Philosophy,Sociability and Modern Patriotism: Young Herder between Rousseau and Abbt

Summary

In his early years Herder is known to have been a follower of Rousseau (via Kant). This article argues that there was indeed a substantial overlap between Herder's and Rousseau's ideas in Herder's early writings, particularly in terms of their joint critique of abstract philosophy and their understanding of the sentimental foundations of morality, as well as their commitment to the ideals of human moral independence and political freedom. Yet Herder's admiration for Rousseau's moral philosophy did not lead him to adopt Rousseau's critique of sociability even in this early period, and there was in fact a deep divergence between their political views. Herder attempted to combine a Rousseauian cultural critique, ‘human’ moral philosophy and philosophy of education with ideas inspired by Thomas Abbt's theory of monarchical patriotism. In contrast to Rousseau, and following Abbt, Herder posited the existence of natural patriotic feelings and underlined their importance in guaranteeing good government and political freedom. Thus, Herder could have a relatively optimistic view of the role of ‘human philosophy’ in regenerating patriotism in a modern setting. Herder embraced Abbt's emphasis on the positive aspects of modern monarchies and ‘modern liberty’ when compared to ancient republics, highlighting the compatibility of Christianity, international commerce and religious tolerance, and the general possibility of developing one's natural inclinations in modern monarchies.     

The regard of the first man: on Joseph Addison’s aesthetic categories

This study examines the sources that could inspire Joseph Addison’s influential ‘aesthetic’ triad of ‘great’, ‘uncommon’, and ‘beautiful’, as elaborated in his essay-series The Pleasures of the Imagination in 1712. After identifying a philological problem in the interpretative tradition which gives rise to Addison’s triad from a section of Ps Longinus’ Peri Hypsous, further three seventeenth-century texts – Thomas Burnet’s Telluris theoria sacra, Dominique Bouhours’ Les entretiens d’Ariste et d’Eugène, and Baltasar Gracián’s El Criticón – are presented in order to reconstruct a ‘reading glass’ through which Addison could peruse and understand the Longinian section, and then could create his ‘aesthetic’ triad. As a result of this reconstruction, the possible connection between Gracián’s allegorical novel and Addison’s essay can cast more light on the complex and insufficiently discussed relationship between theology or devotional literature and the emerging modern aesthetic discourse. From this angle, Addison’s ‘man of polite imagination’, that is, the homo aestheticus in the modern sense of the adjective, seems to be the heir of Gracián’s ‘first man’ who has the privilege of regarding the created world in a new light, and, as Addison’s aesthete, of discovering its greatness, novelty and beauty in ‘innocent pleasures’.     

Historiographical Foundations of Modern International Thought: Histories of the European States-System from Florence to Göttingen

Summary

The foundations of modern international thought were constructed out of diverse idioms and disciplines. In his impressive book, Foundations of Modern International Thought, David Armitage focuses on the normative idioms of natural law and political philosophy from the Anglophone world, from Hobbes and Locke to Burke and Bentham. I focus on parallel developments in the empirically-oriented disciplines of history and historiography to trace the emergence of histories of the states-system in the Italian- and German-speaking worlds, from Bruni and Sarpi to Pufendorf and Heeren. Taking seriously Armitage's remark that ‘the pivotal moments in the formation of modern international thought were often points of retrospective reconstruction’, I argue that the historical disciplines supplied another significant intellectual context in which the modern world could be imagined as ‘a world of states’.     

Unsocial Sociability in the Scottish Enlightenment: Ferguson and Kames on War,Sociability and the Foundations of Patriotism

Summary

This article reconstructs a significant historical alternative to the theories of ‘cosmopolitan’ or ‘liberal’ patriotism often associated with the Scottish Enlightenment. Instead of focusing on the work of Andrew Fletcher, Francis Hutcheson, David Hume or Adam Smith, this study concentrates on the theories of sociability, patriotism and international rivalry elaborated by Adam Ferguson (1723–1816) and Henry Home, Lord Kames (1696–1782). Centrally, the article reconstructs both thinkers' shared perspective on what I have called ‘unsociable’ or ‘agonistic’ patriotism, an eighteenth-century idiom which saw international rivalship, antagonism, and even war as crucial in generating political cohesion and sustaining moral virtue. Placing their thinking in the context of wider eighteenth-century debates about sociability and state formation, the article's broader purpose is to highlight the centrality of controversies about human sociability to eighteenth-century debates about the nature of international relations.     

Genesis for Historians: Thomas Abbt on Biblical and Conjectural Accounts of Human Nature

Summary

Natural sociability and the basic features of human nature stood at the centre of Thomas Abbt's confrontation with conjectural history, the popular eighteenth-century mode of reconstructing the evolution of human culture. Abbt (1738–1766) criticised conjectural histories due to their arbitrary character, and opted for a synthetic approach consisting of both sacred and secular history. He suggested that the anthropology of Genesis should be accepted as the starting point for a conjectural history, since it left ample room for further questions and speculations. Yet his own perspective on human nature and its evolution remained naturalistic, as attested by his divergent interpretations of the confusion of tongues at Babel. Attempting to shed new light on the lesser-known elements of Abbt's work, the essay links his views on the Bible and conjectural history to his debate with Moses Mendelssohn over the constitution and destination of man. In this debate, both Mendelssohn and Abbt dealt with the contemporary controversy over the natural or artificial character of sociability, self-interest, and fellow-feeling.     

Communities of discourse: Ideology and social structure in the reformation,the enlightenment,and European socialism

In contrast to the conventional view of Ludwig Feuerbach as a left-wing Young Hegelian, this article argues that his primary contribution to philosophy is to be found in his later ethics, the basis of which may be discerned in his earlier writings. Over and above recent work on Feuerbach's aesthetics, his relation to Herder, and the relationship between aesthetics and ‘theological politics’ in his thought, Feuerbach's philosophy can re-evaluated, in relation to Epicurus and the French libertin tradition, as articulating an ethics of hedonism. In The Essence of Christianity (1841), the Nachlass fragment ‘Elementary Aesthetics’ (1843), and his Principles of the Philosophy of the Future (1843) Feuerbach moves towards the vitalist materialist position that culminates in his (proto-Nietzschean) insight in ‘Against the Dualism of Body and Soul, Flesh and Spirit’ (1846) into the world as an ‘aesthetic phenomenon’, thus laying the foundations for his recognition of the centrality of sensuous pleasure to the ethical life.     

The economic of agricultural land tenure

This article sheds new light on the interesting but little-studied figure of Thomas Scott of Canterbury (1566–1635). In presenting Scott's ideas I will modify the interpretation laid out by Peter Clark whose groundbreaking study, ‘Thomas Scott and the Growth of Urban Opposition to the Early Stuart Regime’, is still the only secondary source that pays detailed attention to Scott and his thought, especially his religious opinions. The necessity to revisit Clark's interpretation of Scott's place within the political and doctrinal debates of early Stuart England stems from the conviction that his political work and his ideological stances deserve more subtle attention. Most importantly, they were part of the emerging reaction against the policies of the first two Stuart Kings which can be labelled ‘country patriotism’. Finally, the elucidation of Scott's writings will provide a novel insight into an early configuration of English national identity.     

Virtue language in historical scholarship: the cases of Georg Waitz,Gabriel Monod and Henri Pirenne

Historians of historiography have recently adopted the language of ‘epistemic virtues’ to refer to character traits believed to be conducive to good historical scholarship. While ‘epistemic virtues’ is a modern philosophical concept, virtues such as ‘objectivity’, ‘meticulousness’ and ‘carefulness’ historically also served as actors' categories. Especially in the late nineteenth and early twentieth centuries, historians frequently used virtue language to describe what it took to be a ‘good’, ‘reliable’ or ‘professional’ scholar. Based on three European case studies—the German historian Georg Waitz (1813–86), his French pupil Gabriel Monod (1844–1912) and the Belgian historian Henri Pirenne (1862–1935)—this article argues that such virtues cannot neatly be classified as ‘epistemic’ ones. For what is characteristic about virtue language in historical scholarship around 1900 is an overlap or entanglement of epistemic, moral and political connotations. The virtues embodied by, or attributed to, Waitz, Monod and Pirenne were almost invariably aimed at epistemic, moral and political goods at once, though not always to the same degrees. Consequently, if ‘epistemic virtues’ is going to be a helpful category, it must not be interpreted in a strong sense (‘only epistemic’), but in a weak one (‘epistemic’ as one layer of meaning among others).     

美善合一——李长之审美教育理念论略

美善合一是李长之的审美教育理念,德国古典美学、儒家古典审美教育思想和中华玉文化是李长之审美教育理念的思想渊源。文章从这三个视角出发去解读批评家的审美教育思想,探究介于批评家理性和感性之间的那块心灵圣地,揭示批评家批评思想的哲学底蕴和情感内涵。     

Human Rights,Modernity, and Milton’s Areopagitica

Some of the founding documents of our modern human rights culture assert that, by virtue of natural law, the will of God, the will of a Supreme Being, or some kind of natural world order, all humans have a right to civil liberties. In Areopagitica (1644), Milton rejects this way of grounding the claim to civil liberties. Instead, he argues for civil liberties on pragmatic grounds, but also on the premise that members of political societies are entitled to civil liberties from their governors only insofar as those members are rational and virtuous. His argument for civil liberties is also grounded in the view that the proper function of government includes propagating virtue in those it governs, assessing their rationality and moral virtue, and extending civil liberties to them in accordance with this assessment. Arguing in this way, Milton opposes the notion that, simply by virtue of being human, all members of political societies have a specific set of rights which their governments, and indeed all other people on earth, are bound to respect. He thus has more in common with Isocrates and Renaissance humanists than he does with the defenders of our modern human rights culture.     

Notes on Contributors

By the end of the century, and under pressure from new scientific theories of minds and emotions, the languages in which the Victorians understood the relationship between inner feeling and moral action came under great pressure. At the same time, the established association between aesthetic and moral value was being challenged by aestheticism's espousal of ‘art for art's sake’. This essay examines one very distinctive response to these issues: Vernon Lee's development of the concept of ‘empathy’. Lee offers empathy as a scientifically verifiable process which explains why beauty matters to us. She also seeks to use it to mediate a new position capable of acknowledging the power of aestheticism's critique of Victorian moralism, while re-establishing moral action as central to aesthetic experience.     

Lincoln's Reflective Patriotism

Abstract

In speech and deed, Lincoln's statesmanship manifests the possibility of an honorable, reasonable, and just love of country—that is, a reflective patriotism imbued by a republican love of liberty under God's Providence. In his speeches and writings, Lincoln consistently underscored that love of country must be governed by “reason,” “wisdom,” and “intelligence.” Thus, in his First Inaugural, March 4, 1861, he characteristically appealed to the combined forces of “Intelligence, patriotism, Christianity, and a firm reliance on Him, who has never yet forsaken this favored land.” Lincoln's reflective patriotism was nurtured by his gratitude to the Founders and measured by his fidelity to a national Union dedicated to the universal moral principles of the Declaration under the particular rule of law established by the Constitution. Historically, it was articulated as an alternative to rival forms of allegiance that Lincoln opposed as both unjust and unreasonable during the Civil War era—namely, sectionalism, nativism, and the imperialism of Manifest Destiny. Each of these disordered forms of love threatened the inseparable moral and fraternal bonds of liberty and Union that Lincoln sought to perpetuate through an ordinate love of country guided by wisdom and critical self-awareness. Lincoln's Eulogy to Henry Clay, June 6, 1852 provides the most cogent expression of his reflective patriotism.     

T.H. Green and the Dissidence of Dissent: On Religion and National Character in Nineteenth‐Century England

Thomas Hill Green (1836–82) has been widely recognized for his contributions to Liberal political‐social theory and for his Liberal partisanship. Historians and political theorists continue to emphasize his advocacy of limited state interference and democratic localism, as well as his anti‐imperialist statements. Recent scholars of English nationalism, national identity and patriotism, including Peter Mandler, Julia Stapleton, Krishan Kumar, H.S. Jones, Roberto Romani and Georgios Varouxakis, acknowledge Green as an acolyte of Giuseppe Mazzini, a Cobdenite and a Little Englander. While they place Green's ideas within a continuum of Victorian Liberal nationalist ideas (blending into Conservatism and socialism during the 20th century), their investigations foster the view that Green placed little value in the nation as a focus of individual and collective identification. In their readings of Green, the abstract ‘community’, free of national peculiarities, was to him the antidote to both individual and national narrowness. However, examination of Green's statements about community, the moral ideal and religion reveals that his theorising was informed by a view of national character different from that of most contemporary liberal intellectuals. Green rejected the ‘Liberal anglican’ view that a national church or clerisy was necessary to guide the development of the English nation. He identified ideas and practices of protestant dissenters as progressive forces in English history and endorsed them as means of national development. Religious pluralism and forms of ecclesiastical organisation promoting democratic localism were to Green among the essential characteristics of Englishness.     

Thomas Carlyle's Calvinist dialogue with the nineteenth-century periodical press

This article signals at a dearth of critical engagement with Thomas Carlyle's Presbyterian heritage resulting from the received whiggish narrative of his Calvinism as unenlightened, anachronistic, and backward-looking. It proceeds to challenge this view by examining closely Carlyle's creative use of key Calvinist concepts in his cosmopolitan and enlightened dialogue with the contemporary periodical press over British and European cultures. Carlyle is shown to be an adept purveyor both of the Edinburgh Magazine's enlightened idiom and of Blackwood's morally conservative and artistically cosmopolitan agendas, while also making creative capital of the Anti-Jacobin's powerful Gothic imagery and of the critical verve of the Westminster Review. The main addressees of Carlyle's reading of the signs of the times, I argue, are contemporary Whigs. Carlyle's depiction of Macaulay as a ‘spiritual hippopotamus’ spells Carlyle's broader critique of the modern lack of imagination of the spiritual which sponsors deterministic religious and secular readings of reality. Carlyle displays his enlightened Calvinist perspective in discussing the French Revolution through such key Scottish Enlightenment concepts as free will, conscience, civilisational and moral progress, and divine providence. Insightful and creative use of his inherited Scottish Calvinist heritage characterises Carlyle's open, cosmopolitan reading of the signs of the times.     

The metaphysics of disinterestedness: the Chinese gardening style and Shaftesbury's new aesthetics1

Scholars of Shaftesbury generally consider his notion of disinterestedness as the beginning of modern aesthetics while connecting it questionably with a view of modernity as defined in terms of the segregation of truth, beauty, and goodness. To read Shaftesbury differently, it is necessary to look into the textual circumstances of his key aesthetic ideas. In particular, it is important to recognize his implicit use of Sir William Temple's discussion of the Chinese garden immediately before the few justly famous passages about the beauty of the ocean, the vale, and the fruit trees and about the free and spontaneous response of the human character which constitutes the aesthetic experience. As well as a useful illumination for his new understanding of disinterestedness, this unusual involvement of a radically different artistic and philosophical tradition may also be his momentary revelation and acknowledgement of an otherwise hidden metaphysical inspiration for his revolutionary aesthetics.     

Fragments of the Modern City: Material Culture and the Rhythms of Everyday Life in Victorian London

This essay analyses the influence of Charles Baudelaire's and Théophile Gautier's fetishist poetics on the early works of Algernon Charles Swinburne. If the crucial role played by the Victorian poet as a cultural ‘passeur’ between France and England has often been highlighted in recent criticism, his aesthetic delight in certain forms of sexual deviance such as podophilia has rarely been explored in relation to the verse of his French mentors. Swinburne, Gautier, and Baudelaire may have indeed shared this erotic fascination with feet: this is a fascination that was partly grounded in these poets' common interest in antique literary models, in particular in Sappho's poetry. Rather than extolling the Hellenic ‘sweetness and light’ which some of his contemporaries set so high, Swinburne indulged in dangerously eroticised Dionysian aesthetics which were perceived as both ‘too Hellenic’ and ‘too French’. I argue that the fetishism of the poetic foot may be read as one of the keys to the Victorian poet's subversive shift away from the serenity often associated with Victorian neoclassicism in favour of a Dionysian energy that anticipates Friedrich Nietzsche's works.     

Bernard Faÿ, Antoine Compagnon: the modern/anti-modern,or the delicate balance of the ‘Entre-Deux’

This article examines Antoine Compagnon’s Le cas Bernard Faÿ: du Collège de France à l’indignité nationale in the light of Compagnon’s intellectual trajectory and in connection with his conception of modernity, in particular French modernity. A sum of contradictions, at once modern and anti-modern, modernity is for Compagnon essentially ambivalent. Its emblem is Baudelaire, whose aesthetic predilection for the modern beauty of the present was paradoxically entwined with his hatred for modernization. Compagnon sets Baudelaire’s intensely nostalgic and somehow already postmodern modernity against the effusive ideology of ‘modernism,’ identified with the cult of progress, the equation between aesthetics and politics, and the lyric militancy of the avant-garde. Through the Janus-like figure of Bernard Faÿ, a modernist aesthete who was Gertrude Stein’s best friend and who turned into a collaborator and a persecutor of Freemasons during the Second World War, Compagnon excavates, at the crossway between aesthetics and politics, at the intersection of modernism and fascism, the contradictions of modernity and the paradoxes of the history of twentieth-century France. In the meantime, going against the linear grain of the great modernist narrative, Compagnon defines the tasks of the new literary history of modernity.     

Rousseau’s reception as an Epicurean: from atheism to aesthetics

ABSTRACT

What did Rousseau's readers mean when they called him an ‘Epicurean’? A seemingly simple question with complex implications. This article attempts to answer it by reconstructing Rousseau's contemporary reception as an Epicurean thinker. First, it surveys the earliest and most widely read critics of the second Discourse: Prussian Astronomer Royal Jean de Castillon, Jesuit priest Louis Bertrand Castel, and Hanoverian biblical scholar Hermann Samuel Reimarus. These readers branded Rousseau an Epicurean primarily to highlight his atheism, his anti-providential and materialist natural philosophy. Then, it discusses Genevan pastor Jacob Vernet's positive assessment of Rousseau as a critic of ‘fashionable’ Epicureanism, before reconstructing Rousseau's critique of the reception of Alexander Pope's Essay on Man as an Epicurean text. These sources elucidate Rousseau's engagement with a range of ideas and argumentative positions that would inform his later self-identification as a ‘refined’ Epicurean. In particular, they highlight his interest in how a sentimental awareness of beauty might mitigate the potentially vicious effects of hedonism. The article concludes with novelist Mme. de Genlis’ critique of Rousseau's Wise Materialism, using his thoughts on the imagination to suggest some of the ways the neglected aesthetic dimensions of Rousseau's reception of Epicureanism might be developed.     

L'illusion métabiologique

In this article, I explore the complex and unappreciated relationship between the moral and political thought of Cicero and Adam Smith. Cicero’s views about justice, propriety, and the selfish love of praise find new expression in Smith’s Theory of Moral Sentiments. I illustrate the important ways in which Smith adopts – often without attribution – Cicero’s precepts and moral judgments. I then go on to demonstrate how Smith strips those Ciceronian conclusions from their original justifying grounds in teleology and natural law. In their place, Smith injects his own psychology based in sentiments as a new account of why it is that we prefer virtue and justice to their opposites. By exploring this relationship, I hope to shed light on an important dynamic whereby modern thought has creatively adapted classical moral and political concepts.     

‘One single ivory cell’: Oscar Wilde and the Brain

This paper considers Oscar Wilde's ongoing interest in the image of a single brain cell as a souvenir of human autonomy in a world of matter. Taking a long view of Wilde's career that demonstrates the relevance to his literary work of his college interests in physiology and philosophy, this paper shows how Wilde's socialism can be explained by his uniquely aesthetic take on the brain. For many late Victorians brain science threatened both the autonomy of human action and the legitimacy of beauty because it had the potential to invalidate conscious experience, but writers whose work Wilde knew, like Ernst Haeckel, W.K. Clifford and John Tyndall, apply aesthetic vocabularies to their own discussions of cells. Their theories illuminate Wilde's representation of the cell as an aesthetic object. Wilde's art collaborates with science to reject action, as action is conventionally understood, without relinquishing beauty as his ultimate value. His discovery of beauty in matter that is beyond the pale of human experience, yet intimately and strangely constitutive of our experience, directs the senses to a new field of experience that values the molecular life the species holds in common, in which individuals and their actions matter less to the possibility of social change than does the necessity of pleasure.