‘The vehicle he has chosen’: Pointing out the theatricality of Caleb Williams

This article challenges the critical view that Godwin's association with the theatre is limited to the ill-fated Antonio (1800), and argues that the theatrical world was extremely important to Godwin the writer and political reformer. It considers Caleb Williams (1794) in this theatrical context and suggests a reading of it as a ‘theatrical novel’ in the light of St. Dunstan (1790), Godwin's historical tragedy. It argues that the novel is structured in such a manner that it reflects contemporary dramatic technique, especially in its incorporation of the practice peculiar to the Georgian stage known as ‘pointing’. I will suggest that this deliberate attempt to ‘narrativize’ this performative technique in fictional prose has profound implications in terms of explaining how Godwin saw his novel interact with its reader and is consistent with the philosophy of Political Justice.     

Idées and mentalités; the case of the catholic reform movement in France

The connection between Godwin and Fénelon has traditionally been restricted to the famous and controversial moment in the first edition of Political Justice (1793) in which Godwin presents an example of the interdependence of rationality and ethical action. This paper argues, however, that Fénelon, and particularly his political and educational treatise Telemachus (1699), plays a significant role in a number of Godwin's subsequent fictional works. Employing Telemachus to explore the theories of education presented by Godwin in the various editions of Political Justice and The Enquirer (1797), this paper explores the manner in which Godwin's version of the Enlightenment transcendence of pedagogical power comes up against its limits. Reading this issue in relation to Godwin's argument, in ‘Of Choice in Reading’, that literature remains outside of socio-ethical corruption, three of Godwin's major novels are shown to demonstrate that Telemachus provides the chance for meta-textual moments in which the appeal to reason (the reader's rational capacity or ‘private judgement’) is at once reflected upon and produced. Reading educational theories and problems into Godwin's major fiction in this fashion helps to clarify aspects of the Godwinian (or ‘Jacobin’) novel.     

Nineteenth-Century London in William Godwin's Diary

The Leverhulme-funded editing of William Godwin's diary aims to ‘to construct a picture of London's literary and extra-parliamentary political life’, following the diary's ‘remarkably detailed map of radical intellectual and political life in the turbulent period of the 1790s’ <http://www.politics.ox.ac.uk/research/projects/godwin_diary/>. However, this map also extends far beyond the 1790s, with the diary's total span reaching from 1788 until Godwin's death in 1836. Critics and biographers have long assumed that Godwin's radical phase was over by 1800, and London to him was only ever a meeting point for free-floating, alienated intellectuals. By contrast, this paper presents new evidence showing his immersion in the material conditions and popular politics of nineteenth-century London. Following Godwin's movements in 1810 from his home and shop in Skinner Street, his perambulations around the city, and visits to dine with fellow radicals and publishers the article examines his immersion in the material conditions and popular politics of nineteenth-century London. It sees him campaigning against the abominable conditions in nearby Smithfield market; joining street protests to demand the release of Burdett from the Tower; and meeting Cobbett in Newgate. Godwin's circulations, recorded in his diary, bring to our attention the cross-fertilization between philosophic and popular radicalism and compel us to re-think the relationship between the conversations at private dinners and the protests in the streets in order to locate and better understand the nineteenth-century metropolitan critical public sphere.     

History,Memory, and Moral Knowledge: William Godwin's Essay on Sepulchres (1809)

In 1809 the radical English philosopher, novelist, and historian William Godwin published Essay on Sepulchres—a proposal to mark the burial sites of the morally great with a simple wooden cross. This paper explores Godwin's essay in terms of his evolution as moral philosopher and historian. While Godwin is commonly renowned as a utilitarian rationalist given to optimistic assertions on human perfectibility, this essay demonstrates the extent to which his moral theory depended on emotion and intuition and how he came to posit an alternative mode of historical perception which queried the progressivist assumptions of ‘Enlightenment’ historiography.     

‘The Epitheatrical Cartoonist’: Matthew Somerville Morgan and the World of Theatre,Art and Journalism in Victorian London

This article examines the vibrant cultural milieu inhabited by one of Victorian Britain's most famous cartoonists, Matthew Somerville Morgan. Morgan is well-known as the cartoonist who attacked Queen Victoria's withdrawal from public life (and her associations with John Brown), and the lifestyle of Albert, Prince of Wales, in the short-lived rival to Punch: the Tomahawk. Likewise, his post-1870 career in New York as cartoonist of the ‘Caricature War’ over the 1872 Presidential elections, and involvement with ‘Buffalo’ Bill Cody have been well-studied. However, his involvement with the world of the 1860s Victorian stage – and the social circles in which he moved – have not been given close attention. This broader social, cultural, and economic context is essential to understanding Morgan's role as a cartoonist-critic of politics, class, gender and art in Victorian Britain. Special attention is given to the ways in which Morgan's work as a theatrical scene-painter informed his other pursuits, including his political cartoons for Fun, the Comic News and the Tomahawk. So central was the theatre to Morgan's life story that he may be appropriately described as an ‘epitheatrical’ figure. Indeed he is one of the most spectacular exemplars of the interconnected worlds of journalism, high art and theatre in Victorian London. The theatre provided him with the artistic and journalistic connections needed to raise himself above his lower-class origins; to move in ‘clubland’ and fashionable bohemian society; and to win an influential place in the key political and cultural debates of his age.     

Derrida and fidelity to history

In the first part of this paper Hugh Rayment-Pickard challenges Mark Bevir's assumption that Derrida does not care about historical or other kinds of truth. A consideration of Derrida's early work on Husserl shows deconstruction to be a kind of skepsis or epoche launched in search of the truth. Yet deconstruction reveals the truth as ‘undecidable’, which means that Derrida's commitment to the truth must take the form of ‘faith’. The second part of the paper considers an example of definite intentional meaning given in Mark Bevir's Logic: Petrarch's ascent of Mont Ventoux. On examination, Petrach's motivation can be seen to be radically divided between secular and religious concerns, a split vividly illustrated in his imaginary dialogue with St Augustine: The Secret. Finally, Rayment-Pickard looks briefly at Derrida's own dialogue with St Augustine, ‘Circumfession’, which also argues that human intentions are irreducibly complex and plural.     

Pocock,Machiavelli and Political Contingency in Foreign Affairs: Republican Existentialism Outside (and Within) the City

SUMMARY

In this essay, inspired by J.G.A. Pocock's appropriation of Machiavelli's theory of political contingency, and building upon my previous engagements with Pocock's ‘republican existentialism’, I focus on the role played by ‘accidents’ in Machiavelli's analysis of war and foreign affairs within The Prince and the Discourses. In so doing, I consider the following issues: the ways through which a potential imperial hegemon might consolidate control over nearby lesser powers—and, conversely, how such less powerful polities might resist imperial encroachments on their autonomy; the contrasting military modes and orders characteristic of ancient and modern republics; and the extent to which Machiavelli actually thought that accidents in foreign affairs were ever truly ‘accidental’ in light of his determinations concerning well- versus badly ordered domestic institutions.     

Jeremy Bentham,the French Revolution and political radicalism

An unresolved debate in Bentham scholarship concerns the question of the timing and circumstances which led to Bentham's ‘conversion’ to democracy, and thus to political radicalism. In the early stages of the French Revolution, Bentham composed material which appeared to justify equality of suffrage on utilitarian grounds, but there are differing interpretations concerning the extent and depth of Bentham's commitment to democracy at this time. The appearance of Rights, Representation, and Reform: Nonsense upon Stilts and other essays on the French Revolution, a new volume in The Collected Works of Jeremy Bentham, containing definitive texts of Bentham's writings at this crucial period, offers an opportunity to reassess this debate. First, Bentham's most radical proposals for political reform came not in the so-called ‘Essay on Representation’ composed in late 1788 and early 1789, as has traditionally been assumed, but in his ‘Projet of a Constitutional Code for France’ composed in the autumn of 1789, where he advocated universal adult (male and female) suffrage, subject to a literacy test. Second, it may be doubted if the very question as to whether Bentham was or was not a sincere convert to democracy is particularly helpful. Rather, it may be better to see Bentham as a ‘projector’ during this period of his life. Third, the nature of Bentham's radicalism was very different at this period from what it would become in the 1810s and 1820s, for instance in relation to his commitment to the traditional structures of the British Constitution. Having said that, his attitude to the British Constitution remained complex and ambivalent. At his most radical phase, in the autumn of 1789, he advocated wide-ranging measures of electoral reform while at the same time harbouring aspirations to be returned to Parliament for one of the Marquis of Lansdowne's pocket boroughs. To conclude, it was, arguably, the internal dynamic of Bentham's critical utilitarianism, rather than the events of the French Revolution, which was ultimately responsible for pushing him into a novel form of radical politics.     

Agamben and the Migrations of Glory

Abstract

In the American political imagination, there is a longstanding and wide-ranging discussion about the separation of church and state. Though Americans argue about whether it should be a ‘‘high wall,’’ or whether certain ‘‘breaches’’ in it might be desirable, they all take ‘‘separation’’ to describe an institutional arrangement. From Giorgio Agamben's perspective, however, ‘‘separation’’ is an image that conceals much more than it reveals about the religious character of the state and the global economy. Agamben traces ‘‘the migrations of glory’’ from church, to state, to global capitalism. For part of this task, Agamben accepts Michel Foucault's diagnostic approach to power. By one reading, certainly, governmentality has us in its grip. But now government itself is overshadowed by the power of global capitalism. While Foucault sought only to make us ‘‘a little less governed,’’ Agamben is interested in a deeper iconoclasm and a greater emancipation. According to Agamben, our less-than-free condition can be illuminated by reflection on: (1) the state of exception and the camp, which are only made possible by a form of idolatry in which the sovereign assumes to themself a power that they should not have; (2) On another of the ‘‘maps’’ drawn by Agamben, however, there is a further ‘‘migration of glory,’’ away from national sovereignty, toward postmodern global capitalism; (3) The Coming Community provides the barest sketch of Agamben's hope for a remedy, while his reading of Paul's Letter to the Romans in The Time that Remains brings a more visible kind of messianic expectation or vocation back into the discussion of political life. A concluding section discusses five sorts of questions that might be put to Agamben about the overall shape of his project.     

Parties in Parliament in the 18th Century: The Demolition of Robert Walcott and its Consequences*

The failure of Robert Walcott's attempted ‘Namierisation’ of Queen Anne's house of commons in the 1950s is now an accepted historiographical fact. Scholars working on late Stuart politics inevitably dismiss Walcott's work as misguided and misleading, and instead take as a given the existence of a two‐party structure as delineated by the standard authority on the subject, Geoffrey Holmes. This article returns to the controversy over ‘party’ in the 1960s, which reached a climax in 1967 with the publication of Holmes's magnum opus and J.H. Plumb's Ford Lectures. The purpose is not to revisit the debate, which was decided conclusively at the time, but to explore the context in which Walcott and his critics were writing; more specifically the connection between Walcott's work and the approach to 18th‐century political history pioneered by Sir Lewis Namier. Using private correspondence between the principals, it argues that Walcott did not properly follow Namier's methods, and was identified as a Namierite largely because Namier was unwilling, for personal reasons, to disown him. In the long run, this reluctance proved damaging, accelerating the decline in Namier's reputation in the 1960s and the shift towards different forms of political history.     

The English Patient and the Italian Risorgimento: Medical Tourism and the Body Politic in Giovanni Ruffini's Doctor Antonio (1855)

Doctor Antonio (1855), Giovanni Ruffini's novel of therapeutic travel, cross-cultural love and Risorgimento propaganda, pairs an English patient's quest for renewed health in Italy in the 1840s with the concurrent resurgence of the Italian nation through political action. An Italian revolutionary activist turned man of English letters, Ruffini wrote seven novels in English, of which the second, Doctor Antonio, was his greatest critical and popular success. Employing the popular Victorian practice of recuperative travel as a key plot device, and using this device to convey Italian political messages to nineteenth-century English readers, the novel offers a context-specific variation of the rhetorical tradition of representing the ‘body politic’ as a site of health, disease and medical management. This essay investigates Doctor Antonio's relation to Anglo-Italian literary, political and medical contexts in the mid-nineteenth century. More specifically, it analyses how the novel's medical plot supports Ruffini's aims of challenging negative stereotypes of Italians and advancing the cause of Italian liberalism. A reading of Lucy Davenne's illness and treatment as an allegory for the condition of the ailing, but potentially resurgent, Italian nation is developed and critically reflected upon. The intersection of medical and political frames of meaning in the text is further explored by interpreting the space and community of Lucy's convalescence as the model of an ideal society to which both English and Italians might aspire. Finally, the essay considers the novel's material impact on the development of medical tourism in northern Italy, and the political significance of this impact.     

Death at St Bernard's: Anti-vivisection,Medicine and the Gothic

Displaying a Gothic fascination with the misapplication of science, Edward Berdoe's St Bernard's: The Romance of a Medical Student (1887) was one of a number of novels in the 1880s that repackaged the horrors of vivisection for public consumption. Although the novel can be dismissed as derivative, it departed from standard themes found in other anti-vivisection texts. Through the device of a hero struggling with the moral implications of science and the reckless treatment of patients, St Bernard's challenged the legitimacy of the teaching hospital. The present article moves debate about the Gothic, literature and science beyond well-known texts by Stevenson and Wells to examine how St Bernard's combined ‘the methods of science with the methods of romance’ and shifted the anti-vivisection narrative into the hospital. In locating the novel within anti-vivisectionist uses of fiction and late-Victorian anxieties about experimental medicine and the teaching hospital, the article explores the novel's relationship with other anti-vivisection texts and Gothic fiction, and examines what it says about scientific practices and mentalities. St Bernard's fashioned a very different hospital from existing representations to warn readers of how brutish students and cruel doctors tortured patients. In doing so, the novel recast the teaching hospital as an uncanny and dangerous place.     

On Political Theology: The Hidden Dialogue between C. Schmitt and Ernst H. Kantorowicz in The King's Two Bodies

In recent years, Ernst H. Kantorowicz's work The King's Two Bodies (1957) has been the object of both historical and philosophical research. Kantorowicz decided to subtitle his book ‘A Study in Medieval Political Theology’, but few scholars have actually recognised his work as research in ‘political theology’. The aim of this article, then, is to uncover the sense(s) in which his book might be considered a work of ‘political theology’, especially in the sense coined by Carl Schmitt in 1922. Such a discussion ultimately aims to contribute to the foundation of political-theology research, a subject that has been widespread among European intellectuals in the twentieth century and which continues to be a focus of interest. This article argues that Kantorowicz's book can be interpreted as a practice of—and also an enriching addition to—Schmitt's thesis on political theology, even if it does not mention Schmitt's name. Such a conclusion is only possible by accepting that there was a heated dialogue between Kantorowicz and Schmitt through Erik Peterson's work. The article further discusses its approach with other scholars that, even though they are based on similar hypotheses, make different conclusions.     

‘Discipline and Interference’: Ruskin's Political Economy,Natural Law,and the Moral Disorder of Victorian England

When Ruskin turned from art and architectural studies towards political economy in the late 1850s works such as Unto This Last, Munera Pulveris and Time and Tide met with negative critical reactions. In these works he attempted to restore to the language of Victorian political economy the moral content which, he argued, had been lost since the time of Adam Smith, under a cloak of misleading scientific terminology associated with utilitarian ‘orthodox political economy’. In doing so, he resorted to pre-Enlightenment sources of political and economic practice. His study of classical, Biblical, medieval and selected renaissance texts led him to gradually embrace older natural law arguments which contrasted sharply with the assumptions of post-Enlightenment positivist forms of natural law and science. These older and more organic natural law based understandings informed the principles by which he established his ideas on economics as well as his late social experiment, the Guild of St George. The charter and oath of the Guild illustrates how Ruskin's early upbringing in the Protestant Evangelical tradition was replaced by a more comprehensive natural law tradition of ethics.     

Gellner redux?

The work of Ernest Gellner continues to be an influential part of nationalism studies. A recent appraisal has raised questions about the argument that Gellner offered in his central text on nationalism, Nations and Nationalism. This article takes up other issues in Gellner's work on nationalism. The article examines Gellner's influential definition of nationalism and the interpretation that he placed on that definition, as well as his treatment of ‘political cohabitation’. It also pays more attention to Gellner's later work, namely, Gellner's discussion of ‘the time zones of nationalism’. The paper draws on secondary literature but its primary purpose is to assess the coherence of Gellner's arguments.     

The religious politics of prophecy: Or,Richard Brothers's Revealed Knowledge confuted

The messianic messages delivered to Londoners by the self-styled prophet, Richard Brothers, were regarded by many sceptical observers and pamphleteers as eccentric or, worse still, the embarrassing utterances of someone wishing to reprise the political turmoil of a by-gone era marred by religious ‘fanaticism’. This article shows the extent to which Brothers's messages, as set down in his Revealed Knowledge of the Prophecies and Times (1794–1795), were absolutely central to the religious politics and culture of the 1790s—or what one contemporary critic mockingly referred to as the ‘age of prophecy’. Brothers's prophecies came to the attention of the British government, which culminated in his arrest for treasonable practices in March 1795 when he became a cause célèbre, before being confined to an asylum for eleven years. He was deemed a criminal lunatic but, as this article seeks to demonstrate, his ‘prophetic imagination’ arose out of the same rich theological, political and cultural context that spurred ‘radicals’ like Tom Paine, whilst inspiring poets and artists such as William Blake. If the content of his prophecies were regarded by contemporary sceptics for having no validity, it remains true to say that Richard Brothers, as an educated gentleman and naval officer, dramatically altered 18th-century expectations and perceptions of what prophets were and the nature of prophecy itself.     

Modern revolutions: An introduction to the analysis of a political phenomenon

This paper provides an interpretation of the movement of Arendt's thought in her Denktagebuch, from 1950 to 1973. This movement results in an incipient political philosophy based on new concepts of freedom, equality, and solidarity. As a contribution to debates on the normative foundations of Arendt's political thought, the paper seeks to show that her incipient political philosophy is based on an ethical understanding of the human condition as constituted by its openness to the divine, the worldly, and the (human) Other. Despite its fragmentary nature and its politically problematic indebtedness to theological traditions, Arendt's private thought nevertheless allows us to rethink her place in the history of European ideas. Beyond that, it also provides a powerful alternative to the view that ethical and political thought must remain ‘political not metaphysical’.     

East and West in Jewish nationalism: conflicting types in the Zionist vision?

ABSTRACT. This article analyses the ethnic and civic components of the early Zionist movement. The debate over whether Zionism was an Eastern‐ethnic nationalist movement or a Western‐civic movement began with the birth of Zionism. The article also investigates the conflict that broke out in 1902 surrounding the publication of Herzl's utopian vision, Altneuland. Ahad Ha'am, a leader of Hibbat Zion and ‘Eastern’ cultural Zionism, sharply attacked Herzl's ‘Western’ political Zionism, which he considered to be disconnected from the cultural foundations of historical Judaism. Instead, Ahad Ha'am supported the Eastern Zionist utopia of Elchanan Leib Lewinsky. Hans Kohn, a leading researcher of nationalism, distinguished between ‘Eastern’ and ‘Western’ nationalist movements. He argued that Herzl's political heritage led the Zionist movement to become an Eastern‐ethnic nationalist movement. The debate over the character of Jewish nationalism – ethnic or civic – continues to engage researchers and remains a topic of public debate in Israel even today. As this article demonstrates, the debate between ‘Eastern’ and ‘Western’ Zionism has its foundations in the origins of the Zionist movement. A close look at the vision held by both groups challenges Kohn's dichotomy as well as his understanding of the Zionist movement.