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1.
Arnold J. Toynbee (1889–1975) has long been neglected or discounted by scholars of international relations and historians of international thought. Yet his contributions to International Affairs, as well as his Surveys of international affairs and his A study of history demonstrate both his capacity for acute interpretation of contemporary events and the depth of his learning about past international societies. This article examines his analysis of mid‐twentieth century international relations, that ‘Time of Troubles’ which he believed would only be escaped through a recovery of ‘creativity’ and profound change in the ways in which world politics were practised. It explores the foundations of his approach to the field, demonstrated both in his Surveys of international affairs and his twelve volume magnum opus, A study of history, as well as his essays in journals. It analyses his diagnosis of the causes of our contemporary ‘Time of Troubles’, in the light of past episodes in world history Toynbee thought analogous to that present condition of international relations. And it traces his retreat from political solutions to the challenges faced in the twentieth century and his movement towards religious responses as a putative alternative. It concludes by arguing that Toynbee deserves recognition, not simply as a pioneering world historian or a controversial interpreter of the politics of the Middle East, but as an acute commentator on the international relations of a troubled age.  相似文献   

2.
ABSTRACT

This article offers a critique of Hannah Arendt’s interpretation of totalitarianism as formulated in her magnum opusThe Origins of Totalitarianism (1951). It argues that, to comprehend totalitarianism, Arendt forged a heterodox method of historical analysis. Employing that method, she conceived totalitarianism as a form of transcendence of historical context. In doing so, however, she ignored crucial historical contexts that were in fact related to the history of totalitarianism. Subverting her interpretation of totalitarianism as transcendence, these elided contexts erupted inadvertently and repeatedly into her analysis—revealing that totalitarianism was solidly embedded in them. The Origins of Totalitarianism thus exhibits a conceptual contradiction that confuses its attempt to understand totalitarianism.  相似文献   

3.
While the Apollonian and Dionysian in Nietzsche’s Birth of Tragedy are often understood as a rehashing of Schopenhauerian metaphysics, recent accounts have shown that his use of these concepts is at odds with such a metaphysics, interpreting them instead as myths. I follow this insight that Nietzsche is engaging in mythmaking in BT, but I argue that proponents of this view have missed an important dimension of that mythmaking: that Nietzsche presents multiple narratives of Apollo and Dionysus from different perspectives, each of which offers different senses of tragic affirmation. This perspectival feature of BT sheds light on the more formal ‘perspectivism’ articulated in the Third Essay of On the Genealogy of Morals, as Nietzsche uses perspective in both cases to generate an epistemic alternative to the life-denying features of modern science. Thus, the metaphysical discussions of the early Nietzsche are inseparable from the development of a stylistic practice that constitutes a radical rejection of metaphysics for the later Nietzsche, and this style is part of a project of generating a more life-affirming approach to knowledge.  相似文献   

4.
When the Soviet Union, Yugoslavia and Czechoslovakia broke apart, several prominent academics argued that this was because they were federations (or ‘ethno‐federations’ as they put it). This article uses Walker Connor's magnum opus on Marxist–Leninist strategy and practice in communist states to show the flaws in these analyses. Connor's work shows that it is more plausible to link the fate of the three communist states to their anti‐federalist practices than to the fact that they were formally federal.  相似文献   

5.
The failure of Robert Walcott's attempted ‘Namierisation’ of Queen Anne's house of commons in the 1950s is now an accepted historiographical fact. Scholars working on late Stuart politics inevitably dismiss Walcott's work as misguided and misleading, and instead take as a given the existence of a two‐party structure as delineated by the standard authority on the subject, Geoffrey Holmes. This article returns to the controversy over ‘party’ in the 1960s, which reached a climax in 1967 with the publication of Holmes's magnum opus and J.H. Plumb's Ford Lectures. The purpose is not to revisit the debate, which was decided conclusively at the time, but to explore the context in which Walcott and his critics were writing; more specifically the connection between Walcott's work and the approach to 18th‐century political history pioneered by Sir Lewis Namier. Using private correspondence between the principals, it argues that Walcott did not properly follow Namier's methods, and was identified as a Namierite largely because Namier was unwilling, for personal reasons, to disown him. In the long run, this reluctance proved damaging, accelerating the decline in Namier's reputation in the 1960s and the shift towards different forms of political history.  相似文献   

6.
Several recent studies have returned to the famous controversy over the reception of Nietzsche’s Birth of Tragedy from the Spirit of Music (1872). By reinterpreting it within the immediate context of Germany in the early 1870s, James Whitman understands this controversy as a Methodenstreit within Classical Philology and James I. Porter claims that, through this controversy, Nietzsche developed an extensive critique of modern culture. I contend that Nietzsche’s reaction to the scholarly rejection of his first publication resulted in no immediate response on his behalf; rather, it led to three years of intense rethinking and strengthening of the position he took in The Birth of Tragedy. This is evidenced in his early published essays and notebooks of 1872–1875. From the first readers of these early notebooks, Karl Schlechta and Anni Anders, to its most recent interpreters, Richard T. Grey and Alexander Nehamas, these scholars are unanimous in understanding them as Nietzsche’s attempt to work through a number of conventional philosophical problems. I argue that Nietzsche developed in these essays and notebooks a type of criticism that broke away from all traditional philosophical problems and creatively introduced such notions as cultural horizon, background phenomena, and life as a philosophical measure — all of which would be further refined in his mature texts of the 1880s and underpin his innovative concepts of the will to power and eternal recurrence.  相似文献   

7.
Nietzsche is generally regarded as a severe critic of historical method and scholarship; this view has influenced much of contemporary discussions about the role and nature of historical scholarship. In this article I argue that this view is seriously mistaken (to a large degree because of the somewhat misleading nature of Vom Nutzen und Nachtheil der Historie für das Leben). I do so by examining what he actually says about understanding history and historical method, as well as his relation to the founders of modern German historiography (Wolf, Niebuhr, Ranke, and Mommsen). I show, contrary to most expectations, that Nietzsche knew these historians well and that he fundamentally affirmed their view of historical method. What he primarily objected to among his contemporaries was that historical scholarship was often regarded as a goal in itself, rather than as a means, and consequently that history was placed above philosophy. In fact, a historical approach was essential for Nietzsche's whole understanding of philosophy, and his own philosophical project.  相似文献   

8.
Abstract

Although an interest in technological ‘failure’ has become prominent in recent history of technology, historians have not always clearly articulated the presuppositions of attributing ‘failure’ to technology. This paper undertakes a critical examination of two main historiographies of ‘failure’: ‘failure’ as categorization of ‘pathological’ technologies that clearly demarcates them from ‘successes’, and ‘failure’ as a mundane and inevitable prerequisite of subsequent ‘success’. To reconcile these divergent analyses, this paper argues that historians should not treat ‘failure’ as residing in the technology itself. It is rather a matter of imputation according to socially‐embedded criteria of what constitutes success and failure. Accordingly judgements of ‘failure’ are prone to interpretive flexibility in a manner that is not necessarily settled by any process of ‘closure.’ I will argue that any ‘failure’ of technologies should be located in the socio‐technical relations of usage, especially in the expectations, skills and resources of human users. The moral irony of attributing responsibility for ‘failure’ to technologies themselves rather than to humans users will thereby be highlighted.  相似文献   

9.
Saul Friedländer's magnum opus, The Years of Extermination, has been received worldwide as an exemplary work of history. Yet it was written by a historian who in the last two decades has strenuously asserted the limits of Holocaust representation. At the center of this essay is a problem of historical writing: how to write a historical narrative of the Holocaust that both offers explanations of the unfolding events and also suggests that the most powerful sensation about those events, at the time and since, is that they are beyond words. I explore Friedländer's crafting of such a narrative by considering, first, the role of his attempt in The Years of Extermination to explain the Holocaust and, second, the narrative form of the book. The book is best seen, I argue, not primarily as a work of explanation but as a vast narrative that places an explanation of the Holocaust within a specific form of describing that goes beyond the boundaries of the historical discipline as it is usually practiced. This form of describing goes beyond the almost positivist attachment to facts that dominates current Holocaust historiography. By using Jewish individual testimonies that are interspersed in the chronological history of the extermination, Friedländer creates a narrative based on ruptures and breaks, devices we associate with works of fiction, and that historians do not usually use. The result is an arresting narrative, which I interpret by using Johan Huizinga's notion of historical sensation. Friedländer sees this narrative form as specific to the Holocaust. I view this commingling of irreducible reality and the possibility of art as a required sensibility that belongs to all historical understanding. And in this respect, The Years of Extermination only lays bare more clearly in the case of the Holocaust what is an essential element in all historical reconstruction.  相似文献   

10.
This essay explores D’Annunzio’s reception of Nietzsche—particularly his sociopolitical theory and idea of the Übermensch—as dramatized in his novel Le Vergini delle rocce (The Maidens of the Rocks). D’Annunzio’s attitude towards Nietzsche was complicated and contradictory, varying from fascination and rivalry to rejection and negation: rather than a philosopher or master, he saw Nietzsche as a poet and soulmate. Like many writers and artists of fin-de-siècle Europe, D’Annunzio too was attracted by Nietzsche’s elitist social theory and Übermensch, of which he presents his own version especially in Maidens of the Rocks. In the novel, the young aristocrat Claudio Cantelmo aspires to overcome himself. However, the fact that Cantelmo fails to achieve his dream of fathering a New King of Rome, reveals D’Annunzio’s deep skepticism about contemporary Italy as well as his own “decadent” soul.  相似文献   

11.
Abstract

Leo Sgurus, archon and ‘tyrant’ of Argolis and Corinthia from c.1200 with an impressive career in the period until c.1208, succeeded in establishing an extensive albeit short-lived Territorialstaat in the NE Peloponnesus following the Latin capture of Constantinople on 12/13 April 1204 and the subsequent Latin onslaught in Greek territories. Truly among the most outstanding figures of the late Byzantine era, Sgurus has been characterized by Dionysios A. Zakythenos as one of the last 'defenders of Greek independence’ following the Frankish conquest of 1204, for this local archon seems to have constituted the sale realistic hope of the mainland Greece populations for an effective stance against the marching crusaders of Boniface of Montferrat, though, as the late George Kolias observed thirty years ago, he unwisely directed his activities rather against his compatriots than against the Latin invader. Yet, it has recently been said by Michael J. Angold that Sgurus ‘almost certainly enjoyed local backing in his expeditions’.  相似文献   

12.
Charles Dickens’s Great Expectations opens with a jolt, as Abel Magwitch – an escaped convict – pounces on the narrator and protagonist, Pip. Despite this rather dramatic introduction, and the pivotal role that he goes on to play in the plot, Magwitch has never been given the sustained critical analysis that he warrants. More often than not he has been treated as one of Dickens’s infamous ‘flat’ characters; a kind of ‘pantomime wicked uncle’, in the words of George Orwell. This is a critical legacy that this paper seeks to redress. Seeing Magwitch as an essential element in Dickens’s critique of mid nineteenth-century society, this paper examines Magwitch’s largely ignored peripatetic and homeless past. By contextualizing Magwitch in his role as a vagrant outsider, and then exploring how this marginal position nuances the cannibalistic appetite he displays in the first pages of the novel, I argue that Magwitch’s violence and ‘savagery’ forms a foil for the more sadistic practices of civilized society. In doing so I position Magwitch at the dark heart of Dickens’s social pessimism, and re-evaluate the culture of cannibalism that we see in Great Expectations.  相似文献   

13.
The historical process underlying Darwin’s Origin of Species (Origin) did not play a significant role in the early editions of the book, in spite of the particular inductivist scientific methodology it espoused. Darwin’s masterpiece did not adequately provide his sources or the historical perspective many contemporary critics expected. Later editions yielded the ‘Historical Sketch’ lacking in the earlier editions, but only under critical pressure. Notwithstanding the sources he provided, Darwin presented the Origin as an ‘abstract’ in order to avoid giving sources; a compromise he acknowledged and undertook to set right in later editions, yet failed to provide throughout the six editions under his supervision. Darwin’s reluctance to publish the historical context of his theory and his sources, particularly sources which were also ‘precursors’, may be attributed as much to the matter of intellectual ownership as science, or even good literary practice. Of special concern to Darwin were issues of priority or originality over ‘descent with modification’ and especially over Natural Selection. Many later historians have argued that Darwin was unaware of the work of his precursors on Natural Selection. Darwin’s theory was an example of independent discovery, albeit along with such obscure precursors as Matthew or Wells, who were unknown to Darwin until after the publication of the Origin. Both Matthew and Wells had a medical education, like James Hutton or Erasmus Darwin earlier in the eighteenth century, or even (in part) Charles Darwin. Evolutionary theory, at least in Britain was a product largely of the medical evolutionists rather than the natural historians which ‘history’ has chosen to select for the focus of attention; and among the medical evolutionists the figure of John Hunter stands out as theorist, experimentalist and teacher: the medical evolutionists were predominantly the product of Hunter’s legacy or of the medical profession and particularly the Scottish Universities. Much recent Darwin scholarship has focused on the private Notebooks, to establish Darwin’s discovery of Natural Selection around 1837–1838 and demonstrate Darwin’s ignorance of his precursors; requiring an explicit acknowledgement by Darwin as the legitimate substantiation of any claim to prior influence. The precursors have been categorized as uniformly obscure or irrelevant to the science of evolution which may be defined exclusively as ‘Darwinian’. The inclination to acknowledge influences, however was not something Darwin was gratuitously given to doing, especially on matters of priority. The Notebooks are not Darwin’s private thoughts; from an early stage he considered them incipient public documents and later sought to protect them as proof of his originality. William C. Wells was not an obscure thinker, but a celebrated scientist whom Herschel, Darwin’s guide to scientific methodology, had recommended as providing a model of scientific method. Darwin discovered Wells through Herschel, and quickly acquired a copy of Wells’ recommended work, no later than 1831, and held it thereafter in his library at Down House. This book, the 1818 edition of Wells’ Two Essays contains a third essay, Wells’ account of Natural Selection. Later, in the Descent of Man (1871) Darwin acknowledged his separate discovery of the correlation of colour and disease immunity in man, also earlier recounted by Wells.  相似文献   

14.
Abstract

Italian historians have not yet seriously confronted the emigration of 27 million Italians as an interpretative theme. Part II of this two‐part article studies Italian migrants’ experiences in France, South America, Switzerland and Germany, comparing ‘Latin’ and ‘Germanic’ receiving areas to the English‐speaking world discussed in Part I. A focus on these other sections of the Italian diaspora challenges some fundamental interpretations of historians of Italy about emigration: Italian migrations to these areas were neither limited to the late nineteenth century, sparked by the economic crises of those yean, nor a product of the ‘problem of the Mezzogiomo’. Italian historians have special opportunities to study return migration to Italy, and to interpret Italy's own evolution into a multicultural receiving country, by comparing it to the models of multi‐ethnic nations where Italian migrants once settled around the world.  相似文献   

15.
ABSTRACT

For years now, a debate has been going on concerning the memoirs of Sarkis Torossian, published in 1947, and republished in a commented Turkish version in 2012. This latter publication sparked a debate among a number of Turkish historians, divided over the reliability or not of Torossian’s account of his participation in the Ottoman war effort as an officer, and his subsequent desertion following the realization that most of his family had fallen victim to deportation and mass murder. Some challenged Torossian’s narrative and evidence, based on inconsistencies and errors, coming to the conclusion that his story was largely fictionalized and his documents forged. Others, on the contrary, took Torossian’s defence, trying to reject or to justify these inconsistencies, and suggesting that this criticism was likely to stem from a nationalist, or even denialist stand regarding the genocide of the Armenians. The debate has to a large extent remained contained within Turkey, and its rare international repercussions, including an article by Taner Akçam in the Journal of Genocide Research, have more or less systematically sided with the ‘pro-Torossian’ side. The present article aims to set the record straight by showing that the criticism levelled against Torossian’s memoirs is extremely serious and solid, and that the debate has been corrupted by a gradual slipping of what should have remained a scholarly discussion into an uncontrolled conflict based on ad hominem attacks and political allegations. It is my contention that the authenticity or not of Torossian’s narrative and documents is of very secondary importance, compared to the much more problematic issue of the way in which ideological, political and moral concerns have ended up hijacking the debate. The ultimate relevance of the so-called Torossian debate may well be its capacity to reveal some crucial weaknesses of genocide research in a late Ottoman context.  相似文献   

16.
Although historians of the crusades and the Latin East are familiar with the Old French translation and continuations of William of Tyre’s Historia, very little has ever been written about the narrative of the Third Crusade generally known as ‘the Latin Continuation of William of Tyre’. This article re-examines the probable date and sources of the Continuatio. Challenging long-standing assumptions about when the Continuatio was written and where the continuator drew his information from, it argues that the evidence points to an original date of composition in the early thirteenth century, not c.1194, as is commonly believed, and that the continuator used Roger of Howden’s Chronica, not his Gesta, as a principal written source. Furthermore, analysis of numerous parallels between the Continuatio and the vernacular Estoire de la guerre sainte attributed to the poet Ambroise reveals a possible relationship between the two texts that has hitherto gone largely unnoticed.  相似文献   

17.
This article explores a series of Carolingian historians, writing in the early ninth century, who marginalized the role of God’s agency, in sharp contrast to the pattern established by the Annales Regni Francorum. Where this has been noted before, largely in relation to Einhard’s Vita Karoli, it has been explained either as a clash between lay and monastic ideals or as a by-product of the classical renewal at the Carolingian court. Examining this process across multiple texts suggests, however, that these historians can be understood as self-consciously ‘secularizing’ in response to contemporary crises.  相似文献   

18.
The ‘longer’ will of St Remigius of Reims, as preserved in the mid‐tenth‐century Historia Remensis ecclesiae of Flodoard of Reims, is widely agreed to be a forgery. But despite the fact that it is known almost exclusively from Flodoard's work, historians have never suggested that this document was produced in his day. This article contends that the longer will was indeed an original component of the Historia. Read in this context, the will can throw new light on the Historia itself, the career of Flodoard and the tumultuous history of the church of Reims in the first half of the tenth century.  相似文献   

19.
Despite the widespread influence of Nietzsche’s iconoclastic works on twentieth-century intellectual and literary culture, there has been a surprising lack of academic focus on the parallels between his philosophical trajectory and the anthropological literature on the mysterious god Dionysus. The striking correlations between ancient Dionysian worship with Nietzsche’s oeuvre revalorise the celebration of ecstasy. In Twilight of the Idols, he states that the Dionysian is “beyond pity and terror, to realize in oneself the eternal joy of becoming.” By elucidating some of the mysteries surrounding this enigmatic god, this article aims to re-establish the central importance of Dionysus in Nietzsche’s work, and to suggest that if we are to understand Nietzsche at all, we must first undertake an anthropological reading of Dionysus.  相似文献   

20.
This article will examine the representation of Irish women servants in Maeve Brennan's short stories, first published in The New Yorker in the 1950s, and collected in The Rose Garden (2001). The Irish ‘Bridget’, the most publicly visible, if troubling, image of Irish womanhood in late nineteenth- and early twentieth-century America, has received much-needed attention from historians and social scientists in the last decade, and is a central figure in discussions of Irish women and diasporic identity in the American context. Drawing on this body of work, and focusing in detail on key stories from the collection, including ‘The Bride’, ‘The View from the Kitchen’, ‘The Anachronism’, ‘The Divine Fireplace’, and ‘The Servants’ Dance', I argue that Brennan's reimagining of the Irish Bridget can be approached as a form of feminist revisionism, as Brennan's stories enter into a charged dialogue with the history of imagining the Irish woman servant as an undesirable but necessary presence in middle-class American domestic culture. Brennan's self-reflexive reworking of this paradigm is informed by her work as a satirist for The New Yorker, and proves an effective means of writing back to this problematic history, as she takes up recognisable tropes and motifs from earlier representations of Bridget in popular and literary culture, and alters them in knowing and subversive ways.  相似文献   

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