creative artists, patrons, institutions) within a given culture and period. But the ways in which those thoughts are articulated as aural or visual “texts”, and the ways in which they can be accessed by those who seek to understand them, will be specific to each art form, and represent a distinctive kind of intellectual activity in each field.  相似文献   

7.
Summary

This essay aims to discuss the historiographical implications and premises of Peter Gordon's masterly book Continental Divide, in which he re-evaluates the Davos meeting between Ernst Cassirer and Martin Heidegger. This impressive reminder of the prospects of intellectual history deserves to be paid serious attention, particularly in European philosophy departments. Gordon's book exemplifies how problems of systematic philosophy can be clarified by a detour through history.

I want to highlight three aspects of Gordon's book that fundamentally transform and deepen our understanding of intellectual history in general and the Davos meeting in particular. First, I highlight one of the main merits of Gordon's study: his emphasis on the plurality behind the term ‘continental philosophy’. This opens up a whole new perspective on a seemingly well-known event within the history of twentieth-century philosophy. Second, I address Gordon's methodological premises, which challenge and fundamentally transform our understanding of intellectual history. Third, I attempt to summarise, from an intellectual history perspective, Gordon's argument about Cassirer's relevance. Here we are faced with the task of realigning and legitimising philosophy in a radically historicised world. To adumbrate the core of my comment I should say that I am thrilled by Gordon's book. I agree with nearly everything he says apart from his conclusions. In a closing remark I will try to explain the reasons for this surprising divergence.  相似文献   

8.
Summary

This essay closely examines the highly contested but widely employed historiographical category ‘absolutism’. Why are scholars so divided on whether it is even legitimate to use the term and, if they agree to do so, why are they still much at odds in explaining what it is? What are the main historiographical currents in the study of absolutism? Is it the same thing to speak of absolutism in regard to the practices of early modern European monarchies and with reference to the political ideas of so-called absolutist theorists? By addressing these questions through the methodology of intellectual history, this essay provides a comprehensive account of debates on absolutism and, at the same time, suggests that further work needs to be carried out on its theoretical aspects. In this respect, the author will propose a series of key ideas and principles which are meant to encapsulate the core of an early modern doctrine of absolutist monarchical sovereignty. It will also be argued that, when studying political thought, the term ‘absolutism’ might be abandoned in favour of the plural ‘absolutisms’ as a better way of understanding the past, its languages, opinions, people. In so doing, a thorough analysis of what political absolutism(s) is will be set forth, and a series of more general considerations on history-writing will also be advanced.  相似文献   

9.
Summary

The essay collects Ian Hunter's central theoretical and methodological arguments from their various interpretative contexts and restates them in order to consider criticisms, real and imagined. Is Hunter's criticism of common forms of philosophical history itself open to such criticism, making its validity dependent upon prior adoption of a philosophical stance? Is his empirical intellectual history a form of ‘social’ reductionism?  相似文献   

10.
ABSTRACT

The introduction to this special issue rethinks Italy’s liberal tradition and nineteenth-century Italian political thought in transnational perspective, with particular focus on the role of Italian Hegelianism during the emergence of the modern Italian nation state. Starting from an attempt to recast the transnational dimension of the Risorgimento, this co-authored article relates existing studies of Italian Hegelianism to wider trends in intellectual history elsewhere in Europe. Introducing the different contributions to this special issue, our approach challenges notions of centre and periphery in the history of intellectual flows, and helps to free the history of the Risorgimento from self-incurred exceptionalism.  相似文献   

11.
Summary

This article reconstructs the personal and intellectual friendship between two cosmopolitan intellectuals: Andrea Caffi (1887–1955) and Nicola Chiaromonte (1905–1972), who met while in exile in Paris in 1932. After a brief recapitulation of their previous biographies, and an overall presentation of their participation in the revolutionary antifascist group ‘Giustizia e Libertà’ (GL) in the thirties, this article provides a detailed analysis of their dialogues and disagreements in the forties and fifties on the topics of socialism and revolution, antifascism and anti-totalitarianism, utopia and history. Particular attention is devoted to their contribution to the debates in the antifascist journal of GL (published in Paris, 1932–1935) and in the radical journal of Politics (published in New York, 1944–1950). Examined closely, the friendship between Caffi and Chiaromonte appears as a sequence of convergences and divergences, understandings and ruptures, which reflect the tensions and lacerations of the European civil war and its post-war legacy (intertwined with and overlapping the cultural Cold War). Looked at again from a distance, however, it reveals a fundamental intellectual unity—a profound apolitical affinity in a century of radical politics which had fed wars, revolutions and totalitarian regimes.  相似文献   

12.
Abstract

Thomas Traherne has often been seen as a mystic detached from the turbulence of his period. Recent scholarship has attempted to place him more firmly in context. This article contributes to this trend in arguing that Traherne's late works, especially Commentaries of Heaven, were shaped by the pressure of responding to Thomas Hobbes's Leviathan. Though Traherne makes only one direct reference to Hobbes, his idiosyncrasies in thought, argument, and mode of expression are all fundamentally influenced by the need to counter Hobbes's account of ethics, metaphysics, and language. Traherne is particularly concerned to assert and display an ardent realism against Hobbes's nominalism. In doing so, he creates a complicated play of rhetorical figures, especially abusio or catachresis, as embodying theological commitments. This both places Traherne more clearly against the background of the intellectual history of the period in which he lived, and demonstrates his particularity as a writer.  相似文献   

13.
14.
ABSTRACT

My book, Experimental Painting (1970), was the product of a decade of coming to terms with the history of modern art and with contemporary manifestations of the avantgarde. While at Cambridge from 1960 to 1967, I published art criticism, initially in locally published magazines, and then went on to review art exhibitions both nationally and internationally. This led to being co-editor of Form, which produced further opportunities. The term ‘experimental’ that I adopted in 1970 was intended to suggest the paradigm of scientific discovery which suited some, if not all, of the artists I studied. This article considers concepts directly imported from contemporary scientific enquiry that seemed relevant to me at the time, notably those from experimental psychology, psychoanalysis and structural linguistics. I relate them to the character of intellectual life at Cambridge in a period which saw much debate about the relationship between Sciences and Humanities as ‘Two Cultures’.  相似文献   

15.
The article unveils the (dis)continuities between two post-WWII journals, Risorgimento and Il Politecnico, both published by Einaudi in 1945. By reassessing the publishing history of Risorgimento from a genealogical perspective, the article aims to chart the evolutions of the then current intellectual debate on impegno. Specifically, by analysing the relevant contributors’ correspondence and the essays that were published in the journals, the article examines the journals as sites of networking but also tension between different intellectual habitus. This will illuminate not only how the two editors-in-chief (Salinari and Vittorini, respectively) took different positions in relation to both the literary field and the PCI (Italian Communist Party), but also the opposition of editorial staffs – based, respectively, in Rome and in Milan – in relation to the publisher Einaudi.  相似文献   

16.
Mostafa Malekian has yet to receive much attention in Western academic literature pertaining to Iranian intellectual life, but inside Iran, he has emerged as a popular public intellectual; seen as both a culmination of and rupture with the project of “religious intellectualism.” Rather than offer a revolutionary and politically engaged vision of Islam, or a “reformist” or “democratic” interpretation of Shi?ism, his project seeks to integrate what he calls “rationality” (?aqlaniyat) and “spirituality” (ma?naviyat). As Malekian's project has developed, it has broken, in a number of important respects, with mainstream Islam as practiced in Iran, the religious reformist project, and even organized religion as a whole. This article seeks not only to offer one of the first comprehensive analysis of his existential and social thought in English, but also to analyze his project's deep affinities with a pervasive fatigue vis‐à‐vis collective projects of political emancipation and even “politics” tout court, in the latter phases of the “reformist” President Hojjat al‐Islam Seyyed Mohammad Khatami's tenure.  相似文献   

17.
Summary

This article examines approaches to early socialism from an intellectual history viewpoint, focussing on British Owenite socialism. It assesses the author's own research in the field over the past thirty-five years in an effort to measure the strengths and weaknesses of the approaches he initially adopted to the field. It attempts to balance insights associated with the so-called “Cambridge School” with those gained in particular from the standpoints of the history of religion and the history of emotions, and a theory of group identity which can in part be associated with the history of utopianism  相似文献   

18.
Summary

This essay provides an overview of the disciplinary and analytical significance of David Armitage's Foundations of Modern International Thought in the context of the new international history, and the so-called ‘international turn’. It then goes on to discuss the significance of the absence of women in this new sub-field of intellectual history.  相似文献   

19.
Summary

Russian intellectuals like to appeal to examples of foreign history. Lev Gumilev's views on history are a good example. Gumilev was one of the most well-known representatives of Eurasianism, which was in turn one of the most interesting intellectual constructs in Russian historiography. Gumilev believed that Russia was born not from Kievan Rus—the view of the majority of Russian historians of his time—but from the empire of the Mongols. While Gumilev saw Europe as a hostile entity to Russia/Eurasia, this was not the case with the neo-Eurasianists of the Yeltsin era. This article examines Gumilev's Eurasianism and its influence on modern Russian national identity.  相似文献   

20.
In this article I try to answer the question posed by History and Theory's“call for papers”; namely, “do historians as historians have an ethical responsibility, and if so to whom and to what?” To do this I draw mainly (but not exclusively and somewhat unevenly) on three texts: Alain Badiou's Ethics: An Essay on the Understanding of Evil, J. F. Lyotard's The Differend, and Edward Said's Representations of the Intellectual; Jacques Derrida and Richard Rorty have a presence too, albeit a largely absent one. Together, I argue that these theorists (intellectuals) enable me to draw a portrait of an ethically responsible intellectual. I then consider whether historians qua historians have some kind of ethical responsibility—to somebody or to something—over and above that of the intellectual qua intellectual; I reply negatively. And this negative reply has implications for historians. For if historians are to be intellectuals of the type I outline here, then they must end their present practices insofar as they do not fulfill the criteria for the type of ethical responsibility I have argued for. Consequently, to be “ethical” in the way suggested perhaps signals—as the subtitle of my paper suggests—the possible end of a history “of a certain kind” and, as the inevitable corollary, the end of a historian “of a certain kind” too.  相似文献   

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