From speech to literature: Low German and Mennonite identity in two worlds

Chile's geographical remoteness has largely defined the imaginaries people share about this Latin American country. Despite its historical image as finis terrae (“the end of the world”), migrants from all corners found their way to these isolated peripheral lands. Thanks to new means of transport and communication, Chile nowadays is as exposed to the global circulation of people, objects and ideas as the rest of the world. Based on a combination of archival research and ethnographic fieldwork, this article traces how old (and originally foreign) imaginaries about Chile as an inaccessible island keep on influencing how contemporary Chileans participate in and frame their perceived exclusion from a plethora of new transnational mobilities, regardless of whether they have the means and freedom to cross imaginary boundaries and real borders or not. Although increasingly under outside pressure, the value of immobility remains at the core of the Chilean social imaginary, geo-politics and cultural life.     

From sedition to patriotism: performance, place, and the reinterpretation of American ethnic identity

Between the two World Wars, many Americans changed their attitudes toward ethnic minorities and their place within American civic culture. States such as Wisconsin, with its dense concentration of diverse immigrant groups, came under especially harsh fire during the Great War, only to be celebrated 20 years later as microcosms of a pluralist democracy. Although much has been written about this profound transformation of American ethnic identity from the perspective of «official culture», or those governing élites in power, less is known about the role of immigrant communities themselves in this change. Examination of the intertwining of ideology with the social manifestations of cultural performance in one Wisconsin community provides a way to interpret the elusive experience of ordinary people. In the case of two interwar Swiss American cultural performances, a view of ethnic culture emerges that sought to refashion a more inclusive definition of what it meant to be American. In the process of redefining their own identity, third generation Swiss strategically used such performance-based memory work. Their efforts not merely reflected, but shaped a discourse of ethnicity between the wars that became decreasingly antagonistic and gradually more open to ethnic and cultural difference.     

肯定的原理——论尼采的“命运之爱”

在尼采思想中,“命运之爱”思想具有特殊意义。尼采把“命运之爱”看作哲学家所能达到的最高状态。他本人曾一再强调：“我衡量人之中伟大的公式是命运之爱。”“命运之爱是我的最内在的本性。”。实际上,他的所有后期思想都是以“命运之爱”为背景展开的,因此从概念上把握“命运之爱”是理解尼采后期思想的关键所在。     

From the Rhenish Prussian Eifel to the Wisconsin Holyland: immigration,identity and acculturation at the regional scale

The processes and variables that contribute to the construction and maintenance of regional identity can be examined by tracing the origins and transformation of community life. In the case of immigrant communities, pre-migration experiences, social relations, power structures and public memory play significant roles in the construction of regional identity. The transplantation of several communities from the Eifel in Rhenish Prussia to Wisconsin's ‘Holyland’ in the nineteenth century provides the opportunity to study transfer and subsequent acculturation on a regional scale. The power of common cultural origins, based on kinship and an existing sense of community in the Eifel, played an enormous role in the construction of identity and community life in the Holyland. An analysis of the acculturation process within this region reveals the variables that were significant in shaping community life, and provides further insight into the ways in which acculturation and the construction of identity and borders are interrelated.     

From folklore to patriotic and protest songs: Music,youth, and Basque identity during the 1960s

Taking a bottom‐up approach to the study of nationalism, the following pages constitute an attempt to shed light on the role singing played for a young generation of Basques who actively participated in the process of construction of Basque collective identity during the cultural revival movement of the 1960s. In doing so, this article aims at showing the fundamental role of active audiences, as well as their changing political and social context, in conforming the meaning of “Basque songs” as means to promote Basque nationalism and sustain opposition to the Franco regime. The study of the production, reception, and reinterpretation of Basque music during the cultural revival of the 1960s presented here intends to emphasize the interest of focusing on how ordinary people contribute to the recreation of the nation through their appropriation and interpretation of cultural symbols and practices.     

From Romanus to Graecus. The identity and perceptions of the Byzantines in the Frankish West

Estrangement between the Byzantine and Frankish worlds was a long-term process, perceptible in a gradual change in the designations used to refer to the respective other. The Franks came more often to label the Eastern Romans as ‘Greeks’, a term with increasingly pejorative connotations that was used to distinguish the Byzantines from the ancient Roman past, and thereby to reconnect Western identities with both ancient and papal Rome. This paper examines the Frankish terminology and analyses this gradual shift in order to assess what it tells us about Frankish perceptions and their relationship with the Byzantine world. This analysis helps not only in a reassessment of early medieval identity and the use of the notions included in these appellations, but also to understand how these designations might have been used to create a modified Frankish identity and alterity.     

Dithyrambs and Ploughshares: The Cycle of Creation and Criticism in Nietzsche's Aesthetics

Pairing Thus Spoke Zarathustra with On the Genealogy of Morality foregrounds tensions between artistic creation and critical interpretation in Nietzsche's work. From The Birth of Tragedy to his genesis of the concept, Will to Power, Nietzsche describes the real, or “what is,” in terms of a creative, form-giving force. We might therefore read Zarathustra—a linguistically experimental, richly allegorical, self-reflexive, modernist prose poem—as the pre-eminent, artistic mode of philosophical expression, at least for Nietzsche. But Zarathustra is followed by a sober Abhandlung (treatise), which professes a scientific goal of “getting to the bottom of things” by uncovering the contingency, origin, and fabricated nature of supposedly eternal, “given” values. These instantiations of Nietzsche-the-artist and Nietzsche-the-critic suggest art's “double” or contradictory nature—a nature that accents its kinship with philosophy. Zarathustra and the Genealogy, read together, hint that the destruction of idols—or de-constructive, critical interpretation more generally—is not just supplemental to, but a necessary moment within the aesthetic itself.     

Adwa: From monument to document

To the Italian historian the Battle of Adwa in March 1896 has offered a field of interpretation which has been heavily marked by the events that occurred between (and within) the two countries—Ethiopia and Italy—before and after the battle. Adwa has been variously depicted by Italian historiography of the liberal period as a major military defeat, a political mistake by Crispi's expansionist government and the result of deep contrasts within the newly born state over the 'colonial burden'. Fascist historiography painted Adwa as proof of liberal decay and political inefficiency. Adwa's name could be avenged only in the battlefield, which was done during Mussolini's invasion of Ethiopia in 1935-36. From the Ethiopian point of view, Adwa's image changes no less. Until recently, the Battle of Adwa was painted as the landmark for Ethiopian unification and independence during the colonial era. Menelik's momentous victory at Adwa crowned his bid for power in the national arena, while his successful ability to stave off external colonial pressure appeared to cancel, or rather conceal, the internal policy of expansion and consolidation of his country's rule in the region. Today's insistence on Adwa as an African victory appears to be the dominant historiographical representation. The different interpretations all contain elements of truth, yet all, if frozen into historiographical truths, become embarrassing to the historian who needs documents, rather than monuments, as tools of analysis. To many historians both in Italy and Ethiopia, Adwa's respective symbolism of victory/defeat has been transformed into an icon, an historiographical monument, unassailable and immovable. The centenary of Adwa allows us to reconsider historical events of a shared past as critical documents and biased representations reflecting their own culture and time. This article attempts to deconstruct the historiographical monument of Adwa in Italian society so as to transmit such a heavily coded event to the critical examination of future historians in both Italy and Ethiopia.